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<blockquote>
<div id="_mcePaste">The End is The Beginning</div></blockquote>
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<blockquote>
<p class="MsoNormal"><span style="font-size: 9.0pt; mso-bidi-font-size: 12.0pt; font-family: &quot;Caslon Book BE Regular&quot;; mso-bidi-font-family: Tahoma;" lang="EN-US">‘<em style="mso-bidi-font-style: normal;">Electric Sheep</em> writes about film for people who like film: a classic approach.'
<strong>Norman Lebrecht, <em>The New Statesman</em></strong></span></p>
<p class="MsoNormal"><strong><em><span style="font-size: 9.0pt; mso-bidi-font-size: 12.0pt; font-family: &quot;Caslon Book BE Regular&quot;; mso-bidi-font-family: Tahoma;" lang="EN-US"> </span></em></strong></p>

<div id="_mcePaste" style="text-align: left;"><span style="font-size: 9.0pt; mso-bidi-font-size: 12.0pt; font-family: &quot;Caslon Book BE Regular&quot;; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: Tahoma; mso-ansi-language: EN-US; mso-fareast-language: EN-US;" lang="EN-US">'Refreshing and original, <em>Electric Sheep</em> explores the world of film from myriad angles with wit and imagination.’ <strong>Jennifer Higgie, <em>Frieze</em></strong></span></div></blockquote>
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<div style="text-align: left;"><strong>The first 200 copies of the book bought directly from Strange Attractor will include a set of artists postcards.</strong></div>
<div style="text-align: left;"><span style="font-size: 9.0pt; mso-bidi-font-size: 12.0pt; font-family: &quot;Caslon Book BE Regular&quot;; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: Tahoma; mso-ansi-language: EN-US; mso-fareast-language: EN-US;" lang="EN-US"><strong><em>
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<div style="text-align: left;">Acclaimed film magazine <em><a href="http://www.electricsheepmagazine.co.uk/" target="_blank">Electric Sheep</a></em> presents a bold new anthology of writing from cinema's sharpest edge.</div>
<div id="_mcePaste" style="text-align: left;">From the gutter to the avant garde, The End brings together a mind-bendingly eclectic programme of films, authors, artists and directors to create a unique new vision of cinema past, present and future.</div>
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<div style="text-align: left;">Follow us into the darkness and you'll find Bill Morrision's chemical ghosts, the Bad Girls of '50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu's Japanese nihilists, David Lynch's sonic cinema, Clouzot's lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman's final thoughts and more.</div>
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<div id="_mcePaste">Contributors include</div>
<div id="_mcePaste">Jim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>)</div>
<div id="_mcePaste">Greg Klymkiw (producer of Guy Maddin’s <em>Careful</em>)</div>
<div id="_mcePaste">Frances Morgan (former editor of <em>Plan B Magazine</em>)</div>
<div id="_mcePaste">James Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>)</div>
<div id="_mcePaste">Jack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)</div>
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<blockquote>‘Electric Sheep is idiosyncratic, 'intelligent, informed and it really  knows and cares about cinema.  Long may it prosper.’ The Wire</blockquote>