<img class="alignnone size-full wp-image-1134" style="border: 0; vertical-align: top; margin: 8px;" title="hh" src="http://strangeattractor.co.uk/wp-content/uploads/2008/12/hh.jpg" alt="" width="400" height="275" />

<em>3am</em> magazine have just published an in-depth <a href="http://www.3ammagazine.com/3am/everyone-should-have-their-own-factory-catalogue-number/" target="_blank">interview</a> with <a href="http://www.strangeattractor.co.uk/shoppe/shop_WTM.html" target="_blank">Welcome to Mars</a> author Ken Hollings in which he shares his thoughts about WTM and talks about his work in words, music and performance.

<em>The Flying Saucer, like the effects of LSD and the dangers of atomic radiation are all phenomena whose real power exists outside the human sensory spectrum: each in its own way defies detection and categorization in any conventional sense. They are, in the words of former RAND president Donald Rumsfeld, ‘known unknowns’. One way of studying them is to examine how large organizations, such as RAND and the Pentagon, respond to their existence; another is to examine them obliquely through popular culture, to see how the public imagination responds to it. Reactions to the Flying Saucer were conditioned to an appreciable extent by the spread of the new electronic media and the interdisciplinary approach to mass communication that accompanied them during the period covered in my book. It’s not an accident that 1957, the year which sees Sputnik launched into Earth orbit is also the year when Marshall McLuhan first publicly states that the medium is the message.</em>

Read it <a href="http://www.3ammagazine.com/3am/everyone-should-have-their-own-factory-catalogue-number/" target="_blank">here</a>