(6063,2,'2018-01-03 15:42:16','2018-01-03 15:42:16','<strong>\r\n</strong>Strange Attractor Press is an independent publishing house, founded in 2003, based in London, UK and run by Mark Pilkington and Jamie Sutcliffe.\r\n\r\nWe edit, publish and produce all of our titles in-house, aided by freelance editors, designers, illustrators and proof readers, commissioned on a project-by-project basis.\r\n\r\n<strong>Proposals</strong>\r\nMost of our titles emerge out of discussions with authors and we only rarely take on new projects on spec. Please read these <a href=\"http://strangeattractor.co.uk/news/submission-guidelines/\"><em>submission guidelines</em></a> before sending us a proposal.\r\n\r\n<strong>Working with SAP\r\n</strong>We are currently a two-person team and are not likely to expand in the near future, but if you would like to talk to us about working on a freelance basis, do please get in touch.\r\n\r\nWork Experience\r\nWe receive a large number of requests for work experience placements, and we welcome students and other visitors who want to see how we work. However, please bear the following in mind before writing to us:\r\n- unfortunately we we are not in a position to be able to pay work experience visitors or interns.  <strong>\r\n</strong>- please familiarise yourself with our titles and our approach before contacting us. If our books don\'t sound interesting to you, then we would suggest that you won\'t benefit from work experience with us. We would like you to have read at least one of our titles before getting in touch.<strong>\r\n</strong>- we welcome assistance from graduate or post-graduate students, but would recommend that you familiarise yourself with commercial design and layout software such as Abode Indesign and Photoshop if you want to work alongside us.\r\n- we are a small independent press and can\'t offer you any assistance in finding work in the commercial publishing arena. However, because we are small and independent, we manage all aspects of book publishing ourselves (though we work alongside MIT Press and State51 for distribution and publicity) so we can provide a good opportunity to learn the processes and practices involved.\r\n<strong>\r\nStrange Attractor Press titles are available directly from our <a href=\"http://strangeattractor.co.uk/shoppe/\">Shoppe</a>, or from all interesting bookshops worldwide.</strong>\r\n\r\nGlobal distribution is through The MIT Press, Cambridge <span style=\"color: #000000;\">Massachusetts, USA and London, UK.</span>\r\n\r\n<strong>Booksellers in the UK and in the rest of Europe can order our titles via</strong>\r\n\r\nJohn Wiley &amp; Sons Ltd\r\nEuropean Distribution Centre\r\nNew Era Estate\r\nOldlands Way, Bognor Regis\r\nPO22 9NQ\r\nUK\r\n\r\nOrder our titles for your bookshop:<strong>\r\n</strong><a href=\"https://bookseller.wiley.com/CGI-BIN/lansaweb?procfun+bookseller+bksfn07\">Login or set up an account here\r\n</a>UK orders:+44 1243 843291\r\nOverseas orders: +44 1243 843294\r\nEmail: <a href=\"mailto:Customer@wiley.com\">Customer@wiley.com</a>\r\n\r\n<strong>Booksellers in the USA and the Rest of the World can order via</strong>\r\n<a href=\"https://mitpress.mit.edu/services/how-to-order\">The MIT Press</a>\r\nc/o Triliteral\r\n100 Maple Ridge Drive\r\nCumberland, RI 02864\r\n\r\n∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞\r\n\r\n<strong>A brief history of Strange Attractor Press</strong>\r\n\r\nIn <strong>2001 </strong>Mark Pilkington and John Lundberg instigated a series of events at London\'s <a href=\"http://www.thehorsehospital.com\" target=\"_blank\" rel=\"noopener noreferrer\">The Horse Hospital</a> that ran for two years under the title \'Strange Attractor\' (<em>see images of our early events below</em>). Since then Mark has continued to organise sporadic Strange Attractor events and to work on larger collaborative projects.\r\n\r\nIn <strong>2003</strong>, along with designer Ali Hutchinson, Mark edited and published <em>Strange Attractor Journal One</em>, an anthology (now out-of-print) of writing on neglected and esoteric cultural, historical and anthropological themes in keeping with the original events, that marked the first appearance of Strange Attractor Press.\r\n\r\nIn <strong>2010 </strong>Strange Attractor Press became a limited company and in <strong>2014</strong> Jamie Sutcliffe joined us as an editor and publisher. In <strong>2017 </strong>SAP titles were picked up for global distribution by the MIT Press.\r\n\r\nOver a decade since its inception, with numerous exhibitions and books in its past, and in its future, Strange Attractor Press continues its mission to celebrate unpopular culture. Join us.\r\n\r\n∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞\r\n\r\n<strong>A long history of Strange Attractor</strong>\r\n<strong>by Ken Hollings </strong>\r\n(published in <a href=\"http://www.thewire.co.uk/\"><em>The Wire</em></a> magazine #<a href=\"http://www.thewire.co.uk/issues/275/\" target=\"_blank\" rel=\"noopener noreferrer\"><img class=\"size-medium wp-image-2695 alignright\" title=\"The Wire #275 January 2007\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/The-Wire-275-January-2007-244x300.jpg\" alt=\"\" width=\"244\" height=\"300\" /></a>, January 2007)\r\n\r\n<em>Ken Hollings rides the world’s subcultural currents mapped by London’s Strange Attractor.</em>\r\n\r\nStrange Attractor is well named. There’s really no escaping it. Starting out as a series of live events, it has slowly transmuted into an annual publication, set up an online clearing house for the weird and the wonderful and recently made its first move towards establishing itself as a publishing house. “Strange Attractor celebrates unpopular culture,” runs its mission statement. “We declare war on mediocrity and a pox on the foot soldiers of stupidity. Join us.” Who could possibly resist such a challenge? Sooner or later you have to get involved. (In the interests of full transparency: the writer of this article has taken part in a number of Strange Attractor evenings and is a regular contributor to Strange Attractor Journal.)\r\n\r\nWith orders for the Strange Attractor publications coming in from all over the world, and mainstream media like The Independent On Sunday praising it for producing “one of the most weirdly beautiful, beautifully weird magazines of the past hundred-odd years” a bigger problem presents itself. How do you celebrate unpopular culture without losing its unpopularity?\r\n\r\n“There’s certainly no business plan,” admits Strange Attractor Journal’s publisher and chief editor, Mark Pilkington. “We’re really making it all up as we go along. I hope thatStrange Attractor’s approach to culture is simultaneously that of the archaeologist, the ethnographer, the anthropologist, the occultist, the showman and the curator.”\r\n\r\nIt’s a heady mix. The first two issues, both book-sized anthologies running to more than 200 and 400 pages apiece, have presented material ranged across such elusive topics as mind control experiments, mould art, hair sculpture, cargo cults, neglected gods and forgotten waxworks. Such a list limits more than it clarifies, however. Strange Attractor Journal is concerned less with the unexplained than with the unexpected. You never know what it will cover next.\r\n\r\n“I think Strange Attractor is refreshing to people in that it manages to straddle several cultural channels while still following its own agenda,” Pilkington admits, “and it’s one not driven by the same obvious memes. But at the same time it’s important that it doesn’t become obscurantist for its own sake—some things are lost for a reason, others will only resurface when the time is right.”\r\n\r\nStrange Attractor’s wayward eclecticism dates back to a series of monthly events begun in the summer of 2001 by Pilkington in collaboration with artist John Lundberg and continuing over the next two years. Staged at London’s Horse Hospital venue, they gave an early indication of the loose network of experimental enterprises that was starting to come into existence, linking outsider artists with cultural anthropologists, textual hackers and practising occultists.\r\n\r\n<img class=\"alignright size-medium wp-image-2699\" title=\"SA2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA2-300x235.png\" alt=\"\" width=\"300\" height=\"235\" />\r\n\r\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA3.png\"><img class=\"alignnone size-medium wp-image-2702\" title=\"SA3\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA3-300x290.png\" alt=\"\" width=\"300\" height=\"290\" /></a>\r\n\r\n“We’d mix talks, films, music, presentations, each night being themed around a different topic,” Pilkington recalls. “I rather pretentiously called them ‘information happenings’. Subjects ranged from conspiracy theory to theremins, Esperanto to magick, hoaxes, illusions and psychic deceptions: basically anything that interested us and could draw people that we liked or wanted to meet into one place.” Highlights included a live and bloody demonstration of psychic surgery, sci-fi movie themes played on vintage electronic instruments and a live Lovecraft-influenced Chaos Magick ritual with a soundtrack performed “by a band who couldn’t see what was going on.”\r\n\r\nAfter Lundberg enrolled at the National Film and Television School, Pilkington went solo but eventually grew tired of doing regular live events, deciding instead to do something that would last longer: hence the Journal.\r\n\r\nThe notion of outliving the moment, of being around for more than just a quick cultural fix, is very much a part of SAJ’s overall look and feel. The first thing you notice is that the front and back cover of each issue is devoid of text or title, which only appears on the book’s spine. If you want to know who the contributors are, you’ll have to look inside.\r\n\r\n“For me, it was about giving as much space as possible to striking images and therefore making them stand out on the bookshelf,” Pilkington explains. “I imagined people being aware that something was wrong with the cover but perhaps not being able to put their finger on it.”\r\n\r\nThe absence of cover copy also binds together the Journal’s various contributors in the anonymity of a collective endeavour. “We’re lucky enough to live in an age where we can clearly trace the influences of the past on our present,” Pilkington continues, “and it’s not always today’s most celebrated ideas, musicians and writers who will be remembered. This notion of timelessness is very important to what SAJ is and does. I’d like the books to be as irrelevant to a reader 100 years in the future as it would be to someone 100 years in the past. It’s a re-manipulation of the notion of built-in obsolescence.”\r\n\r\nThe Journal’s pages teem with old woodcuts, antiquated typefaces and intricate layouts, giving the impression of having been produced in some parallel past: one that runs counter to established tenets of historical development. Having previously worked as a journalist for periodicals as varied as Fortean Times, Bizarre and The Guardian, Mark Pilkington remains keenly aware of what’s going on around him.\r\n\r\n“There’s a particularly vibrant, very loose cultural network in London at the moment,” he remarks, “one that incorporates music and sound, ideas and information, visual arts and almost anything else you’d care to imagine. It’s inevitable that these people, places and events all bounce off and influence each other in a kind of subcultural Brownian motion.”\r\n\r\nAs well as working closely with designer Alison Hutchinson, readying volume three for publication, Pilkington has also been getting Strange Attractor Press up and running. Its first book to date, The Field Guide: The Art, History And Philosophy Of Crop Circle Making by Rob Irving and John Lundberg, is a particularly cerebral blend of art theory, paranormal phenomena, hoaxes and speculations, ruggedly bound and designed to fit snugly inside your knapsack while out exploring the British countryside. Conventional wisdom says it shouldn’t work, but Strange Attractor’s own particular blend of parlour magic proves that it does.\r\n\r\n“I sometimes see myself as a medium,” Mark reveals, “a channel for all the material that has formed Strange Attractor. I’ve been incredibly lucky with the amazing contributions the Journal has attracted so far.”\r\n\r\nThere’s no escaping it. Strange Attractor really is well named.','About','','inherit','closed','closed','','2624-revision-v1','','','2018-01-03 15:42:16','2018-01-03 15:42:16','',2624,'http://strangeattractor.co.uk/news/2624-revision-v1/',0,'revision','',0),(2850,2,'2011-01-13 09:06:08','2011-01-13 09:06:08','<strong>Edited by Mark Pilkington<img class=\"alignright size-full wp-image-2237\" title=\"saj3\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj3.gif\" alt=\"\" width=\"228\" height=\"314\" /> A5 PB, 350pp, £13.99 UK\r\nISBN 978-0954805432</strong>\r\n<blockquote>A third helping of high strangeness from the acclaimed Strange Attractor anthology series.</blockquote>\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" /> <input name=\"hosted_button_id\" type=\"hidden\" value=\"3WE6NCS8UHUG2\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £14.00</option> <option value=\"EU\">EU £15.00</option> <option value=\"ROW\">ROW £16.00</option> <option value=\"ROW AIR\">ROW AIR £18.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n</form><strong>Contents\r\n<strong>| <em>Contra Genesis</em> </strong>- <em>Catherine Eisner</em></strong>\r\n\r\n<strong>Unusual cases of extra-genital conception, extra-uterine gestation, and other anomalous exits</strong>\r\n\r\n<strong><strong>| <em>Burmese Daze</em></strong> - <em>Erik Davis</em>\r\nIn which the author submits to the pleasures of a transgender spirit possession festival</strong>\r\n\r\n<strong><strong><em>| Adventures in the Fourth Dimension</em></strong> - <em>Mike Jay</em>\r\nA Victorian time machine and history’s first theme park ride</strong>\r\n\r\n<strong><strong><em>| Ego in Exotica Sum</em></strong> - <em>Ken Hollings</em>\r\nIn memoriam Martin Denny, crown prince of the exotica sound</strong>\r\n\r\n<strong><strong><em>| A Psychoactive Bestiary</em></strong> - <em>Richard Rudgley</em>\r\nThe joy of zootoxins, from the ant to the giraffe\r\n\r\n<strong><em>| Liberté, Légalité, Éternité</em></strong> - <em>David Luke</em>\r\nSome notes on psychonautic misadventures in time\r\n\r\n<strong><em>| Kandinsky’s Thought Forms</em></strong> - <em>Gary Lachman</em>\r\nThe occult roots of modern art\r\n\r\n<strong><em>| Magic Words</em></strong> - <em>Steve Moore</em>\r\nVirgil the Necromancer in mediæval legend\r\n\r\n<strong><em>| Abu’l-Qasim al-Iraqi</em></strong> - <em>Robert Irwin</em>\r\n12th century Arab alchemists on the edge\r\nof knowledge\r\n\r\n<strong><em>| The Electrochemical Glass</em></strong> - <em>Richard Brown</em>\r\nA slow-evolving artwork from a living alchemist\r\n\r\n<strong><em>| The Man Behind the Screen</em></strong> - <em>David Rothenberg</em>\r\nHans Christian Andersen’s greatest and least-known work\r\n\r\n<strong><em>| The Mole of Edge Hill</em></strong> - <em>John Reppion</em>\r\nJoseph Williamson, Liverpool’s tunnelling philanthropist\r\n\r\n<strong><em>| La Maison de Poupées</em></strong> - <em>Robert Ansell</em>\r\nA photographic study of a magnificent compulsion\r\n\r\n<strong><em>| The Dirty Thirties</em></strong> -<em> Alexis Lykiard</em>\r\nFrom Arthur Koestler’s Encyclopædia of Sexual Knowledge\r\n\r\n<strong><em>| Paint it Black</em></strong> - <em>Stewart Home</em>\r\nAutohagiography of an artist\r\n\r\n<strong><em>| Redonda and Her Kings</em></strong> - <em>Roger Dobson</em>\r\nThe island life of early science fiction author MP Shiel\r\n\r\n<strong><em>| Magic in Paris</em></strong> - <em>Phil Baker</em>\r\nDemons of the opium den in Thirties Paris\r\n\r\n<strong><em>| The Dark Man’s Dreams</em></strong> -<em> Doug Skinner</em>\r\nAn introduction to Xavier Forneret, Surrealism’s lost poet\r\n\r\n<strong><em>| Ghosts: A short Story</em></strong>\r\n<em>by Lady Vervaine</em>\r\n\r\n<strong><em>Plus original artworks by Alison Gill, Josephine Harvatt, Betsy Heistand, Katie Owens, Arik Roper.</em></strong>\r\n\r\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj3.gif\">\r\n</a>\r\n\r\n<strong> </strong>\r\n\r\n</strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>','Journal Three','Edited by Mark Pilkington\r\nA5 PB, 350pp, £13.99 UK\r\nISBN 978-0954805432','inherit','open','open','','2150-revision-v1','','','2011-01-13 09:06:08','2011-01-13 09:06:08','',2150,'http://strangeattractor.co.uk/further/2150-revision-26/',0,'revision','',0),(3615,2,'2011-05-26 08:48:39','2011-05-26 08:48:39','','LLR','','inherit','open','open','','llr','','','2011-05-26 08:48:39','2011-05-26 08:48:39','',0,'http://strangeattractor.co.uk/wp-content/uploads/2011/05/LLR.jpg',0,'attachment','image/jpeg',0),(6062,2,'2018-01-03 15:41:20','2018-01-03 15:41:20','<em>We welcome proposals and manuscript submissions but please read these guidelines before contacting us:</em>\r\n\r\n- Before sending us your proposal or manuscript, if you are not familiar with our existing titles, please take a few minutes to <a href=\"http://strangeattractor.co.uk/shoppe/\">browse our existing list</a> and consider how your work might, or might not, sit alongside our already published books.\r\n\r\n- We are predominantly a non-fiction publisher, our key interests being previously neglected or rejected areas of research and investigation. Ideally your research will be breaking new ground, or presenting new perspectives on a story that has been told previously. We look for books that present their author’s depth of research through engaging and accessible writing. We are not an academic publishing house, though we are <a href=\"https://mitpress.mit.edu/books/catalogs\">distributed via MIT Press</a>, but we do expect your research to be credible, backed up by evidence and fully referenced.\r\n\r\n- While we are not really a fiction publisher, we have published a handful of novels and short fiction anthologies and shall continue to do so. Broadly speaking we are interested in fiction that sits uneasily alongside other strange tales of science fiction, fantasy or the supernatural.\r\n\r\n- Please do not send us your poetry. We are not a poetry press, though we have published poetry as part of archival collections.\r\n\r\n<strong>What to send us</strong>\r\n\r\n- First of all, please send us a brief summary, about 800 words long, of what you have written, or intend to write. A separate breakdown of chapters is useful if you have one. We can then decide whether we want to see your completed manuscript, or discuss a commission with you. Finished manuscripts will be read by us and our readers for assessment.\r\n\r\n<strong>What else you should know before approaching us</strong>\r\n\r\n- We don’t deal with agents. If you are an author, please contact us directly. Publishing your book will be a collaborative process - we want to work with you, and not an intermediary.\r\n\r\n- Please do not expect an advance. We are a small independent press and unfortunately are unable to pay authors in , except in very rare instances, for example if we know for certain that we can presell a specific number of copies of a title.\r\n\r\n- We do, however, offer authors a very generous share of profits. We will also produce your book to the highest standards possible, and it will be distributed worldwide via <a href=\"https://mitpress.mit.edu/books/catalogs\">MIT Press</a>.\r\n\r\n- We usually publish in paperback, though we sometimes also produce short hardback runs, either independently or as part of the edition.\r\n\r\n- Once your book is written and all other materials - such as illustrations - are in place, it will take six months to a year for a book to be published, though the process can sometimes be shorter, or longer, and will be determined by our distributor\'s catalogue schedule.\r\n\r\n<em>While the above may sound daunting, please don’t be put off - we want to hear from you. </em>\r\n\r\n<em>Join us!</em>\r\n\r\n&nbsp;','Submission Guidelines','','inherit','closed','closed','','6061-revision-v1','','','2018-01-03 15:41:20','2018-01-03 15:41:20','',6061,'http://strangeattractor.co.uk/news/6061-revision-v1/',0,'revision','',0),(3610,2,'2011-05-24 08:43:31','2011-05-24 08:43:31','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/Good-Hutton-Pic.jpeg\"><img class=\"alignleft size-full wp-image-3608\" title=\"Good Hutton Pic\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/Good-Hutton-Pic.jpeg\" alt=\"\" width=\"333\" height=\"500\" /></a>\r\n\r\nA rare, in-depth interview with the brilliant Professor Ronald Hutton,  historian of witchcraft and paganism and author of <em><a href=\"http://www.amazon.co.uk/gp/product/0192854496/ref=as_li_ss_tl?ie=UTF8&amp;tag=stranattra-21&amp;linkCode=as2&amp;camp=1634&amp;creative=19450&amp;creativeASIN=0192854496\">The Triumph of the Moon</a></em>, <em><a href=\"http://www.amazon.co.uk/gp/product/0192854488/ref=as_li_ss_tl?ie=UTF8&amp;tag=stranattra-21&amp;linkCode=as2&amp;camp=1634&amp;creative=19450&amp;creativeASIN=0192854488\">Stations of the Sun</a></em> and several other books on magical and folk tradition in the British Isles.  The interview was conducted by Australian historian of witchcraft Caroline Tully, for her blog <a href=\"http://necropolisnow.blogspot.com/\" target=\"_blank\">Necropolis Now</a>.\r\n\r\n<strong>While there is no decisive evidence to substantiate the existence of Pagan witchcraft before Gardner, many Pagan witches would say that this is because their religion was secret and passed down via oral tradition. What are we to make of claims regarding oral tradition?</strong>\r\n\r\nI have no interest in contesting the claims of modern Pagans to represent a secretly surviving tradition, as long as the practitioners do not attack me or offer any actual historical evidence for scrutiny. If they do neither, then they are effectively standing outside history and are not the concern of a historian. I regularly read articles by contemporary witches, expounding one system or another which they say has been passed down through their family or their initiatory tradition for centuries, and offering no evidence to support this claim. They are no concern of mine, and it is open to others to believe or disbelieve them as they will. Gerald Gardner’s Wicca was, however, based on specific historical evidence, above all the early modern trials, and academic framework of interpretation of it, which were very much the business of historians.\r\n\r\n<strong>If modern Pagan witches do not represent a continuation of a religion that survived the Witch Hunts and can be traced back to the pre-Christian era, then what is our lineage?</strong>\r\n\r\n... I have taken direct issue with the view generally held by academics that there were no links between ancient and modern paganism at all. In reply I identified no less than four cultural streams which connected the two: ritual magic, cunning craft, folk rites, and (above all) the persistent love affair of Christian culture with the art and literature of the ancient world. All these streams of images and ideas were, certainly, maintained between the early medieval and modern periods by people who were at least nominally Christian, but none the less they were preserved. The great development of the modern age was for them to be filtered back out of general Christian culture and recombined with an active allegiance to pagan deities to produce a revived and viable set of Pagan religions.\r\n\r\n<em>Read the full, long interview at <a href=\"http://necropolisnow.blogspot.com/\" target=\"_blank\">Necropolis Now</a></em>','Ronald Hutton interviewed','An in-depth interview with Professor Ronald Hutton, the eminent historian of witchcraft and paganism and author of The Triumph of the Moon, Stations of the Sun and other key books.','inherit','open','open','','3607-revision-2','','','2011-05-24 08:43:31','2011-05-24 08:43:31','',3607,'http://strangeattractor.co.uk/further/3607-revision-2/',0,'revision','',0),(2851,2,'2011-01-13 09:08:11','2011-01-13 09:08:11','<strong>Edited by Mark Pilkington<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj2.gif\"><img class=\"alignright size-full wp-image-2233\" title=\"saj2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj2.gif\" alt=\"\" width=\"226\" height=\"314\" /></a>\r\nA5, PB, £13.99 UK\r\nISBN 978-0954805418</strong>\r\n<blockquote>A second helping of high strangeness from the acclaimed StrangeAttractor anthology series.</blockquote>\r\n<span style=\"font-style: normal;\"><strong>Contents</strong></span>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_cart\" /> <input name=\"business\" type=\"hidden\" value=\"strangeattractorpress@googlemail.com\" /> <input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"SAJ2\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"products\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /> <input name=\"add\" type=\"hidden\" value=\"1\" /> <input name=\"bn\" type=\"hidden\" value=\"PP-ShopCartBF:btn_cart_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £14.00</option> <option value=\"EU\">EU £15.00</option> <option value=\"ROW\">ROW £16.00</option> <option value=\"ROW AIR\">ROW AIR £18.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"option_select0\" type=\"hidden\" value=\"UK\" /> <input name=\"option_amount0\" type=\"hidden\" value=\"14.00\" /> <input name=\"option_select1\" type=\"hidden\" value=\"EU\" /> <input name=\"option_amount1\" type=\"hidden\" value=\"15.00\" /> <input name=\"option_select2\" type=\"hidden\" value=\"ROW\" /> <input name=\"option_amount2\" type=\"hidden\" value=\"16.00\" /> <input name=\"option_select3\" type=\"hidden\" value=\"ROW AIR\" /> <input name=\"option_amount3\" type=\"hidden\" value=\"18.00\" /> <input name=\"option_index\" type=\"hidden\" value=\"0\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n</form><strong>My Travels with Münchausen </strong><em>Richard Burdett\r\n</em>In which the author deceives his friends on an adventure of the mind\r\n\r\n<strong>Enter the Jaguar</strong> <em>Mike Jay\r\n</em>Digging up the ancient psychedelic temple cults of Peru’s Chavínde Huantar\r\n\r\n<strong>School for Shamans </strong> <em>JasonLouv\r\n</em>Our intrepid young author braves Maoist rebels and astral collapse to learn the secrets of Nepalese sorcery\r\n\r\n<strong>The Temple at the End of Time</strong> <em>John Rowe\r\n</em>Jerusalem’s Temple Mount and its role in all our ends\r\n\r\n<strong>Haunts of the Halifax Slasher </strong> <em>Tim Chapman\r\n</em>A gentlemanly tour of the city’s dark past\r\n\r\n<strong>Admiral Byrd, Atlantis &amp;the Hollow Earth </strong><em>Theo Paijmans\r\n</em>A letter, a legend and a flight beyond the poles\r\n\r\n<strong>Under Petticoat Rule\r\n</strong>An anonymous manuscript reveals one boy’s restrictive upbringing.\r\nIntroduction <em>by Peter Farrer &amp;Cathy Ward</em>\r\n\r\n<strong>An Animist Manifesto </strong><em>Graham Harvey\r\n</em>A call to arms. And antennae, branches, tentacles etc\r\n\r\n<strong>Dr Price’s Final Transmutation</strong> <em>Guy Ogilvy\r\n</em>How the Royal Society found, then lost, the secrets of alchemy\r\n\r\n<strong>Life from Earth: The Golem and Homunculi </strong><em>Gary Lachman\r\n</em>The mystical origins of artificial life. Photography by <em>Maud Larsson</em>\r\n\r\n<strong>Robot Power, Robot Pride </strong><em>Ken Hollings\r\n</em>How the robot found its self\r\n\r\n<strong>Should they Live:on the Use of Dead Babies </strong><em>Don Mader\r\n</em>The hidden meaning of a sinister 19th century religious print\r\n\r\n<strong>Mould Art</strong> Discovered by <em>Doug Harvey\r\n</em>Beauty grows in unexpected places\r\n\r\n<strong>The Court of Lust </strong><em>John Branston\r\n</em>Waldo Sabine: parapsychologist, poet, feminist, martyr\r\n\r\n<strong>Sandoz in the Rain: The Life and Art of Wilfried Sätty\r\n</strong><em>John Coulthart </em>on a lost visionary hero of the psychedelic revolution\r\n\r\n<strong>Boris Vian for Anglophones</strong> <em>Doug Skinnner\r\n</em>The scandalous oeuvre of the man who shocked his world\r\n\r\n<strong>Richard Jefferies and the Agitated Pool of Life\r\n</strong><em>Neil Mortimer </em>introduces this early, apocalyptic ecologist\r\n\r\n<strong>Anagrams for Maya Deren </strong><em>Kevin Jackson\r\n</em>Artist, film maker, voodoo priestess\r\n\r\n<strong>Change in a Parallel World: CFRussell, Louis </strong><strong>Culling and the Book of Changes </strong>\r\n<em>Steve Moore presents </em>an eccentric history and a new <em>I Ching</em>\r\n\r\n<strong>Spirits of Place:Strange Encounters of an Anglican </strong><strong>Kind </strong><em>Alan Walker\r\n</em>How the Church of England answered <em>The Exorcist</em>\r\n\r\n<strong>One More Nightmare calling... the Heathen</strong> <em>Robert J Wallis\r\n</em>Loki the ‘pervert god’, <em>Seidr</em>sorcery and the Left Hand Path.\r\nIllustrations by <em>Arik Roper </em>and <em>Carina Thorén</em>\r\n\r\n<strong>Terror by Night: the Sleeping Partner </strong><em>Roger Dobson\r\n</em>Memoirs of a hag-ridden man\r\n\r\n<strong>Folklore of Underground London </strong><em>Antony Clayton\r\n</em>What rumours lie beneath the city’s streets?\r\n\r\n<strong>Cesare Thodol</strong> <em>Mark Samuels\r\n</em>On brain fungus and other horrors. Illustrated by <em>Betsy Heistand</em>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_cart\" /> <input name=\"business\" type=\"hidden\" value=\"strangeattractorpress@googlemail.com\" /> <input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"SAJ2\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"products\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /> <input name=\"add\" type=\"hidden\" value=\"1\" /> <input name=\"bn\" type=\"hidden\" value=\"PP-ShopCartBF:btn_cart_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £14.00</option> <option value=\"EU\">EU £15.00</option> <option value=\"ROW\">ROW £16.00</option> <option value=\"ROW AIR\">ROW AIR £18.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"option_select0\" type=\"hidden\" value=\"UK\" /> <input name=\"option_amount0\" type=\"hidden\" value=\"14.00\" /> <input name=\"option_select1\" type=\"hidden\" value=\"EU\" /> <input name=\"option_amount1\" type=\"hidden\" value=\"15.00\" /> <input name=\"option_select2\" type=\"hidden\" value=\"ROW\" /> <input name=\"option_amount2\" type=\"hidden\" value=\"16.00\" /> <input name=\"option_select3\" type=\"hidden\" value=\"ROW AIR\" /> <input name=\"option_amount3\" type=\"hidden\" value=\"18.00\" /> <input name=\"option_index\" type=\"hidden\" value=\"0\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n</form>','Journal Two','Edited by Mark Pilkington\r\nA5, PB, £13.99 UK \r\nISBN 978-0954805418','inherit','open','open','','2147-revision-v1','','','2011-01-13 09:08:11','2011-01-13 09:08:11','',2147,'http://strangeattractor.co.uk/further/2147-revision-22/',0,'revision','',0),(2857,2,'2011-01-10 13:19:24','2011-01-10 13:19:24','<div>\r\n\r\n<img class=\"alignright size-medium wp-image-2699\" title=\"SA2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA2-300x235.png\" alt=\"\" width=\"300\" height=\"235\" />\r\n\r\n<img class=\"size-medium wp-image-2698 alignnone\" title=\"SA1\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA1-300x207.png\" alt=\"\" width=\"300\" height=\"207\" /><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA3.png\"><img class=\"alignnone size-medium wp-image-2702\" style=\"margin-left: 10px;\" title=\"SA3\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA3-300x290.png\" alt=\"\" width=\"300\" height=\"290\" /></a>\r\n\r\n<strong> </strong>\r\n\r\n<strong>A brief history of Strange Attractor Press</strong>\r\n\r\nIn 2001 John Lundberg and Mark Pilkington instigated a series of events at London\'s <a href=\"http://www.thehorsehospital.com\" target=\"_blank\">The Horse Hospital</a> that ran for two years under the title \'Strange Attractor\' (<em>see images of our early events above</em>). Since then Mark has continued to organise sporadic Strange Attractor events and to work on larger collaborative projects.\r\n\r\nIn 2003, along with designer Ali Hutchinson, Mark edited and published <em>Strange Attractor Journal One</em>, an anthology (now out-of-print) of writing on neglected and esoteric cultural, historical and anthropological themes in keeping with the original events, that marked the first appearance of Strange Attractor Press.\r\n\r\nIn 2010, after publishing six more books, the Press took on two new core members, Nadia Katz Wise, as production director, and Frances Morgan, as co-publisher and editor. With our team in place, Strange Attractor Press plans to dramatically expand its publishing schedule, and to continue in its mission of celebrating unpopular culture.\r\n\r\n∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞\r\n\r\n<strong>A long history of Strange Attractor</strong>\r\n<strong>by Ken Hollings </strong>\r\n(published in <a href=\"http://www.thewire.co.uk/\"><em>The Wire</em></a> magazine #<a href=\"http://www.thewire.co.uk/issues/275/\" target=\"_blank\"><img class=\"size-medium wp-image-2695 alignright\" title=\"The Wire #275 January 2007\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/The-Wire-275-January-2007-244x300.jpg\" alt=\"\" width=\"244\" height=\"300\" /></a>, January 2007)\r\n\r\n<em>Ken Hollings rides the world’s subcultural currents mapped by London’s Strange Attractor.</em>\r\n\r\nStrange Attractor is well named. There’s really no escaping it. Starting out as a series of live events, it has slowly transmuted into an annual publication, set up an online clearing house for the weird and the wonderful and recently made its first move towards establishing itself as a publishing house. “Strange Attractor celebrates unpopular culture,” runs its mission statement. “We declare war on mediocrity and a pox on the foot soldiers of stupidity. Join us.” Who could possibly resist such a challenge? Sooner or later you have to get involved. (In the interests of full transparency: the writer of this article has taken part in a number of Strange Attractor evenings and is a regular contributor to Strange Attractor Journal.)\r\n\r\nWith orders for the Strange Attractor publications coming in from all over the world, and mainstream media like The Independent On Sunday praising it for producing “one of the most weirdly beautiful, beautifully weird magazines of the past hundred-odd years” a bigger problem presents itself. How do you celebrate unpopular culture without losing its unpopularity?\r\n\r\n“There’s certainly no business plan,” admits Strange Attractor Journal’s publisher and chief editor, Mark Pilkington. “We’re really making it all up as we go along. I hope thatStrange Attractor’s approach to culture is simultaneously that of the archaeologist, the ethnographer, the anthropologist, the occultist, the showman and the curator.”\r\n\r\nIt’s a heady mix. The first two issues, both book-sized anthologies running to more than 200 and 400 pages apiece, have presented material ranged across such elusive topics as mind control experiments, mould art, hair sculpture, cargo cults, neglected gods and forgotten waxworks. Such a list limits more than it clarifies, however. Strange Attractor Journal is concerned less with the unexplained than with the unexpected. You never know what it will cover next.\r\n\r\n“I think Strange Attractor is refreshing to people in that it manages to straddle several cultural channels while still following its own agenda,” Pilkington admits, “and it’s one not driven by the same obvious memes. But at the same time it’s important that it doesn’t become obscurantist for its own sake—some things are lost for a reason, others will only resurface when the time is right.”\r\n\r\nStrange Attractor’s wayward eclecticism dates back to a series of monthly events begun in the summer of 2001 by Pilkington in collaboration with artist John Lundberg and continuing over the next two years. Staged at London’s Horse Hospital venue, they gave an early indication of the loose network of experimental enterprises that was starting to come into existence, linking outsider artists with cultural anthropologists, textual hackers and practising occultists.\r\n\r\n“We’d mix talks, films, music, presentations, each night being themed around a different topic,” Pilkington recalls. “I rather pretentiously called them ‘information happenings’. Subjects ranged from conspiracy theory to theremins, Esperanto to magick, hoaxes, illusions and psychic deceptions: basically anything that interested us and could draw people that we liked or wanted to meet into one place.” Highlights included a live and bloody demonstration of psychic surgery, sci-fi movie themes played on vintage electronic instruments and a live Lovecraft-influenced Chaos Magick ritual with a soundtrack performed “by a band who couldn’t see what was going on.”\r\n\r\nAfter Lundberg enrolled at the National Film and Television School, Pilkington went solo but eventually grew tired of doing regular live events, deciding instead to do something that would last longer: hence the Journal.\r\n\r\nThe notion of outliving the moment, of being around for more than just a quick cultural fix, is very much a part of SAJ’s overall look and feel. The first thing you notice is that the front and back cover of each issue is devoid of text or title, which only appears on the book’s spine. If you want to know who the contributors are, you’ll have to look inside.\r\n\r\n“For me, it was about giving as much space as possible to striking images and therefore making them stand out on the bookshelf,” Pilkington explains. “I imagined people being aware that something was wrong with the cover but perhaps not being able to put their finger on it.”\r\n\r\nThe absence of cover copy also binds together the Journal’s various contributors in the anonymity of a collective endeavour. “We’re lucky enough to live in an age where we can clearly trace the influences of the past on our present,” Pilkington continues, “and it’s not always today’s most celebrated ideas, musicians and writers who will be remembered. This notion of timelessness is very important to what SAJ is and does. I’d like the books to be as irrelevant to a reader 100 years in the future as it would be to someone 100 years in the past. It’s a re-manipulation of the notion of built-in obsolescence.”\r\n\r\nThe Journal’s pages teem with old woodcuts, antiquated typefaces and intricate layouts, giving the impression of having been produced in some parallel past: one that runs counter to established tenets of historical development. Having previously worked as a journalist for periodicals as varied as Fortean Times, Bizarre and The Guardian, Mark Pilkington remains keenly aware of what’s going on around him.\r\n\r\n“There’s a particularly vibrant, very loose cultural network in London at the moment,” he remarks, “one that incorporates music and sound, ideas and information, visual arts and almost anything else you’d care to imagine. It’s inevitable that these people, places and events all bounce off and influence each other in a kind of subcultural Brownian motion.”\r\n\r\nAs well as working closely with designer Alison Hutchinson, readying volume three for publication, Pilkington has also been getting Strange Attractor Press up and running. Its first book to date, The Field Guide: The Art, History And Philosophy Of Crop Circle Making by Rob Irving and John Lundberg, is a particularly cerebral blend of art theory, paranormal phenomena, hoaxes and speculations, ruggedly bound and designed to fit snugly inside your knapsack while out exploring the British countryside. Conventional wisdom says it shouldn’t work, but Strange Attractor’s own particular blend of parlour magic proves that it does.\r\n\r\n“I sometimes see myself as a medium,” Mark reveals, “a channel for all the material that has formed Strange Attractor. I’ve been incredibly lucky with the amazing contributions the Journal has attracted so far.”\r\n\r\nThere’s no escaping it. Strange Attractor really is well named.\r\n\r\n</div>','About','','inherit','open','open','','2624-revision-v1','','','2011-01-10 13:19:24','2011-01-10 13:19:24','',2624,'http://strangeattractor.co.uk/further/2624-revision-15/',0,'revision','',0),(2852,2,'2011-01-18 12:21:38','2011-01-18 12:21:38','<strong>Edited by Mark Pilkington<img class=\"alignright size-full wp-image-2237\" title=\"saj3\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj3.gif\" alt=\"\" width=\"228\" height=\"314\" /> A5 PB, 350pp, £13.99 UK\r\nISBN 978-0954805432</strong>\r\n<blockquote>A third helping of high strangeness from the acclaimed Strange Attractor anthology series.</blockquote>\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" /> <input name=\"hosted_button_id\" type=\"hidden\" value=\"3WE6NCS8UHUG2\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £14.00</option> <option value=\"EU\">EU £15.00</option> <option value=\"ROW\">ROW £16.00</option> <option value=\"ROW AIR\">ROW AIR £18.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n</form><strong>Contents\r\n<strong>| <em>Contra Genesis</em> </strong>- <em>Catherine Eisner</em></strong>\r\n\r\n<strong>Unusual cases of extra-genital conception, extra-uterine gestation, and other anomalous exits</strong>\r\n\r\n<strong><strong>| <em>Burmese Daze</em></strong> - <em>Erik Davis</em>\r\nIn which the author submits to the pleasures of a transgender spirit possession festival</strong>\r\n\r\n<strong><strong><em>| Adventures in the Fourth Dimension</em></strong> - <em>Mike Jay</em>\r\nA Victorian time machine and history’s first theme park ride</strong>\r\n\r\n<strong><strong><em>| Ego in Exotica Sum</em></strong> - <em>Ken Hollings</em>\r\nIn memoriam Martin Denny, crown prince of the exotica sound</strong>\r\n\r\n<strong><strong><em>| A Psychoactive Bestiary</em></strong> - <em>Richard Rudgley</em>\r\nThe joy of zootoxins, from the ant to the giraffe</strong>\r\n\r\n<strong><strong><em>| Liberté, Légalité, Éternité</em></strong> - <em>David Luke</em>\r\nSome notes on psychonautic misadventures in time\r\n\r\n<strong><em>| Kandinsky’s Thought Forms</em></strong> - <em>Gary Lachman</em>\r\nThe occult roots of modern art\r\n\r\n<strong><em>| Magic Words</em></strong> - <em>Steve Moore</em>\r\nVirgil the Necromancer in mediæval legend\r\n\r\n<strong><em>| Abu’l-Qasim al-Iraqi</em></strong> - <em>Robert Irwin</em>\r\n12th century Arab alchemists on the edge\r\nof knowledge\r\n\r\n<strong><em>| The Electrochemical Glass</em></strong> - <em>Richard Brown</em>\r\nA slow-evolving artwork from a living alchemist\r\n\r\n<strong><em>| The Man Behind the Screen</em></strong> - <em>David Rothenberg</em>\r\nHans Christian Andersen’s greatest and least-known work\r\n\r\n<strong><em>| The Mole of Edge Hill</em></strong> - <em>John Reppion</em>\r\nJoseph Williamson, Liverpool’s tunnelling philanthropist\r\n\r\n<strong><em>| La Maison de Poupées</em></strong> - <em>Robert Ansell</em>\r\nA photographic study of a magnificent compulsion\r\n\r\n<strong><em>| The Dirty Thirties</em></strong> -<em> Alexis Lykiard</em>\r\nFrom Arthur Koestler’s Encyclopædia of Sexual Knowledge\r\n\r\n<strong><em>| Paint it Black</em></strong> - <em>Stewart Home</em>\r\nAutohagiography of an artist\r\n\r\n<strong><em>| Redonda and Her Kings</em></strong> - <em>Roger Dobson</em>\r\nThe island life of early science fiction author MP Shiel\r\n\r\n<strong><em>| Magic in Paris</em></strong> - <em>Phil Baker</em>\r\nDemons of the opium den in Thirties Paris\r\n\r\n<strong><em>| The Dark Man’s Dreams</em></strong> -<em> Doug Skinner</em>\r\nAn introduction to Xavier Forneret, Surrealism’s lost poet\r\n\r\n<strong><em>| Ghosts: A short Story</em></strong>\r\n<em>by Lady Vervaine</em>\r\n\r\n<strong><em>Plus original artworks by Alison Gill, Josephine Harvatt, Betsy Heistand, Katie Owens, Arik Roper.</em></strong>\r\n\r\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj3.gif\">\r\n</a>\r\n\r\n<strong> </strong>\r\n\r\n</strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>','Journal Three','Edited by Mark Pilkington\r\nA5 PB, 286pp, £13.99 UK\r\nISBN 978-0954805432','inherit','open','open','','2150-revision-v1','','','2011-01-18 12:21:38','2011-01-18 12:21:38','',2150,'http://strangeattractor.co.uk/further/2150-revision-27/',0,'revision','',0),(3609,2,'2011-05-24 08:43:19','2011-05-24 08:43:19','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/Good-Hutton-Pic.jpeg\"><img class=\"alignleft size-full wp-image-3608\" title=\"Good Hutton Pic\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/Good-Hutton-Pic.jpeg\" alt=\"\" width=\"333\" height=\"500\" /></a>\n\nA rare, in-depth interview with the brilliant Professor Ronald Hutton,  historian of witchcraft and paganism and author of <em><a href=\"http://www.amazon.co.uk/gp/product/0192854496/ref=as_li_ss_tl?ie=UTF8&amp;tag=stranattra-21&amp;linkCode=as2&amp;camp=1634&amp;creative=19450&amp;creativeASIN=0192854496\">The Triumph of the Moon</a></em>, <em><a href=\"http://www.amazon.co.uk/gp/product/0192854488/ref=as_li_ss_tl?ie=UTF8&amp;tag=stranattra-21&amp;linkCode=as2&amp;camp=1634&amp;creative=19450&amp;creativeASIN=0192854488\">Stations of the Sun</a></em> and other key books on magical and folk tradition in the British Isles.  The interview was conducted by Australian historian of witchcraft Caroline Tully, for her blog <a href=\"http://necropolisnow.blogspot.com/\" target=\"_blank\">Necropolis Now</a>.\n\n<strong>While there is no decisive evidence to substantiate the existence of Pagan witchcraft before Gardner, many Pagan witches would say that this is because their religion was secret and passed down via oral tradition. What are we to make of claims regarding oral tradition?</strong>\n\nI have no interest in contesting the claims of modern Pagans to represent a secretly surviving tradition, as long as the practitioners do not attack me or offer any actual historical evidence for scrutiny. If they do neither, then they are effectively standing outside history and are not the concern of a historian. I regularly read articles by contemporary witches, expounding one system or another which they say has been passed down through their family or their initiatory tradition for centuries, and offering no evidence to support this claim. They are no concern of mine, and it is open to others to believe or disbelieve them as they will. Gerald Gardner’s Wicca was, however, based on specific historical evidence, above all the early modern trials, and academic framework of interpretation of it, which were very much the business of historians.\n\n<strong>If modern Pagan witches do not represent a continuation of a religion that survived the Witch Hunts and can be traced back to the pre-Christian era, then what is our lineage?</strong>\n\n... I have taken direct issue with the view generally held by academics that there were no links between ancient and modern paganism at all. In reply I identified no less than four cultural streams which connected the two: ritual magic, cunning craft, folk rites, and (above all) the persistent love affair of Christian culture with the art and literature of the ancient world. All these streams of images and ideas were, certainly, maintained between the early medieval and modern periods by people who were at least nominally Christian, but none the less they were preserved. The great development of the modern age was for them to be filtered back out of general Christian culture and recombined with an active allegiance to pagan deities to produce a revived and viable set of Pagan religions.\n\n<em>Read the full, long interview at <a href=\"http://necropolisnow.blogspot.com/\" target=\"_blank\">Necropolis Now</a></em>','Ronald Hutton interviewed','An in-depth interview with Professor Ronald Hutton, the eminent historian of witchcraft and paganism and author of The Triumph of the Moon, Stations of the Sun and other key books.','inherit','open','open','','3607-revision','','','2011-05-24 08:43:19','2011-05-24 08:43:19','',3607,'http://strangeattractor.co.uk/further/3607-revision/',0,'revision','',0),(3607,2,'2011-05-24 08:43:31','2011-05-24 08:43:31','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/Good-Hutton-Pic.jpeg\"><img class=\"alignleft size-full wp-image-3608\" title=\"Good Hutton Pic\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/Good-Hutton-Pic.jpeg\" alt=\"\" width=\"333\" height=\"500\" /></a>\r\n\r\nA rare, in-depth interview with the brilliant Professor Ronald Hutton,  historian of witchcraft and paganism and author of <em><a href=\"http://www.amazon.co.uk/gp/product/0192854496/ref=as_li_ss_tl?ie=UTF8&amp;tag=stranattra-21&amp;linkCode=as2&amp;camp=1634&amp;creative=19450&amp;creativeASIN=0192854496\">The Triumph of the Moon</a></em>, <em><a href=\"http://www.amazon.co.uk/gp/product/0192854488/ref=as_li_ss_tl?ie=UTF8&amp;tag=stranattra-21&amp;linkCode=as2&amp;camp=1634&amp;creative=19450&amp;creativeASIN=0192854488\">Stations of the Sun</a></em> and several other books on magical and folk tradition in the British Isles.  The interview was conducted by Australian historian of witchcraft Caroline Tully, for her blog <a href=\"http://necropolisnow.blogspot.com/\" target=\"_blank\">Necropolis Now</a>.\r\n\r\n<strong>While there is no decisive evidence to substantiate the existence of Pagan witchcraft before Gardner, many Pagan witches would say that this is because their religion was secret and passed down via oral tradition. What are we to make of claims regarding oral tradition?</strong>\r\n\r\nI have no interest in contesting the claims of modern Pagans to represent a secretly surviving tradition, as long as the practitioners do not attack me or offer any actual historical evidence for scrutiny. If they do neither, then they are effectively standing outside history and are not the concern of a historian. I regularly read articles by contemporary witches, expounding one system or another which they say has been passed down through their family or their initiatory tradition for centuries, and offering no evidence to support this claim. They are no concern of mine, and it is open to others to believe or disbelieve them as they will. Gerald Gardner’s Wicca was, however, based on specific historical evidence, above all the early modern trials, and academic framework of interpretation of it, which were very much the business of historians.\r\n\r\n<strong>If modern Pagan witches do not represent a continuation of a religion that survived the Witch Hunts and can be traced back to the pre-Christian era, then what is our lineage?</strong>\r\n\r\n... I have taken direct issue with the view generally held by academics that there were no links between ancient and modern paganism at all. In reply I identified no less than four cultural streams which connected the two: ritual magic, cunning craft, folk rites, and (above all) the persistent love affair of Christian culture with the art and literature of the ancient world. All these streams of images and ideas were, certainly, maintained between the early medieval and modern periods by people who were at least nominally Christian, but none the less they were preserved. The great development of the modern age was for them to be filtered back out of general Christian culture and recombined with an active allegiance to pagan deities to produce a revived and viable set of Pagan religions.\r\n\r\n<em>Read the full, long interview at <a href=\"http://necropolisnow.blogspot.com/\" target=\"_blank\">Necropolis Now</a></em>','Ronald Hutton interviewed','An in-depth interview with Professor Ronald Hutton, the eminent historian of witchcraft and paganism and author of The Triumph of the Moon, and Stations of the Sun.','publish','open','open','','ronald-hutton-interviewed','','','2011-05-24 08:44:03','2011-05-24 08:44:03','',0,'http://strangeattractor.co.uk/?p=3607',0,'post','',0),(3608,2,'2011-05-24 08:40:45','2011-05-24 08:40:45','','Good Hutton Pic','','inherit','open','open','','good-hutton-pic','','','2011-05-24 08:40:45','2011-05-24 08:40:45','',3607,'http://strangeattractor.co.uk/wp-content/uploads/2011/05/Good-Hutton-Pic.jpeg',0,'attachment','image/jpeg',0),(2855,2,'2011-01-18 12:22:05','2011-01-18 12:22:05','<strong>Edited by Mark Pilkington<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj2.gif\"><img class=\"alignright size-full wp-image-2233\" title=\"saj2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj2.gif\" alt=\"\" width=\"226\" height=\"314\" /></a>\r\nA5, PB, 405pp, £13.99 UK\r\nISBN 978-0954805418</strong>\r\n<blockquote>A second helping of high strangeness from the acclaimed StrangeAttractor anthology series.</blockquote>\r\n<span style=\"font-style: normal;\"><strong>Contents</strong></span>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_cart\" /> <input name=\"business\" type=\"hidden\" value=\"strangeattractorpress@googlemail.com\" /> <input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"SAJ2\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"products\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /> <input name=\"add\" type=\"hidden\" value=\"1\" /> <input name=\"bn\" type=\"hidden\" value=\"PP-ShopCartBF:btn_cart_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £14.00</option> <option value=\"EU\">EU £15.00</option> <option value=\"ROW\">ROW £16.00</option> <option value=\"ROW AIR\">ROW AIR £18.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"option_select0\" type=\"hidden\" value=\"UK\" /> <input name=\"option_amount0\" type=\"hidden\" value=\"14.00\" /> <input name=\"option_select1\" type=\"hidden\" value=\"EU\" /> <input name=\"option_amount1\" type=\"hidden\" value=\"15.00\" /> <input name=\"option_select2\" type=\"hidden\" value=\"ROW\" /> <input name=\"option_amount2\" type=\"hidden\" value=\"16.00\" /> <input name=\"option_select3\" type=\"hidden\" value=\"ROW AIR\" /> <input name=\"option_amount3\" type=\"hidden\" value=\"18.00\" /> <input name=\"option_index\" type=\"hidden\" value=\"0\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n</form><strong>My Travels with Münchausen </strong><em>Richard Burdett\r\n</em>In which the author deceives his friends on an adventure of the mind\r\n\r\n<strong>Enter the Jaguar</strong> <em>Mike Jay\r\n</em>Digging up the ancient psychedelic temple cults of Peru’s Chavínde Huantar\r\n\r\n<strong>School for Shamans </strong> <em>JasonLouv\r\n</em>Our intrepid young author braves Maoist rebels and astral collapse to learn the secrets of Nepalese sorcery\r\n\r\n<strong>The Temple at the End of Time</strong> <em>John Rowe\r\n</em>Jerusalem’s Temple Mount and its role in all our ends\r\n\r\n<strong>Haunts of the Halifax Slasher </strong> <em>Tim Chapman\r\n</em>A gentlemanly tour of the city’s dark past\r\n\r\n<strong>Admiral Byrd, Atlantis &amp;the Hollow Earth </strong><em>Theo Paijmans\r\n</em>A letter, a legend and a flight beyond the poles\r\n\r\n<strong>Under Petticoat Rule\r\n</strong>An anonymous manuscript reveals one boy’s restrictive upbringing.\r\nIntroduction <em>by Peter Farrer &amp;Cathy Ward</em>\r\n\r\n<strong>An Animist Manifesto </strong><em>Graham Harvey\r\n</em>A call to arms. And antennae, branches, tentacles etc\r\n\r\n<strong>Dr Price’s Final Transmutation</strong> <em>Guy Ogilvy\r\n</em>How the Royal Society found, then lost, the secrets of alchemy\r\n\r\n<strong>Life from Earth: The Golem and Homunculi </strong><em>Gary Lachman\r\n</em>The mystical origins of artificial life. Photography by <em>Maud Larsson</em>\r\n\r\n<strong>Robot Power, Robot Pride </strong><em>Ken Hollings\r\n</em>How the robot found its self\r\n\r\n<strong>Should they Live:on the Use of Dead Babies </strong><em>Don Mader\r\n</em>The hidden meaning of a sinister 19th century religious print\r\n\r\n<strong>Mould Art</strong> Discovered by <em>Doug Harvey\r\n</em>Beauty grows in unexpected places\r\n\r\n<strong>The Court of Lust </strong><em>John Branston\r\n</em>Waldo Sabine: parapsychologist, poet, feminist, martyr\r\n\r\n<strong>Sandoz in the Rain: The Life and Art of Wilfried Sätty\r\n</strong><em>John Coulthart </em>on a lost visionary hero of the psychedelic revolution\r\n\r\n<strong>Boris Vian for Anglophones</strong> <em>Doug Skinnner\r\n</em>The scandalous oeuvre of the man who shocked his world\r\n\r\n<strong>Richard Jefferies and the Agitated Pool of Life\r\n</strong><em>Neil Mortimer </em>introduces this early, apocalyptic ecologist\r\n\r\n<strong>Anagrams for Maya Deren </strong><em>Kevin Jackson\r\n</em>Artist, film maker, voodoo priestess\r\n\r\n<strong>Change in a Parallel World: CFRussell, Louis </strong><strong>Culling and the Book of Changes </strong>\r\n<em>Steve Moore presents </em>an eccentric history and a new <em>I Ching</em>\r\n\r\n<strong>Spirits of Place:Strange Encounters of an Anglican </strong><strong>Kind </strong><em>Alan Walker\r\n</em>How the Church of England answered <em>The Exorcist</em>\r\n\r\n<strong>One More Nightmare calling... the Heathen</strong> <em>Robert J Wallis\r\n</em>Loki the ‘pervert god’, <em>Seidr</em>sorcery and the Left Hand Path.\r\nIllustrations by <em>Arik Roper </em>and <em>Carina Thorén</em>\r\n\r\n<strong>Terror by Night: the Sleeping Partner </strong><em>Roger Dobson\r\n</em>Memoirs of a hag-ridden man\r\n\r\n<strong>Folklore of Underground London </strong><em>Antony Clayton\r\n</em>What rumours lie beneath the city’s streets?\r\n\r\n<strong>Cesare Thodol</strong> <em>Mark Samuels\r\n</em>On brain fungus and other horrors. Illustrated by <em>Betsy Heistand</em>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_cart\" /> <input name=\"business\" type=\"hidden\" value=\"strangeattractorpress@googlemail.com\" /> <input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"SAJ2\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"products\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /> <input name=\"add\" type=\"hidden\" value=\"1\" /> <input name=\"bn\" type=\"hidden\" value=\"PP-ShopCartBF:btn_cart_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £14.00</option> <option value=\"EU\">EU £15.00</option> <option value=\"ROW\">ROW £16.00</option> <option value=\"ROW AIR\">ROW AIR £18.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"option_select0\" type=\"hidden\" value=\"UK\" /> <input name=\"option_amount0\" type=\"hidden\" value=\"14.00\" /> <input name=\"option_select1\" type=\"hidden\" value=\"EU\" /> <input name=\"option_amount1\" type=\"hidden\" value=\"15.00\" /> <input name=\"option_select2\" type=\"hidden\" value=\"ROW\" /> <input name=\"option_amount2\" type=\"hidden\" value=\"16.00\" /> <input name=\"option_select3\" type=\"hidden\" value=\"ROW AIR\" /> <input name=\"option_amount3\" type=\"hidden\" value=\"18.00\" /> <input name=\"option_index\" type=\"hidden\" value=\"0\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n</form>','Journal Two','Edited by Mark Pilkington\r\nA5, PB, 405pp, £13.99 UK \r\nISBN 978-0954805418','inherit','open','open','','2147-revision-v1','','','2011-01-18 12:22:05','2011-01-18 12:22:05','',2147,'http://strangeattractor.co.uk/further/2147-revision-23/',0,'revision','',0),(2856,2,'2011-01-18 12:28:45','2011-01-18 12:28:45','<strong><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj2.gif\"><img class=\"alignright size-full wp-image-2233\" title=\"saj2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj2.gif\" alt=\"\" width=\"226\" height=\"314\" /></a>Edited by Mark Pilkington\r\nA5, PB, 405pp, £13.99 UK\r\nISBN 978-0954805418</strong>\r\n<blockquote>A second helping of high strangeness from the acclaimed StrangeAttractor anthology series.</blockquote>\r\n<span style=\"font-style: normal;\"><strong>Contents</strong></span>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_cart\" /> <input name=\"business\" type=\"hidden\" value=\"strangeattractorpress@googlemail.com\" /> <input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"SAJ2\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"products\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /> <input name=\"add\" type=\"hidden\" value=\"1\" /> <input name=\"bn\" type=\"hidden\" value=\"PP-ShopCartBF:btn_cart_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £14.00</option> <option value=\"EU\">EU £15.00</option> <option value=\"ROW\">ROW £16.00</option> <option value=\"ROW AIR\">ROW AIR £18.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"option_select0\" type=\"hidden\" value=\"UK\" /> <input name=\"option_amount0\" type=\"hidden\" value=\"14.00\" /> <input name=\"option_select1\" type=\"hidden\" value=\"EU\" /> <input name=\"option_amount1\" type=\"hidden\" value=\"15.00\" /> <input name=\"option_select2\" type=\"hidden\" value=\"ROW\" /> <input name=\"option_amount2\" type=\"hidden\" value=\"16.00\" /> <input name=\"option_select3\" type=\"hidden\" value=\"ROW AIR\" /> <input name=\"option_amount3\" type=\"hidden\" value=\"18.00\" /> <input name=\"option_index\" type=\"hidden\" value=\"0\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n</form><strong>My Travels with Münchausen </strong><em>Richard Burdett\r\n</em>In which the author deceives his friends on an adventure of the mind\r\n\r\n<strong>Enter the Jaguar</strong> <em>Mike Jay\r\n</em>Digging up the ancient psychedelic temple cults of Peru’s Chavínde Huantar\r\n\r\n<strong>School for Shamans </strong> <em>JasonLouv\r\n</em>Our intrepid young author braves Maoist rebels and astral collapse to learn the secrets of Nepalese sorcery\r\n\r\n<strong>The Temple at the End of Time</strong> <em>John Rowe\r\n</em>Jerusalem’s Temple Mount and its role in all our ends\r\n\r\n<strong>Haunts of the Halifax Slasher </strong> <em>Tim Chapman\r\n</em>A gentlemanly tour of the city’s dark past\r\n\r\n<strong>Admiral Byrd, Atlantis &amp;the Hollow Earth </strong><em>Theo Paijmans\r\n</em>A letter, a legend and a flight beyond the poles\r\n\r\n<strong>Under Petticoat Rule\r\n</strong>An anonymous manuscript reveals one boy’s restrictive upbringing.\r\nIntroduction <em>by Peter Farrer &amp;Cathy Ward</em>\r\n\r\n<strong>An Animist Manifesto </strong><em>Graham Harvey\r\n</em>A call to arms. And antennae, branches, tentacles etc\r\n\r\n<strong>Dr Price’s Final Transmutation</strong> <em>Guy Ogilvy\r\n</em>How the Royal Society found, then lost, the secrets of alchemy\r\n\r\n<strong>Life from Earth: The Golem and Homunculi </strong><em>Gary Lachman\r\n</em>The mystical origins of artificial life. Photography by <em>Maud Larsson</em>\r\n\r\n<strong>Robot Power, Robot Pride </strong><em>Ken Hollings\r\n</em>How the robot found its self\r\n\r\n<strong>Should they Live:on the Use of Dead Babies </strong><em>Don Mader\r\n</em>The hidden meaning of a sinister 19th century religious print\r\n\r\n<strong>Mould Art</strong> Discovered by <em>Doug Harvey\r\n</em>Beauty grows in unexpected places\r\n\r\n<strong>The Court of Lust </strong><em>John Branston\r\n</em>Waldo Sabine: parapsychologist, poet, feminist, martyr\r\n\r\n<strong>Sandoz in the Rain: The Life and Art of Wilfried Sätty\r\n</strong><em>John Coulthart </em>on a lost visionary hero of the psychedelic revolution\r\n\r\n<strong>Boris Vian for Anglophones</strong> <em>Doug Skinnner\r\n</em>The scandalous oeuvre of the man who shocked his world\r\n\r\n<strong>Richard Jefferies and the Agitated Pool of Life\r\n</strong><em>Neil Mortimer </em>introduces this early, apocalyptic ecologist\r\n\r\n<strong>Anagrams for Maya Deren </strong><em>Kevin Jackson\r\n</em>Artist, film maker, voodoo priestess\r\n\r\n<strong>Change in a Parallel World: CFRussell, Louis </strong><strong>Culling and the Book of Changes </strong>\r\n<em>Steve Moore presents </em>an eccentric history and a new <em>I Ching</em>\r\n\r\n<strong>Spirits of Place:Strange Encounters of an Anglican </strong><strong>Kind </strong><em>Alan Walker\r\n</em>How the Church of England answered <em>The Exorcist</em>\r\n\r\n<strong>One More Nightmare calling... the Heathen</strong> <em>Robert J Wallis\r\n</em>Loki the ‘pervert god’, <em>Seidr</em>sorcery and the Left Hand Path.\r\nIllustrations by <em>Arik Roper </em>and <em>Carina Thorén</em>\r\n\r\n<strong>Terror by Night: the Sleeping Partner </strong><em>Roger Dobson\r\n</em>Memoirs of a hag-ridden man\r\n\r\n<strong>Folklore of Underground London </strong><em>Antony Clayton\r\n</em>What rumours lie beneath the city’s streets?\r\n\r\n<strong>Cesare Thodol</strong> <em>Mark Samuels\r\n</em>On brain fungus and other horrors. Illustrated by <em>Betsy Heistand</em>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_cart\" /> <input name=\"business\" type=\"hidden\" value=\"strangeattractorpress@googlemail.com\" /> <input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"SAJ2\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"products\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /> <input name=\"add\" type=\"hidden\" value=\"1\" /> <input name=\"bn\" type=\"hidden\" value=\"PP-ShopCartBF:btn_cart_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £14.00</option> <option value=\"EU\">EU £15.00</option> <option value=\"ROW\">ROW £16.00</option> <option value=\"ROW AIR\">ROW AIR £18.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"option_select0\" type=\"hidden\" value=\"UK\" /> <input name=\"option_amount0\" type=\"hidden\" value=\"14.00\" /> <input name=\"option_select1\" type=\"hidden\" value=\"EU\" /> <input name=\"option_amount1\" type=\"hidden\" value=\"15.00\" /> <input name=\"option_select2\" type=\"hidden\" value=\"ROW\" /> <input name=\"option_amount2\" type=\"hidden\" value=\"16.00\" /> <input name=\"option_select3\" type=\"hidden\" value=\"ROW AIR\" /> <input name=\"option_amount3\" type=\"hidden\" value=\"18.00\" /> <input name=\"option_index\" type=\"hidden\" value=\"0\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n</form>','Journal Two','Edited by Mark Pilkington\r\nA5, PB, 405pp, £13.99 UK \r\nISBN 978-0954805418','inherit','open','open','','2147-revision-v1','','','2011-01-18 12:28:45','2011-01-18 12:28:45','',2147,'http://strangeattractor.co.uk/further/2147-revision-24/',0,'revision','',0),(3605,2,'2011-05-23 11:08:43','2011-05-23 11:08:43','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/EScover1.jpg\"><img class=\"alignnone size-full wp-image-3604\" title=\"EScover\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/EScover1.jpg\" alt=\"\" width=\"293\" height=\"420\" /></a>\n\nELECTRIC SHEEP ANTHOLOGY LAUNCH\n\n<strong>Tuesday 7 June,\n</strong><strong>Horse Hospital, 1 Colonnade, Bloomsbury, London WC1N 1JD\n</strong><strong>from 7pm, free</strong>\n\nWe will be celebrating the beginning  of <em>The End</em> on Tuesday 7 June at the Horse Hospital, London.\n\nThe event will feature a screening of <em>Night of the Living Dead: REANIMATED</em> (2009) with a live DJ soundtrack. <em>NofLD: REANIMATED</em> is an experimental collective reinterpretation of George A. Romero’s classic zombie film by various artists, animators and filmmakers, using mixed media including puppetry, CGI, hand-drawn animation, illustration, acrylics, claymation, etc.\n\nThere will also be a panel discussion on apocalyptic cinema featuring writers, illustrators and filmmakers who have collaborated to the <em>Electric Sheep</em> anthology. More details to be announced shortly...','The End: Electric Sheep launch party 7 June','We will be celebrating the beginning of The End on Tuesday 7 June at the Horse Hospital, London with ','inherit','open','open','','3603-revision','','','2011-05-23 11:08:43','2011-05-23 11:08:43','',3603,'http://strangeattractor.co.uk/further/3603-revision/',0,'revision','',0),(3606,2,'2011-05-23 11:09:07','2011-05-23 11:09:07','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/EScover1.jpg\"><img class=\"alignnone size-full wp-image-3604\" title=\"EScover\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/EScover1.jpg\" alt=\"\" width=\"293\" height=\"420\" /></a>\r\n\r\nELECTRIC SHEEP ANTHOLOGY LAUNCH\r\n\r\n<strong>Tuesday 7 June,\r\n</strong><strong>Horse Hospital, 1 Colonnade, Bloomsbury, London WC1N 1JD\r\n</strong><strong>from 7pm, free</strong>\r\n\r\nWe will be celebrating the beginning  of <em>The End</em> on Tuesday 7 June at the Horse Hospital, London.\r\n\r\nThe event will feature a screening of <em>Night of the Living Dead: REANIMATED</em> (2009) with a live DJ soundtrack. <em>NofLD: REANIMATED</em> is an experimental collective reinterpretation of George A. Romero’s classic zombie film by various artists, animators and filmmakers, using mixed media including puppetry, CGI, hand-drawn animation, illustration, acrylics, claymation, etc.\r\n\r\nThere will also be a panel discussion on apocalyptic cinema featuring writers, illustrators and filmmakers who have collaborated to the <em>Electric Sheep</em> anthology. More details to be announced shortly...','The End: Electric Sheep launch party 7 June','We will be celebrating the beginning of The End on Tuesday 7 June at the Horse Hospital, London with a screening of Night of the Living Dead: REANIMATED (2009) and a discussion on apocalyptic cinema.','inherit','open','open','','3603-revision-2','','','2011-05-23 11:09:07','2011-05-23 11:09:07','',3603,'http://strangeattractor.co.uk/further/3603-revision-2/',0,'revision','',0),(3695,2,'2011-06-22 13:15:30','2011-06-22 13:15:30','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/monsters-movie-poster.jpeg\"><img class=\"size-full wp-image-3694 alignnone\" title=\"monsters-movie-poster\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/monsters-movie-poster.jpeg\" alt=\"\" width=\"420\" height=\"315\" /></a>\n\nOn Tuesday 28 June Strange Attr Mark Pilkington be on a panel as part of the British Library’s excellent ‘<a href=\"http://www.bl.uk/whatson/index.html\">Out of This World</a>‘ science fiction exhibition alongside film director <strong>Gareth Edwards</strong> (<em>Monsters</em>, above), author <strong>Gwyneth Jones</strong>, scientists and writers <strong>Jack Cohen</strong> and <strong>Ian Stewart</strong>, (<em>What Does a Martian Look Like?: The Science of Extraterrestrial Life</em>) and <strong>David Clarke</strong>, consultant to the National Archives UFO project.\n\nIt should be a wide-ranging and enlightening discussion, do join us if you can.\n\nTue 28 Jun 2011, 18.30 – 20.00\n<div>\n<div>\n\nPrice: £7.50 / £5 concessions\n\n</div>\n</div>\n&nbsp;','Aliens & The Imagination','On Tuesday 28 June Mark Pilkington be on a panel as part of the British Library’s excellent ‘Out of This World‘ science fiction exhibition','inherit','open','open','','3693-revision','','','2011-06-22 13:15:30','2011-06-22 13:15:30','',3693,'http://strangeattractor.co.uk/further/3693-revision/',0,'revision','',0),(3502,2,'2011-05-13 10:36:42','2011-05-13 10:36:42','','psycho_cd_cover','','inherit','open','open','','psycho_cd_cover-2','','','2011-05-13 10:36:42','2011-05-13 10:36:42','',0,'http://strangeattractor.co.uk/wp-content/uploads/2011/05/psycho_cd_cover1.jpg',0,'attachment','image/jpeg',0),(3693,2,'2011-06-28 19:00:23','2011-06-28 19:00:23','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/monsters-movie-poster.jpeg\"><img class=\"size-full wp-image-3694 alignnone\" title=\"monsters-movie-poster\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/monsters-movie-poster.jpeg\" alt=\"\" width=\"420\" height=\"315\" /></a>\r\n\r\nOn Tuesday 28 June Strange Attractor\'s Mark Pilkington will be on a panel discussing human ideas of the alien as part of the British Library’s excellent ‘<a href=\"http://www.bl.uk/whatson/index.html\">Out of This World</a>‘ science fiction exhibition alongside film director <strong>Gareth Edwards</strong> (<em>Monsters</em>, above), author <strong>Gwyneth Jones</strong>, scientists and writers <strong>Jack Cohen</strong> and <strong>Ian Stewart</strong>, (<em>What Does a Martian Look Like?: The Science of Extraterrestrial Life</em>) and <strong>David Clarke</strong>, consultant to the National Archives UFO project.\r\n\r\nIt should be a wide-ranging and enlightening discussion, do join us if you can.\r\n\r\nTue 28 Jun 2011, 18.30 – 20.00\r\n<div>\r\n<div>\r\n\r\nPrice: £7.50 / £5 concessions\r\n\r\n</div>\r\n</div>\r\n&nbsp;','Aliens & The Imagination','On Tuesday 28 June Mark Pilkington will be on a panel discussing human ideas of the alien as part of the British Library’s excellent ‘Out of This World‘ science fiction exhibition.','publish','open','open','','aliens-the-imagination','','','2011-06-22 13:17:14','2011-06-22 13:17:14','',0,'http://strangeattractor.co.uk/?p=3693',0,'post','',0),(3694,2,'2011-06-22 13:14:46','2011-06-22 13:14:46','','monsters-movie-poster','','inherit','open','open','','monsters-movie-poster','','','2011-06-22 13:14:46','2011-06-22 13:14:46','',3693,'http://strangeattractor.co.uk/wp-content/uploads/2011/06/monsters-movie-poster.jpeg',0,'attachment','image/jpeg',0),(3692,2,'2011-06-21 11:09:48','2011-06-21 11:09:48','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/bees2.jpg\"><img src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/bees2-300x245.jpg\" alt=\"\" title=\"bees2\" width=\"300\" height=\"245\" class=\"alignleft size-medium wp-image-3687\" /></a>\r\n\r\nYesterday\'s oddest Twitter/London story was probably this report from radio station <a href=\"http://www.lbc.co.uk/swarm-of-bees-shuts-regent-street-41361/album/regent_st_a__hive__of_activity/1240#19408\">LBC</a>, which was tweeted by the London Air Ambulance charity and thence by city theorists/publishers <a href=\"http://www.thisisnotagateway.net/\">This Is Not A Gateway</a>.\r\n\r\nLike many London \'insect invasion\' news stories, the scale of the attack was pretty localised (confined in this case to one traffic light), but the swarm of bees that descended upon Regent Street was scary enough to merit beekeeper intervention and close the street.\r\n\r\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/bees.jpg\"><img src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/bees-240x300.jpg\" alt=\"\" title=\"bees\" width=\"240\" height=\"300\" class=\"alignleft size-medium wp-image-3680\" /></a>\r\n\r\n\r\n\r\n','Bees attack West End','','inherit','open','open','','3679-revision-4','','','2011-06-21 11:09:48','2011-06-21 11:09:48','',3679,'http://strangeattractor.co.uk/further/3679-revision-4/',0,'revision','',0),(3691,2,'2011-06-20 17:10:25','2011-06-20 17:10:25','</p><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/radigue.jpg\"><img src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/radigue-300x200.jpg\" alt=\"\" title=\"radigue\" width=\"300\" height=\"200\" class=\"alignleft size-medium wp-image-3683\" /></a>\r\nThe Strange Attractor team is looking forward to attending some of the London concerts taking place this week of French composer Eliane Radigue\'s beautiful electronic music. \r\n\r\nRadigue\'s history is fascinating: born in 1932, early in her career she worked with the fathers of musique concrete, Pierre Henry and Pierre Schaeffer. However, she developed a compositional style of her own that was based around tape loops and early Buchla and ARP synthesisers, creating slowly unfolding, long-form pieces that were subsequently infulenced by her growing interest in Tibetan Buddhism. In recent years she has composed for instrumentalists as well as electronics, and <em>Triptych: The Music of Eliane Radigue</em>, which is curated by new music organisation <a href=\"http://www.soundandmusic.org/projects/triptych-music-eliane-radigue\">Sound and Music</a>, showcases both in this major retrospective that lasts until the weekend of 25 June.\r\n\r\n<iframe src=\"http://player.vimeo.com/video/21944005?title=0&amp;byline=0&amp;portrait=0\" width=\"400\" height=\"225\" frameborder=\"0\"></iframe><p><a href=\"http://vimeo.com/21944005\">Triptych - The Music of Eliane Radigue</a> from <a href=\"http://vimeo.com/soundandmusic\">Sound and Music</a> on <a href=\"http://vimeo.com\">Vimeo</a>.','Eliane Radigue\'s meditative music','','inherit','open','open','','3682-revision-4','','','2011-06-20 17:10:25','2011-06-20 17:10:25','',3682,'http://strangeattractor.co.uk/further/3682-revision-4/',0,'revision','',0),(3686,2,'2011-06-20 17:09:57','2011-06-20 17:09:57','</p><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/radigue.jpg\"><img src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/radigue-300x200.jpg\" alt=\"\" title=\"radigue\" width=\"300\" height=\"200\" class=\"alignleft size-medium wp-image-3683\" /></a>\r\nThe Strange Attractor team is looking forward to attending some of the London concerts taking place this week of French composer Eliane Radigue\'s beautiful electronic music. \r\n\r\nRadigue\'s history is fascinating: born in 1932, early in her career she worked with the fathers of musique concrete, Pierre Henry and Pierre Schaeffer. However, she developed a compositional style of her own that was based around tape loops and early Buchla and ARP synthesisers, creating slowly unfolding, long-form pieces that were subsequently infulenced by her growing interest in Tibetan Buddhism. In recent years she has composed for instrumentalists as well as electronics, and <em>Triptych: The Music of Eliane Radigue</em>, which is curated by new music organisation <a href=\"http://www.soundandmusic.org/projects/triptych-music-eliane-radigue\">Sound and Music</a>, showcases both in this major retrospective that lasts until the weekend of 25 June.\r\n\r\n<iframe src=\"http://player.vimeo.com/video/21944005?title=0&amp;byline=0&amp;portrait=0\" width=\"400\" height=\"225\" frameborder=\"0\"></iframe><p><a href=\"http://vimeo.com/21944005\">Triptych - The Music of Eliane Radigue</a> from <a href=\"http://vimeo.com/soundandmusic\">Sound and Music</a> on <a href=\"http://vimeo.com\">Vimeo</a>.','Eliane Radigue\'s meditative music','','inherit','open','open','','3682-revision-3','','','2011-06-20 17:09:57','2011-06-20 17:09:57','',3682,'http://strangeattractor.co.uk/further/3682-revision-3/',0,'revision','',0),(3687,2,'2011-06-21 11:04:55','2011-06-21 11:04:55','','bees2','','inherit','open','open','','bees2','','','2011-06-21 11:04:55','2011-06-21 11:04:55','',3679,'http://strangeattractor.co.uk/wp-content/uploads/2011/06/bees2.jpg',0,'attachment','image/jpeg',0),(3688,2,'2011-06-21 11:03:41','2011-06-21 11:03:41','Yesterday\'s oddest Twitter/London story was probably this report from radio station LBC, which was tweeted by the London Air Ambulance charity and thence by city theorists/publishers <a href=\"http://www.thisisnotagateway.net/\">This Is Not A Gateway</a>.\n\nLike most London insect \'invasion\' news stories, this one\'s <a href=\"http://www.lbc.co.uk/swarm-of-bees-shuts-regent-street-41361/album/regent_st_a__hive__of_activity/1240#19408\">pretty localised</a>,  but the swarm of bees that descended upon Regent Street was scary enough to merit beekeeper intervention.\n\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/bees.jpg\"><img src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/bees-240x300.jpg\" alt=\"\" title=\"bees\" width=\"240\" height=\"300\" class=\"alignleft size-medium wp-image-3680\" /></a>\n\n','Bees attack West End','','inherit','open','open','','3679-revision-2','','','2011-06-21 11:03:41','2011-06-21 11:03:41','',3679,'http://strangeattractor.co.uk/further/3679-revision-2/',0,'revision','',0),(3689,2,'2011-06-22 11:53:47','2011-06-22 11:53:47','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/bees2.jpg\"><img class=\"alignleft size-medium wp-image-3687\" title=\"bees2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/bees2-300x245.jpg\" alt=\"\" width=\"300\" height=\"245\" /></a>\n\nYesterday\'s oddest Twitter/London story was probably this report from radio station <a href=\"http://www.lbc.co.uk/swarm-of-bees-shuts-regent-street-41361/album/regent_st_a__hive__of_activity/1240#19408\">LBC</a>, which was tweeted by the London Air Ambulance charity and thence by city theorists/publishers <a href=\"http://www.thisisnotagateway.net/\">This Is Not A Gateway</a>.\n\nLike many London \'insect invasion\' news stories, the scale of the attack was pretty localised (confined in this case to one traffic light), but the swarm of bees that descended upon Regent Street was scary enough to merit beekeeper intervention and close the street.\n\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/bees.jpg\"><img class=\"alignleft size-medium wp-image-3680\" title=\"bees\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/bees-240x300.jpg\" alt=\"\" width=\"240\" height=\"300\" /></a>','Bees attack West End','Yesterday\'s oddest Twitter/London story was probably this report from radio station LBC, which was tweeted by the London Air Ambulance charity and thence by city theorists/publishers This Is Not A Gateway.','inherit','open','open','','3679-autosave','','','2011-06-22 11:53:47','2011-06-22 11:53:47','',3679,'http://strangeattractor.co.uk/further/3679-autosave/',0,'revision','',0),(3685,2,'2011-06-20 17:09:55','2011-06-20 17:09:55','</p><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/radigue.jpg\"><img src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/radigue-300x200.jpg\" alt=\"\" title=\"radigue\" width=\"300\" height=\"200\" class=\"alignleft size-medium wp-image-3683\" /></a>\nThe Strange Attractor team is looking forward to attending some of the London concerts taking place this week of French composer Eliane Radigue\'s beautiful electronic music. \n\nRadigue\'s history is fascinating: born in 1932, early in her career she worked with the fathers of musique concrete, Pierre Henry and Pierre Schaeffer. However, she developed a compositional style of her own that was based around tape loops and early Buchla and ARP synthesisers, creating slowly unfolding, long-form pieces that were subsequently infulenced by her growing interest in Tibetan Buddhism. In recent years she has composed for instrumentalists as well as electronics, and <em>Triptych: The Music of Eliane Radigue</em>, which is curated by new music organisation <a href=\"http://www.soundandmusic.org/projects/triptych-music-eliane-radigue\">Sound and Music</a>, showcases both in this major retrospective that lasts until the weekend of 25 June.\n\n<iframe src=\"http://player.vimeo.com/video/21944005?title=0&amp;byline=0&amp;portrait=0\" width=\"400\" height=\"225\" frameborder=\"0\"></iframe><p><a href=\"http://vimeo.com/21944005\">Triptych - The Music of Eliane Radigue</a> from <a href=\"http://vimeo.com/soundandmusic\">Sound and Music</a> on <a href=\"http://vimeo.com\">Vimeo</a>.','Eliane Radigue\'s meditative music','','inherit','open','open','','3682-revision-2','','','2011-06-20 17:09:55','2011-06-20 17:09:55','',3682,'http://strangeattractor.co.uk/further/3682-revision-2/',0,'revision','',0),(3674,2,'2011-06-17 17:41:28','2011-06-17 17:41:28','&nbsp;\r\n\r\n<img class=\"size-full wp-image-3091 alignleft\" title=\"AOS_webdummy2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/AOS_webdummy2.jpg\" alt=\"\" width=\"209\" height=\"291\" />\r\n\r\nListen to Austin Osman Spare biographer Phil Baker guesting on Erik\'s weekly <em>Expanding Mind</em> show, broadcast on the Progressive Radio Network. Their discussion is sure to be illuminating.\r\n\r\nListen <a href=\"http://www.progressiveradionetwork.com/expanding-mind/2011/6/16/expanding-mind-061611.html\">here</a>','Phil Baker and Erik Davis on Spare','Listen to Phil Baker discussing his Austin Osman Spare biography with Erik Davis on the Progressive Radio Network. ','inherit','open','open','','3671-revision-3','','','2011-06-17 17:41:28','2011-06-17 17:41:28','',3671,'http://strangeattractor.co.uk/further/3671-revision-3/',0,'revision','',0),(3675,2,'2011-06-22 13:20:36','2011-06-22 13:20:36','<h3><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/urthona_SHHR.jpg\"><img class=\"alignright size-full wp-image-3647\" title=\"urthona_SHHR\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/urthona_SHHR.jpg\" alt=\"\" width=\"280\" height=\"284\" /></a>Further 006\nCD, 48 minutes\n£11</h3>\n<blockquote>a sometimes blissful, but often blistering, trip, certainly meant to be played LOUD for full submission / submergence <em><a href=\"http://www.aquariusrecords.org/\">Aquarius Records</a></em>\n\na righteous yammering of liquid infinity, a full three-quarter-hour medication-medication of tor-hopping guitar daub\n<em>Julian Cope, <a href=\"http://www.headheritage.co.uk/addressdrudion/144/2011/\" target=\"_blank\">Head Heritage</a></em></blockquote>\n&nbsp;\n\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" /> <input name=\"hosted_button_id\" type=\"hidden\" value=\"V5DAAL5CN64ZE\" />\n<table>\n<tbody>\n<tr>\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal Options\" />Postal Options</td>\n</tr>\n<tr>\n<td><select name=\"os0\"> <option value=\"UK\">UK £11.00</option> <option value=\"EU\">EU £12.00</option> <option value=\"R.O.W.\">R.O.W. £13.00</option> </select></td>\n</tr>\n</tbody>\n</table>\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypalobjects.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" /> <img src=\"https://www.paypalobjects.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\n</form>Elemental meditations echo from the tor tops once again as West Country guitar monster Urthona returns with a fourth album. This time it\'s a single 48 minute mix containing his trademark blissed-out, wind-swept guitar sound but with added drums, (from Julian Cope, Brain Donor\'s Mr E and Albert Snazz), synths (via The Asterism) and field recordings freshly plucked from Devonia\'s Alps.\n\n&nbsp;\n\nYou can have a listen to <em>Super Heavy Hamoazian Reverie</em> <a href=\"http://www.box.net/shared/10mftnc1an\" target=\"_blank\">here</a>\n\n<a href=\"http://www.box.net/shared/10mftnc1an\" target=\"_blank\"></a>','Super Heavy Hamoazian Reverie','Further 006 CD\n48 minutes\n£11','inherit','open','open','','3646-autosave-v1','','','2011-06-22 13:20:36','2011-06-22 13:20:36','',3646,'http://strangeattractor.co.uk/further/3646-autosave/',0,'revision','',0),(3500,2,'2011-05-13 10:33:49','2011-05-13 10:33:49','','psycho_cd_cover','','inherit','open','open','','psycho_cd_cover','','','2011-05-13 10:33:49','2011-05-13 10:33:49','',0,'http://strangeattractor.co.uk/wp-content/uploads/2011/05/psycho_cd_cover.jpg',0,'attachment','image/jpeg',0),(3676,2,'2011-06-13 16:28:23','2011-06-13 16:28:23','<h3><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/urthona_SHHR.jpg\"><img class=\"alignright size-full wp-image-3647\" title=\"urthona_SHHR\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/urthona_SHHR.jpg\" alt=\"\" width=\"280\" height=\"284\" /></a>Further 006\r\nCD, 48 minutes\r\n£11</h3>\r\n<blockquote>a righteous yammering of liquid infinity, a full three-quarter-hour medication-medication of tor-hopping guitar daub\r\n<em>Julian Cope, <a href=\"http://www.headheritage.co.uk/addressdrudion/144/2011/\" target=\"_blank\">Head Heritage</a></em></blockquote>\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">&nbsp;\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal Options\" />Postal Options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £11.00</option> <option value=\"EU\">EU £12.00</option> <option value=\"ROW\">ROW £13.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypalobjects.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypalobjects.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />&nbsp;\r\n\r\n</form>Elemental meditations echo from the tor tops once again as West Country guitar monster Urthona returns with a fourth album. This time it\'s a single 48 minute mix containing his trademark blissed-out, wind-swept guitar sound but with added drums, (from Julian Cope, Brain Donor\'s Mr E and Albert Snazz), synths (via The Asterism) and field recordings freshly plucked from Devonia\'s Alps.\r\n\r\nYou can have a listen to <em>Super Heavy Hamoazian Reverie</em> <a href=\"http://www.box.net/shared/10mftnc1an\" target=\"_blank\">here</a>\r\n\r\n<a href=\"http://www.box.net/shared/10mftnc1an\" target=\"_blank\"></a>','Super Heavy Hamoazian Reverie','Further 006 CD\r\n48 minutes\r\n£11','inherit','open','open','','3646-revision-v1','','','2011-06-13 16:28:23','2011-06-13 16:28:23','',3646,'http://strangeattractor.co.uk/further/3646-revision-8/',0,'revision','',0),(2867,2,'2011-01-13 09:05:54','2011-01-13 09:05:54','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\"><img class=\"alignright size-full wp-image-2537\" title=\"ES_web_small\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\" alt=\"\" width=\"225\" height=\"313\" /></a>\r\n<div id=\"_mcePaste\"><strong>Edited by Virginie Selavy\r\n</strong><strong>260pp, PB, illustrated, £13.99\r\n</strong><strong>ISBN 9781907222023</strong>\r\n\r\n<em>The End is The Beginning</em>\r\n<blockquote>‘Electric Sheep writes about film for people who like film: a classic approach.\'\r\nNorman Lebrecht, <strong>The New Statesman</strong>\r\n\r\n\'Refreshing and original, Electric Sheep explores the world of film from myriad angles with wit and imagination.’\r\nJennifer Higgie,<strong> Frieze</strong></blockquote>\r\n</div>\r\n<div><strong>The first 200 copies of the book bought directly from Strange Attractor will include a set of artists\' postcards.</strong></div>\r\n<div style=\"text-align: left;\"><span style=\"font-size: 9.0pt; mso-bidi-font-size: 12.0pt; font-family: &amp;amp;amp; mso-fareast-font-family: &amp;amp;amp; mso-bidi-font-family: Tahoma; mso-ansi-language: EN-US; mso-fareast-language: EN-US;\" lang=\"EN-US\"><strong><em>\r\n</em></strong></span></div>\r\n<div style=\"text-align: left;\">\r\n\r\nAcclaimed film magazine <a href=\"http://www.electricsheepmagazine.co.uk\">Electric Sheep</a> presents a bold new anthology of writing from cinema\'s sharpest edge.\r\n\r\nFrom the gutter to the avant garde, <em>The End</em> brings together a mind-bendingly eclectic programme of films, authors, artists and directors to create a unique new vision of cinema past, present and future.\r\n\r\nFollow us into the darkness and you\'ll find Bill Morrision\'s chemical ghosts, the Bad Girls of \'50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu\'s Japanese nihilists, David Lynch\'s sonic cinema, Clouzot\'s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman\'s final thoughts and more.\r\n\r\nContributors include:\r\nJim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>)\r\nGreg Klymkiw (producer of Guy Maddin’s <em>Careful</em>)\r\nFrances Morgan (former editor of <em>Plan B Magazine</em>)\r\nJames Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>)\r\nJack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n\r\n</div>\r\n<blockquote>‘Electric Sheep is idiosyncratic, \'intelligent, informed and it really  knows and cares about cinema.  Long may it prosper.’ <strong>The Wire</strong></blockquote>','The End: Electric Sheep','Edited by Virginie Selavy (March 2011)\r\n260pp, PB, illustrated, £13.99 \r\nISBN 978-1907222023\r\n','inherit','open','open','','2536-revision-v1','','','2011-01-13 09:05:54','2011-01-13 09:05:54','',2536,'http://strangeattractor.co.uk/further/2536-revision-17/',0,'revision','',0),(3603,2,'2011-06-07 11:09:07','2011-06-07 11:09:07','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/EScover1.jpg\"><img class=\"alignnone size-full wp-image-3604\" title=\"EScover\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/EScover1.jpg\" alt=\"\" width=\"293\" height=\"420\" /></a>\r\n\r\nELECTRIC SHEEP ANTHOLOGY LAUNCH\r\n\r\n<strong>Tuesday 7 June,\r\n</strong><strong>Horse Hospital, 1 Colonnade, Bloomsbury, London WC1N 1JD\r\n</strong><strong>from 7pm, free</strong>\r\n\r\nWe will be celebrating the beginning  of <em>The End</em> on Tuesday 7 June at the Horse Hospital, London.\r\n\r\nThe event will start off with a panel discussion on apocalyptic cinema at <strong>8pm</strong>, featuring <em>The End</em> contributors including <em>Electric Sheep</em> assistant editor Alex Fitch, writer and musician Frances Morgan (former publisher of <em>Plan B Magazine</em>), graphic artist and film writer Mark Stafford (<em>Cherubs!</em>) and Jim Harper, author of <em>Flowers from Hell: The Modern Japanese Horror Film</em>.\r\n\r\n<object width=\"425\" height=\"349\"><embed type=\"application/x-shockwave-flash\" width=\"425\" height=\"349\" src=\"http://www.youtube.com/v/C6jc0erg2Cs?version=3&amp;hl=en_US\" allowscriptaccess=\"always\" allowfullscreen=\"true\"></embed></object>\r\n\r\nThis will be followed at <strong>9pm</strong> by a screening of <em>Night of the Living Dead: REANIMATED</em>(2009) with a live DJ soundtrack by Robin Warren (Resonance FM).<em>NotLD: REANIMATED</em> is an experimental collective reinterpretation of George A. Romero’s classic zombie film by various artists, animators and filmmakers, using mixed media including puppetry, CGI, hand-drawn animation, illustration, acrylics and claymation.\r\n\r\n+ DJ sets by Frances Morgan and Zoe Baxter (Lucky Cat, Resonance FM)\r\n\r\n&nbsp;','The End: Electric Sheep launch party 7 June','We\'ll be celebrating the beginning of The End on Tuesday 7 June at the Horse Hospital, London with a discussion on apocalyptic cinema and a screening of Night of the Living Dead: REANIMATED (2009) and a discussion on apocalyptic cinema.','publish','open','open','','the-end-electric-sheep-launch-party-7-june','','','2011-06-02 14:34:13','2011-06-02 14:34:13','',0,'http://strangeattractor.co.uk/?p=3603',0,'post','',0),(3604,2,'2011-05-23 11:05:15','2011-05-23 11:05:15','','EScover','','inherit','open','open','','escover-2','','','2011-05-23 11:05:15','2011-05-23 11:05:15','',3603,'http://strangeattractor.co.uk/wp-content/uploads/2011/05/EScover1.jpg',0,'attachment','image/jpeg',0),(3599,2,'2011-05-23 10:59:08','2011-05-23 10:59:08','<strong><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/EScover.jpg\"><img class=\"alignnone size-full wp-image-3595\" title=\"EScover\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/EScover.jpg\" alt=\"\" width=\"293\" height=\"420\" /></a></strong>\r\n\r\n<strong><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/EScover.jpg\"></a>Edited by Virginie Selavy\r\n</strong><strong>260pp, PB, illustrated, £13.99\r\n</strong><strong>ISBN 978-1907222023</strong>\r\n\r\n<em>The End is The Beginning</em>\r\n<blockquote>‘Electric Sheep writes about film for people who like film: a classic approach.\'\r\nNorman Lebrecht, <strong>The New Statesman</strong>\r\n\r\n\'Refreshing and original, Electric Sheep explores the world of film from myriad angles with wit and imagination.’\r\nJennifer Higgie,<strong> Frieze</strong></blockquote>\r\n<div><strong>The first 200 copies of the book bought directly from Strange Attractor will include a set of artists\' postcards.</strong></div>\r\n<div><strong>\r\n</strong></div>\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" /> <input name=\"hosted_button_id\" type=\"hidden\" value=\"Y2CKU7XQWW7RY\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £13.99</option> <option value=\"EU\">EU £14.99</option> <option value=\"ROW Surface\">ROW Surface £15.99</option> <option value=\"ROW AIR\">ROW AIR £16.99</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n\r\n</form> <form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><span style=\"line-height: 24px; font-size: 16px;\"><em>\r\nOr pay by cheque, £UK only, payable to </em>Strange Attractor Press Ltd<em> and sent to </em>BM SAP, London, WC1N 3XX, UK<em>.</em></span></form><strong>About the book\r\n</strong> Acclaimed film magazine <a href=\"http://www.electricsheepmagazine.co.uk\">Electric Sheep</a> presents a bold new anthology of writing from cinema\'s sharpest edge.\r\n\r\nFrom the gutter to the avant garde, <em>The End</em> brings together a mind-bendingly eclectic programme of films, authors, artists and directors to create a unique new vision of cinema past, present and future.\r\n\r\nFollow us into the darkness and you\'ll find Bill Morrision\'s chemical ghosts, the Bad Girls of \'50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu\'s Japanese nihilists, David Lynch\'s sonic cinema, Clouzot\'s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman\'s final thoughts and more.\r\n\r\nContributors include:\r\nJim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>)\r\nGreg Klymkiw (producer of Guy Maddin’s <em>Careful</em>)\r\nFrances Morgan (former editor of <em>Plan B Magazine</em>)\r\nJames Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>)\r\nJack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n<blockquote>‘Electric Sheep is idiosyncratic, \'intelligent, informed and it really  knows and cares about cinema.  Long may it prosper.’ <strong>The Wire</strong></blockquote>\r\n<strong><strong>Catch a glimpse of <em>The End </em>with these PDF samples:</strong></strong>\r\n\r\n<em>* <a href=\"http://www.strangeattractor.co.uk/pdf/TheEnd_ESAnthology_Contents.pdf\">Contents</a></em>\r\n\r\n<em>* </em>Frances Morgan – <em><a href=\"http://www.strangeattractor.co.uk/pdf/TheEnd_ESAnthology_Lynch.pdf\">Darkness Audible</a>: </em>Sub-bass, tape decay and Lynchian noise\r\n\r\n* Alex Fitch &amp; Tom Humberstone<em> – <a href=\"http://www.strangeattactor.co.uk/public_html/pdf/TheEnd_ESAnthology_Legacy.pdf\">Legacy of the Dead</a></em>\r\n\r\n<em>* </em>Ian Francis – <em> <a href=\"http://www.strangeattractor.co.uk/pdf/TheEnd_ESAnthology_Skeletons.pdf\">A Feast of Skeletons</a> at cinema\'s end</em>\r\n\r\n&nbsp;','Electric Sheep: The End','Edited by Virginie Selavy\r\n260pp, PB, illustrated, £13.99\r\nISBN 978-1907222023','inherit','open','open','','2967-revision-v1','','','2011-05-23 10:59:08','2011-05-23 10:59:08','',2967,'http://strangeattractor.co.uk/further/2967-revision-9/',0,'revision','',0),(3966,2,'2011-11-15 11:47:16','2011-11-15 11:47:16','','twitter_mini','','inherit','open','open','','twitter_mini','','','2011-11-15 11:47:16','2011-11-15 11:47:16','',0,'http://strangeattractor.co.uk/wp-content/uploads/2011/11/twitter_mini.jpg',0,'attachment','image/jpeg',0),(2877,2,'2011-01-12 22:30:46','2011-01-12 22:30:46','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/dodgemad.jpg\"><img class=\"size-full wp-image-2189 alignnone\" title=\"dodgemad\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/dodgemad.jpg\" alt=\"\" width=\"400\" height=\"400\" /></a>\r\n\r\n2011 marks a decade since <strong>John Lundberg</strong> and I started organising Strange Attractor events at London\'s Horse Hospital, and through a serendipitous collision (or should that be collusion?) of accident and design, it sees Strange Attractor Press enter what we hope to be a new phase of our evolution.\r\n\r\n<strong><em>New SAP site</em></strong>\r\n\r\nFirst of all, you may have noticed the new web site – the first major overhaul since John created our first web page in 2001. Huge thanks to the brilliant <strong>Ralph Cowling</strong>, who has toiled above and beyond the call of duty to integrate the various elements of the Strange Attractor multiverse into one site. There will no doubt be a few teething problems as the site is properly used, so if you have any problems with it or suggestions for improving it, then please let us know at <em>web[at]strangeattractor.co.uk. </em>We<em> </em>are already planning a second stage of improvements and tweaks, so watch this space.\r\n\r\nSecond, I\'d like to welcome two new core members to the Strange Attractor Press team, <strong>Nadia Katz-Wise</strong> and <strong>Frances Morgan</strong>. Nadia, our Production Director and Guru, was instrumental in making <a href=\"http://strangeattractor.co.uk/studios/londons-medical-history/\" target=\"_blank\">Medical London</a> the stunning package that it is, while Frances, our Co-Publisher and Editor, previously edited and published the late, lamented <em>Plan B</em> music magazine. Working together, along with a stable of talented friends and freelancers, the three of us hope to dramatically increase SAP\'s output, and that brings us to our new books...\r\n\r\n<!--more-->\r\n\r\n<em><strong>February and March will see the publication of three new SAP books:</strong></em>\r\n\r\n<em><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\"><img class=\"alignleft size-medium wp-image-2537\" title=\"ES_web_small\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a href=\"http://strangeattractor.co.uk/shoppe/the-end/\" target=\"_self\">The End: An Electric Sheep Anthology</a></em>, edited by <strong>Virginie Selavy</strong>\r\nWe\'re thrilled to be publishing this first anthology of new writing from the team behind the excellent <em><a href=\"http://www.electricsheepmagazine.co.uk/\" target=\"_blank\">Electric Sheep</a></em> magazine. We hope that <em>Electric Sheep</em> books will be a regular part of SAP\'s future.\r\n\r\nFollow us into the darkness and you’ll find Bill Morrision’s chemical ghosts, the Bad Girls of ’50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu’s Japanese nihilists, David Lynch’s sonic cinema, Clouzot’s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman’s final thoughts and more. Contributors include:Jim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>); Greg Klymkiw (producer of Guy Maddin’s <em>Careful</em>); Frances Morgan (former editor of <em>Plan B Magazine</em>); James Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>); Jack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n\r\n<em><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/AOSdummyweb.jpg\"><img class=\"size-medium wp-image-2554 alignleft\" title=\"AOSdummyweb\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/AOSdummyweb-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a href=\"http://strangeattractor.co.uk/shoppe/austin-osman-spare/\" target=\"_blank\"></a></em>\r\n\r\n<em><a href=\"http://strangeattractor.co.uk/shoppe/austin-osman-spare/\" target=\"_blank\">Austin Osman Spare: The Life and Legend of London\'s Lost Artist</a></em> by <strong>Phil Baker</strong>\r\nOver ten years in the writing, this is the first definitive critical biography of this enigmatic and much-lauded mystic and artist. We\'ll let <strong>Alan Moore</strong>\'s words of enthusiasm for the book, from his foreword, speak for themselves:\r\n\r\n<em>What Phil Baker has accomplished here is little short of marvellous... a human study that neither confirms nor yet conclusively denies the extra-human properties attributed to its astounding and ambiguous subject... To my mind Phil Baker has established himself as among the very best contemporary biographers.</em>\r\n\r\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4.jpg\"><img class=\"alignleft size-medium wp-image-2533\" title=\"SAJ4\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a style=\"font-style: italic;\" href=\"http://strangeattractor.co.uk/shoppe/strange-attractor-journal-four/\">Strange Attractor Journal Four</a><em> </em>edited by <strong>Mark Pilkington</strong>\r\nIt\'s been four years since <em>Journal Three </em>hit the shelves, but we think you\'ll agree it\'s been worth the wait. From Haiti and Hong Kong to the fourth dimension and beyond: discover the secrets of madness in animals; voodoo soul and dub music; ancient peacock deities; Chinese poisoning cults; the history of spider silk weaving; heathen mugwort magic; sentient lightning; Jesuit consiracy theories; junkie explorers; Dali\'s Atlantis; the resurgence of Pan (in London\'s Crouch End); anarchist pirates on Madagascar; a Greek Rip Van Winkle; French anatomical waxworks; Arthur Machen\'s forgotten tales and Alan Moore\'s unpublished John Dee opera.\r\n\r\nThis new edition of our acclaimed anthology series contains written and visual contributions from: <em>Richard Barnett, Mark Blacklock, Joel Biroco, John Cussans, Erik Davis, Paul Devereux, Roger Dobson, Joanna Ebenstein, Stephen Grasso, Gyrus, Ken Hollings, Julian House, Mike Jay, Phil Legard, David Luke, Eleanor Morgan, Alan Moore, Steve Moore, Michael Neve, Arik Roper, Andy Sharp, Nathalie Tayton, Robert Wallis, Sean Walsh.</em>\r\n\r\nWe have several more books in the pipeline, news of which is to follow shortly.\r\n\r\n<em><strong>We\'re also offering reduced prices on these fine SAP titles for a limited time:</strong></em>\r\n\r\n∞ <a href=\"http://strangeattractor.co.uk/shoppe/equinox-festival/\" target=\"_blank\">The Equinox</a> is now £9.99 (previously £11.99)\r\n\r\n∞ <a href=\"http://strangeattractor.co.uk/shoppe/2133/\" target=\"_blank\">The Field Guide</a> is now £6.99 (previously £8.99)\r\n\r\n∞ <a href=\"http://strangeattractor.co.uk/shoppe/welcome-to-mars-2/\" target=\"_self\">Welcome to Mars</a> is £9.99 (previously £11.99)\r\n\r\n<em><strong>Strange Attractor Salons for 2011</strong></em>\r\n2010 saw Strange Attractor\'s first art exhibition at Viktor Wynd\'s <a href=\"http://viktorwyndfineart.co.uk/strangerattractor.html\" target=\"_blank\">Little Shoppe of Horrors</a>, and a successful series of talks held throughout the year at the gallery. We\'ll be returning to the Shoppe later in the year, but before that there will be a series of ten talks at the <a href=\"http://www.ica.org.uk/\" target=\"_blank\">ICA</a> on London\'s Mall, as part of an exhibition by film-maker and sculptor Nathaniel Mellors. A Strange Attractor live music night will also be part of the season. More news to follow in our <em>Events</em> section.','A decade of Strange Attractor  ','New books, a new site, a sale, a new team and new events for 2011 ','inherit','open','open','','2718-revision-30','','','2011-01-12 22:30:46','2011-01-12 22:30:46','',2718,'http://strangeattractor.co.uk/further/2718-revision-30/',0,'revision','',0),(2913,2,'2011-01-20 12:10:02','2011-01-20 12:10:02','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/dodgemad.jpg\"><img class=\"size-full wp-image-2189 alignnone\" title=\"dodgemad\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/dodgemad.jpg\" alt=\"\" width=\"400\" height=\"400\" /></a>\r\n\r\n2011 marks a decade since <strong>John Lundberg</strong> and I started organising Strange Attractor events at London\'s Horse Hospital, and through a serendipitous collision (or should that be collusion?) of accident and design, it sees Strange Attractor Press enter what we hope to be a new phase of our evolution.\r\n\r\n<strong><em>New SAP site</em></strong>\r\n\r\nFirst of all, you may have noticed the new web site – the first major overhaul since John created our first web page in 2001. Huge thanks to the brilliant nay, even godlike, <strong>Ralph Cowling</strong>, who has toiled above and beyond the call of duty to integrate the various elements of the Strange Attractor multiverse into one site. There will no doubt be a few teething problems as the site is properly used, so if you have any problems with it or suggestions for improving it, then please let us know at <strong>web[at]strangeattractor.co.uk</strong><em>. </em>We<em> </em>are already planning a second stage of improvements and tweaks, so watch this space.\r\n\r\nSecond, I\'d like to welcome two new core members to the Strange Attractor Press team, <strong>Nadia Katz-Wise</strong> and <strong>Frances Morgan</strong>. Nadia, our Production Director and Guru, was instrumental in making <a href=\"http://strangeattractor.co.uk/studios/londons-medical-history/\" target=\"_blank\">Medical London</a> the stunning package that it is, while Frances, our Co-Publisher and Editor, previously edited and published the late, lamented <em>Plan B</em> music magazine. Working together, along with a stable of talented friends and freelancers, the three of us hope to dramatically increase SAP\'s output, and that brings us to our new books...\r\n\r\n<!--more-->\r\n\r\n<em><strong>February and March will see the publication of three new SAP books:</strong></em>\r\n\r\n<em><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\"><img class=\"alignleft size-medium wp-image-2537\" title=\"ES_web_small\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a href=\"http://strangeattractor.co.uk/shoppe/the-end/\" target=\"_self\">The End: An Electric Sheep Anthology</a></em>, edited by <strong>Virginie Selavy</strong>\r\nWe\'re thrilled to be publishing this first anthology of new writing from the team behind the excellent <em><a href=\"http://www.electricsheepmagazine.co.uk/\" target=\"_blank\">Electric Sheep</a></em> magazine. We hope that <em>Electric Sheep</em> books will be a regular part of SAP\'s future.\r\n\r\nFollow us into the darkness and you’ll find Bill Morrision’s chemical ghosts, the Bad Girls of ’50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu’s Japanese nihilists, David Lynch’s sonic cinema, Clouzot’s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman’s final thoughts and more. Contributors include:Jim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>); Greg Klymkiw (producer of Guy Maddin’s <em>Careful</em>); Frances Morgan (former editor of <em>Plan B Magazine</em>); James Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>); Jack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n\r\n<em><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/AOSdummyweb.jpg\"><img class=\"size-medium wp-image-2554 alignleft\" title=\"AOSdummyweb\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/AOSdummyweb-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a href=\"http://strangeattractor.co.uk/shoppe/austin-osman-spare/\" target=\"_blank\"></a></em>\r\n\r\n<em><a href=\"http://strangeattractor.co.uk/shoppe/austin-osman-spare/\" target=\"_blank\">Austin Osman Spare: The Life and Legend of London\'s Lost Artist</a></em> by <strong>Phil Baker</strong>\r\nOver ten years in the writing, this is the first definitive critical biography of this enigmatic and much-lauded mystic and artist. We\'ll let <strong>Alan Moore</strong>\'s words of enthusiasm for the book, from his foreword, speak for themselves:\r\n\r\n<em>What Phil Baker has accomplished here is little short of marvellous... a human study that neither confirms nor yet conclusively denies the extra-human properties attributed to its astounding and ambiguous subject... To my mind Phil Baker has established himself as among the very best contemporary biographers.</em>\r\n\r\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4.jpg\"><img class=\"alignleft size-medium wp-image-2533\" title=\"SAJ4\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a style=\"font-style: italic;\" href=\"http://strangeattractor.co.uk/shoppe/strange-attractor-journal-four/\">Strange Attractor Journal Four</a><em> </em>edited by <strong>Mark Pilkington</strong>\r\nIt\'s been four years since <em>Journal Three </em>hit the shelves, but we think you\'ll agree it\'s been worth the wait. From Haiti and Hong Kong to the fourth dimension and beyond: discover the secrets of madness in animals; voodoo soul and dub music; ancient peacock deities; Chinese poisoning cults; the history of spider silk weaving; heathen mugwort magic; sentient lightning; Jesuit consiracy theories; junkie explorers; Dali\'s Atlantis; the resurgence of Pan (in London\'s Crouch End); anarchist pirates on Madagascar; a Greek Rip Van Winkle; French anatomical waxworks; Arthur Machen\'s forgotten tales and Alan Moore\'s unpublished John Dee opera.\r\n\r\nThis new edition of our acclaimed anthology series contains written and visual contributions from: <em>Richard Barnett, Mark Blacklock, Joel Biroco, John Cussans, Erik Davis, Paul Devereux, Roger Dobson, Joanna Ebenstein, Stephen Grasso, Gyrus, Ken Hollings, Julian House, Mike Jay, Phil Legard, David Luke, Eleanor Morgan, Alan Moore, Steve Moore, Michael Neve, Arik Roper, Andy Sharp, Nathalie Tayton, Robert Wallis, Sean Walsh.</em>\r\n\r\nWe have several more books in the pipeline, news of which is to follow shortly.\r\n\r\n<em><strong>We\'re also offering reduced prices on these fine SAP titles for a limited time:</strong></em>\r\n\r\n∞ <a href=\"http://strangeattractor.co.uk/shoppe/equinox-festival/\" target=\"_blank\">The Equinox</a> is now £9.99 (previously £11.99)\r\n\r\n∞ <a href=\"http://strangeattractor.co.uk/shoppe/2133/\" target=\"_blank\">The Field Guide</a> is now £6.99 (previously £8.99)\r\n\r\n∞ <a href=\"http://strangeattractor.co.uk/shoppe/welcome-to-mars-2/\" target=\"_self\">Welcome to Mars</a> is £9.99 (previously £11.99)\r\n\r\n<em><strong>Strange Attractor Salons for 2011</strong></em>\r\n2010 saw Strange Attractor\'s first art exhibition at Viktor Wynd\'s <a href=\"http://viktorwyndfineart.co.uk/strangerattractor.html\" target=\"_blank\">Little Shoppe of Horrors</a>, and a successful series of talks held throughout the year at the gallery. We\'ll be returning to the Shoppe later in the year, but before that there will be a series of ten talks at the <a href=\"http://www.ica.org.uk/\" target=\"_blank\">ICA</a> on London\'s Mall, as part of an exhibition by film-maker and sculptor Nathaniel Mellors. A Strange Attractor live music night will also be part of the season. More news to follow in our <em>Events</em> section.','A decade of Strange Attractor  ','New books, a new site, a sale, a new team and new events for 2011 ','inherit','open','open','','2718-revision-33','','','2011-01-20 12:10:02','2011-01-20 12:10:02','',2718,'http://strangeattractor.co.uk/further/2718-revision-33/',0,'revision','',0),(2878,2,'2011-01-20 11:38:04','2011-01-20 11:38:04','<p style=\"text-align: left;\"><strong>Strange Attractor Studios</strong> offer a range of production, publishing and consultation services covering all aspects of book creation, including design, layout, editing, proof-reading, printing and distribution.</p>\r\n<p style=\"text-align: left;\">We offer professional services at competitive rates and can work on projects of any size, from high-quality multipart productions to booklets and postcards.</p>\r\n<p style=\"text-align: left;\">Drawing on an carefully-chosen pool of experienced and talented editors, writers, designers, illustrators, production specialists and printers, <strong>Strange Attractor Studios</strong> work in close collaboration with our clients to produce exactly the books that they want.</p>\r\n<p style=\"text-align: left;\"><em><strong>Our past clients include:</strong></em></p>\r\n\r\n<ul>\r\n	<li><a href=\"http://www.beckleyfoundation.org/\" target=\"_blank\">The Beckley Foundation</a> : <a href=\"http://www.amazon.co.uk/gp/product/0954805496?ie=UTF8&amp;tag=stranattra-21&amp;linkCode=as2&amp;camp=1634&amp;creative=19450&amp;creativeASIN=0954805496\" target=\"_blank\"><em>Hofmann\'s Elixir</em></a> (2010)</li>\r\n	<li><a href=\"http://www.dynastypress.co.uk/\" target=\"_blank\">Dynasty Press</a> : <em>Daughter of Narcissus</em> (2009), <em>Lord of Love</em>, <em>Weimar to Westminster</em> (both 2010)</li>\r\n	<li><a href=\"http://www.royalparks.gov.uk/\" target=\"_blank\">The Royal Parks</a> : <em>Park Stories</em> (2009)</li>\r\n	<li><a href=\"http://www.wellcomecollection.org/\" target=\"_blank\">Wellcome Collection</a> : <a href=\"http://www.amazon.co.uk/gp/product/0955876109?ie=UTF8&amp;tag=stranattra-21&amp;linkCode=as2&amp;camp=1634&amp;creative=19450&amp;creativeASIN=0955876109\" target=\"_blank\"><em>Medical London</em></a> (2008)</li>\r\n</ul>\r\n<p style=\"text-align: left;\"><em><strong>Our current clients include:</strong></em></p>\r\n\r\n<ul>\r\n	<li><a style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #0066cc; line-height: 1.5;\" href=\"http://www.galerietoxic.com/\" target=\"_blank\">Gallery Toxic</a>, Luxembourg : <em>Tender Vessels</em>, 2011</li>\r\n	<li><a href=\"http://www.naturaldeath.org.uk/\" target=\"_blank\">The Natural Death Centre</a> : <em>The Natural Death Handbook</em> (5th Edition, 2011)<em> </em></li>\r\n</ul>\r\n<p style=\"text-align: left;\"><em><strong> </strong></em></p>\r\n<p style=\"text-align: left;\"><strong><em>Contact us via </em>studios [at] strangeattractorpress.co.uk</strong></p>','Studio Homepage','','inherit','open','open','','2342-revision-v1','','','2011-01-20 11:38:04','2011-01-20 11:38:04','',2342,'http://strangeattractor.co.uk/further/2342-revision-46/',0,'revision','',0),(2879,2,'2011-01-20 11:39:27','2011-01-20 11:39:27','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/dodgemad.jpg\"><img class=\"size-full wp-image-2189 alignnone\" title=\"dodgemad\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/dodgemad.jpg\" alt=\"\" width=\"400\" height=\"400\" /></a>\r\n\r\n2011 marks a decade since <strong>John Lundberg</strong> and I started organising Strange Attractor events at London\'s Horse Hospital, and through a serendipitous collision (or should that be collusion?) of accident and design, it sees Strange Attractor Press enter what we hope to be a new phase of our evolution.\r\n\r\n<strong><em>New SAP site</em></strong>\r\n\r\nFirst of all, you may have noticed the new web site – the first major overhaul since John created our first web page in 2001. Huge thanks to the brilliant <strong>Ralph Cowling</strong>, who has toiled above and beyond the call of duty to integrate the various elements of the Strange Attractor multiverse into one site. There will no doubt be a few teething problems as the site is properly used, so if you have any problems with it or suggestions for improving it, then please let us know at <strong>web[at]strangeattractor.co.uk</strong><em>. </em>We<em> </em>are already planning a second stage of improvements and tweaks, so watch this space.\r\n\r\nSecond, I\'d like to welcome two new core members to the Strange Attractor Press team, <strong>Nadia Katz-Wise</strong> and <strong>Frances Morgan</strong>. Nadia, our Production Director and Guru, was instrumental in making <a href=\"http://strangeattractor.co.uk/studios/londons-medical-history/\" target=\"_blank\">Medical London</a> the stunning package that it is, while Frances, our Co-Publisher and Editor, previously edited and published the late, lamented <em>Plan B</em> music magazine. Working together, along with a stable of talented friends and freelancers, the three of us hope to dramatically increase SAP\'s output, and that brings us to our new books...\r\n\r\n<!--more-->\r\n\r\n<em><strong>February and March will see the publication of three new SAP books:</strong></em>\r\n\r\n<em><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\"><img class=\"alignleft size-medium wp-image-2537\" title=\"ES_web_small\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a href=\"http://strangeattractor.co.uk/shoppe/the-end/\" target=\"_self\">The End: An Electric Sheep Anthology</a></em>, edited by <strong>Virginie Selavy</strong>\r\nWe\'re thrilled to be publishing this first anthology of new writing from the team behind the excellent <em><a href=\"http://www.electricsheepmagazine.co.uk/\" target=\"_blank\">Electric Sheep</a></em> magazine. We hope that <em>Electric Sheep</em> books will be a regular part of SAP\'s future.\r\n\r\nFollow us into the darkness and you’ll find Bill Morrision’s chemical ghosts, the Bad Girls of ’50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu’s Japanese nihilists, David Lynch’s sonic cinema, Clouzot’s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman’s final thoughts and more. Contributors include:Jim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>); Greg Klymkiw (producer of Guy Maddin’s <em>Careful</em>); Frances Morgan (former editor of <em>Plan B Magazine</em>); James Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>); Jack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n\r\n<em><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/AOSdummyweb.jpg\"><img class=\"size-medium wp-image-2554 alignleft\" title=\"AOSdummyweb\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/AOSdummyweb-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a href=\"http://strangeattractor.co.uk/shoppe/austin-osman-spare/\" target=\"_blank\"></a></em>\r\n\r\n<em><a href=\"http://strangeattractor.co.uk/shoppe/austin-osman-spare/\" target=\"_blank\">Austin Osman Spare: The Life and Legend of London\'s Lost Artist</a></em> by <strong>Phil Baker</strong>\r\nOver ten years in the writing, this is the first definitive critical biography of this enigmatic and much-lauded mystic and artist. We\'ll let <strong>Alan Moore</strong>\'s words of enthusiasm for the book, from his foreword, speak for themselves:\r\n\r\n<em>What Phil Baker has accomplished here is little short of marvellous... a human study that neither confirms nor yet conclusively denies the extra-human properties attributed to its astounding and ambiguous subject... To my mind Phil Baker has established himself as among the very best contemporary biographers.</em>\r\n\r\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4.jpg\"><img class=\"alignleft size-medium wp-image-2533\" title=\"SAJ4\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a style=\"font-style: italic;\" href=\"http://strangeattractor.co.uk/shoppe/strange-attractor-journal-four/\">Strange Attractor Journal Four</a><em> </em>edited by <strong>Mark Pilkington</strong>\r\nIt\'s been four years since <em>Journal Three </em>hit the shelves, but we think you\'ll agree it\'s been worth the wait. From Haiti and Hong Kong to the fourth dimension and beyond: discover the secrets of madness in animals; voodoo soul and dub music; ancient peacock deities; Chinese poisoning cults; the history of spider silk weaving; heathen mugwort magic; sentient lightning; Jesuit consiracy theories; junkie explorers; Dali\'s Atlantis; the resurgence of Pan (in London\'s Crouch End); anarchist pirates on Madagascar; a Greek Rip Van Winkle; French anatomical waxworks; Arthur Machen\'s forgotten tales and Alan Moore\'s unpublished John Dee opera.\r\n\r\nThis new edition of our acclaimed anthology series contains written and visual contributions from: <em>Richard Barnett, Mark Blacklock, Joel Biroco, John Cussans, Erik Davis, Paul Devereux, Roger Dobson, Joanna Ebenstein, Stephen Grasso, Gyrus, Ken Hollings, Julian House, Mike Jay, Phil Legard, David Luke, Eleanor Morgan, Alan Moore, Steve Moore, Michael Neve, Arik Roper, Andy Sharp, Nathalie Tayton, Robert Wallis, Sean Walsh.</em>\r\n\r\nWe have several more books in the pipeline, news of which is to follow shortly.\r\n\r\n<em><strong>We\'re also offering reduced prices on these fine SAP titles for a limited time:</strong></em>\r\n\r\n∞ <a href=\"http://strangeattractor.co.uk/shoppe/equinox-festival/\" target=\"_blank\">The Equinox</a> is now £9.99 (previously £11.99)\r\n\r\n∞ <a href=\"http://strangeattractor.co.uk/shoppe/2133/\" target=\"_blank\">The Field Guide</a> is now £6.99 (previously £8.99)\r\n\r\n∞ <a href=\"http://strangeattractor.co.uk/shoppe/welcome-to-mars-2/\" target=\"_self\">Welcome to Mars</a> is £9.99 (previously £11.99)\r\n\r\n<em><strong>Strange Attractor Salons for 2011</strong></em>\r\n2010 saw Strange Attractor\'s first art exhibition at Viktor Wynd\'s <a href=\"http://viktorwyndfineart.co.uk/strangerattractor.html\" target=\"_blank\">Little Shoppe of Horrors</a>, and a successful series of talks held throughout the year at the gallery. We\'ll be returning to the Shoppe later in the year, but before that there will be a series of ten talks at the <a href=\"http://www.ica.org.uk/\" target=\"_blank\">ICA</a> on London\'s Mall, as part of an exhibition by film-maker and sculptor Nathaniel Mellors. A Strange Attractor live music night will also be part of the season. More news to follow in our <em>Events</em> section.','A decade of Strange Attractor  ','New books, a new site, a sale, a new team and new events for 2011 ','inherit','open','open','','2718-revision-31','','','2011-01-20 11:39:27','2011-01-20 11:39:27','',2718,'http://strangeattractor.co.uk/further/2718-revision-31/',0,'revision','',0),(2914,2,'2011-01-21 09:21:55','2011-01-21 09:21:55','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/dodgemad.jpg\"><img class=\"size-full wp-image-2189 alignnone\" title=\"dodgemad\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/dodgemad.jpg\" alt=\"\" width=\"400\" height=\"400\" /></a>\r\n\r\n2011 marks a decade since <strong>John Lundberg</strong> and I started organising Strange Attractor events at London\'s Horse Hospital, and through a serendipitous collision (or should that be collusion?) of accident and design, it sees Strange Attractor Press enter what we hope to be a new phase of our evolution.\r\n\r\n<strong><em>New SAP site</em></strong>\r\n\r\nFirst of all, you may have noticed the new web site – the first major overhaul since John created our first web page in 2001. Huge thanks to the brilliant nay, even godlike, <strong>Ralph Cowling</strong>, who has toiled above and beyond the call of duty to integrate the various elements of the Strange Attractor multiverse into one site. There will no doubt be a few teething problems as the site is properly used, so if you have any problems with it or suggestions for improving it, then please let us know at <strong>web[at]strangeattractor.co.uk</strong><em>. </em>We<em> </em>are already planning a second stage of improvements and tweaks, so watch this space.\r\n\r\nSecond, I\'d like to welcome two new core members to the Strange Attractor Press team, <strong>Nadia Katz-Wise</strong> and <strong>Frances Morgan</strong>. Nadia, our Production Director and Guru, was instrumental in making <a href=\"http://strangeattractor.co.uk/studios/londons-medical-history/\" target=\"_blank\">Medical London</a> the stunning package that it is, while Frances, our Co-Publisher and Editor, previously edited and published the late, lamented <em>Plan B</em> music magazine. Working together, along with a stable of talented friends and freelancers, the three of us hope to dramatically increase SAP\'s output, and that brings us to our new books...\r\n\r\n<!--more-->\r\n\r\n<em><strong>February and March will see the publication of three new SAP books:</strong></em>\r\n\r\n<em><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\"><img class=\"alignleft size-medium wp-image-2537\" title=\"ES_web_small\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a href=\"/shoppe/the-end/\" target=\"_self\">The End: An Electric Sheep Anthology</a></em>, edited by <strong>Virginie Selavy</strong>\r\nWe\'re thrilled to be publishing this first anthology of new writing from the team behind the excellent <em><a href=\"http://www.electricsheepmagazine.co.uk/\" target=\"_blank\">Electric Sheep</a></em> magazine. We hope that <em>Electric Sheep</em> books will be a regular part of SAP\'s future.\r\n\r\nFollow us into the darkness and you’ll find Bill Morrision’s chemical ghosts, the Bad Girls of ’50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu’s Japanese nihilists, David Lynch’s sonic cinema, Clouzot’s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman’s final thoughts and more. Contributors include:Jim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>); Greg Klymkiw (producer of Guy Maddin’s <em>Careful</em>); Frances Morgan (former editor of <em>Plan B Magazine</em>); James Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>); Jack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n\r\n<em><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/AOSdummyweb.jpg\"><img class=\"size-medium wp-image-2554 alignleft\" title=\"AOSdummyweb\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/AOSdummyweb-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a href=\"http://strangeattractor.co.uk/shoppe/austin-osman-spare/\" target=\"_blank\"></a></em>\r\n\r\n<em><a href=\"/shoppe/austin-osman-spare/\" target=\"_blank\">Austin Osman Spare: The Life and Legend of London\'s Lost Artist</a></em> by <strong>Phil Baker</strong>\r\nOver ten years in the writing, this is the first definitive critical biography of this enigmatic and much-lauded mystic and artist. We\'ll let <strong>Alan Moore</strong>\'s words of enthusiasm for the book, from his foreword, speak for themselves:\r\n\r\n<em>What Phil Baker has accomplished here is little short of marvellous... a human study that neither confirms nor yet conclusively denies the extra-human properties attributed to its astounding and ambiguous subject... To my mind Phil Baker has established himself as among the very best contemporary biographers.</em>\r\n\r\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4.jpg\"><img class=\"alignleft size-medium wp-image-2533\" title=\"SAJ4\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a style=\"font-style: italic;\" href=\"/shoppe/strange-attractor-journal-four/\">Strange Attractor Journal Four</a><em> </em>edited by <strong>Mark Pilkington</strong>\r\nIt\'s been four years since <em>Journal Three </em>hit the shelves, but we think you\'ll agree it\'s been worth the wait. From Haiti and Hong Kong to the fourth dimension and beyond: discover the secrets of madness in animals; voodoo soul and dub music; ancient peacock deities; Chinese poisoning cults; the history of spider silk weaving; heathen mugwort magic; sentient lightning; Jesuit consiracy theories; junkie explorers; Dali\'s Atlantis; the resurgence of Pan (in London\'s Crouch End); anarchist pirates on Madagascar; a Greek Rip Van Winkle; French anatomical waxworks; Arthur Machen\'s forgotten tales and Alan Moore\'s unpublished John Dee opera.\r\n\r\nThis new edition of our acclaimed anthology series contains written and visual contributions from: <em>Richard Barnett, Mark Blacklock, Joel Biroco, John Cussans, Erik Davis, Paul Devereux, Roger Dobson, Joanna Ebenstein, Stephen Grasso, Gyrus, Ken Hollings, Julian House, Mike Jay, Phil Legard, David Luke, Eleanor Morgan, Alan Moore, Steve Moore, Michael Neve, Arik Roper, Andy Sharp, Nathalie Tayton, Robert Wallis, Sean Walsh.</em>\r\n\r\nWe have several more books in the pipeline, news of which is to follow shortly.\r\n\r\n<em><strong>We\'re also offering reduced prices on these fine SAP titles for a limited time:</strong></em>\r\n\r\n∞ <a href=\"/shoppe/equinox-festival/\" target=\"_blank\">The Equinox</a> is now £9.99 (previously £11.99)\r\n\r\n∞ <a href=\"/shoppe/2133/\" target=\"_blank\">The Field Guide</a> is now £6.99 (previously £8.99)\r\n\r\n∞ <a href=\"/shoppe/welcome-to-mars-2/\" target=\"_self\">Welcome to Mars</a> is £9.99 (previously £11.99)\r\n\r\n<em><strong>Strange Attractor Salons for 2011</strong></em>\r\n2010 saw Strange Attractor\'s first art exhibition at Viktor Wynd\'s <a href=\"http://viktorwyndfineart.co.uk/strangerattractor.html\" target=\"_blank\">Little Shoppe of Horrors</a>, and a successful series of talks held throughout the year at the gallery. We\'ll be returning to the Shoppe later in the year, but before that there will be a series of ten talks at the <a href=\"http://www.ica.org.uk/\" target=\"_blank\">ICA</a> on London\'s Mall, as part of an exhibition by film-maker and sculptor Nathaniel Mellors. A Strange Attractor live music night will also be part of the season. More news to follow in our <em>Events</em> section.','A decade of Strange Attractor  ','New books, a new site, a sale, a new team and new events for 2011 ','inherit','open','open','','2718-revision-34','','','2011-01-21 09:21:55','2011-01-21 09:21:55','',2718,'http://strangeattractor.co.uk/further/2718-revision-34/',0,'revision','',0),(2880,2,'2011-01-20 12:09:29','2011-01-20 12:09:29','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/dodgemad.jpg\"><img class=\"size-full wp-image-2189 alignnone\" title=\"dodgemad\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/dodgemad.jpg\" alt=\"\" width=\"400\" height=\"400\" /></a>\r\n\r\n2011 marks a decade since <strong>John Lundberg</strong> and I started organising Strange Attractor events at London\'s Horse Hospital, and through a serendipitous collision (or should that be collusion?) of accident and design, it sees Strange Attractor Press enter what we hope to be a new phase of our evolution.\r\n\r\n<strong><em>New SAP site</em></strong>\r\n\r\nFirst of all, you may have noticed the new web site – the first major overhaul since John created our first web page in 2001. Huge thanks to the brilliant, nay even godlike, <strong>Ralph Cowling</strong>, who has toiled above and beyond the call of duty to integrate the various elements of the Strange Attractor multiverse into one site. There will no doubt be a few teething problems as the site is properly used, so if you have any problems with it or suggestions for improving it, then please let us know at <strong>web[at]strangeattractor.co.uk</strong><em>. </em>We<em> </em>are already planning a second stage of improvements and tweaks, so watch this space.\r\n\r\nSecond, I\'d like to welcome two new core members to the Strange Attractor Press team, <strong>Nadia Katz-Wise</strong> and <strong>Frances Morgan</strong>. Nadia, our Production Director and Guru, was instrumental in making <a href=\"http://strangeattractor.co.uk/studios/londons-medical-history/\" target=\"_blank\">Medical London</a> the stunning package that it is, while Frances, our Co-Publisher and Editor, previously edited and published the late, lamented <em>Plan B</em> music magazine. Working together, along with a stable of talented friends and freelancers, the three of us hope to dramatically increase SAP\'s output, and that brings us to our new books...\r\n\r\n<!--more-->\r\n\r\n<em><strong>February and March will see the publication of three new SAP books:</strong></em>\r\n\r\n<em><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\"><img class=\"alignleft size-medium wp-image-2537\" title=\"ES_web_small\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a href=\"http://strangeattractor.co.uk/shoppe/the-end/\" target=\"_self\">The End: An Electric Sheep Anthology</a></em>, edited by <strong>Virginie Selavy</strong>\r\nWe\'re thrilled to be publishing this first anthology of new writing from the team behind the excellent <em><a href=\"http://www.electricsheepmagazine.co.uk/\" target=\"_blank\">Electric Sheep</a></em> magazine. We hope that <em>Electric Sheep</em> books will be a regular part of SAP\'s future.\r\n\r\nFollow us into the darkness and you’ll find Bill Morrision’s chemical ghosts, the Bad Girls of ’50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu’s Japanese nihilists, David Lynch’s sonic cinema, Clouzot’s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman’s final thoughts and more. Contributors include:Jim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>); Greg Klymkiw (producer of Guy Maddin’s <em>Careful</em>); Frances Morgan (former editor of <em>Plan B Magazine</em>); James Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>); Jack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n\r\n<em><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/AOSdummyweb.jpg\"><img class=\"size-medium wp-image-2554 alignleft\" title=\"AOSdummyweb\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/AOSdummyweb-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a href=\"http://strangeattractor.co.uk/shoppe/austin-osman-spare/\" target=\"_blank\"></a></em>\r\n\r\n<em><a href=\"http://strangeattractor.co.uk/shoppe/austin-osman-spare/\" target=\"_blank\">Austin Osman Spare: The Life and Legend of London\'s Lost Artist</a></em> by <strong>Phil Baker</strong>\r\nOver ten years in the writing, this is the first definitive critical biography of this enigmatic and much-lauded mystic and artist. We\'ll let <strong>Alan Moore</strong>\'s words of enthusiasm for the book, from his foreword, speak for themselves:\r\n\r\n<em>What Phil Baker has accomplished here is little short of marvellous... a human study that neither confirms nor yet conclusively denies the extra-human properties attributed to its astounding and ambiguous subject... To my mind Phil Baker has established himself as among the very best contemporary biographers.</em>\r\n\r\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4.jpg\"><img class=\"alignleft size-medium wp-image-2533\" title=\"SAJ4\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a style=\"font-style: italic;\" href=\"http://strangeattractor.co.uk/shoppe/strange-attractor-journal-four/\">Strange Attractor Journal Four</a><em> </em>edited by <strong>Mark Pilkington</strong>\r\nIt\'s been four years since <em>Journal Three </em>hit the shelves, but we think you\'ll agree it\'s been worth the wait. From Haiti and Hong Kong to the fourth dimension and beyond: discover the secrets of madness in animals; voodoo soul and dub music; ancient peacock deities; Chinese poisoning cults; the history of spider silk weaving; heathen mugwort magic; sentient lightning; Jesuit consiracy theories; junkie explorers; Dali\'s Atlantis; the resurgence of Pan (in London\'s Crouch End); anarchist pirates on Madagascar; a Greek Rip Van Winkle; French anatomical waxworks; Arthur Machen\'s forgotten tales and Alan Moore\'s unpublished John Dee opera.\r\n\r\nThis new edition of our acclaimed anthology series contains written and visual contributions from: <em>Richard Barnett, Mark Blacklock, Joel Biroco, John Cussans, Erik Davis, Paul Devereux, Roger Dobson, Joanna Ebenstein, Stephen Grasso, Gyrus, Ken Hollings, Julian House, Mike Jay, Phil Legard, David Luke, Eleanor Morgan, Alan Moore, Steve Moore, Michael Neve, Arik Roper, Andy Sharp, Nathalie Tayton, Robert Wallis, Sean Walsh.</em>\r\n\r\nWe have several more books in the pipeline, news of which is to follow shortly.\r\n\r\n<em><strong>We\'re also offering reduced prices on these fine SAP titles for a limited time:</strong></em>\r\n\r\n∞ <a href=\"http://strangeattractor.co.uk/shoppe/equinox-festival/\" target=\"_blank\">The Equinox</a> is now £9.99 (previously £11.99)\r\n\r\n∞ <a href=\"http://strangeattractor.co.uk/shoppe/2133/\" target=\"_blank\">The Field Guide</a> is now £6.99 (previously £8.99)\r\n\r\n∞ <a href=\"http://strangeattractor.co.uk/shoppe/welcome-to-mars-2/\" target=\"_self\">Welcome to Mars</a> is £9.99 (previously £11.99)\r\n\r\n<em><strong>Strange Attractor Salons for 2011</strong></em>\r\n2010 saw Strange Attractor\'s first art exhibition at Viktor Wynd\'s <a href=\"http://viktorwyndfineart.co.uk/strangerattractor.html\" target=\"_blank\">Little Shoppe of Horrors</a>, and a successful series of talks held throughout the year at the gallery. We\'ll be returning to the Shoppe later in the year, but before that there will be a series of ten talks at the <a href=\"http://www.ica.org.uk/\" target=\"_blank\">ICA</a> on London\'s Mall, as part of an exhibition by film-maker and sculptor Nathaniel Mellors. A Strange Attractor live music night will also be part of the season. More news to follow in our <em>Events</em> section.','A decade of Strange Attractor  ','New books, a new site, a sale, a new team and new events for 2011 ','inherit','open','open','','2718-revision-32','','','2011-01-20 12:09:29','2011-01-20 12:09:29','',2718,'http://strangeattractor.co.uk/further/2718-revision-32/',0,'revision','',0),(3868,2,'2011-09-01 08:59:51','2011-09-01 08:59:51','','tessaprints2','','inherit','open','open','','tessaprints2','','','2011-09-01 08:59:51','2011-09-01 08:59:51','',3867,'http://strangeattractor.co.uk/wp-content/uploads/2011/09/tessaprints2.jpg',0,'attachment','image/jpeg',0),(2881,2,'2011-01-18 13:16:28','2011-01-18 13:16:28','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\"><img class=\"alignright size-full wp-image-2537\" title=\"ES_web_small\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\" alt=\"\" width=\"225\" height=\"313\" /></a>\r\n<div id=\"_mcePaste\"><strong>Edited by Virginie Selavy\r\n</strong><strong>260pp, PB, illustrated, £13.99\r\n</strong><strong>ISBN 9781907222023</strong>\r\n\r\n<em>The End is The Beginning</em>\r\n<blockquote>‘Electric Sheep writes about film for people who like film: a classic approach.\'\r\nNorman Lebrecht, <strong>The New Statesman</strong>\r\n\r\n\'Refreshing and original, Electric Sheep explores the world of film from myriad angles with wit and imagination.’\r\nJennifer Higgie,<strong> Frieze</strong></blockquote>\r\n</div>\r\n<div><strong>The first 200 copies of the book bought directly from Strange Attractor will include a set of artists\' postcards.</strong></div>\r\n<div><strong>\r\n</strong></div>\r\n<div style=\"text-align: left;\"><form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal Options\" />Postal Options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £13.99</option> <option value=\"EU AIR\">EU AIR £14.99</option> <option value=\"ROW Surface\">ROW Surface £15.99</option> <option value=\"ROW AIR\">ROW AIR £16.99</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" />\r\n<input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" />\r\n<img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n\r\n</form><strong>About the book</strong>\r\nAcclaimed film magazine <a href=\"http://www.electricsheepmagazine.co.uk\">Electric Sheep</a> presents a bold new anthology of writing from cinema\'s sharpest edge.\r\n\r\nFrom the gutter to the avant garde, <em>The End</em> brings together a mind-bendingly eclectic programme of films, authors, artists and directors to create a unique new vision of cinema past, present and future.\r\n\r\nFollow us into the darkness and you\'ll find Bill Morrision\'s chemical ghosts, the Bad Girls of \'50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu\'s Japanese nihilists, David Lynch\'s sonic cinema, Clouzot\'s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman\'s final thoughts and more.\r\n\r\nContributors include:\r\nJim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>)\r\nGreg Klymkiw (producer of Guy Maddin’s <em>Careful</em>)\r\nFrances Morgan (former editor of <em>Plan B Magazine</em>)\r\nJames Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>)\r\nJack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n\r\n</div>\r\n<blockquote>‘Electric Sheep is idiosyncratic, \'intelligent, informed and it really  knows and cares about cinema.  Long may it prosper.’ <strong>The Wire</strong></blockquote>','The End: Electric Sheep','Edited by Virginie Selavy (March 2011)\r\n260pp, PB, illustrated, £13.99 \r\nISBN 978-1907222023\r\n','inherit','open','open','','2536-revision-v1','','','2011-01-18 13:16:28','2011-01-18 13:16:28','',2536,'http://strangeattractor.co.uk/further/2536-revision-18/',0,'revision','',0),(2882,2,'2011-01-20 12:35:09','2011-01-20 12:35:09','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\"><img class=\"alignright size-full wp-image-2537\" title=\"ES_web_small\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\" alt=\"\" width=\"225\" height=\"313\" /></a>\r\n<h3><strong>Edited by Virginie Selavy\r\n</strong><strong>260pp, PB, illustrated, £13.99\r\n</strong><strong>ISBN 978-1907222023</strong></h3>\r\n<h3><strong>The End is The Beginning</strong></h3>\r\n<blockquote>‘Electric Sheep writes about film for people who like film: a classic approach.\'\r\nNorman Lebrecht, <strong>The New Statesman</strong>\r\n\r\n\'Refreshing and original, Electric Sheep explores the world of film from myriad angles with wit and imagination.’\r\nJennifer Higgie,<strong> Frieze</strong></blockquote>\r\n<div><strong>The first 200 copies of the book bought directly from Strange Attractor will include a set of artists\' postcards.</strong></div>\r\n<div><strong>\r\n</strong></div>\r\n<div style=\"text-align: left;\"><form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal Options\" />Postal Options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £13.99</option> <option value=\"EU AIR\">EU AIR £14.99</option> <option value=\"ROW Surface\">ROW Surface £15.99</option> <option value=\"ROW AIR\">ROW AIR £16.99</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n\r\n</form><strong>About the book</strong>\r\nAcclaimed film magazine <a href=\"http://www.electricsheepmagazine.co.uk\">Electric Sheep</a> presents a bold new anthology of writing from cinema\'s sharpest edge.\r\n\r\nFrom the gutter to the avant garde, <em>The End</em> brings together a mind-bendingly eclectic programme of films, authors, artists and directors to create a unique new vision of cinema past, present and future.\r\n\r\nFollow us into the darkness and you\'ll find Bill Morrision\'s chemical ghosts, the Bad Girls of \'50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu\'s Japanese nihilists, David Lynch\'s sonic cinema, Clouzot\'s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman\'s final thoughts and more.\r\n\r\nContributors include:\r\nJim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>)\r\nGreg Klymkiw (producer of Guy Maddin’s <em>Careful</em>)\r\nFrances Morgan (former editor of <em>Plan B Magazine</em>)\r\nJames Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>)\r\nJack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n\r\n</div>\r\n<blockquote>‘Electric Sheep is idiosyncratic, \'intelligent, informed and it really  knows and cares about cinema.  Long may it prosper.’ <strong>The Wire</strong></blockquote>','The End: Electric Sheep','Edited by Virginie Selavy (March 2011)\r\n260pp, PB, illustrated, £13.99 \r\nISBN 978-1907222023\r\n','inherit','open','open','','2536-revision-v1','','','2011-01-20 12:35:09','2011-01-20 12:35:09','',2536,'http://strangeattractor.co.uk/further/2536-revision-19/',0,'revision','',0),(2883,2,'2011-01-20 12:35:50','2011-01-20 12:35:50','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\"><img class=\"alignright size-full wp-image-2537\" title=\"ES_web_small\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\" alt=\"\" width=\"225\" height=\"313\" /></a>\r\n<h3><strong>Edited by Virginie Selavy\r\n</strong><strong>260pp, PB, illustrated, £13.99\r\n</strong><strong>ISBN 978-1907222023</strong></h3>\r\n<em>The End is The Beginning</em>\r\n<blockquote>‘Electric Sheep writes about film for people who like film: a classic approach.\'\r\nNorman Lebrecht, <strong>The New Statesman</strong>\r\n\r\n\'Refreshing and original, Electric Sheep explores the world of film from myriad angles with wit and imagination.’\r\nJennifer Higgie,<strong> Frieze</strong></blockquote>\r\n<div><strong>The first 200 copies of the book bought directly from Strange Attractor will include a set of artists\' postcards.</strong></div>\r\n<div><strong>\r\n</strong></div>\r\n<div style=\"text-align: left;\"><form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal Options\" />Postal Options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £13.99</option> <option value=\"EU AIR\">EU AIR £14.99</option> <option value=\"ROW Surface\">ROW Surface £15.99</option> <option value=\"ROW AIR\">ROW AIR £16.99</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n\r\n</form><strong>About the book</strong>\r\nAcclaimed film magazine <a href=\"http://www.electricsheepmagazine.co.uk\">Electric Sheep</a> presents a bold new anthology of writing from cinema\'s sharpest edge.\r\n\r\nFrom the gutter to the avant garde, <em>The End</em> brings together a mind-bendingly eclectic programme of films, authors, artists and directors to create a unique new vision of cinema past, present and future.\r\n\r\nFollow us into the darkness and you\'ll find Bill Morrision\'s chemical ghosts, the Bad Girls of \'50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu\'s Japanese nihilists, David Lynch\'s sonic cinema, Clouzot\'s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman\'s final thoughts and more.\r\n\r\nContributors include:\r\nJim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>)\r\nGreg Klymkiw (producer of Guy Maddin’s <em>Careful</em>)\r\nFrances Morgan (former editor of <em>Plan B Magazine</em>)\r\nJames Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>)\r\nJack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n\r\n</div>\r\n<blockquote>‘Electric Sheep is idiosyncratic, \'intelligent, informed and it really  knows and cares about cinema.  Long may it prosper.’ <strong>The Wire</strong></blockquote>','The End: Electric Sheep','Edited by Virginie Selavy (March 2011)\r\n260pp, PB, illustrated, £13.99 \r\nISBN 978-1907222023\r\n','inherit','open','open','','2536-revision-v1','','','2011-01-20 12:35:50','2011-01-20 12:35:50','',2536,'http://strangeattractor.co.uk/further/2536-revision-20/',0,'revision','',0),(6035,2,'2017-12-12 15:04:57','2017-12-12 15:04:57','<a href=\"http://strangeattractor.co.uk/?attachment_id=6030\" rel=\"attachment wp-att-6030\">\r\n<img class=\"size-medium wp-image-6030 aligncenter\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2017/12/23SW-web-300x297.jpg\" alt=\"\" width=\"300\" height=\"297\" /></a>\r\n<b><span style=\"color: #000000;\">Artworks by Ian Johnstone, with a</span> <span style=\"color: #000000;\">text by Geoff Cox and</span></b><strong> an afterword by Serena Korda.</strong><b>\r\n</b>\r\n\r\n<b><span style=\"color: #000000;\">Music Cassette by Daniel O\'Sullivan.</span>\r\n</b>\r\n\r\n<em>Archival quality, large format, collectors\' hardback</em>\r\n<em> 240mm x 240mm, 72pp.</em>\r\n<em> Full colour throughout.</em>\r\n<em>£40.00 + p&amp;P</em>\r\n\r\n<em>300 copies only.</em>\r\n\r\n• Includes a 40 minute cassette of music composed for the original exhibition at the Horse Hospital by Daniel O\'Sullivan (Ulver, Mothlite, Grumbling Fur).\r\n\r\n\"This is a rare document of blood voiced signatures; weeping guilt details of all our conspiracies. Snatch it up. Let the words’ knifings and the split Biro capillaries own you. But never lend it out, or pocket it close to your heart, it’s too unforgiving.\"\r\n<strong>Brian Catling</strong>, author of <em>The Vorrh</em>\r\n\r\n<strong>Available by 15 March 2018, only from Strange Attractor Press</strong>\r\n\r\n<strong><a href=\"https://strangeattractor.greedbag.com/buy/of-kings-and-things/\">PRE-ORDER IT HERE</a></strong>\r\n\r\nA series of 23 drawings by Ian Johnstone, in red ball point pen on melamine, originally exhibited at London\'s Horse Hospital in November 2010. The drawings celebrate individual blood consciousness, the in-between and the constant state of becoming .\r\n<ul>\r\n 	<li style=\"list-style-type: none;\"><em>They appear on blocks of unguessable purpose : pin-veined rough-cut blocks of whitewood. Displayed in the clutch of the screw’s harsh thrift. The cloth is pulled away.</em><em>The 23 wounds.</em>\r\n<em>Sphagia.</em>\r\n<em>Extispicy.</em><em>Blood spidered and baked on fissured rocks. Lassos and bones and a tracework of bones. Flesh bared and pared and spindled open through a million pin pricks. Tiny and vertiginous, their lines cluster and tear themselves into liquid fold and tiny blots. The eye swoops like a raptor, bedazzled. Swims unfocused by infinitesimal mysteries. Tricked, beguiled, left rotting.</em><em>Impossible amulets</em>\r\n\r\n<em>23  broken hawk beaks</em>\r\n<em>23 rotted talons with their fringe of ant trail</em>\r\n<em>23 fragments of a skull</em>\r\n<em>23 curses hung round the neck of a scavenger wolf</em>\r\n<em>23 bell shards tolled for the ghost of a headless ram</em>\r\n<em>23 mourning scarves of ink-clotted lace</em>\r\n<em>23 eggshells sticky with seed</em>\r\n\r\n<em>Interred in the shadow of the tower of silence, beneath bird wing’ storm and acid hail, the fruiting body hardens.</em>\r\n\r\n<em>Takes shape.</em>\r\n<div>Plus\r\n<strong>Musick For Ark Todd</strong>\r\nBy Daniel O\'Sullivan</div>\r\n<div></div>\r\n<div>A <em>The Levitating Moon Piece</em></div>\r\n<div>B <em>Black Egg / Orpheus</em></div>\r\n<div></div>\r\n\"I wrote several pieces of music for Ian’s ‘Ark Todd’ static levitation performance over the years. Each setting provoked a different approach. The collaboration with Ulver at the Norwegian Opera house in Oslo was well documented but this particular version, composed for the exhibition of his Stab Wounds at the Horse Hospital gallery in Bloomsbury, has been resting dormant until now.</li>\r\n 	<li style=\"list-style-type: none;\">The second piece was a commission for The Place theatre, also in Bloomsbury. An unfinished piece of choreography with dancer and vocalist Francois Testory. Like all of Ian’s work, this was a singular vision probing the human condition and meticulously scratching for truth under every surface.\"</li>\r\n</ul>\r\n<strong>About Ian Johnstone</strong>\r\n<ul>\r\n 	<li style=\"list-style-type: none;\">\r\n<div>\r\n\r\nIan was a long time friend of Strange Attractor and we were working with him on this book when he died unexpectedly in 2015.\r\n\r\n\'Ian was artist of unimaginable talent and vision, articulated in his singular and exquisite aesthetic which was manifest in all he touched... he was charismatically irreverent, compelling to watch and to listen to and bottomlessly soulful.\' (The Horse Hospital).\r\n\r\nAs well as his own incredible work in sculpture, drawing, painting and performance, Ian collaborated on designs, costumes and performances with  musicians including Coil, Daniel O\'Sullivan, James B Hollands, Mothlite Francois Testory and Ulver.\r\n\r\n</div></li>\r\n</ul>\r\n<ul>\r\n 	<li style=\"list-style-type: none;\"><strong><a href=\"https://strangeattractor.greedbag.com/buy/of-kings-and-things/\">PRE-ORDER HERE</a></strong></li>\r\n</ul>','The 23 Stab Wounds of Julius Caesar','','inherit','closed','closed','','6029-revision-v1','','','2017-12-12 15:04:57','2017-12-12 15:04:57','',6029,'http://strangeattractor.co.uk/news/6029-revision-v1/',0,'revision','',0),(2885,2,'2011-01-20 12:36:18','2011-01-20 12:36:18','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\"><img class=\"alignright size-full wp-image-2537\" title=\"ES_web_small\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\" alt=\"\" width=\"225\" height=\"313\" /></a>\r\n\r\n<strong>Edited by Virginie Selavy\r\n</strong><strong>260pp, PB, illustrated, £13.99\r\n</strong><strong>ISBN 978-1907222023</strong>\r\n\r\n<em>The End is The Beginning</em>\r\n<blockquote>‘Electric Sheep writes about film for people who like film: a classic approach.\'\r\nNorman Lebrecht, <strong>The New Statesman</strong>\r\n\r\n\'Refreshing and original, Electric Sheep explores the world of film from myriad angles with wit and imagination.’\r\nJennifer Higgie,<strong> Frieze</strong></blockquote>\r\n<div><strong>The first 200 copies of the book bought directly from Strange Attractor will include a set of artists\' postcards.</strong></div>\r\n<div><strong>\r\n</strong></div>\r\n<div style=\"text-align: left;\"><form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal Options\" />Postal Options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £13.99</option> <option value=\"EU AIR\">EU AIR £14.99</option> <option value=\"ROW Surface\">ROW Surface £15.99</option> <option value=\"ROW AIR\">ROW AIR £16.99</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n\r\n</form><strong>About the book</strong>\r\nAcclaimed film magazine <a href=\"http://www.electricsheepmagazine.co.uk\">Electric Sheep</a> presents a bold new anthology of writing from cinema\'s sharpest edge.\r\n\r\nFrom the gutter to the avant garde, <em>The End</em> brings together a mind-bendingly eclectic programme of films, authors, artists and directors to create a unique new vision of cinema past, present and future.\r\n\r\nFollow us into the darkness and you\'ll find Bill Morrision\'s chemical ghosts, the Bad Girls of \'50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu\'s Japanese nihilists, David Lynch\'s sonic cinema, Clouzot\'s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman\'s final thoughts and more.\r\n\r\nContributors include:\r\nJim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>)\r\nGreg Klymkiw (producer of Guy Maddin’s <em>Careful</em>)\r\nFrances Morgan (former editor of <em>Plan B Magazine</em>)\r\nJames Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>)\r\nJack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n\r\n</div>\r\n<blockquote>‘Electric Sheep is idiosyncratic, \'intelligent, informed and it really  knows and cares about cinema.  Long may it prosper.’ <strong>The Wire</strong></blockquote>','The End: Electric Sheep','Edited by Virginie Selavy (March 2011)\r\n260pp, PB, illustrated, £13.99 \r\nISBN 978-1907222023\r\n','inherit','open','open','','2536-revision-v1','','','2011-01-20 12:36:18','2011-01-20 12:36:18','',2536,'http://strangeattractor.co.uk/further/2536-revision-21/',0,'revision','',0),(2886,2,'2011-01-20 18:24:09','2011-01-20 18:24:09','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\"><img class=\"alignright size-full wp-image-2537\" title=\"ES_web_small\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\" alt=\"\" width=\"225\" height=\"313\" /></a>\r\n\r\n<strong>Edited by Virginie Selavy\r\n</strong><strong>260pp, PB, illustrated, £13.99\r\n</strong><strong>ISBN 978-1907222023</strong>\r\n\r\n<em>The End is The Beginning</em>\r\n<blockquote>‘Electric Sheep writes about film for people who like film: a classic approach.\'\r\nNorman Lebrecht, <strong>The New Statesman</strong>\r\n\r\n\'Refreshing and original, Electric Sheep explores the world of film from myriad angles with wit and imagination.’\r\nJennifer Higgie,<strong> Frieze</strong></blockquote>\r\n<div><strong>The first 200 copies of the book bought directly from Strange Attractor will include a set of artists\' postcards.</strong></div>\r\n<div><strong>\r\n</strong></div>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"RKENMGZVR8HU4\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal options\">Postal options</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK\">UK £13.99</option>\r\n	<option value=\"EU AIR\">EU AIR £14.99</option>\r\n	<option value=\"ROW Surface\">ROW Surface £15.99</option>\r\n	<option value=\"ROW AIR\">ROW AIR £16.99</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n\r\n</form><strong>About the book</strong>\r\nAcclaimed film magazine <a href=\"http://www.electricsheepmagazine.co.uk\">Electric Sheep</a> presents a bold new anthology of writing from cinema\'s sharpest edge.\r\n\r\nFrom the gutter to the avant garde, <em>The End</em> brings together a mind-bendingly eclectic programme of films, authors, artists and directors to create a unique new vision of cinema past, present and future.\r\n\r\nFollow us into the darkness and you\'ll find Bill Morrision\'s chemical ghosts, the Bad Girls of \'50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu\'s Japanese nihilists, David Lynch\'s sonic cinema, Clouzot\'s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman\'s final thoughts and more.\r\n\r\nContributors include:\r\nJim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>)\r\nGreg Klymkiw (producer of Guy Maddin’s <em>Careful</em>)\r\nFrances Morgan (former editor of <em>Plan B Magazine</em>)\r\nJames Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>)\r\nJack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n\r\n</div>\r\n<blockquote>‘Electric Sheep is idiosyncratic, \'intelligent, informed and it really  knows and cares about cinema.  Long may it prosper.’ <strong>The Wire</strong></blockquote>','The End: Electric Sheep','Edited by Virginie Selavy (March 2011)\r\n260pp, PB, illustrated, £13.99 \r\nISBN 978-1907222023\r\n','inherit','open','open','','2536-revision-v1','','','2011-01-20 18:24:09','2011-01-20 18:24:09','',2536,'http://strangeattractor.co.uk/further/2536-revision-22/',0,'revision','',0),(3867,2,'2011-09-20 09:06:23','2011-09-20 09:06:23','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/09/tessaprints2.jpg\"><img class=\"alignnone size-full wp-image-3868\" title=\"tessaprints2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/09/tessaprints2.jpg\" alt=\"\" width=\"800\" height=\"571\" /></a>\r\n\r\nSculptor and SA pal <a href=\"http://tessafarmer.com/\" target=\"_blank\">Tessa Farmer</a> has a new exhibition opening this weekend at <a href=\"http://viktorwyndfineart.co.uk/tessafarmer.html\" target=\"_blank\">Viktor Wynd Fine Art</a>, 11 Mare St, Hackney, London E8. It runs until 30 October.\r\n\r\nAs part of the exhibition Strange Attractor have collaborated with Tessa and Viktor Wynd to put together a one day symposium on faery lore and Tessa\'s artwork.\r\n\r\nTickets are £25, though early bird tickets, and those bought from the gallery are only £15. You can book tickets <a href=\"http://www.ticketweb.co.uk/user?query=search&amp;category=misc&amp;search=last+tuesday+society&amp;region=xxx&amp;beginmonth=02&amp;beginday=23&amp;beginyear=2010&amp;interface=thelasttuesdaysociety\" target=\"_blank\">here</a>.\r\n\r\nThe line up for the event is as follows:\r\n\r\n<strong>Good Neighbours: Faeries, Folklore and the Art of Tessa Farmer</strong>\r\n\r\nSaturday 1 October 2011, 11am til 7pm\r\n\r\nViktor Wynd Fine Art, 11 Mare St, London E8\r\n\r\nA day of presentations, readings, films and discussion:\r\n<ul>\r\n	<li><strong>Tessa Farmer</strong> introduces her work</li>\r\n	<li><strong>Gwilym Games</strong> (The Friends of Arthur Machen) looks at faeries in the work of Arthur Machen, great-grandfather of Tessa Farmer</li>\r\n	<li><strong>Jeremy Harte</strong> (The Folklore Society, author of <em>Explore Fairy Traditions</em>) considers faeries and otherness</li>\r\n	<li><strong>Petra Lange Berdt</strong> (author of <em>Animal Art</em>) on insects and art</li>\r\n	<li><strong>Carol Mavor</strong> (author of <em>Reading Boyishly</em>) reads a dark faery tale</li>\r\n	<li><strong>Catriona Mcara</strong> (editor of <em>Anti-Tales: The Uses of Disenchantment</em>) examines the films of Tessa Farmer</li>\r\n	<li><strong>Diane Perkiss</strong> (author of <em>At The Bottom of the Garden</em>) surveys the changing face of the little people</li>\r\n	<li><strong>Viktor Wynd</strong> (The Last Tuesday Society) reads classic short faery tales</li>\r\n</ul>\r\n<em>Tickets are £25, though early bird tickets, and those bought from the gallery are only £15. You can book tickets <a href=\"http://www.ticketweb.co.uk/user?query=search&amp;category=misc&amp;search=last+tuesday+society&amp;region=xxx&amp;beginmonth=02&amp;beginday=23&amp;beginyear=2010&amp;interface=thelasttuesdaysociety\" target=\"_blank\">here</a></em>','Tessa Farmer, The Fairies are Coming!','Sculptor and SA pal Tessa Farmer has a new exhibition opening on 3 September at Viktor Wynd Fine Art, and we\'ve organised a one-day symposium on faery lore to accompany it.','publish','open','open','','tessa-farmer-the-fairies-are-coming','','','2011-09-21 10:09:46','2011-09-21 10:09:46','',0,'http://strangeattractor.co.uk/?p=3867',0,'post','',0),(3592,2,'2011-05-17 17:15:18','2011-05-17 17:15:18','<div>\r\n<h1><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/outofthisworld.jpg\"><img class=\"size-full wp-image-3585 alignleft\" style=\"margin: 8px;\" title=\"outofthisworld\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/outofthisworld.jpg\" alt=\"\" width=\"295\" height=\"400\" /></a></h1>\r\n<em><strong>Why science fiction speaks to us all</strong></em>\r\n\r\nFri 20 May 2011, 18.30 - 20.00\r\n£7.50 / £5 concessions\r\nConference Centre, British Library\r\n\r\nThroughout history, people have asked ‘what if?’. We have always allowed our imaginations to create other worlds as expressions of our wildest dreams, hopes and fears, and so better to understand our own. ‘Science Fiction’ expresses this human need in potent ways, but so does the work of Jonathan Swift, Lewis Carroll and George Orwell.\r\n\r\nThe story and present state of our speculations are explored by Erik Davis, China Miéville, Adam Roberts, Tricia Sullivan and special guests.\r\n\r\nChair: Sam Leith\r\n\r\n<a href=\"http://purchase.tickets.com/buy/TicketPurchase?agency=AGENCY_NAME&amp;organ_val=org_id&amp;pid=6991250\">Book now</a>\r\n\r\n</div>\r\n<div id=\"pagecontent\">\r\n\r\n<a href=\"http://purchase.tickets.com/buy/TicketPurchase?agency=AGENCY_NAME&amp;organ_val=org_id&amp;pid=6991250\"></a><em>The British Library\'s SF season continues throughout the summer with guests including SA pals Ken Hollings, Bruce Woolley, Mike Jay, David Clarke and our own Mark Pilkington. </em>\r\n\r\n</div>','20 May: Out of this World, with Erik Davis and China Miéville','An exploration of why science fiction retains its power, with Erik Davis, China Miéville, Adam Roberts, Tricia Sullivan and special guests.','inherit','open','open','','3584-revision-6','','','2011-05-17 17:15:18','2011-05-17 17:15:18','',3584,'http://strangeattractor.co.uk/further/3584-revision-6/',0,'revision','',0),(3880,2,'2011-10-01 10:09:15','2011-10-01 10:09:15','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/09/tessaprints2.jpg\"><img class=\"alignnone size-full wp-image-3868\" title=\"tessaprints2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/09/tessaprints2.jpg\" alt=\"\" width=\"800\" height=\"571\" /></a>\r\n\r\nSculptor and SA pal <a href=\"http://tessafarmer.com/\" target=\"_blank\">Tessa Farmer</a> has a new exhibition opening this weekend at <a href=\"http://viktorwyndfineart.co.uk/tessafarmer.html\" target=\"_blank\">Viktor Wynd Fine Art</a>, 11 Mare St, Hackney, London E8. It runs until 30 October.\r\n\r\nAs part of the exhibition Strange Attractor have collaborated with Tessa and Viktor Wynd to put together a one day symposium on faery lore and Tessa\'s artwork.\r\n\r\n•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••\r\n<h2><strong>Good Neighbours:\r\nFaeries, Folklore and the Art of Tessa Farmer</strong></h2>\r\n<strong>A day of presentations, readings, films and discussion:</strong>\r\n\r\n<em>Saturday 1 October 2011, 11am til 7pm</em>\r\n\r\n<em>Viktor Wynd Fine Art, 11 Mare St, London E8</em>\r\n\r\n<strong>* 11am Introduction</strong> - Tessa Farmer, Viktor Wynd and Mark Pilkington\r\n\r\n* 11.30 Jeremy Harte - Faeries and Otherness\r\n\r\n* 12.30 Gwilym Games - “The Obscure and Horrible Race of the Hills”, Arthur Machen\'s faeries\r\n\r\n<strong>* 1.30pm lunch</strong>\r\n\r\n* 2.30 Wynd reads a faery tale to aid digestion\r\n\r\n* 2.45pm Petra Lange Berndt - Swarming: Insects in art\r\n\r\n* 3.45pm Diane Perkiss - The Changing Face of Faery\r\n\r\n<strong>4.45 pm Quick tea break</strong>\r\n\r\n*5pm Screening of Tessa Farmer and Sean Daniels\' three short films\r\n\r\n* 5.15pm Catriona Mcara in discussion with Tessa Farmer and Mark Pilkington\r\n\r\n* 6pm Carol Mavor faery tale reading\r\n\r\n* 6.30 pm Closing discussion and questions\r\n\r\n<strong>7pm close</strong>\r\n\r\n<em>Tickets are £25, though early bird tickets, and those bought from the gallery are only £15. You can book tickets <a href=\"http://www.ticketweb.co.uk/user?query=search&amp;category=misc&amp;search=last+tuesday+society&amp;region=xxx&amp;beginmonth=02&amp;beginday=23&amp;beginyear=2010&amp;interface=thelasttuesdaysociety\" target=\"_blank\">here</a></em>','Good Neighbours, 1 October 2011','Faeries, Folklore and the Art of Tessa Farmer. Saturday 1 October 2011, 11am til 7pm, £15. At Viktor Wynd Fine Art, 11 Mare St, London E8. ','publish','open','open','','good-neighbours-1-october-2011','','','2011-09-26 16:25:35','2011-09-26 16:25:35','',0,'http://strangeattractor.co.uk/?p=3880',0,'post','',0),(3646,2,'2011-06-13 16:27:33','2011-06-13 16:27:33','<h3><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/urthona_SHHR.jpg\"><img class=\"alignright size-full wp-image-3647\" title=\"urthona_SHHR\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/urthona_SHHR.jpg\" alt=\"\" width=\"280\" height=\"284\" /></a>Further 006\r\nCD, 48 minutes\r\n£11</h3>\r\n<blockquote>a sometimes blissful, but often blistering, trip, certainly meant to be played LOUD for full submission / submergence <em><a href=\"http://www.aquariusrecords.org/\">Aquarius Records</a></em>\r\n\r\na righteous yammering of liquid infinity, a full three-quarter-hour medication-medication of tor-hopping guitar daub\r\n<em>Julian Cope, <a href=\"http://www.headheritage.co.uk/addressdrudion/144/2011/\" target=\"_blank\" rel=\"noopener\">Head Heritage</a></em></blockquote>\r\n<strong>SOLD OUT!</strong>\r\n\r\nElemental meditations echo from the tor tops once again as West Country guitar monster Urthona returns with a fourth album. This time it\'s a single 48 minute mix containing his trademark blissed-out, wind-swept guitar sound but with added drums, (from Julian Cope, Brain Donor\'s Mr E and Albert Snazz), synths (via The Asterism) and field recordings freshly plucked from Devonia\'s Alps.\r\n\r\nYou can have a listen to <em>Super Heavy Hamoazian Reverie</em> <a href=\"http://www.box.net/shared/10mftnc1an\" target=\"_blank\" rel=\"noopener\">here</a>\r\n\r\n<strong>Roadburn Festival <a href=\"http://www.roadburn.com/2011/06/album-of-the-day-urthona-3-super-heavy-hamoazian-reverie/\">album of the day</a>!!!</strong>\r\n\r\n&nbsp;','Super Heavy Hamoazian Reverie','Further 006 CD\r\n48 minutes\r\n£11','private','closed','closed','','urthona-super-heavy-hamoazian-reverie','','\nhttp://www.roadburn.com/2011/06/album-of-the-day-urthona-3-super-heavy-hamoazian-reverie/','2022-01-13 14:03:01','2022-01-13 14:03:01','',0,'http://strangeattractor.co.uk/?p=3646',0,'post','',0),(5271,2,'2015-08-24 13:50:36','2015-08-24 13:50:36','<h3><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/urthona_SHHR.jpg\"><img class=\"alignright size-full wp-image-3647\" title=\"urthona_SHHR\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/06/urthona_SHHR.jpg\" alt=\"\" width=\"280\" height=\"284\" /></a>Further 006\r\nCD, 48 minutes\r\n£11</h3>\r\n<blockquote>a sometimes blissful, but often blistering, trip, certainly meant to be played LOUD for full submission / submergence <em><a href=\"http://www.aquariusrecords.org/\">Aquarius Records</a></em>\r\n\r\na righteous yammering of liquid infinity, a full three-quarter-hour medication-medication of tor-hopping guitar daub\r\n<em>Julian Cope, <a href=\"http://www.headheritage.co.uk/addressdrudion/144/2011/\" target=\"_blank\">Head Heritage</a></em></blockquote>\r\n<strong>SOLD OUT!</strong>\r\n\r\nElemental meditations echo from the tor tops once again as West Country guitar monster Urthona returns with a fourth album. This time it\'s a single 48 minute mix containing his trademark blissed-out, wind-swept guitar sound but with added drums, (from Julian Cope, Brain Donor\'s Mr E and Albert Snazz), synths (via The Asterism) and field recordings freshly plucked from Devonia\'s Alps.\r\n\r\nYou can have a listen to <em>Super Heavy Hamoazian Reverie</em> <a href=\"http://www.box.net/shared/10mftnc1an\" target=\"_blank\">here</a>\r\n\r\n<strong>Roadburn Festival <a href=\"http://www.roadburn.com/2011/06/album-of-the-day-urthona-3-super-heavy-hamoazian-reverie/\">album of the day</a>!!!</strong>\r\n\r\n&nbsp;','Super Heavy Hamoazian Reverie','Further 006 CD\r\n48 minutes\r\n£11','inherit','closed','closed','','3646-revision-v1','','','2015-08-24 13:50:36','2015-08-24 13:50:36','',3646,'http://strangeattractor.co.uk/further/3646-revision-v1/',0,'revision','',0),(3647,2,'2011-06-13 16:10:28','2011-06-13 16:10:28','','urthona_SHHR','','inherit','open','open','','urthona_shhr','','','2011-06-13 16:10:28','2011-06-13 16:10:28','',3646,'http://strangeattractor.co.uk/wp-content/uploads/2011/06/urthona_SHHR.jpg',0,'attachment','image/jpeg',0),(5953,2,'2017-06-28 11:55:01','2017-06-28 11:55:01','<strong><a href=\"https://strangeattractor.greedbag.com/buy/teleplasmiste-frequency-is-the-n/\" rel=\"attachment wp-att-5861\"><img class=\"wp-image-5861 size-medium alignright\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2017/03/TPFreqcover-web-300x299.jpg\" width=\"300\" height=\"299\" /></a>TELEPLASMISTE\r\n</strong><strong><em>Frequency is the New Ecstasy</em></strong>\r\n\r\n<strong>Available on CD and Limited edition (300) 180g vinyl with download code.</strong>\r\n<strong>£22 / £10\r\n</strong>\r\n\r\n<strong><em>Copies bought from SAP include special bonus gifts.</em></strong>\r\n<div class=\"description\">\r\n<div class=\"description\">\r\n\r\n<a href=\"http://teleplasmiste.bandcamp.com\"><strong>BUY IT HERE </strong>(bandcamp)</a>\r\n\r\n&nbsp;\r\n\r\n\"Operating at the highest possible level. Outer Space, in fact.”\r\n<strong>- The Wire</strong>\r\n\r\n\"Comprehensively mind-bending.. envelope time and space through the essential purity of all-consuming sound.\"\r\n<strong>- The Quietus.</strong>\r\n\r\n\"Spacey, in all the good ways. Inner Spacey. And Psychedelick as the day is looooooooooooong. You can’t tell where it’s from, this lilting music, but it’s definitely not here…\"\r\n<strong>- Freq</strong>\r\n\r\n“As revelatory an experience as it was an enjoyable one… I am being moved as I write towards joining an almost celestial choir, where the animal angels are screaming an alien song to strange gods… The ecstasy of the title is gradually built. It consumes. It is a beautiful sound that lifts my day as I listen.\"\r\n<strong>- International Times</strong>\r\n\r\n</div>\r\n</div>\r\nThe union of two creative forces with notable experience in the esoteric, Teleplamiste have emerged with a debut album of magical intensity and ecstatic fortitude. <em>Frequency is the New Ecstasy</em> conjures an audial liminal zone in which ancient methods and futuristic visions collide and collude.\r\n\r\nThis duo is formed by Mark O. Pilkington, whose work has extended from publishing countercultural and arcane literature with Strange Attractor Press to summoning rural drone reveries with Urthona, and Michael J. York, who brought his wide knowledge of traditional wind instruments to bear in bands that include Coil, Cyclobe, Guapo and The Stargazer’s Assistant. The duo blur vintage synthesis and contemporary electronics with acoustic pipes to create a transcendent reverie that exists on a wavelength beyond both retro fetishism and modern-day machinations.\r\n\r\nThese six long, meditative pieces map out and extend into the infinite a pathway from the eerie realm of mid-twentieth century radiophonics, and the work of minimal iconoclasts like Daphne Oram and Else Marie Pade, through the kosmische music of the ‘70s such as Cluster and Tangerine Dream to contemporary modular synthesists such as Keith Fullerton Whitman and Lichens, following a vision imbued with power and singularity. Heavy ambience and otherworldly atmospherics marry here amidst an aura of epiphanic radiance.\r\n\r\nRich, transporting and thoroughly immersive, <em>Frequency is the New Ecstasy</em> is a thing of trance states both euphoric and <em>unheimlich.</em>\r\n\r\n<a href=\"http://teleplasmiste.bandcamp.com\"><strong>BUY IT HERE</strong></a>\r\n<h2></h2>','Frequency is The New Ecstasy','Teleplasmiste. CD and Limited 180g vinyl with download code.\r\n£10 / £22','inherit','closed','closed','','5860-revision-v1','','','2017-06-28 11:55:01','2017-06-28 11:55:01','',5860,'http://strangeattractor.co.uk/news/5860-revision-v1/',0,'revision','',0),(5882,2,'2017-04-04 12:33:28','2017-04-04 12:33:28','<strong><a href=\"https://strangeattractor.greedbag.com/buy/teleplasmiste-frequency-is-the-n/\" rel=\"attachment wp-att-5861\"><img class=\"wp-image-5861 size-medium alignright\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2017/03/TPFreqcover-web-300x299.jpg\" width=\"300\" height=\"299\" /></a>TELEPLASMISTE\r\n</strong><strong><em>Frequency is the New Ecstasy</em></strong>\r\n\r\n<strong>Available on CD and Limited edition (300) 180g vinyl with download code.</strong>\r\n<strong>£22 / £10\r\n</strong>\r\n\r\n<strong><em>Copies bought from SAP include special bonus gifts.</em></strong>\r\n<div class=\"description\">\r\n<div class=\"description\">\r\n\r\n<a href=\"https://strangeattractor.greedbag.com/buy/teleplasmiste-frequency-is-the-n/\"><strong>BUY IT HERE</strong></a>\r\n\r\n&nbsp;\r\n\r\n\"Operating at the highest possible level. Outer Space, in fact.”\r\n<strong>- The Wire</strong>\r\n\r\n\"Comprehensively mind-bending.. envelope time and space through the essential purity of all-consuming sound.\"\r\n<strong>- The Quietus.</strong>\r\n\r\n\"Spacey, in all the good ways. Inner Spacey. And Psychedelick as the day is looooooooooooong. You can’t tell where it’s from, this lilting music, but it’s definitely not here…\"\r\n<strong>- Freq</strong>\r\n\r\n“As revelatory an experience as it was an enjoyable one… I am being moved as I write towards joining an almost celestial choir, where the animal angels are screaming an alien song to strange gods… The ecstasy of the title is gradually built. It consumes. It is a beautiful sound that lifts my day as I listen.\"\r\n<strong>- International Times</strong>\r\n\r\n</div>\r\n</div>\r\nThe union of two creative forces with notable experience in the esoteric, Teleplamiste have emerged with a debut album of magical intensity and ecstatic fortitude. <em>Frequency is the New Ecstasy</em> conjures an audial liminal zone in which ancient methods and futuristic visions collide and collude.\r\n\r\nThis duo is formed by Mark O. Pilkington, whose work has extended from publishing countercultural and arcane literature with Strange Attractor Press to summoning rural drone reveries with Urthona, and Michael J. York, who brought his wide knowledge of traditional wind instruments to bear in bands that include Coil, Cyclobe, Guapo and The Stargazer’s Assistant. The duo blur vintage synthesis and contemporary electronics with acoustic pipes to create a transcendent reverie that exists on a wavelength beyond both retro fetishism and modern-day machinations.\r\n\r\nThese six long, meditative pieces map out and extend into the infinite a pathway from the eerie realm of mid-twentieth century radiophonics, and the work of minimal iconoclasts like Daphne Oram and Else Marie Pade, through the kosmische music of the ‘70s such as Cluster and Tangerine Dream to contemporary modular synthesists such as Keith Fullerton Whitman and Lichens, following a vision imbued with power and singularity. Heavy ambience and otherworldly atmospherics marry here amidst an aura of epiphanic radiance.\r\n\r\nRich, transporting and thoroughly immersive, <em>Frequency is the New Ecstasy</em> is a thing of trance states both euphoric and <em>unheimlich.</em>\r\n\r\n<a href=\"https://strangeattractor.greedbag.com/buy/teleplasmiste-frequency-is-the-n/\"><strong>BUY IT HERE</strong></a>\r\n<h2></h2>','Frequency is The New Ecstasy','Teleplasmiste. CD and Limited 180g vinyl with download code.\r\n£10 / £22','inherit','closed','closed','','5860-revision-v1','','','2017-04-04 12:33:28','2017-04-04 12:33:28','',5860,'http://strangeattractor.co.uk/news/5860-revision-v1/',0,'revision','',0),(4061,2,'2011-09-26 09:42:11','2011-09-26 09:42:11','&nbsp;\r\n<div id=\"_mcePaste\">\r\n\r\n<strong><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/AOS_webdummy2.jpg\"><img class=\"size-full wp-image-3091 alignright\" title=\"AOS_webdummy2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/AOS_webdummy2.jpg\" alt=\"\" width=\"209\" height=\"291\" /></a>By Phil Baker\r\n</strong><strong>336pp, HB, 50 b/w illus, 8pp colour, £25\r\n</strong><strong>ISBN: 978-1-907222-01-6</strong>\r\n\r\n</div>\r\n<blockquote>\r\n<p style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5; font-size: 16px; margin-bottom: 24px;\">\"What Phil Baker has accomplished here is little short of marvellous... a human study that neither confirms nor conclusively denies the extra-human properties attributed to its astounding and ambiguous subject... To my mind Phil Baker has established himself as among the very best contemporary biographers.\"\r\n<span style=\"font-style: normal;\">From the Foreword by Alan Moore</span></p>\r\n</blockquote>\r\n<p style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5; font-size: 16px; margin-bottom: 24px;\"><span style=\"color: #000000;\"><strong><span style=\"color: #444444; font-weight: normal;\"><strong style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #000000; line-height: 1.5; font-weight: bold;\">All copies sold via SAP are signed by the author</strong></span></strong></span></p>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><input type=\"hidden\" name=\"cmd\" value=\"_xclick\" /> <input type=\"hidden\" name=\"business\" value=\"paypal@strangeattractor.co.uk\" /> <input type=\"hidden\" name=\"lc\" value=\"GB\" /> <input type=\"hidden\" name=\"item_name\" value=\"AOS\" /> <input type=\"hidden\" name=\"button_subtype\" value=\"services\" /> <input type=\"hidden\" name=\"no_note\" value=\"0\" /> <input type=\"hidden\" name=\"currency_code\" value=\"GBP\" /> <input type=\"hidden\" name=\"bn\" value=\"PP-BuyNowBF:btn_buynowCC_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input type=\"hidden\" name=\"on0\" value=\"Postal options\" /><em>Please select your region (price includes P&amp;P)</em></td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK Reg\">UK £25.00</option> <option value=\"EU Reg\">EU £30.00</option> <option value=\"ROW Reg\">ROW £35.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\" /> <input type=\"hidden\" name=\"option_select0\" value=\"UK Reg\" /> <input type=\"hidden\" name=\"option_amount0\" value=\"25.00\" /> <input type=\"hidden\" name=\"option_select1\" value=\"UK Special\" /> <input type=\"hidden\" name=\"option_amount1\" value=\"30.00\" /> <input type=\"hidden\" name=\"option_select2\" value=\"EU Reg\" /> <input type=\"hidden\" name=\"option_amount2\" value=\"30.00\" /> <input type=\"hidden\" name=\"option_select3\" value=\"EU Special\" /> <input type=\"hidden\" name=\"option_amount3\" value=\"35.00\" /> <input type=\"hidden\" name=\"option_select4\" value=\"ROW Reg\" /> <input type=\"hidden\" name=\"option_amount4\" value=\"35.00\" /> <input type=\"hidden\" name=\"option_select5\" value=\"ROW Special\" /> <input type=\"hidden\" name=\"option_amount5\" value=\"40.00\" /> <input type=\"hidden\" name=\"option_index\" value=\"0\" /> <input type=\"image\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" alt=\"PayPal - The safer, easier way to pay online.\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" />\r\n\r\n</form><form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"></form><em>Or pay by cheque, £UK only, payable to </em>Strange Attractor Press Ltd<em> and sent to </em>BM SAP, London, WC1N 3XX, UK<em>.</em>\r\n\r\n<strong>About the book</strong>\r\n\r\nLondon has harboured many curious characters, but few more curious than the artist and visionary Austin Osman Spare (1886-1956).\r\n\r\nA controversial <em>enfant terrible</em> of the Edwardian art world, the young Spare was hailed as a genius and a new Aubrey Beardsley, while George Bernard Shaw reportedly said “Spare’s medicine is too strong for the average man.”\r\n\r\nBut Spare was never made for worldly success and he went underground, falling out of the gallery system to live in poverty and obscurity south of the river. Absorbed in occultism and sorcery, voyaging into inner dimensions and surrounding himself with cats and familiar spirits, he continued to produce extraordinary art while developing a magical philosophy of pleasure, obsession, and the subjective nature of reality.\r\n\r\nToday Spare is both forgotten and famous, a cult figure whose modest life has been much mythologised since his death. This groundbreaking biographical study offers wide-ranging insights into Spare’s art, mind and world, reconnecting him with the art history that ignored him and exploring his parallel London; a bygone place of pub pianists, wealthy alchemists and monstrous owls.\r\n\r\nThis richly readable and illuminating biography takes us deep into the strange inner world that this most enigmatic of artists inhabited, shedding new light while allowing just a few shadowy corners to flourish unspoiled.\r\n\r\n<strong>About the author</strong>\r\n\r\nPhil Baker’s other books include <em>The Dedalus Book of Absinthe</em>, a biography of Dennis Wheatley, <em>The Devil is a Gentleman</em>, and critical works on Samuel Beckett and William Burroughs. He lives in London.\r\n\r\n<strong style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #000000; line-height: 1.5; font-weight: bold;\">Reviews</strong>\r\n\r\n\"[told with] zest and insight... Ever determined to break down the barriers between reality and fantasy, Spare has finally achieved it – not by elaborate psychic exercises, but through biography.\" <em>Times Literary Supplement</em>\r\n<p style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5; font-size: 16px; margin-bottom: 24px;\"><span style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: black; line-height: 1.5;\">“...an elegant and comprehensive biography... [Baker\'s] deep sympathy for his subject is nicely balanced by his scepticism towards some of Spare’s sources of esoteric thought. There is a wealth of detail here … A stunning tribute to an unjustly neglected artist.” – Noel Rooney</span><span style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: black; line-height: 1.5;\">, <em style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5; font-style: italic; border-width: initial; border-color: initial; border-style: none;\"><span style=\"color: #000000;\"><a style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #0066cc; line-height: 1.5;\" href=\"http://www.forteantimes.com\">Fortean Times</a></span></em></span></p>\r\n<p style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5; font-size: 16px; margin-bottom: 24px;\">\'I cannot recommend <em style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5; font-style: italic; border: initial none initial;\">Austin Osman Spare</em> too highly. Phil Baker has done a wonderful job of bringing the complexities and contradictions of Spare’s life to the fore, and in making the London of Spare’s time come to life vividly and richly. Hopefully this book will encourage a reassessment of Spare which is long overdue\' – <a style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #0066cc; line-height: 1.5;\" href=\"http://enfolding.org/library/phil-baker/austin-osman-spare-the-life-and-legend-of-londons-lost-artist/\" target=\"_blank\">Phil Hine</a></p>\r\n<p style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5; font-size: 16px; margin-bottom: 24px;\">\'Baker is a wonderful writer, careful, intelligent and dry. He also knows his London, and the Spare that emerges in his portrayal is very much an avatar of that unique and ancient town; humble Cockney beginnings, the bright years as a smoldering wunderkind, and then a long plunge into poverty, obscurity, and a deep weirdness…”\' – <a style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #0066cc; line-height: 1.5;\" href=\"http://roychristopher.com/summer-reading-list-2011\">Erik Davis</a></p>\r\n\r\n<div class=\"MsoNormal\" style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5;\">\r\n\r\n<span class=\"yiv380490148apple-style-span\" style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5;\"><span style=\"color: #000000;\">\r\n</span></span>\r\n<div class=\"MsoNormal\" style=\"color: #444444;\"><span style=\"color: #000000;\">\r\n</span></div>\r\n<p style=\"color: #444444;\"><script type=\"text/javascript\">// <![CDATA[\r\ntry{for(var lastpass_iter=0; lastpass_iter < document.forms.length; lastpass_iter++){ var lastpass_f = document.forms[lastpass_iter]; if(typeof(lastpass_f.lpsubmitorig2)==\"undefined\"){ lastpass_f.lpsubmitorig2 = lastpass_f.submit; lastpass_f.submit = function(){ var form=this; var customEvent = document.createEvent(\"Event\"); customEvent.initEvent(\"lpCustomEvent\", true, true); var d = document.getElementById(\"hiddenlpsubmitdiv\"); for(var i = 0; i < document.forms.length; i++){ if(document.forms[i]==form){ d.innerText=i; } } d.dispatchEvent(customEvent); form.lpsubmitorig2(); } } }}catch(e){}\r\n// ]]></script>\r\n\r\n</div>','Austin Osman Spare','By Phil Baker\r\n336pp, HB, b/w illus, colour plates, £25\r\nISBN: 978-1907222016  ','inherit','open','open','','3351-revision-v1','','','2011-09-26 09:42:11','2011-09-26 09:42:11','',3351,'http://strangeattractor.co.uk/further/3351-revision-17/',0,'revision','',0),(2888,2,'2011-01-18 12:22:32','2011-01-18 12:22:32','<strong>Edited by Mark Pilkington<img class=\"alignright size-full wp-image-2237\" title=\"saj3\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj3.gif\" alt=\"\" width=\"228\" height=\"314\" /></strong><strong>\r\n</strong>\r\n\r\n<strong>A5 PB, 286pp, £13.99 UK\r\n</strong><strong>ISBN 978-0954805432</strong>\r\n<blockquote>A third helping of high strangeness from the acclaimed Strange Attractor anthology series.</blockquote>\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" /> <input name=\"hosted_button_id\" type=\"hidden\" value=\"3WE6NCS8UHUG2\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £14.00</option> <option value=\"EU\">EU £15.00</option> <option value=\"ROW\">ROW £16.00</option> <option value=\"ROW AIR\">ROW AIR £18.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n</form><strong>Contents\r\n<strong>| <em>Contra Genesis</em> </strong>- <em>Catherine Eisner</em></strong>\r\n\r\n<strong>Unusual cases of extra-genital conception, extra-uterine gestation, and other anomalous exits</strong>\r\n\r\n<strong><strong>| <em>Burmese Daze</em></strong> - <em>Erik Davis</em>\r\nIn which the author submits to the pleasures of a transgender spirit possession festival</strong>\r\n\r\n<strong><strong><em>| Adventures in the Fourth Dimension</em></strong> - <em>Mike Jay</em>\r\nA Victorian time machine and history’s first theme park ride</strong>\r\n\r\n<strong><strong><em>| Ego in Exotica Sum</em></strong> - <em>Ken Hollings</em>\r\nIn memoriam Martin Denny, crown prince of the exotica sound</strong>\r\n\r\n<strong><strong><em>| A Psychoactive Bestiary</em></strong> - <em>Richard Rudgley</em>\r\nThe joy of zootoxins, from the ant to the giraffe</strong>\r\n\r\n<strong><strong><em>| Liberté, Légalité, Éternité</em></strong> - <em>David Luke</em>\r\nSome notes on psychonautic misadventures in time</strong>\r\n\r\n<strong><strong><em>| Kandinsky’s Thought Forms</em></strong> - <em>Gary Lachman</em>\r\nThe occult roots of modern art\r\n\r\n<strong><em>| Magic Words</em></strong> - <em>Steve Moore</em>\r\nVirgil the Necromancer in mediæval legend\r\n\r\n<strong><em>| Abu’l-Qasim al-Iraqi</em></strong> - <em>Robert Irwin</em>\r\n12th century Arab alchemists on the edge\r\nof knowledge\r\n\r\n<strong><em>| The Electrochemical Glass</em></strong> - <em>Richard Brown</em>\r\nA slow-evolving artwork from a living alchemist\r\n\r\n<strong><em>| The Man Behind the Screen</em></strong> - <em>David Rothenberg</em>\r\nHans Christian Andersen’s greatest and least-known work\r\n\r\n<strong><em>| The Mole of Edge Hill</em></strong> - <em>John Reppion</em>\r\nJoseph Williamson, Liverpool’s tunnelling philanthropist\r\n\r\n<strong><em>| La Maison de Poupées</em></strong> - <em>Robert Ansell</em>\r\nA photographic study of a magnificent compulsion\r\n\r\n<strong><em>| The Dirty Thirties</em></strong> -<em> Alexis Lykiard</em>\r\nFrom Arthur Koestler’s Encyclopædia of Sexual Knowledge\r\n\r\n<strong><em>| Paint it Black</em></strong> - <em>Stewart Home</em>\r\nAutohagiography of an artist\r\n\r\n<strong><em>| Redonda and Her Kings</em></strong> - <em>Roger Dobson</em>\r\nThe island life of early science fiction author MP Shiel\r\n\r\n<strong><em>| Magic in Paris</em></strong> - <em>Phil Baker</em>\r\nDemons of the opium den in Thirties Paris\r\n\r\n<strong><em>| The Dark Man’s Dreams</em></strong> -<em> Doug Skinner</em>\r\nAn introduction to Xavier Forneret, Surrealism’s lost poet\r\n\r\n<strong><em>| Ghosts: A short Story</em></strong>\r\n<em>by Lady Vervaine</em>\r\n\r\n<strong><em>Plus original artworks by Alison Gill, Josephine Harvatt, Betsy Heistand, Katie Owens, Arik Roper.</em></strong>\r\n\r\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj3.gif\">\r\n</a>\r\n\r\n<strong> </strong>\r\n\r\n</strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>','Journal Three','Edited by Mark Pilkington\r\nA5 PB, 286pp, £13.99 UK\r\nISBN 978-0954805432','inherit','open','open','','2150-revision-v1','','','2011-01-18 12:22:32','2011-01-18 12:22:32','',2150,'http://strangeattractor.co.uk/further/2150-revision-28/',0,'revision','',0),(2891,2,'2011-01-11 17:33:43','2011-01-11 17:33:43','<img class=\"alignright size-full wp-image-2229\" title=\"uta_murmurations\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/uta_murmurations.gif\" alt=\"\" width=\"318\" height=\"330\" /><strong>Further 005\r\n</strong><strong>CD, 44 mins</strong>\r\n\r\n<strong> </strong><span style=\"font-size: 18px; color: #bbbbbb; font-family: serif; font-weight: 300; letter-spacing: -3px; line-height: normal; word-spacing: 1px;\">❦</span>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td>Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK/EU\">UK/EU £11.00</option> <option value=\"ROW\">ROW £13.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" />\r\n<img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n\r\n</form>\r\n<blockquote>\r\n<div id=\"_mcePaste\">...like a feral snotty nephew of John Cale\'s pre-Velvets drone experiments... Merzbow at his most \'rock\' ...early Tangerine Dream had they favoured the horse-drawn cart to the space rocket.</div></blockquote>\r\nAlan Holmes, <a href=\"http://www.freq.org.uk/\">Freq</a>\r\n\r\nFurther Recordings are immodestly pleased to announce their fifth CD release, <em>Murmurations</em>, the first collaboration between Urthona and The Asterism.\r\n\r\nMurmurations is less of a soundclash than the fallout from two worlds in collision: Urthona’s rural guitar-based heaviness slams into The Asterism’s towering analogue electronics, somewhere in space between Princetown and Fitzrovia.\r\n\r\nThe album features two instrumental pieces:\r\n\r\n<em>River Severn Bore</em> (24.20) is an infinitely cascading surge of sound that makes you wonder what would have happened if an angry Neil Young had interned at the BBC Radiophonic Workshop. RSB began life as a pulsating Asterism synthline that was guitared-up, trampled under foot and re-assembled by Urthona.\r\n\r\n<em>Murmurations </em>(19.50) was inspired by the annual starling swarms that invade the Somerset levels each Winter. Initially a gently-flowing, aetheric Urthona guitar piece, it was quickly savaged by The Asterism’s synthesised sparrowhawks who left only a shower of blood and feathers in their wake.\r\n\r\n<em>Murmurations</em> comes in a three panel sleeve featuring original artwork and inserts by Catharyne Ward.','Urthona/The Asterism: Murmurations','Further 005\r\nCD \r\n44 mins\r\n\r\n                   ','inherit','open','open','','2173-revision-v1','','','2011-01-11 17:33:43','2011-01-11 17:33:43','',2173,'http://strangeattractor.co.uk/further/2173-revision-21/',0,'revision','',0),(2892,2,'2011-01-11 17:35:20','2011-01-11 17:35:20','<img class=\"alignright size-full wp-image-2227\" title=\"ada_urthona\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/ada_urthona.gif\" alt=\"\" width=\"318\" height=\"330\" />\r\n\r\n<strong>Further 004</strong><strong>\r\n</strong><strong> CD, 57 mins</strong><strong>\r\n</strong><strong> </strong><strong>❦</strong>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td>Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK/EU\">UK/EU £11.00</option> <option value=\"ROW\">ROW £13.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" />\r\n<img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n\r\n</form>\r\n\r\n<em>Amid Devonia\'s Alps</em> is the second release from Urthona, a fresh helping of elemental, heathen guitar worship from deepest Dartmoor.\r\n<blockquote>\'There’s a holy beauty within the fiery soul of this Urthona music that transcends its many contemporaries, as colossal guitars intertwine around the base of listeners’ minds, lifting them skywards as though upon a magical beanstalk ride... Urthona’s music is both the Ult in meditation AND a freight-train ride to oblivion.\'</blockquote>\r\n<strong><em> Julian Cope, Head Heritage</em></strong>\r\n\r\n\'Waves of deep, grinding, spaced out guitar, so heavy indeed. Blissful at low volumes, vibrationally destructive at louder ones... seriously you need to be carefully turning this disc up!\'','Urthona: Amid Devonia\'s Alps','Further 004\r\nCD \r\n57 mins                   ','inherit','open','open','','2169-revision-v1','','','2011-01-11 17:35:20','2011-01-11 17:35:20','',2169,'http://strangeattractor.co.uk/further/2169-revision-15/',0,'revision','',0),(2893,2,'2011-01-11 17:38:53','2011-01-11 17:38:53','<div id=\"_mcePaste\"><span style=\"line-height: 24px; font-size: 16px;\"> </span><span style=\"line-height: 24px; font-size: 16px;\"><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/circuitblasting2.gif\"><img class=\"alignright size-full wp-image-2650\" title=\"circuitblasting2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/circuitblasting2.gif\" alt=\"\" width=\"318\" height=\"330\" /></a></span><span style=\"line-height: 24px; font-size: 16px;\">Strange Attractor vs Disinformation\r\n</span>ADAADAT CD EP, 27 mins</div>\r\n<div>\r\n<div>£8</div>\r\n<div><span style=\"font-size: 18px; color: #bbbbbb; font-family: serif; font-weight: 300; letter-spacing: -3px; line-height: normal; word-spacing: 1px;\">❦</span></div>\r\n<div><span style=\"font-size: 18px; color: #bbbbbb; font-family: serif; font-weight: 300; letter-spacing: -3px; line-height: normal; word-spacing: 1px;\">\r\n</span></div>\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_xclick\" /> <input name=\"business\" type=\"hidden\" value=\"strangeattractorpress@googlemail.com\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td>Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK/EU\">UK/EU £8.00</option> <option value=\"ROW\">ROW £9.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n\r\n</form></div>\r\n<blockquote>27 minutes of lo-fi, high-voltage thrills!</blockquote>\r\n\'A bit of a departure for the ADAADAT label, this collaborative project between sound art project Disinformation and the editor of the Strange Attractor journal, Mark Pilkington sounds akin to the kind of uncompromising experimental laptop noise you might find on a Mego release. The aesthetics of this music particularly bring to mind the likes of General Magic or Farmers Manual, being characterised by a granular distortion and severely destabilised use of stereo channels (the third, untitled track is pretty much all about the left speaker, for example). The music on this release doesn’t stem from any sophisticated homemade algorithms however, but rather the practice of setting up a strong electromagnetic field in close proximity to a toy electronic keyboard. This rather destructive practice yields fascinating results, with some beautifully mangled, involuntary circuit spasms. At times the results are outbreaks of unleashed digital noise, but more often than not there’s a surprisingly sophisticated and intriguing outcome that preserves evidence of the toy keyboard’s recognisable sonic characteristics. Excellent.\'\r\nBookmart','SAVD: Circuit Blasting','Strange Attractor vs Disinformation\r\nADAADAT CD EP, 27 mins \r\n£8','inherit','open','open','','2649-revision-v1','','','2011-01-11 17:38:53','2011-01-11 17:38:53','',2649,'http://strangeattractor.co.uk/further/2649-revision-4/',0,'revision','',0),(2894,2,'2011-01-11 17:17:40','2011-01-11 17:17:40','<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_xclick\" /> <img class=\"alignright size-full wp-image-2663\" title=\"unicaZurn2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/unicaZurn2.jpg\" alt=\"\" width=\"318\" height=\"330\" />\r\n<div id=\"_mcePaste\">UZ01, CD, 58 mins,</div>\r\n<div id=\"_mcePaste\">£11</div>\r\n<div><span style=\"color: #bbbbbb; font-family: serif; line-height: normal; font-size: 18px; font-weight: 300; letter-spacing: -3px; word-spacing: 1px;\">❦</span></div>\r\n<input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"Unicazürn Temporal Bends\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"services\" /> </form> <form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK/EU\">UK/EU £11.00</option> <option value=\"ROW\">ROW £13.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n\r\n</form>A collaboration between UK underground music veterans David Knight (Shock Headed Peters, Lydia Lunch) and Stephen Thrower (Cyclobe, Coil) – both of the improvising avant-rock outfit Amal Gamal Ensemble – Temporal Bends transports the listener into the depths though, as its title hints, you\'re never quite sure whether you\'re drowning or dreaming, stretched or squeezed, coming down or going up. Vintage synthesisers, guitars, sax and clarinet drift, shimmer and swarm, bubbles and blinking lights luring you ever further, ever deeper...\r\n\r\n<em>Knight and Thrower bring a deep intuition to the performances, allowing treated guitar, saxophone and clarinet to blend with analogue synthesizers, mellotron and organ... Only occasionally does a locked snippet of sound repeat itself enough to suggest anything like an insistent beat: otherwise the tempo is kept low and slow.</em>\r\nKen Hollings, <em>The Wire</em>\r\n\r\n<em> </em>\r\n<em>exactly the sort of music that I would expect to hear if I was rapidly losing consciousness in a pool of my own blood aboard a haunted submarine... This is an impressively ambitious, harrowing, and complex album.\r\n</em>Anthony D\'Amico, <em>Brainwashed</em>.','Unicazürn: Temporal Bends','CD, 58 mins\r\nUZ01\r\n£11','inherit','open','open','','2662-revision-v1','','','2011-01-11 17:17:40','2011-01-11 17:17:40','',2662,'http://strangeattractor.co.uk/further/2662-revision-8/',0,'revision','',0),(2895,2,'2011-01-20 19:02:47','2011-01-20 19:02:47','<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><input name=\"cmd\" type=\"hidden\" value=\"_xclick\" /> <img class=\"alignright size-full wp-image-2663\" title=\"unicaZurn2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/unicaZurn2.jpg\" alt=\"\" width=\"318\" height=\"330\" />\r\n<div id=\"_mcePaste\">UZ01, CD, 58 mins,</div>\r\n<div id=\"_mcePaste\">£11</div>\r\n<div><span style=\"color: #bbbbbb; font-family: serif; line-height: normal; font-size: 18px; font-weight: 300; letter-spacing: -3px; word-spacing: 1px;\">❦</span></div>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"MY3EQDVRGAKGS\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal options\">Postal options</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK/EU\">UK/EU £11.00</option>\r\n	<option value=\"ROW\">ROW £13.00</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n\r\nA collaboration between UK underground music veterans David Knight (Shock Headed Peters, Lydia Lunch) and Stephen Thrower (Cyclobe, Coil) – both of the improvising avant-rock outfit Amal Gamal Ensemble – Temporal Bends transports the listener into the depths though, as its title hints, you\'re never quite sure whether you\'re drowning or dreaming, stretched or squeezed, coming down or going up. Vintage synthesisers, guitars, sax and clarinet drift, shimmer and swarm, bubbles and blinking lights luring you ever further, ever deeper...\r\n\r\n<em>Knight and Thrower bring a deep intuition to the performances, allowing treated guitar, saxophone and clarinet to blend with analogue synthesizers, mellotron and organ... Only occasionally does a locked snippet of sound repeat itself enough to suggest anything like an insistent beat: otherwise the tempo is kept low and slow.</em>\r\nKen Hollings, <em>The Wire</em>\r\n\r\n<em> </em>\r\n<em>exactly the sort of music that I would expect to hear if I was rapidly losing consciousness in a pool of my own blood aboard a haunted submarine... This is an impressively ambitious, harrowing, and complex album.\r\n</em>Anthony D\'Amico, <em>Brainwashed</em>.','Unicazürn: Temporal Bends','CD, 58 mins\r\nUZ01\r\n£11','inherit','open','open','','2662-revision-v1','','','2011-01-20 19:02:47','2011-01-20 19:02:47','',2662,'http://strangeattractor.co.uk/further/2662-revision-9/',0,'revision','',0),(2896,2,'2011-01-20 19:03:35','2011-01-20 19:03:35','<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><input name=\"cmd\" type=\"hidden\" value=\"_xclick\" /> <img class=\"alignright size-full wp-image-2663\" title=\"unicaZurn2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/unicaZurn2.jpg\" alt=\"\" width=\"318\" height=\"330\" />\r\n<div id=\"_mcePaste\">UZ01, CD, 58 mins,</div>\r\n<div id=\"_mcePaste\">£11</div>\r\n<div><span style=\"color: #bbbbbb; font-family: serif; line-height: normal; font-size: 18px; font-weight: 300; letter-spacing: -3px; word-spacing: 1px;\">❦</span></div>\r\n\r\n<<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"MY3EQDVRGAKGS\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal options\">Postal options</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK/EU\">UK/EU £11.00</option>\r\n	<option value=\"ROW\">ROW £13.00</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n\r\n\r\nA collaboration between UK underground music veterans David Knight (Shock Headed Peters, Lydia Lunch) and Stephen Thrower (Cyclobe, Coil) – both of the improvising avant-rock outfit Amal Gamal Ensemble – Temporal Bends transports the listener into the depths though, as its title hints, you\'re never quite sure whether you\'re drowning or dreaming, stretched or squeezed, coming down or going up. Vintage synthesisers, guitars, sax and clarinet drift, shimmer and swarm, bubbles and blinking lights luring you ever further, ever deeper...\r\n\r\n<em>Knight and Thrower bring a deep intuition to the performances, allowing treated guitar, saxophone and clarinet to blend with analogue synthesizers, mellotron and organ... Only occasionally does a locked snippet of sound repeat itself enough to suggest anything like an insistent beat: otherwise the tempo is kept low and slow.</em>\r\nKen Hollings, <em>The Wire</em>\r\n\r\n<em> </em>\r\n<em>exactly the sort of music that I would expect to hear if I was rapidly losing consciousness in a pool of my own blood aboard a haunted submarine... This is an impressively ambitious, harrowing, and complex album.\r\n</em>Anthony D\'Amico, <em>Brainwashed</em>.','Unicazürn: Temporal Bends','CD, 58 mins\r\nUZ01\r\n£11','inherit','open','open','','2662-revision-v1','','','2011-01-20 19:03:35','2011-01-20 19:03:35','',2662,'http://strangeattractor.co.uk/further/2662-revision-10/',0,'revision','',0),(2897,2,'2011-01-13 00:02:12','2011-01-13 00:02:12','<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_xclick\" />\r\n<div id=\"_mcePaste\"><strong><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/hmtpil.jpg\"><img class=\"size-full wp-image-2815 alignright\" title=\"hmtpil\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/hmtpil.jpg\" alt=\"\" width=\"280\" height=\"291\" /></a>by High Mountain Tempel</strong></div>\r\n<div id=\"_mcePaste\"><strong>CD, 2009, £11</strong></div>\r\n<input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"HMT - Pilgrimage CD\" /> <input name=\"amount\" type=\"hidden\" value=\"11.00\" /> <input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"services\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /><span style=\"line-height: normal; font-size: 18px; color: #bbbbbb; font-family: serif; font-weight: 300; letter-spacing: -3px; word-spacing: 1px;\">❦</span>\r\n\r\n<input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n</form>A beautiful new album from the monks of San Diego\'s <a href=\"http://highmountaintempel.com/\" target=\"_blank\">High Mountain Tempel</a>. This time HMT\'s wyrd electronics are complimented by strings from Earthling Society and Charles Curtis, synthesis from the Asterism and voices from Isis Aquarian, Alpha-Crone and Logos of Father Yod and The Source Family. The album comes in a stunning printed sleeve.\r\n\r\n<em>Pilgrimage To Thunderbolt Pagoda.\r\nThe Phoenix sheds its feathers and flies into the face of a new moon. The monks from High Mountain Tempel have made the trek to Far, Fair Albion and returned to offer up this collaborative sacrifice with kindred sound freaks Earthling Society. Also writhing in the mysto-steam this time: The amazing Isis Aquarian, Alpha-Crone and Logos of Father Yod and The Source Family. Soundthreads are wound and unwound by The Asterism. Sacred Cello Enchantments are bowed and plucked by Charles Curtis while Starry-Dynamo machinations gliss and throb by Bruce McKenzie, The Oracle of Mount Washington. These tales of Goddess Cycles, Dark Light, Redwood Roots and The Great California Subconciousness will be ringing in your ears like a herald of the new aeon!</em>','Pilgrimage to Thunderbolt Pagoda','by High Mountain Tempel\r\nCD, 2009\r\n£11','inherit','open','open','','2631-revision-v1','','','2011-01-13 00:02:12','2011-01-13 00:02:12','',2631,'http://strangeattractor.co.uk/further/2631-revision-9/',0,'revision','',0),(2898,2,'2011-01-20 19:05:14','2011-01-20 19:05:14','<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><input name=\"cmd\" type=\"hidden\" value=\"_xclick\" /> <img class=\"alignright size-full wp-image-2663\" title=\"unicaZurn2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/unicaZurn2.jpg\" alt=\"\" width=\"318\" height=\"330\" />\r\n<div id=\"_mcePaste\">UZ01, CD, 58 mins,</div>\r\n<div id=\"_mcePaste\">£11</div>\r\n<div><span style=\"color: #bbbbbb; font-family: serif; line-height: normal; font-size: 18px; font-weight: 300; letter-spacing: -3px; word-spacing: 1px;\">❦</span></div>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"2ZCZMV7UNULXQ\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal options\">Postal options</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK/EU\">UK/EU £11.00</option>\r\n	<option value=\"ROW\">ROW £13.00</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n\r\n\r\n\r\nA collaboration between UK underground music veterans David Knight (Shock Headed Peters, Lydia Lunch) and Stephen Thrower (Cyclobe, Coil) – both of the improvising avant-rock outfit Amal Gamal Ensemble – Temporal Bends transports the listener into the depths though, as its title hints, you\'re never quite sure whether you\'re drowning or dreaming, stretched or squeezed, coming down or going up. Vintage synthesisers, guitars, sax and clarinet drift, shimmer and swarm, bubbles and blinking lights luring you ever further, ever deeper...\r\n\r\n<em>Knight and Thrower bring a deep intuition to the performances, allowing treated guitar, saxophone and clarinet to blend with analogue synthesizers, mellotron and organ... Only occasionally does a locked snippet of sound repeat itself enough to suggest anything like an insistent beat: otherwise the tempo is kept low and slow.</em>\r\nKen Hollings, <em>The Wire</em>\r\n\r\n<em> </em>\r\n<em>exactly the sort of music that I would expect to hear if I was rapidly losing consciousness in a pool of my own blood aboard a haunted submarine... This is an impressively ambitious, harrowing, and complex album.\r\n</em>Anthony D\'Amico, <em>Brainwashed</em>.','Unicazürn: Temporal Bends','CD, 58 mins\r\nUZ01\r\n£11','inherit','open','open','','2662-revision-v1','','','2011-01-20 19:05:14','2011-01-20 19:05:14','',2662,'http://strangeattractor.co.uk/further/2662-revision-11/',0,'revision','',0),(2899,2,'2011-01-20 19:09:28','2011-01-20 19:09:28','<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><input name=\"cmd\" type=\"hidden\" value=\"_xclick\" /> <img class=\"alignright size-full wp-image-2663\" title=\"unicaZurn2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/unicaZurn2.jpg\" alt=\"\" width=\"318\" height=\"330\" />\r\n<div id=\"_mcePaste\">UZ01, CD, 58 mins,</div>\r\n<div id=\"_mcePaste\">£11</div>\r\n<div><span style=\"color: #bbbbbb; font-family: serif; line-height: normal; font-size: 18px; font-weight: 300; letter-spacing: -3px; word-spacing: 1px;\">❦</span></div>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"RFFK82ZF8YNHJ\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal options\">Postal options</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK/EU\">UK/EU £11.00</option>\r\n	<option value=\"ROW\">ROW £13.00</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n\r\n\r\n\r\n\r\nA collaboration between UK underground music veterans David Knight (Shock Headed Peters, Lydia Lunch) and Stephen Thrower (Cyclobe, Coil) – both of the improvising avant-rock outfit Amal Gamal Ensemble – Temporal Bends transports the listener into the depths though, as its title hints, you\'re never quite sure whether you\'re drowning or dreaming, stretched or squeezed, coming down or going up. Vintage synthesisers, guitars, sax and clarinet drift, shimmer and swarm, bubbles and blinking lights luring you ever further, ever deeper...\r\n\r\n<em>Knight and Thrower bring a deep intuition to the performances, allowing treated guitar, saxophone and clarinet to blend with analogue synthesizers, mellotron and organ... Only occasionally does a locked snippet of sound repeat itself enough to suggest anything like an insistent beat: otherwise the tempo is kept low and slow.</em>\r\nKen Hollings, <em>The Wire</em>\r\n\r\n<em> </em>\r\n<em>exactly the sort of music that I would expect to hear if I was rapidly losing consciousness in a pool of my own blood aboard a haunted submarine... This is an impressively ambitious, harrowing, and complex album.\r\n</em>Anthony D\'Amico, <em>Brainwashed</em>.','Unicazürn: Temporal Bends','CD, 58 mins\r\nUZ01\r\n£11','inherit','open','open','','2662-revision-v1','','','2011-01-20 19:09:28','2011-01-20 19:09:28','',2662,'http://strangeattractor.co.uk/further/2662-revision-12/',0,'revision','',0),(2903,2,'2011-01-20 19:12:08','2011-01-20 19:12:08','<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><input name=\"cmd\" type=\"hidden\" value=\"_xclick\" /> <img class=\"alignright size-full wp-image-2663\" title=\"unicaZurn2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/unicaZurn2.jpg\" alt=\"\" width=\"318\" height=\"330\" />\r\n<div id=\"_mcePaste\">UZ01, CD, 58 mins,</div>\r\n<div id=\"_mcePaste\">£11</div>\r\n<div><span style=\"color: #bbbbbb; font-family: serif; line-height: normal; font-size: 18px; font-weight: 300; letter-spacing: -3px; word-spacing: 1px;\">❦</span></div>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"RFFK82ZF8YNHJ\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal options\">Postal options</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK/EU\">UK/EU £11.00</option>\r\n	<option value=\"ROW\">ROW £13.00</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n<p>\r\n\r\nA collaboration between UK underground music veterans David Knight (Shock Headed Peters, Lydia Lunch) and Stephen Thrower (Cyclobe, Coil) – both of the improvising avant-rock outfit Amal Gamal Ensemble – Temporal Bends transports the listener into the depths though, as its title hints, you\'re never quite sure whether you\'re drowning or dreaming, stretched or squeezed, coming down or going up. Vintage synthesisers, guitars, sax and clarinet drift, shimmer and swarm, bubbles and blinking lights luring you ever further, ever deeper...\r\n\r\n<em>Knight and Thrower bring a deep intuition to the performances, allowing treated guitar, saxophone and clarinet to blend with analogue synthesizers, mellotron and organ... Only occasionally does a locked snippet of sound repeat itself enough to suggest anything like an insistent beat: otherwise the tempo is kept low and slow.</em>\r\nKen Hollings, <em>The Wire</em>\r\n\r\n<em> </em>\r\n<em>exactly the sort of music that I would expect to hear if I was rapidly losing consciousness in a pool of my own blood aboard a haunted submarine... This is an impressively ambitious, harrowing, and complex album.\r\n</em>Anthony D\'Amico, <em>Brainwashed</em>.','Unicazürn: Temporal Bends','CD, 58 mins\r\nUZ01\r\n£11','inherit','open','open','','2662-revision-v1','','','2011-01-20 19:12:08','2011-01-20 19:12:08','',2662,'http://strangeattractor.co.uk/further/2662-revision-13/',0,'revision','',0),(2904,2,'2011-01-20 19:18:51','2011-01-20 19:18:51','<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><input name=\"cmd\" type=\"hidden\" value=\"_xclick\" /> <img class=\"alignright size-full wp-image-2663\" title=\"unicaZurn2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/unicaZurn2.jpg\" alt=\"\" width=\"318\" height=\"330\" />\r\n<div id=\"_mcePaste\">UZ01, CD, 58 mins,</div>\r\n<div id=\"_mcePaste\">£11</div>\r\n<div><span style=\"color: #bbbbbb; font-family: serif; line-height: normal; font-size: 18px; font-weight: 300; letter-spacing: -3px; word-spacing: 1px;\">❦</span></div><p>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"RFFK82ZF8YNHJ\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal options\">Postal options</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK/EU\">UK/EU £11.00</option>\r\n	<option value=\"ROW\">ROW £13.00</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n<p>\r\n\r\nA collaboration between UK underground music veterans David Knight (Shock Headed Peters, Lydia Lunch) and Stephen Thrower (Cyclobe, Coil) – both of the improvising avant-rock outfit Amal Gamal Ensemble – Temporal Bends transports the listener into the depths though, as its title hints, you\'re never quite sure whether you\'re drowning or dreaming, stretched or squeezed, coming down or going up. Vintage synthesisers, guitars, sax and clarinet drift, shimmer and swarm, bubbles and blinking lights luring you ever further, ever deeper...\r\n\r\n<em>Knight and Thrower bring a deep intuition to the performances, allowing treated guitar, saxophone and clarinet to blend with analogue synthesizers, mellotron and organ... Only occasionally does a locked snippet of sound repeat itself enough to suggest anything like an insistent beat: otherwise the tempo is kept low and slow.</em>\r\nKen Hollings, <em>The Wire</em>\r\n\r\n<em> </em>\r\n<em>exactly the sort of music that I would expect to hear if I was rapidly losing consciousness in a pool of my own blood aboard a haunted submarine... This is an impressively ambitious, harrowing, and complex album.\r\n</em>Anthony D\'Amico, <em>Brainwashed</em>.','Unicazürn: Temporal Bends','CD, 58 mins\r\nUZ01\r\n£11','inherit','open','open','','2662-revision-v1','','','2011-01-20 19:18:51','2011-01-20 19:18:51','',2662,'http://strangeattractor.co.uk/further/2662-revision-14/',0,'revision','',0),(2905,2,'2011-01-20 19:06:36','2011-01-20 19:06:36','<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_xclick\" />\r\n<div id=\"_mcePaste\"><strong><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/hmtpil.jpg\"><img class=\"size-full wp-image-2815 alignright\" title=\"hmtpil\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/hmtpil.jpg\" alt=\"\" width=\"280\" height=\"291\" /></a>by High Mountain Tempel</strong></div>\r\n<div id=\"_mcePaste\"><strong>CD, 2009, £11</strong></div>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"8KL6PW5PBPMYL\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal options\">Postal options</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK/EU\">UK/EU £11.00</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n\r\n\r\nA beautiful new album from the monks of San Diego\'s <a href=\"http://highmountaintempel.com/\" target=\"_blank\">High Mountain Tempel</a>. This time HMT\'s wyrd electronics are complimented by strings from Earthling Society and Charles Curtis, synthesis from the Asterism and voices from Isis Aquarian, Alpha-Crone and Logos of Father Yod and The Source Family. The album comes in a stunning printed sleeve.\r\n\r\n<em>Pilgrimage To Thunderbolt Pagoda.\r\nThe Phoenix sheds its feathers and flies into the face of a new moon. The monks from High Mountain Tempel have made the trek to Far, Fair Albion and returned to offer up this collaborative sacrifice with kindred sound freaks Earthling Society. Also writhing in the mysto-steam this time: The amazing Isis Aquarian, Alpha-Crone and Logos of Father Yod and The Source Family. Soundthreads are wound and unwound by The Asterism. Sacred Cello Enchantments are bowed and plucked by Charles Curtis while Starry-Dynamo machinations gliss and throb by Bruce McKenzie, The Oracle of Mount Washington. These tales of Goddess Cycles, Dark Light, Redwood Roots and The Great California Subconciousness will be ringing in your ears like a herald of the new aeon!</em>','Pilgrimage to Thunderbolt Pagoda','by High Mountain Tempel\r\nCD, 2009\r\n£11','inherit','open','open','','2631-revision-v1','','','2011-01-20 19:06:36','2011-01-20 19:06:36','',2631,'http://strangeattractor.co.uk/further/2631-revision-10/',0,'revision','',0),(2907,2,'2011-01-20 19:25:23','2011-01-20 19:25:23','<img class=\"alignright size-full wp-image-2654\" title=\"disinfobook2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/disinfobook2.jpg\" alt=\"\" width=\"318\" height=\"330\" />\r\n\r\n<strong>By Disinformation</strong><strong>\r\n</strong><strong> </strong>2003, Book/Catalogue, 204 x 204mm, 50pp\r\n❦\r\n<p>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"U2VLJPGWV9XCU\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal options\">Postal options</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK\">UK £5.00</option>\r\n	<option value=\"EU\">EU £6.00</option>\r\n	<option value=\"R)W\">R)W £7.00</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n<p>\r\n\r\n<span><span style=\"line-height: 19px;\">A high-quality 48 page perfect-bound paperback book (204mmx204mm), published to coincide with \'The Analysis of Beauty\' touring exhibition. </span></span>\r\n\r\n<span><span style=\"line-height: 19px;\">Essays and commentary by Richard Humphries and Joe Banks, plus archive photographs and artworks covering almost a decade of Disinformation output.</span></span>','The Analysis of Beauty','By Disinformation\r\n2003, Book/Catalogue, \r\n204 x 204mm, 50pp,  £5','inherit','open','open','','2653-revision-v1','','','2011-01-20 19:25:23','2011-01-20 19:25:23','',2653,'http://strangeattractor.co.uk/further/2653-revision-5/',0,'revision','',0),(2908,2,'2011-01-20 19:21:54','2011-01-20 19:21:54','<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_xclick\" />\r\n<div id=\"_mcePaste\"><strong><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/hmtpil.jpg\"><img class=\"size-full wp-image-2815 alignright\" title=\"hmtpil\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/hmtpil.jpg\" alt=\"\" width=\"280\" height=\"291\" /></a>by High Mountain Tempel</strong></div>\r\n<div id=\"_mcePaste\"><strong>CD, 2009, £11</strong></div><p>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"LHPUBBMTGB7B6\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n<p>\r\n\r\n\r\nA beautiful new album from the monks of San Diego\'s <a href=\"http://highmountaintempel.com/\" target=\"_blank\">High Mountain Tempel</a>. This time HMT\'s wyrd electronics are complimented by strings from Earthling Society and Charles Curtis, synthesis from the Asterism and voices from Isis Aquarian, Alpha-Crone and Logos of Father Yod and The Source Family. The album comes in a stunning printed sleeve.\r\n\r\n<em>Pilgrimage To Thunderbolt Pagoda.\r\nThe Phoenix sheds its feathers and flies into the face of a new moon. The monks from High Mountain Tempel have made the trek to Far, Fair Albion and returned to offer up this collaborative sacrifice with kindred sound freaks Earthling Society. Also writhing in the mysto-steam this time: The amazing Isis Aquarian, Alpha-Crone and Logos of Father Yod and The Source Family. Soundthreads are wound and unwound by The Asterism. Sacred Cello Enchantments are bowed and plucked by Charles Curtis while Starry-Dynamo machinations gliss and throb by Bruce McKenzie, The Oracle of Mount Washington. These tales of Goddess Cycles, Dark Light, Redwood Roots and The Great California Subconciousness will be ringing in your ears like a herald of the new aeon!</em>','Pilgrimage to Thunderbolt Pagoda','by High Mountain Tempel\r\nCD, 2009\r\n£11','inherit','open','open','','2631-revision-v1','','','2011-01-20 19:21:54','2011-01-20 19:21:54','',2631,'http://strangeattractor.co.uk/further/2631-revision-11/',0,'revision','',0),(2910,2,'2011-01-20 19:20:28','2011-01-20 19:20:28','<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><input name=\"cmd\" type=\"hidden\" value=\"_xclick\" /> <img class=\"alignright size-full wp-image-2663\" title=\"unicaZurn2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/unicaZurn2.jpg\" alt=\"\" width=\"318\" height=\"330\" />\r\n<div id=\"_mcePaste\">UZ01, CD, 58 mins,</div>\r\n<div id=\"_mcePaste\">£11</div>\r\n<div><span style=\"color: #bbbbbb; font-family: serif; line-height: normal; font-size: 18px; font-weight: 300; letter-spacing: -3px; word-spacing: 1px;\">❦</span></div><p>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"NLKP6PS84ZPHS\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal options\">Postal options</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK/EU\">UK/EU £11.00</option>\r\n	<option value=\"ROW\">ROW £13.00</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n\r\n<p>\r\n\r\nA collaboration between UK underground music veterans David Knight (Shock Headed Peters, Lydia Lunch) and Stephen Thrower (Cyclobe, Coil) – both of the improvising avant-rock outfit Amal Gamal Ensemble – Temporal Bends transports the listener into the depths though, as its title hints, you\'re never quite sure whether you\'re drowning or dreaming, stretched or squeezed, coming down or going up. Vintage synthesisers, guitars, sax and clarinet drift, shimmer and swarm, bubbles and blinking lights luring you ever further, ever deeper...\r\n\r\n<em>Knight and Thrower bring a deep intuition to the performances, allowing treated guitar, saxophone and clarinet to blend with analogue synthesizers, mellotron and organ... Only occasionally does a locked snippet of sound repeat itself enough to suggest anything like an insistent beat: otherwise the tempo is kept low and slow.</em>\r\nKen Hollings, <em>The Wire</em>\r\n\r\n<em> </em>\r\n<em>exactly the sort of music that I would expect to hear if I was rapidly losing consciousness in a pool of my own blood aboard a haunted submarine... This is an impressively ambitious, harrowing, and complex album.\r\n</em>Anthony D\'Amico, <em>Brainwashed</em>.','Unicazürn: Temporal Bends','CD, 58 mins\r\nUZ01\r\n£11','inherit','open','open','','2662-revision-v1','','','2011-01-20 19:20:28','2011-01-20 19:20:28','',2662,'http://strangeattractor.co.uk/further/2662-revision-15/',0,'revision','',0),(2911,2,'2011-01-21 08:43:40','2011-01-21 08:43:40','<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_xclick\" />\r\n<div id=\"_mcePaste\"><strong><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/hmtpil.jpg\"><img class=\"size-full wp-image-2815 alignright\" title=\"hmtpil\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/hmtpil.jpg\" alt=\"\" width=\"280\" height=\"291\" /></a>by High Mountain Tempel</strong></div>\r\n<div id=\"_mcePaste\"><strong>CD, 2009, £11</strong></div><p>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"ANGNTZVKNDLN8\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n\r\n<p>\r\n\r\n\r\nA beautiful new album from the monks of San Diego\'s <a href=\"http://highmountaintempel.com/\" target=\"_blank\">High Mountain Tempel</a>. This time HMT\'s wyrd electronics are complimented by strings from Earthling Society and Charles Curtis, synthesis from the Asterism and voices from Isis Aquarian, Alpha-Crone and Logos of Father Yod and The Source Family. The album comes in a stunning printed sleeve.\r\n\r\n<em>Pilgrimage To Thunderbolt Pagoda.\r\nThe Phoenix sheds its feathers and flies into the face of a new moon. The monks from High Mountain Tempel have made the trek to Far, Fair Albion and returned to offer up this collaborative sacrifice with kindred sound freaks Earthling Society. Also writhing in the mysto-steam this time: The amazing Isis Aquarian, Alpha-Crone and Logos of Father Yod and The Source Family. Soundthreads are wound and unwound by The Asterism. Sacred Cello Enchantments are bowed and plucked by Charles Curtis while Starry-Dynamo machinations gliss and throb by Bruce McKenzie, The Oracle of Mount Washington. These tales of Goddess Cycles, Dark Light, Redwood Roots and The Great California Subconciousness will be ringing in your ears like a herald of the new aeon!</em>','Pilgrimage to Thunderbolt Pagoda','by High Mountain Tempel\r\nCD, 2009\r\n£11','inherit','open','open','','2631-revision-v1','','','2011-01-21 08:43:40','2011-01-21 08:43:40','',2631,'http://strangeattractor.co.uk/further/2631-revision-13/',0,'revision','',0),(2912,2,'2011-01-21 08:48:04','2011-01-21 08:48:04','<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_xclick\" />\r\n<div id=\"_mcePaste\"><strong><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/hmtpil.jpg\"><img class=\"size-full wp-image-2815 alignright\" title=\"hmtpil\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/hmtpil.jpg\" alt=\"\" width=\"280\" height=\"291\" /></a>by High Mountain Tempel</strong></div>\r\n<div id=\"_mcePaste\"><strong>CD, 2009, £11</strong></div><p>\r\n\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_xclick\">\r\n<input type=\"hidden\" name=\"business\" value=\"paypal@strangeattractor.co.uk\">\r\n<input type=\"hidden\" name=\"lc\" value=\"GB\">\r\n<input type=\"hidden\" name=\"item_name\" value=\"HMT Pilgrimage\">\r\n<input type=\"hidden\" name=\"button_subtype\" value=\"services\">\r\n<input type=\"hidden\" name=\"no_note\" value=\"0\">\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"hidden\" name=\"bn\" value=\"PP-BuyNowBF:btn_buynowCC_LG.gif:NonHostedGuest\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal options\">Postal options</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK\">UK £11.00</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"hidden\" name=\"option_select0\" value=\"UK\">\r\n<input type=\"hidden\" name=\"option_amount0\" value=\"11.00\">\r\n<input type=\"hidden\" name=\"option_index\" value=\"0\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n\r\n<p>\r\n\r\n\r\nA beautiful new album from the monks of San Diego\'s <a href=\"http://highmountaintempel.com/\" target=\"_blank\">High Mountain Tempel</a>. This time HMT\'s wyrd electronics are complimented by strings from Earthling Society and Charles Curtis, synthesis from the Asterism and voices from Isis Aquarian, Alpha-Crone and Logos of Father Yod and The Source Family. The album comes in a stunning printed sleeve.\r\n\r\n<em>Pilgrimage To Thunderbolt Pagoda.\r\nThe Phoenix sheds its feathers and flies into the face of a new moon. The monks from High Mountain Tempel have made the trek to Far, Fair Albion and returned to offer up this collaborative sacrifice with kindred sound freaks Earthling Society. Also writhing in the mysto-steam this time: The amazing Isis Aquarian, Alpha-Crone and Logos of Father Yod and The Source Family. Soundthreads are wound and unwound by The Asterism. Sacred Cello Enchantments are bowed and plucked by Charles Curtis while Starry-Dynamo machinations gliss and throb by Bruce McKenzie, The Oracle of Mount Washington. These tales of Goddess Cycles, Dark Light, Redwood Roots and The Great California Subconciousness will be ringing in your ears like a herald of the new aeon!</em>','Pilgrimage to Thunderbolt Pagoda','by High Mountain Tempel\r\nCD, 2009\r\n£11','inherit','open','open','','2631-revision-v1','','','2011-01-21 08:48:04','2011-01-21 08:48:04','',2631,'http://strangeattractor.co.uk/further/2631-revision-14/',0,'revision','',0),(2916,2,'2011-01-20 11:27:49','2011-01-20 11:27:49','<div>\r\n\r\n<img class=\"alignright size-medium wp-image-2699\" title=\"SA2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA2-300x235.png\" alt=\"\" width=\"300\" height=\"235\" />\r\n\r\n<img class=\"size-medium wp-image-2698 alignnone\" title=\"SA1\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA1-300x207.png\" alt=\"\" width=\"300\" height=\"207\" /><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA3.png\"><img class=\"alignnone size-medium wp-image-2702\" style=\"margin-left: 10px;\" title=\"SA3\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA3-300x290.png\" alt=\"\" width=\"300\" height=\"290\" /></a>\r\n\r\n<strong> </strong>\r\n\r\n<strong>A brief history of Strange Attractor Press</strong>\r\n\r\nIn <strong>2001</strong> <a href=\"http://offkilter.co.uk/\" target=\"_blank\">John Lundberg</a> and Mark Pilkington instigated a series of events at London\'s <a href=\"http://www.thehorsehospital.com\" target=\"_blank\">The Horse Hospital</a> that ran for two years under the title \'Strange Attractor\' (<em>see images of our early events above</em>). Since then Mark has continued to organise sporadic Strange Attractor events and to work on larger collaborative projects.\r\n\r\nIn <strong>2003</strong>, along with designer Ali Hutchinson, Mark edited and published <em>Strange Attractor Journal One</em>, an anthology (now out-of-print) of writing on neglected and esoteric cultural, historical and anthropological themes in keeping with the original events, that marked the first appearance of Strange Attractor Press.\r\n\r\nIn <strong>2010</strong>, after publishing six more books, the Press took on two new core members, Nadia Katz Wise, as production director, and Frances Morgan, as co-publisher and editor. With our team in place, Strange Attractor Press plans to dramatically expand its publishing schedule, and to continue in its mission of celebrating unpopular culture.\r\n\r\n∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞\r\n\r\n<strong>A long history of Strange Attractor</strong>\r\n<strong>by Ken Hollings </strong>\r\n(published in <a href=\"http://www.thewire.co.uk/\"><em>The Wire</em></a> magazine #<a href=\"http://www.thewire.co.uk/issues/275/\" target=\"_blank\"><img class=\"size-medium wp-image-2695 alignright\" title=\"The Wire #275 January 2007\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/The-Wire-275-January-2007-244x300.jpg\" alt=\"\" width=\"244\" height=\"300\" /></a>, January 2007)\r\n\r\n<em>Ken Hollings rides the world’s subcultural currents mapped by London’s Strange Attractor.</em>\r\n\r\nStrange Attractor is well named. There’s really no escaping it. Starting out as a series of live events, it has slowly transmuted into an annual publication, set up an online clearing house for the weird and the wonderful and recently made its first move towards establishing itself as a publishing house. “Strange Attractor celebrates unpopular culture,” runs its mission statement. “We declare war on mediocrity and a pox on the foot soldiers of stupidity. Join us.” Who could possibly resist such a challenge? Sooner or later you have to get involved. (In the interests of full transparency: the writer of this article has taken part in a number of Strange Attractor evenings and is a regular contributor to Strange Attractor Journal.)\r\n\r\nWith orders for the Strange Attractor publications coming in from all over the world, and mainstream media like The Independent On Sunday praising it for producing “one of the most weirdly beautiful, beautifully weird magazines of the past hundred-odd years” a bigger problem presents itself. How do you celebrate unpopular culture without losing its unpopularity?\r\n\r\n“There’s certainly no business plan,” admits Strange Attractor Journal’s publisher and chief editor, Mark Pilkington. “We’re really making it all up as we go along. I hope thatStrange Attractor’s approach to culture is simultaneously that of the archaeologist, the ethnographer, the anthropologist, the occultist, the showman and the curator.”\r\n\r\nIt’s a heady mix. The first two issues, both book-sized anthologies running to more than 200 and 400 pages apiece, have presented material ranged across such elusive topics as mind control experiments, mould art, hair sculpture, cargo cults, neglected gods and forgotten waxworks. Such a list limits more than it clarifies, however. Strange Attractor Journal is concerned less with the unexplained than with the unexpected. You never know what it will cover next.\r\n\r\n“I think Strange Attractor is refreshing to people in that it manages to straddle several cultural channels while still following its own agenda,” Pilkington admits, “and it’s one not driven by the same obvious memes. But at the same time it’s important that it doesn’t become obscurantist for its own sake—some things are lost for a reason, others will only resurface when the time is right.”\r\n\r\nStrange Attractor’s wayward eclecticism dates back to a series of monthly events begun in the summer of 2001 by Pilkington in collaboration with artist John Lundberg and continuing over the next two years. Staged at London’s Horse Hospital venue, they gave an early indication of the loose network of experimental enterprises that was starting to come into existence, linking outsider artists with cultural anthropologists, textual hackers and practising occultists.\r\n\r\n“We’d mix talks, films, music, presentations, each night being themed around a different topic,” Pilkington recalls. “I rather pretentiously called them ‘information happenings’. Subjects ranged from conspiracy theory to theremins, Esperanto to magick, hoaxes, illusions and psychic deceptions: basically anything that interested us and could draw people that we liked or wanted to meet into one place.” Highlights included a live and bloody demonstration of psychic surgery, sci-fi movie themes played on vintage electronic instruments and a live Lovecraft-influenced Chaos Magick ritual with a soundtrack performed “by a band who couldn’t see what was going on.”\r\n\r\nAfter Lundberg enrolled at the National Film and Television School, Pilkington went solo but eventually grew tired of doing regular live events, deciding instead to do something that would last longer: hence the Journal.\r\n\r\nThe notion of outliving the moment, of being around for more than just a quick cultural fix, is very much a part of SAJ’s overall look and feel. The first thing you notice is that the front and back cover of each issue is devoid of text or title, which only appears on the book’s spine. If you want to know who the contributors are, you’ll have to look inside.\r\n\r\n“For me, it was about giving as much space as possible to striking images and therefore making them stand out on the bookshelf,” Pilkington explains. “I imagined people being aware that something was wrong with the cover but perhaps not being able to put their finger on it.”\r\n\r\nThe absence of cover copy also binds together the Journal’s various contributors in the anonymity of a collective endeavour. “We’re lucky enough to live in an age where we can clearly trace the influences of the past on our present,” Pilkington continues, “and it’s not always today’s most celebrated ideas, musicians and writers who will be remembered. This notion of timelessness is very important to what SAJ is and does. I’d like the books to be as irrelevant to a reader 100 years in the future as it would be to someone 100 years in the past. It’s a re-manipulation of the notion of built-in obsolescence.”\r\n\r\nThe Journal’s pages teem with old woodcuts, antiquated typefaces and intricate layouts, giving the impression of having been produced in some parallel past: one that runs counter to established tenets of historical development. Having previously worked as a journalist for periodicals as varied as Fortean Times, Bizarre and The Guardian, Mark Pilkington remains keenly aware of what’s going on around him.\r\n\r\n“There’s a particularly vibrant, very loose cultural network in London at the moment,” he remarks, “one that incorporates music and sound, ideas and information, visual arts and almost anything else you’d care to imagine. It’s inevitable that these people, places and events all bounce off and influence each other in a kind of subcultural Brownian motion.”\r\n\r\nAs well as working closely with designer Alison Hutchinson, readying volume three for publication, Pilkington has also been getting Strange Attractor Press up and running. Its first book to date, The Field Guide: The Art, History And Philosophy Of Crop Circle Making by Rob Irving and John Lundberg, is a particularly cerebral blend of art theory, paranormal phenomena, hoaxes and speculations, ruggedly bound and designed to fit snugly inside your knapsack while out exploring the British countryside. Conventional wisdom says it shouldn’t work, but Strange Attractor’s own particular blend of parlour magic proves that it does.\r\n\r\n“I sometimes see myself as a medium,” Mark reveals, “a channel for all the material that has formed Strange Attractor. I’ve been incredibly lucky with the amazing contributions the Journal has attracted so far.”\r\n\r\nThere’s no escaping it. Strange Attractor really is well named.\r\n\r\n</div>','About','','inherit','open','open','','2624-revision-v1','','','2011-01-20 11:27:49','2011-01-20 11:27:49','',2624,'http://strangeattractor.co.uk/further/2624-revision-17/',0,'revision','',0),(2917,2,'2011-01-21 15:18:46','2011-01-21 15:18:46','<div>\r\n\r\n<img class=\"alignright size-medium wp-image-2699\" title=\"SA2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA2-300x235.png\" alt=\"\" width=\"300\" height=\"235\" />\r\n\r\n<img class=\"size-medium wp-image-2698 alignnone\" title=\"SA1\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA1-300x207.png\" alt=\"\" width=\"300\" height=\"207\" /><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA3.png\"><img class=\"alignnone size-medium wp-image-2702\" style=\"margin-left: 10px;\" title=\"SA3\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA3-300x290.png\" alt=\"\" width=\"300\" height=\"290\" /></a>\r\n\r\n<strong> </strong>\r\n\r\n<strong>A brief history of Strange Attractor Press</strong>\r\n\r\nIn <strong>2001</strong> <a href=\"http://offkilter.co.uk/\" target=\"_blank\">John Lundberg</a> and Mark Pilkington instigated a series of events at London\'s <a href=\"http://www.thehorsehospital.com\" target=\"_blank\">The Horse Hospital</a> that ran for two years under the title \'Strange Attractor\' (<em>see images of our early events above</em>). Since then Mark has continued to organise sporadic Strange Attractor events and to work on larger collaborative projects.\r\n\r\nIn <strong>2003</strong>, along with designer Ali Hutchinson, Mark edited and published <em>Strange Attractor Journal One</em>, an anthology (now out-of-print) of writing on neglected and esoteric cultural, historical and anthropological themes in keeping with the original events, that marked the first appearance of Strange Attractor Press.\r\n\r\nIn <strong>2010</strong>, after publishing six more books, the Press took on two new core members, Nadia Harris, as production director, and Frances Morgan, as co-publisher and editor. With our team in place, Strange Attractor Press plans to dramatically expand its publishing schedule, and to continue in its mission of celebrating unpopular culture.\r\n\r\n∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞\r\n\r\n<strong>A long history of Strange Attractor</strong>\r\n<strong>by Ken Hollings </strong>\r\n(published in <a href=\"http://www.thewire.co.uk/\"><em>The Wire</em></a> magazine #<a href=\"http://www.thewire.co.uk/issues/275/\" target=\"_blank\"><img class=\"size-medium wp-image-2695 alignright\" title=\"The Wire #275 January 2007\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/The-Wire-275-January-2007-244x300.jpg\" alt=\"\" width=\"244\" height=\"300\" /></a>, January 2007)\r\n\r\n<em>Ken Hollings rides the world’s subcultural currents mapped by London’s Strange Attractor.</em>\r\n\r\nStrange Attractor is well named. There’s really no escaping it. Starting out as a series of live events, it has slowly transmuted into an annual publication, set up an online clearing house for the weird and the wonderful and recently made its first move towards establishing itself as a publishing house. “Strange Attractor celebrates unpopular culture,” runs its mission statement. “We declare war on mediocrity and a pox on the foot soldiers of stupidity. Join us.” Who could possibly resist such a challenge? Sooner or later you have to get involved. (In the interests of full transparency: the writer of this article has taken part in a number of Strange Attractor evenings and is a regular contributor to Strange Attractor Journal.)\r\n\r\nWith orders for the Strange Attractor publications coming in from all over the world, and mainstream media like The Independent On Sunday praising it for producing “one of the most weirdly beautiful, beautifully weird magazines of the past hundred-odd years” a bigger problem presents itself. How do you celebrate unpopular culture without losing its unpopularity?\r\n\r\n“There’s certainly no business plan,” admits Strange Attractor Journal’s publisher and chief editor, Mark Pilkington. “We’re really making it all up as we go along. I hope thatStrange Attractor’s approach to culture is simultaneously that of the archaeologist, the ethnographer, the anthropologist, the occultist, the showman and the curator.”\r\n\r\nIt’s a heady mix. The first two issues, both book-sized anthologies running to more than 200 and 400 pages apiece, have presented material ranged across such elusive topics as mind control experiments, mould art, hair sculpture, cargo cults, neglected gods and forgotten waxworks. Such a list limits more than it clarifies, however. Strange Attractor Journal is concerned less with the unexplained than with the unexpected. You never know what it will cover next.\r\n\r\n“I think Strange Attractor is refreshing to people in that it manages to straddle several cultural channels while still following its own agenda,” Pilkington admits, “and it’s one not driven by the same obvious memes. But at the same time it’s important that it doesn’t become obscurantist for its own sake—some things are lost for a reason, others will only resurface when the time is right.”\r\n\r\nStrange Attractor’s wayward eclecticism dates back to a series of monthly events begun in the summer of 2001 by Pilkington in collaboration with artist John Lundberg and continuing over the next two years. Staged at London’s Horse Hospital venue, they gave an early indication of the loose network of experimental enterprises that was starting to come into existence, linking outsider artists with cultural anthropologists, textual hackers and practising occultists.\r\n\r\n“We’d mix talks, films, music, presentations, each night being themed around a different topic,” Pilkington recalls. “I rather pretentiously called them ‘information happenings’. Subjects ranged from conspiracy theory to theremins, Esperanto to magick, hoaxes, illusions and psychic deceptions: basically anything that interested us and could draw people that we liked or wanted to meet into one place.” Highlights included a live and bloody demonstration of psychic surgery, sci-fi movie themes played on vintage electronic instruments and a live Lovecraft-influenced Chaos Magick ritual with a soundtrack performed “by a band who couldn’t see what was going on.”\r\n\r\nAfter Lundberg enrolled at the National Film and Television School, Pilkington went solo but eventually grew tired of doing regular live events, deciding instead to do something that would last longer: hence the Journal.\r\n\r\nThe notion of outliving the moment, of being around for more than just a quick cultural fix, is very much a part of SAJ’s overall look and feel. The first thing you notice is that the front and back cover of each issue is devoid of text or title, which only appears on the book’s spine. If you want to know who the contributors are, you’ll have to look inside.\r\n\r\n“For me, it was about giving as much space as possible to striking images and therefore making them stand out on the bookshelf,” Pilkington explains. “I imagined people being aware that something was wrong with the cover but perhaps not being able to put their finger on it.”\r\n\r\nThe absence of cover copy also binds together the Journal’s various contributors in the anonymity of a collective endeavour. “We’re lucky enough to live in an age where we can clearly trace the influences of the past on our present,” Pilkington continues, “and it’s not always today’s most celebrated ideas, musicians and writers who will be remembered. This notion of timelessness is very important to what SAJ is and does. I’d like the books to be as irrelevant to a reader 100 years in the future as it would be to someone 100 years in the past. It’s a re-manipulation of the notion of built-in obsolescence.”\r\n\r\nThe Journal’s pages teem with old woodcuts, antiquated typefaces and intricate layouts, giving the impression of having been produced in some parallel past: one that runs counter to established tenets of historical development. Having previously worked as a journalist for periodicals as varied as Fortean Times, Bizarre and The Guardian, Mark Pilkington remains keenly aware of what’s going on around him.\r\n\r\n“There’s a particularly vibrant, very loose cultural network in London at the moment,” he remarks, “one that incorporates music and sound, ideas and information, visual arts and almost anything else you’d care to imagine. It’s inevitable that these people, places and events all bounce off and influence each other in a kind of subcultural Brownian motion.”\r\n\r\nAs well as working closely with designer Alison Hutchinson, readying volume three for publication, Pilkington has also been getting Strange Attractor Press up and running. Its first book to date, The Field Guide: The Art, History And Philosophy Of Crop Circle Making by Rob Irving and John Lundberg, is a particularly cerebral blend of art theory, paranormal phenomena, hoaxes and speculations, ruggedly bound and designed to fit snugly inside your knapsack while out exploring the British countryside. Conventional wisdom says it shouldn’t work, but Strange Attractor’s own particular blend of parlour magic proves that it does.\r\n\r\n“I sometimes see myself as a medium,” Mark reveals, “a channel for all the material that has formed Strange Attractor. I’ve been incredibly lucky with the amazing contributions the Journal has attracted so far.”\r\n\r\nThere’s no escaping it. Strange Attractor really is well named.\r\n\r\n</div>','About','','inherit','open','open','','2624-revision-v1','','','2011-01-21 15:18:46','2011-01-21 15:18:46','',2624,'http://strangeattractor.co.uk/further/2624-revision-18/',0,'revision','',0),(2918,2,'2011-01-21 15:18:07','2011-01-21 15:18:07','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/dodgemad.jpg\"><img class=\"size-full wp-image-2189 alignnone\" title=\"dodgemad\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/dodgemad.jpg\" alt=\"\" width=\"400\" height=\"400\" /></a>\r\n\r\n2011 marks a decade since <strong>John Lundberg</strong> and I started organising Strange Attractor events at London\'s Horse Hospital, and through a serendipitous collision (or should that be collusion?) of accident and design, it sees Strange Attractor Press enter what we hope to be a new phase of our evolution.\r\n\r\n<strong><em>New SAP site</em></strong>\r\n\r\nFirst of all, you may have noticed the new web site – the first major overhaul since John created our first web page in 2001. Huge thanks to the brilliant nay, even godlike, <strong>Ralph Cowling</strong>, who has toiled above and beyond the call of duty to integrate the various elements of the Strange Attractor multiverse into one site. There will no doubt be a few teething problems as the site is properly used, so if you have any problems with it or suggestions for improving it, then please let us know at <strong>web[at]strangeattractor.co.uk</strong><em>. </em>We<em> </em>are already planning a second stage of improvements and tweaks, so watch this space.\r\n\r\nSecond, I\'d like to welcome two new core members to the Strange Attractor Press team, <strong>Nadia Harrison</strong> and <strong>Frances Morgan</strong>. Nadia, our Production Director and Guru, was instrumental in making <a href=\"http://strangeattractor.co.uk/studios/londons-medical-history/\" target=\"_blank\">Medical London</a> the stunning package that it is, while Frances, our Co-Publisher and Editor, previously edited and published the late, lamented <em>Plan B</em> music magazine. Working together, along with a stable of talented friends and freelancers, the three of us hope to dramatically increase SAP\'s output, and that brings us to our new books...\r\n\r\n<!--more-->\r\n\r\n<em><strong>February and March will see the publication of three new SAP books:</strong></em>\r\n\r\n<em><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\"><img class=\"alignleft size-medium wp-image-2537\" title=\"ES_web_small\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a href=\"/shoppe/the-end/\" target=\"_self\">The End: An Electric Sheep Anthology</a></em>, edited by <strong>Virginie Selavy</strong>\r\nWe\'re thrilled to be publishing this first anthology of new writing on film from the team behind the excellent <em><a href=\"http://www.electricsheepmagazine.co.uk/\" target=\"_blank\">Electric Sheep</a></em> magazine. We hope that <em>Electric Sheep</em> books will be a regular part of SAP\'s future.\r\n\r\nFollow us into the darkness and you’ll find Bill Morrision’s chemical ghosts, the Bad Girls of ’50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu’s Japanese nihilists, David Lynch’s sonic cinema, Clouzot’s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman’s final thoughts and more. Contributors include:Jim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>); Greg Klymkiw (producer of Guy Maddin’s <em>Careful</em>); Frances Morgan (former editor of <em>Plan B Magazine</em>); James Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>); Jack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n\r\n<em><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/AOSdummyweb.jpg\"><img class=\"size-medium wp-image-2554 alignleft\" title=\"AOSdummyweb\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/AOSdummyweb-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a href=\"http://strangeattractor.co.uk/shoppe/austin-osman-spare/\" target=\"_blank\"></a></em>\r\n\r\n<em><a href=\"/shoppe/austin-osman-spare/\" target=\"_blank\">Austin Osman Spare: The Life and Legend of London\'s Lost Artist</a></em> by <strong>Phil Baker</strong>\r\nOver ten years in the writing, this is the first definitive critical biography of this enigmatic and much-lauded mystic and artist. We\'ll let <strong>Alan Moore</strong>\'s words of enthusiasm for the book, from his foreword, speak for themselves:\r\n\r\n<em>What Phil Baker has accomplished here is little short of marvellous... a human study that neither confirms nor yet conclusively denies the extra-human properties attributed to its astounding and ambiguous subject... To my mind Phil Baker has established himself as among the very best contemporary biographers.</em>\r\n\r\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4.jpg\"><img class=\"alignleft size-medium wp-image-2533\" title=\"SAJ4\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4-215x300.jpg\" alt=\"\" width=\"129\" height=\"180\" /></a><a style=\"font-style: italic;\" href=\"/shoppe/strange-attractor-journal-four/\">Strange Attractor Journal Four</a><em> </em>edited by <strong>Mark Pilkington</strong>\r\nIt\'s been four years since <em>Journal Three </em>hit the shelves, but we think you\'ll agree it\'s been worth the wait. From Haiti and Hong Kong to the fourth dimension and beyond: discover the secrets of madness in animals; voodoo soul and dub music; ancient peacock deities; Chinese poisoning cults; the history of spider silk weaving; heathen mugwort magic; sentient lightning; Jesuit consiracy theories; junkie explorers; Dali\'s Atlantis; the resurgence of Pan (in London\'s Crouch End); anarchist pirates on Madagascar; a Greek Rip Van Winkle; French anatomical waxworks; Arthur Machen\'s forgotten tales and Alan Moore\'s unpublished John Dee opera.\r\n\r\nThis new edition of our acclaimed anthology series contains written and visual contributions from: <em>Richard Barnett, Mark Blacklock, Joel Biroco, John Cussans, Erik Davis, Paul Devereux, Roger Dobson, Joanna Ebenstein, Stephen Grasso, Gyrus, Ken Hollings, Julian House, Mike Jay, Phil Legard, David Luke, Eleanor Morgan, Alan Moore, Steve Moore, Michael Neve, Arik Roper, Andy Sharp, Nathalie Tayton, Robert Wallis, Sean Walsh.</em>\r\n\r\nWe have several more books in the pipeline, news of which is to follow shortly.\r\n\r\n<em><strong>We\'re also offering reduced prices on these fine SAP titles for a limited time:</strong></em>\r\n\r\n∞ <a href=\"/shoppe/equinox-festival/\" target=\"_blank\">The Equinox</a> is now £9.99 (previously £11.99)\r\n\r\n∞ <a href=\"/shoppe/2133/\" target=\"_blank\">The Field Guide</a> is now £6.99 (previously £8.99)\r\n\r\n∞ <a href=\"/shoppe/welcome-to-mars-2/\" target=\"_self\">Welcome to Mars</a> is £9.99 (previously £11.99)\r\n\r\n<em><strong>Strange Attractor Salons for 2011</strong></em>\r\n2010 saw Strange Attractor\'s first art exhibition at Viktor Wynd\'s <a href=\"http://viktorwyndfineart.co.uk/strangerattractor.html\" target=\"_blank\">Little Shoppe of Horrors</a>, and a successful series of talks held throughout the year at the gallery. We\'ll be returning to the Shoppe later in the year, but before that there will be a series of ten talks at the <a href=\"http://www.ica.org.uk/\" target=\"_blank\">ICA</a> on London\'s Mall, as part of an exhibition by film-maker and sculptor Nathaniel Mellors. A Strange Attractor live music night will also be part of the season. More news to follow in our <em>Events</em> section.','A decade of Strange Attractor  ','New books, a new site, a sale, a new team and new events for 2011 ','inherit','open','open','','2718-revision-36','','','2011-01-21 15:18:07','2011-01-21 15:18:07','',2718,'http://strangeattractor.co.uk/further/2718-revision-36/',0,'revision','',0),(2919,2,'2011-01-21 15:19:08','2011-01-21 15:19:08','<div>\r\n\r\n<img class=\"alignright size-medium wp-image-2699\" title=\"SA2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA2-300x235.png\" alt=\"\" width=\"300\" height=\"235\" />\r\n\r\n<img class=\"size-medium wp-image-2698 alignnone\" title=\"SA1\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA1-300x207.png\" alt=\"\" width=\"300\" height=\"207\" /><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA3.png\"><img class=\"alignnone size-medium wp-image-2702\" style=\"margin-left: 10px;\" title=\"SA3\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SA3-300x290.png\" alt=\"\" width=\"300\" height=\"290\" /></a>\r\n\r\n<strong> </strong>\r\n\r\n<strong>A brief history of Strange Attractor Press</strong>\r\n\r\nIn <strong>2001</strong> <a href=\"http://offkilter.co.uk/\" target=\"_blank\">John Lundberg</a> and Mark Pilkington instigated a series of events at London\'s <a href=\"http://www.thehorsehospital.com\" target=\"_blank\">The Horse Hospital</a> that ran for two years under the title \'Strange Attractor\' (<em>see images of our early events above</em>). Since then Mark has continued to organise sporadic Strange Attractor events and to work on larger collaborative projects.\r\n\r\nIn <strong>2003</strong>, along with designer Ali Hutchinson, Mark edited and published <em>Strange Attractor Journal One</em>, an anthology (now out-of-print) of writing on neglected and esoteric cultural, historical and anthropological themes in keeping with the original events, that marked the first appearance of Strange Attractor Press.\r\n\r\nIn <strong>2010</strong>, after publishing six more books, the Press took on two new core members, Nadia Harris, as production director, and Frances Morgan, as co-publisher and editor. With our team in place, Strange Attractor Press plans to dramatically expand its publishing schedule, and to continue in its mission of celebrating unpopular culture.\r\n\r\n∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞\r\n\r\n<strong>A long history of Strange Attractor</strong>\r\n<strong>by Ken Hollings </strong>\r\n(published in <a href=\"http://www.thewire.co.uk/\"><em>The Wire</em></a> magazine #<a href=\"http://www.thewire.co.uk/issues/275/\" target=\"_blank\"><img class=\"size-medium wp-image-2695 alignright\" title=\"The Wire #275 January 2007\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/The-Wire-275-January-2007-244x300.jpg\" alt=\"\" width=\"244\" height=\"300\" /></a>, January 2007)\r\n\r\n<em>Ken Hollings rides the world’s subcultural currents mapped by London’s Strange Attractor.</em>\r\n\r\nStrange Attractor is well named. There’s really no escaping it. Starting out as a series of live events, it has slowly transmuted into an annual publication, set up an online clearing house for the weird and the wonderful and recently made its first move towards establishing itself as a publishing house. “Strange Attractor celebrates unpopular culture,” runs its mission statement. “We declare war on mediocrity and a pox on the foot soldiers of stupidity. Join us.” Who could possibly resist such a challenge? Sooner or later you have to get involved. (In the interests of full transparency: the writer of this article has taken part in a number of Strange Attractor evenings and is a regular contributor to Strange Attractor Journal.)\r\n\r\nWith orders for the Strange Attractor publications coming in from all over the world, and mainstream media like The Independent On Sunday praising it for producing “one of the most weirdly beautiful, beautifully weird magazines of the past hundred-odd years” a bigger problem presents itself. How do you celebrate unpopular culture without losing its unpopularity?\r\n\r\n“There’s certainly no business plan,” admits Strange Attractor Journal’s publisher and chief editor, Mark Pilkington. “We’re really making it all up as we go along. I hope thatStrange Attractor’s approach to culture is simultaneously that of the archaeologist, the ethnographer, the anthropologist, the occultist, the showman and the curator.”\r\n\r\nIt’s a heady mix. The first two issues, both book-sized anthologies running to more than 200 and 400 pages apiece, have presented material ranged across such elusive topics as mind control experiments, mould art, hair sculpture, cargo cults, neglected gods and forgotten waxworks. Such a list limits more than it clarifies, however. Strange Attractor Journal is concerned less with the unexplained than with the unexpected. You never know what it will cover next.\r\n\r\n“I think Strange Attractor is refreshing to people in that it manages to straddle several cultural channels while still following its own agenda,” Pilkington admits, “and it’s one not driven by the same obvious memes. But at the same time it’s important that it doesn’t become obscurantist for its own sake—some things are lost for a reason, others will only resurface when the time is right.”\r\n\r\nStrange Attractor’s wayward eclecticism dates back to a series of monthly events begun in the summer of 2001 by Pilkington in collaboration with artist John Lundberg and continuing over the next two years. Staged at London’s Horse Hospital venue, they gave an early indication of the loose network of experimental enterprises that was starting to come into existence, linking outsider artists with cultural anthropologists, textual hackers and practising occultists.\r\n\r\n“We’d mix talks, films, music, presentations, each night being themed around a different topic,” Pilkington recalls. “I rather pretentiously called them ‘information happenings’. Subjects ranged from conspiracy theory to theremins, Esperanto to magick, hoaxes, illusions and psychic deceptions: basically anything that interested us and could draw people that we liked or wanted to meet into one place.” Highlights included a live and bloody demonstration of psychic surgery, sci-fi movie themes played on vintage electronic instruments and a live Lovecraft-influenced Chaos Magick ritual with a soundtrack performed “by a band who couldn’t see what was going on.”\r\n\r\nAfter Lundberg enrolled at the National Film and Television School, Pilkington went solo but eventually grew tired of doing regular live events, deciding instead to do something that would last longer: hence the Journal.\r\n\r\nThe notion of outliving the moment, of being around for more than just a quick cultural fix, is very much a part of SAJ’s overall look and feel. The first thing you notice is that the front and back cover of each issue is devoid of text or title, which only appears on the book’s spine. If you want to know who the contributors are, you’ll have to look inside.\r\n\r\n“For me, it was about giving as much space as possible to striking images and therefore making them stand out on the bookshelf,” Pilkington explains. “I imagined people being aware that something was wrong with the cover but perhaps not being able to put their finger on it.”\r\n\r\nThe absence of cover copy also binds together the Journal’s various contributors in the anonymity of a collective endeavour. “We’re lucky enough to live in an age where we can clearly trace the influences of the past on our present,” Pilkington continues, “and it’s not always today’s most celebrated ideas, musicians and writers who will be remembered. This notion of timelessness is very important to what SAJ is and does. I’d like the books to be as irrelevant to a reader 100 years in the future as it would be to someone 100 years in the past. It’s a re-manipulation of the notion of built-in obsolescence.”\r\n\r\nThe Journal’s pages teem with old woodcuts, antiquated typefaces and intricate layouts, giving the impression of having been produced in some parallel past: one that runs counter to established tenets of historical development. Having previously worked as a journalist for periodicals as varied as Fortean Times, Bizarre and The Guardian, Mark Pilkington remains keenly aware of what’s going on around him.\r\n\r\n“There’s a particularly vibrant, very loose cultural network in London at the moment,” he remarks, “one that incorporates music and sound, ideas and information, visual arts and almost anything else you’d care to imagine. It’s inevitable that these people, places and events all bounce off and influence each other in a kind of subcultural Brownian motion.”\r\n\r\nAs well as working closely with designer Alison Hutchinson, readying volume three for publication, Pilkington has also been getting Strange Attractor Press up and running. Its first book to date, The Field Guide: The Art, History And Philosophy Of Crop Circle Making by Rob Irving and John Lundberg, is a particularly cerebral blend of art theory, paranormal phenomena, hoaxes and speculations, ruggedly bound and designed to fit snugly inside your knapsack while out exploring the British countryside. Conventional wisdom says it shouldn’t work, but Strange Attractor’s own particular blend of parlour magic proves that it does.\r\n\r\n“I sometimes see myself as a medium,” Mark reveals, “a channel for all the material that has formed Strange Attractor. I’ve been incredibly lucky with the amazing contributions the Journal has attracted so far.”\r\n\r\nThere’s no escaping it. Strange Attractor really is well named.\r\n\r\n</div>','About','','inherit','open','open','','2624-revision-v1','','','2011-01-21 15:19:08','2011-01-21 15:19:08','',2624,'http://strangeattractor.co.uk/further/2624-revision-19/',0,'revision','',0),(6034,2,'2017-12-12 15:03:36','2017-12-12 15:03:36','<a href=\"http://strangeattractor.co.uk/?attachment_id=6030\" rel=\"attachment wp-att-6030\">\r\n<img class=\"size-medium wp-image-6030 aligncenter\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2017/12/23SW-web-300x297.jpg\" alt=\"\" width=\"300\" height=\"297\" /></a>\r\n<b><span style=\"color: #000000;\">Artworks by Ian Johnstone, with a</span> <span style=\"color: #000000;\">text by Geoff Cox and</span></b><strong> an afterword by Serena Korda.</strong><b>\r\n</b>\r\n\r\n<b><span style=\"color: #000000;\">Music Cassette by Daniel O\'Sullivan.</span>\r\n</b>\r\n\r\n<em>Archival quality, large format, collectors\' hardback</em>\r\n<em> 240mm x 240mm, 72pp.</em>\r\n<em> Full colour throughout.</em>\r\n<em>£40.00 + p&amp;P</em>\r\n\r\n<em>300 copies only.</em>\r\n\r\n• Includes a 40 minute cassette of music composed for the original exhibition at the Horse Hospital by Daniel O\'Sullivan (Ulver, Mothlite, Grumbling Fur).\r\n\r\n\"This is a rare document of blood voiced signatures; weeping guilt details of all our conspiracies. Snatch it up. Let the words’ knifings and the split Biro capillaries own you. But never lend it out, or pocket it close to your heart, it’s too unforgiving.\"\r\n<strong>Brian Catling</strong>, author of <em>The Vorrh</em>\r\n\r\n<strong>Available by 15 March 2018, only from Strange Attractor Press</strong>\r\n\r\n<strong><a href=\"https://strangeattractor.greedbag.com/buy/of-kings-and-things/\">PRE-ORDER IT HERE</a></strong>\r\n\r\nA series of 23 drawings by Ian Johnstone, in red ball point pen on melamine, originally exhibited at London\'s Horse Hospital in November 2010. The drawings celebrate individual blood consciousness, the in-between and the constant state of becoming .\r\n<ul>\r\n 	<li style=\"list-style-type: none;\"><em>They appear on blocks of unguessable purpose : pin-veined rough-cut blocks of whitewood. Displayed in the clutch of the screw’s harsh thrift. The cloth is pulled away.</em><em>The 23 wounds.</em>\r\n<em>Sphagia.</em>\r\n<em>Extispicy.</em><em>Blood spidered and baked on fissured rocks. Lassos and bones and a tracework of bones. Flesh bared and pared and spindled open through a million pin pricks. Tiny and vertiginous, their lines cluster and tear themselves into liquid fold and tiny blots. The eye swoops like a raptor, bedazzled. Swims unfocused by infinitesimal mysteries. Tricked, beguiled, left rotting.</em><em>Impossible amulets</em>\r\n\r\n<em>23  broken hawk beaks</em>\r\n<em>23 rotted talons with their fringe of ant trail</em>\r\n<em>23 fragments of a skull</em>\r\n<em>23 curses hung round the neck of a scavenger wolf</em>\r\n<em>23 bell shards tolled for the ghost of a headless ram</em>\r\n<em>23 mourning scarves of ink-clotted lace</em>\r\n<em>23 eggshells sticky with seed</em>\r\n\r\n<em>Interred in the shadow of the tower of silence, beneath bird wing’ storm and acid hail, the fruiting body hardens.</em>\r\n\r\n<em>Takes shape.</em>\r\n<div>Plus\r\n<strong>Musick For Ark Todd</strong>\r\nBy Daniel O\'Sullivan</div>\r\n<div></div>\r\n<div>A <em>The Levitating Moon Piece</em></div>\r\n<div>B <em>Black Egg / Orpheus</em></div>\r\n<div></div>\r\n\"I wrote several pieces of music for Ian’s ‘Ark Todd’ static levitation performance over the years. Each setting provoked a different approach. The collaboration with Ulver at the Norwegian Opera house in Oslo was well documented but this particular version, composed for the exhibition of his Stab Wounds at the Horse Hospital gallery in Bloomsbury, has been resting dormant until now.</li>\r\n 	<li style=\"list-style-type: none;\">The second piece was a commission for The Place theatre, also in Bloomsbury. An unfinished piece of choreography with dancer and vocalist Francois Testory. Like all of Ian’s work, this was a singular vision probing the human condition and meticulously scratching for truth under every surface.\"</li>\r\n 	<li><strong>About Ian Johnstone</strong></li>\r\n 	<li style=\"list-style-type: none;\">\r\n<div>\r\n\r\nIan was a long time friend of Strange Attractor and we were working with him on this book when he died unexpectedly in 2015.\r\n\r\n\'Ian was artist of unimaginable talent and vision, articulated in his singular and exquisite aesthetic which was manifest in all he touched... he was charismatically irreverent, compelling to watch and to listen to and bottomlessly soulful.\' (The Horse Hospital).\r\n\r\nAs well as his own incredible work in sculpture, drawing, painting and performance, Ian collaborated on designs, costumes and performances with  musicians including Coil, Daniel O\'Sullivan, James B Hollands, Mothlite Francois Testory and Ulver.\r\n\r\n</div></li>\r\n</ul>\r\n<ul>\r\n 	<li style=\"list-style-type: none;\"><strong><a href=\"https://strangeattractor.greedbag.com/buy/of-kings-and-things/\">PRE-ORDER HERE</a></strong></li>\r\n</ul>','The 23 Stab Wounds of Julius Caesar','','inherit','closed','closed','','6029-revision-v1','','','2017-12-12 15:03:36','2017-12-12 15:03:36','',6029,'http://strangeattractor.co.uk/news/6029-revision-v1/',0,'revision','',0),(2925,2,'2011-01-25 08:34:25','2011-01-25 08:34:25','','cthulhu01','','inherit','open','open','','cthulhu01','','','2011-01-25 08:34:25','2011-01-25 08:34:25','',2924,'http://strangeattractor.co.uk/wp-content/uploads/2011/01/cthulhu01.jpeg',0,'attachment','image/jpeg',0),(2926,2,'2011-01-25 08:36:50','2011-01-25 08:36:50','<a href=\"http://esr.ibiblio.org/?p=135\" target=\"_blank\"><img class=\"size-full wp-image-2925 alignleft\" title=\"cthulhu01\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/cthulhu01.jpeg\" alt=\"\" width=\"360\" height=\"192\" /></a>Genius hybridisation of Jack Chick and HPL from artist <a href=\"http://www.thepictureofeverything.com/\" target=\"_blank\">Howard Hallis</a> found at Armed','Cthulhu tracts','','inherit','open','open','','2924-revision','','','2011-01-25 08:36:50','2011-01-25 08:36:50','',2924,'http://strangeattractor.co.uk/further/2924-revision/',0,'revision','',0),(2927,2,'2011-01-25 08:37:37','2011-01-25 08:37:37','<a href=\"http://esr.ibiblio.org/?p=135\" target=\"_blank\"><img class=\"size-full wp-image-2925 alignleft\" title=\"cthulhu01\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/cthulhu01.jpeg\" alt=\"\" width=\"360\" height=\"192\" /></a>Genius hybridisation of Jack Chick and HPL from artist <a href=\"http://www.thepictureofeverything.com/\" target=\"_blank\">Howard Hallis</a> found at <a href=\"http://esr.ibiblio.org/?p=135\" target=\"_blank\">Armed &amp; Dangerous</a>.\r\n\r\nThanks <a href=\"http://kenhollings.blogspot.com\" target=\"_blank\">Ken Hollings</a>!','Cthulhu tracts','','inherit','open','open','','2924-revision-2','','','2011-01-25 08:37:37','2011-01-25 08:37:37','',2924,'http://strangeattractor.co.uk/further/2924-revision-2/',0,'revision','',0),(2928,2,'2011-01-25 15:19:50','2011-01-25 15:19:50','<a href=\"http://esr.ibiblio.org/?p=135\" target=\"_blank\"><img class=\"size-full wp-image-2925 alignleft\" title=\"cthulhu01\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/cthulhu01.jpeg\" alt=\"\" width=\"360\" height=\"192\" /></a>Genius hybridisation of Jack Chick and HPL from artist <a href=\"http://www.thepictureofeverything.com/\" target=\"_blank\">Howard Hallis</a>, found at <a href=\"http://esr.ibiblio.org/?p=135\" target=\"_blank\">Armed &amp; Dangerous</a>.\n\nThanks <a href=\"http://kenhollings.blogspot.com\" target=\"_blank\">Ken Hollings</a>!\n\n<a href=\"http://esr.ibiblio.org/?p=135\" target=\"_blank\"><img class=\"alignleft size-full wp-image-2930\" title=\"cthulhu16\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/cthulhu16.jpeg\" alt=\"\" width=\"518\" height=\"222\" /></a>','Cthulhu tracts','Jack Chick meets HPL - who will survive and what will be born of them?','inherit','open','open','','2924-autosave','','','2011-01-25 15:19:50','2011-01-25 15:19:50','',2924,'http://strangeattractor.co.uk/further/2924-autosave/',0,'revision','',0),(2929,2,'2011-01-25 08:37:52','2011-01-25 08:37:52','<a href=\"http://esr.ibiblio.org/?p=135\" target=\"_blank\"><img class=\"size-full wp-image-2925 alignleft\" title=\"cthulhu01\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/cthulhu01.jpeg\" alt=\"\" width=\"360\" height=\"192\" /></a>Genius hybridisation of Jack Chick and HPL from artist <a href=\"http://www.thepictureofeverything.com/\" target=\"_blank\">Howard Hallis</a>, found at <a href=\"http://esr.ibiblio.org/?p=135\" target=\"_blank\">Armed &amp; Dangerous</a>.\r\n\r\nThanks <a href=\"http://kenhollings.blogspot.com\" target=\"_blank\">Ken Hollings</a>!','Cthulhu tracts','','inherit','open','open','','2924-revision-3','','','2011-01-25 08:37:52','2011-01-25 08:37:52','',2924,'http://strangeattractor.co.uk/further/2924-revision-3/',0,'revision','',0),(2930,2,'2011-01-25 08:43:17','2011-01-25 08:43:17','','cthulhu16','','inherit','open','open','','cthulhu16','','','2011-01-25 08:43:17','2011-01-25 08:43:17','',2924,'http://strangeattractor.co.uk/wp-content/uploads/2011/01/cthulhu16.jpeg',0,'attachment','image/jpeg',0),(2931,2,'2011-01-25 08:40:10','2011-01-25 08:40:10','<a href=\"http://esr.ibiblio.org/?p=135\" target=\"_blank\"><img class=\"size-full wp-image-2925 alignleft\" title=\"cthulhu01\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/cthulhu01.jpeg\" alt=\"\" width=\"360\" height=\"192\" /></a>Genius hybridisation of Jack Chick and HPL from artist <a href=\"http://www.thepictureofeverything.com/\" target=\"_blank\">Howard Hallis</a>, found at <a href=\"http://esr.ibiblio.org/?p=135\" target=\"_blank\">Armed &amp; Dangerous</a>.\r\n\r\nThanks <a href=\"http://kenhollings.blogspot.com\" target=\"_blank\">Ken Hollings</a>!','Cthulhu tracts','Jack Chick meets HPL - who will survive and what will be born of them?','inherit','open','open','','2924-revision-4','','','2011-01-25 08:40:10','2011-01-25 08:40:10','',2924,'http://strangeattractor.co.uk/further/2924-revision-4/',0,'revision','',0),(2932,2,'2011-01-25 08:43:31','2011-01-25 08:43:31','<a href=\"http://esr.ibiblio.org/?p=135\" target=\"_blank\"><img class=\"size-full wp-image-2925 alignleft\" title=\"cthulhu01\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/cthulhu01.jpeg\" alt=\"\" width=\"360\" height=\"192\" /></a>Genius hybridisation of Jack Chick and HPL from artist <a href=\"http://www.thepictureofeverything.com/\" target=\"_blank\">Howard Hallis</a>, found at <a href=\"http://esr.ibiblio.org/?p=135\" target=\"_blank\">Armed &amp; Dangerous</a>.\r\n\r\nThanks <a href=\"http://kenhollings.blogspot.com\" target=\"_blank\">Ken Hollings</a>!\r\n\r\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/cthulhu16.jpeg\"><img class=\"alignleft size-full wp-image-2930\" title=\"cthulhu16\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/cthulhu16.jpeg\" alt=\"\" width=\"720\" height=\"309\" /></a>','Cthulhu tracts','Jack Chick meets HPL - who will survive and what will be born of them?','inherit','open','open','','2924-revision-5','','','2011-01-25 08:43:31','2011-01-25 08:43:31','',2924,'http://strangeattractor.co.uk/further/2924-revision-5/',0,'revision','',0),(2933,2,'2011-01-25 08:44:11','2011-01-25 08:44:11','<a href=\"http://esr.ibiblio.org/?p=135\" target=\"_blank\"><img class=\"size-full wp-image-2925 alignleft\" title=\"cthulhu01\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/cthulhu01.jpeg\" alt=\"\" width=\"360\" height=\"192\" /></a>Genius hybridisation of Jack Chick and HPL from artist <a href=\"http://www.thepictureofeverything.com/\" target=\"_blank\">Howard Hallis</a>, found at <a href=\"http://esr.ibiblio.org/?p=135\" target=\"_blank\">Armed &amp; Dangerous</a>.\r\n\r\nThanks <a href=\"http://kenhollings.blogspot.com\" target=\"_blank\">Ken Hollings</a>!\r\n\r\n<a href=\"http://esr.ibiblio.org/?p=135\" target=\"_blank\"><img class=\"alignleft size-full wp-image-2930\" title=\"cthulhu16\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/cthulhu16.jpeg\" alt=\"\" width=\"648\" height=\"278\" /></a>','Cthulhu tracts','Jack Chick meets HPL - who will survive and what will be born of them?','inherit','open','open','','2924-revision-6','','','2011-01-25 08:44:11','2011-01-25 08:44:11','',2924,'http://strangeattractor.co.uk/further/2924-revision-6/',0,'revision','',0),(2934,2,'2011-02-02 18:30:29','2011-02-02 18:30:29','<a href=\"http://www.wellcomecollection.org/whats-on/events/was-jung-a-mystic-.aspx\" target=\"_blank\"><img class=\"alignnone size-full wp-image-2935\" title=\"L0045112 A railway tunnel\" src=\"http://ecbiz91.inmotionh','Was Jung a mystic?','','publish','closed','closed','','was-jung-a-mystic','','','2011-02-02 23:39:09','2011-02-02 23:39:09','',0,'http://strangeattractor.co.uk/?p=2934',0,'post','',0),(2935,2,'2011-01-25 10:34:48','2011-01-25 10:34:48','L0045112 A railway tunnel\r\nCredit: Wellcome Library, London. Wellcome Images\r\nimages@wellcome.ac.uk\r\nhttp://images.wellcome.ac.uk\r\nThe dream of a patient in Jungian analysis: a railway tunnel, a train in the distance, and three people walking along next to the right-hand track.\r\n1972 By: M.A.C.T.after: Alan Fleming McGlashanDreams of a patient in Jungian analysis. Drawings by M.A.C.T., 1967-1978.\r\nPublished: September 1972.\r\n\r\nCopyrighted work available under Creative Commons by-nc 2.0 UK, see http://images.wellcome.ac.uk/indexplus/page/Prices.html','L0045112 A railway tunnel','','inherit','open','open','','l0045112-a-railway-tunnel','','','2011-01-25 10:34:48','2011-01-25 10:34:48','',2934,'http://strangeattractor.co.uk/wp-content/uploads/2011/01/Picture-created-during-Jungian-analysis.jpeg',0,'attachment','image/jpeg',0),(2936,2,'2011-01-25 10:39:31','2011-01-25 10:39:31','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/Picture-created-during-Jungian-analysis.jpeg\"><img class=\"alignnone size-full wp-image-2935\" title=\"L0045112 A railway tunnel\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/Picture-created-during-Jungian-analysis.jpeg\" alt=\"\" width=\"520\" height=\"272\" /></a>\n\nWellcome Collection, Wednesday 02 February 2011, 6.30pm\n\nSAJ contributor and esoteric eminence <strong>Gary Lachman </strong>discusses Carl Jung\'s occult and mystical interests:\n\n<em>The psychologist Carl Jung insisted that he was first and foremost a scientist, yet from the start his interest in human psychology had a decidedly paranormal, even occult, slant. This talk will chart his occult history, look into the reasons behind his early reticence and later advocacy, and finally ask, was Jung a scientist or a mystic, or perhaps something else?</em>','Was Jung a mystic?','','inherit','open','open','','2934-revision','','','2011-01-25 10:39:31','2011-01-25 10:39:31','',2934,'http://strangeattractor.co.uk/further/2934-revision/',0,'revision','',0),(2937,2,'2011-01-25 10:41:18','2011-01-25 10:41:18','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/Picture-created-during-Jungian-analysis.jpeg\"><img class=\"alignnone size-full wp-image-2935\" title=\"L0045112 A railway tunnel\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/Picture-created-during-Jungian-analysis.jpeg\" alt=\"\" width=\"520\" height=\"272\" /></a>\r\n\r\n<a href=\"http://www.wellcomecollection.org/whats-on/events/was-jung-a-mystic-.aspx\" target=\"_blank\">Wellcome Collection</a>, Wednesday 02 February 2011, 6.30pm\r\n\r\nSAJ contributor and esoteric eminence <strong>Gary Lachman </strong>discusses Carl Jung\'s occult and mystical interests:\r\n\r\n<em>The psychologist Carl Jung insisted that he was first and foremost a scientist, yet from the start his interest in human psychology had a decidedly paranormal, even occult, slant. This talk will chart his occult history, look into the reasons behind his early reticence and later advocacy, and finally ask, was Jung a scientist or a mystic, or perhaps something else?</em>','Was Jung a mystic?','','inherit','open','open','','2934-revision-2','','','2011-01-25 10:41:18','2011-01-25 10:41:18','',2934,'http://strangeattractor.co.uk/further/2934-revision-2/',0,'revision','',0),(2938,2,'2011-01-25 10:41:53','2011-01-25 10:41:53','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/Picture-created-during-Jungian-analysis.jpeg\"><img class=\"alignnone size-full wp-image-2935\" title=\"L0045112 A railway tunnel\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/Picture-created-during-Jungian-analysis.jpeg\" alt=\"\" width=\"520\" height=\"272\" /></a>\r\n\r\n<a href=\"http://www.wellcomecollection.org/whats-on/events/was-jung-a-mystic-.aspx\" target=\"_blank\">Wellcome Collection</a>, Wednesday 02 February 2011, 6.30pm\r\n\r\nSAJ contributor and esoteric eminence <strong>Gary Lachman </strong>discusses Carl Jung\'s occult and mystical interests:\r\n\r\n<em>The psychologist Carl Jung insisted that he was first and foremost a scientist, yet from the start his interest in human psychology had a decidedly paranormal, even occult, slant. This talk will chart his occult history, look into the reasons behind his early reticence and later advocacy, and finally ask, was Jung a scientist or a mystic, or perhaps something else?</em>','Was Jung a mystic?','','inherit','open','open','','2934-revision-3','','','2011-01-25 10:41:53','2011-01-25 10:41:53','',2934,'http://strangeattractor.co.uk/further/2934-revision-3/',0,'revision','',0),(2939,2,'2011-01-31 10:11:44','2011-01-31 10:11:44','<a href=\"http://www.ukcpsychedelics.co.uk/conference\" target=\"_blank\"><img class=\"size-full wp-image-2192\" style=\"vertical-align: top; border: 0; margin: 8px;\" title=\"Breakingcon\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/12/Breakingcon1.jpg\" alt=\"Breakingcon\" width=\"400\" height=\"566\" /></a>\n\n<!-- p.p1 {margin: 0.0px 0.0px 16.0px 0.0px; font: 32.0px Helvetica} p.p2 {margin: 0.0px 0.0px 12.0px 0.0px; font: 19.0px Helvetica} p.p3 {margin: 0.0px 0.0px 12.0px 0.0px; font: 12.0px Helvetica} span.s1 {font: 16.0px Helvetica} --><strong>A Multidisciplinary Meeting on Psychedelic Consciousness</strong>\n\n<strong>Saturday &amp; Sunday, 2-3</strong><span><strong><sup>rd</sup></strong></span><strong> April, 2011</strong>\n\nVirginia Woolf College, Univeristy of Kent, Canterbury, CT2 7UG.\n\nSpeakers include: Mike Jay, Paul Devereux, Charlotte Walsh, Dr. Luis Eduardo Luna,  Dr. Andy Letcher, Amanda Feilding, Dr. Rick Doblin, Graham Hancock, Andy Roberts.\n\nLive music from <a href=\"http://www.raagnagrok.co.uk\" target=\"_blank\">Raagnagrok</a> and more tbc\n\nTickets available <a href=\"http://breakingconvention.co.uk/tickets-pricing/\" target=\"_blank\">here</a>. More info at the <a href=\"http://www.ukcpsychedelics.co.uk/conference\" target=\"_blank\">UKC Psychedelics</a> site.','2-3 April 2011: Breaking Convention','Psychedelic Consciousness Conference\nUniveristy of Kent\n2-3rd April, 2011','inherit','open','open','','2614-autosave','','','2011-01-31 10:11:44','2011-01-31 10:11:44','',2614,'http://strangeattractor.co.uk/further/2614-autosave/',0,'revision','',0),(2941,2,'2011-01-25 10:42:17','2011-01-25 10:42:17','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/Picture-created-during-Jungian-analysis.jpeg\"><img class=\"alignnone size-full wp-image-2935\" title=\"L0045112 A railway tunnel\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/Picture-created-during-Jungian-analysis.jpeg\" alt=\"\" width=\"520\" height=\"272\" /></a>\r\n\r\n<a href=\"http://www.wellcomecollection.org/whats-on/events/was-jung-a-mystic-.aspx\" target=\"_blank\">Wellcome Collection</a>, Wednesday 02 February 2011, 6.30pm\r\n\r\nSAJ contributor and esoteric eminence <strong>Gary Lachman </strong>discusses Carl Jung\'s occult and mystical interests:\r\n\r\n<em>The psychologist Carl Jung insisted that he was first and foremost a scientist, yet from the start his interest in human psychology had a decidedly paranormal, even occult, slant. This talk will chart his occult history, look into the reasons behind his early reticence and later advocacy, and finally ask, was Jung a scientist or a mystic, or perhaps something else?</em>','Was Jung a mystic?','','inherit','open','open','','2934-revision-4','','','2011-01-25 10:42:17','2011-01-25 10:42:17','',2934,'http://strangeattractor.co.uk/further/2934-revision-4/',0,'revision','',0),(2942,2,'2011-01-25 10:45:57','2011-01-25 10:45:57','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/Picture-created-during-Jungian-analysis.jpeg\"><img class=\"alignnone size-full wp-image-2935\" title=\"L0045112 A railway tunnel\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/Picture-created-during-Jungian-analysis.jpeg\" alt=\"\" width=\"520\" height=\"272\" /></a>\r\n\r\n<a href=\"http://www.wellcomecollection.org/whats-on/events/was-jung-a-mystic-.aspx\" target=\"_blank\">Wellcome Collection</a>, Wednesday 02 February 2011, 6.30pm\r\n\r\nSAJ contributor and esoteric eminence <strong>Gary Lachman </strong>discusses Carl Jung\'s occult and mystical interests:\r\n\r\n<em>The psychologist Carl Jung insisted that he was first and foremost a scientist, yet from the start his interest in human psychology had a decidedly paranormal, even occult, slant. This talk will chart his occult history, look into the reasons behind his early reticence and later advocacy, and finally ask, was Jung a scientist or a mystic, or perhaps something else?</em>','Was Jung a mystic?','SAJ contributor and esoteric eminence Gary Lachman discusses Carl Jung\'s occult and mystical interests.','inherit','open','open','','2934-revision-5','','','2011-01-25 10:45:57','2011-01-25 10:45:57','',2934,'http://strangeattractor.co.uk/further/2934-revision-5/',0,'revision','',0),(2943,2,'2010-12-13 09:49:14','2010-12-13 09:49:14','<a href=\"http://www.ukcpsychedelics.co.uk/conference\" target=\"_blank\"><img class=\"size-full wp-image-2192\" style=\"vertical-align: top; border: 0; margin: 8px;\" title=\"Breakingcon\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/12/Breakingcon1.jpg\" alt=\"Breakingcon\" width=\"400\" height=\"566\" /></a>\n\n<!-- p.p1 {margin: 0.0px 0.0px 16.0px 0.0px; font: 32.0px Helvetica} p.p2 {margin: 0.0px 0.0px 12.0px 0.0px; font: 19.0px Helvetica} p.p3 {margin: 0.0px 0.0px 12.0px 0.0px; font: 12.0px Helvetica} span.s1 {font: 16.0px Helvetica} --><strong>A Multidisciplinary Meeting on Psychedelic Consciousness</strong>\n\n<strong>Saturday &amp; Sunday, 2-3</strong><span><strong><sup>rd</sup></strong></span><strong> April, 2011</strong>\n\nVirginia Woolf College, Univeristy of Kent, Canterbury, CT2 7UG.\nEarly bird tickets available in advance. Prices, tickets and details coming soon.\n\nMore info at the <a href=\"http://www.ukcpsychedelics.co.uk/conference\" target=\"_blank\">UKC Psychedelics</a> site.','2-3 April 2011: Breaking Convention','','inherit','open','open','','2614-revision','','','2010-12-13 09:49:14','2010-12-13 09:49:14','',2614,'http://strangeattractor.co.uk/further/2614-revision/',0,'revision','',0),(2944,2,'2011-01-25 10:52:31','2011-01-25 10:52:31','<a href=\"http://www.ukcpsychedelics.co.uk/conference\" target=\"_blank\"><img class=\"size-full wp-image-2192\" style=\"vertical-align: top; border: 0; margin: 8px;\" title=\"Breakingcon\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/12/Breakingcon1.jpg\" alt=\"Breakingcon\" width=\"400\" height=\"566\" /></a>\r\n\r\n<!-- p.p1 {margin: 0.0px 0.0px 16.0px 0.0px; font: 32.0px Helvetica} p.p2 {margin: 0.0px 0.0px 12.0px 0.0px; font: 19.0px Helvetica} p.p3 {margin: 0.0px 0.0px 12.0px 0.0px; font: 12.0px Helvetica} span.s1 {font: 16.0px Helvetica} --><strong>A Multidisciplinary Meeting on Psychedelic Consciousness</strong>\r\n\r\n<strong>Saturday &amp; Sunday, 2-3</strong><span><strong><sup>rd</sup></strong></span><strong> April, 2011</strong>\r\n\r\nVirginia Woolf College, Univeristy of Kent, Canterbury, CT2 7UG.\r\n\r\nSpeakers include: Mike Jay, Paul Devereux, Charlotte Walsh, Dr. Luis Eduardo Luna,  Dr. Andy Letcher, Amanda Feilding, Dr. Rick Doblin, Graham Hancock, Andy Roberts.\r\n\r\nLive music from Raagnagrok and more tbc\r\n\r\nTickets available <a href=\"http://breakingconvention.co.uk/tickets-pricing/\" target=\"_blank\">here</a>. More info at the <a href=\"http://www.ukcpsychedelics.co.uk/conference\" target=\"_blank\">UKC Psychedelics</a> site.','2-3 April 2011: Breaking Convention','A Multidisciplinary Meeting on Psychedelic Consciousness\r\nVirginia Woolf College, Univeristy of Kent, Canterbury, CT2 7UG\r\nSaturday & Sunday, 2-3rd April, 2011','inherit','open','open','','2614-revision-2','','','2011-01-25 10:52:31','2011-01-25 10:52:31','',2614,'http://strangeattractor.co.uk/further/2614-revision-2/',0,'revision','',0),(2995,2,'2011-01-31 10:09:48','2011-01-31 10:09:48','<a href=\"http://www.ukcpsychedelics.co.uk/conference\" target=\"_blank\"><img class=\"size-full wp-image-2192\" style=\"vertical-align: top; border: 0; margin: 8px;\" title=\"Breakingcon\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/12/Breakingcon1.jpg\" alt=\"Breakingcon\" width=\"400\" height=\"566\" /></a>\r\n\r\n<!-- p.p1 {margin: 0.0px 0.0px 16.0px 0.0px; font: 32.0px Helvetica} p.p2 {margin: 0.0px 0.0px 12.0px 0.0px; font: 19.0px Helvetica} p.p3 {margin: 0.0px 0.0px 12.0px 0.0px; font: 12.0px Helvetica} span.s1 {font: 16.0px Helvetica} --><strong>A Multidisciplinary Meeting on Psychedelic Consciousness</strong>\r\n\r\n<strong>Saturday &amp; Sunday, 2-3</strong><span><strong><sup>rd</sup></strong></span><strong> April, 2011</strong>\r\n\r\nVirginia Woolf College, Univeristy of Kent, Canterbury, CT2 7UG.\r\n\r\nSpeakers include: Mike Jay, Paul Devereux, Charlotte Walsh, Dr. Luis Eduardo Luna,  Dr. Andy Letcher, Amanda Feilding, Dr. Rick Doblin, Graham Hancock, Andy Roberts.\r\n\r\nLive music from <a href=\"http://www.raagnagrok.co.uk\" target=\"_blank\">Raagnagrok</a> and more tbc\r\n\r\nTickets available <a href=\"http://breakingconvention.co.uk/tickets-pricing/\" target=\"_blank\">here</a>. More info at the <a href=\"http://www.ukcpsychedelics.co.uk/conference\" target=\"_blank\">UKC Psychedelics</a> site.','2-3 April 2011: Breaking Convention','A Multidisciplinary Meeting on Psychedelic Consciousness\r\nUniveristy of Kent\r\n2-3rd April, 2011','inherit','open','open','','2614-revision-6','','','2011-01-31 10:09:48','2011-01-31 10:09:48','',2614,'http://strangeattractor.co.uk/further/2614-revision-6/',0,'revision','',0),(2945,2,'2011-01-25 10:54:36','2011-01-25 10:54:36','<a href=\"http://www.ukcpsychedelics.co.uk/conference\" target=\"_blank\"><img class=\"size-full wp-image-2192\" style=\"vertical-align: top; border: 0; margin: 8px;\" title=\"Breakingcon\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/12/Breakingcon1.jpg\" alt=\"Breakingcon\" width=\"400\" height=\"566\" /></a>\r\n\r\n<!-- p.p1 {margin: 0.0px 0.0px 16.0px 0.0px; font: 32.0px Helvetica} p.p2 {margin: 0.0px 0.0px 12.0px 0.0px; font: 19.0px Helvetica} p.p3 {margin: 0.0px 0.0px 12.0px 0.0px; font: 12.0px Helvetica} span.s1 {font: 16.0px Helvetica} --><strong>A Multidisciplinary Meeting on Psychedelic Consciousness</strong>\r\n\r\n<strong>Saturday &amp; Sunday, 2-3</strong><span><strong><sup>rd</sup></strong></span><strong> April, 2011</strong>\r\n\r\nVirginia Woolf College, Univeristy of Kent, Canterbury, CT2 7UG.\r\n\r\nSpeakers include: Mike Jay, Paul Devereux, Charlotte Walsh, Dr. Luis Eduardo Luna,  Dr. Andy Letcher, Amanda Feilding, Dr. Rick Doblin, Graham Hancock, Andy Roberts.\r\n\r\nLive music from <a href=\"http://www.raagnagrok.co.uk\" target=\"_blank\">Raagnagrok</a> and more tbc\r\n\r\nTickets available <a href=\"http://breakingconvention.co.uk/tickets-pricing/\" target=\"_blank\">here</a>. More info at the <a href=\"http://www.ukcpsychedelics.co.uk/conference\" target=\"_blank\">UKC Psychedelics</a> site.','2-3 April 2011: Breaking Convention','A Multidisciplinary Meeting on Psychedelic Consciousness\r\nVirginia Woolf College, Univeristy of Kent, Canterbury, CT2 7UG\r\nSaturday & Sunday, 2-3rd April, 2011','inherit','open','open','','2614-revision-3','','','2011-01-25 10:54:36','2011-01-25 10:54:36','',2614,'http://strangeattractor.co.uk/further/2614-revision-3/',0,'revision','',0),(2997,2,'2011-02-01 09:50:07','2011-02-01 09:50:07','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/img_sepulchre.jpeg\"><img class=\"alignright size-full wp-image-2998\" title=\"img_sepulchre\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/img_sepulchre.jpeg\" alt=\"\" width=\"280\" height=\"642\" /></a>\r\n\r\nAn extensive and insightful discussion with builders of beautiful and strange electronic instruments Leon and Brian Dewan, aka <a href=\"http://www.dewanatron.com/\" target=\"_blank\">Dewanatron</a>.\r\n\r\n<em>We have a fondness for that \"golden age\" of electronic music that does not fall back on preset sounds or patterns but has to be dished up \"fresh.” But we\'re generally reverent about the whole long and venerable history of electronic music, starting with the first electric instrument, Elisha Gray\'s Musical Telegraph from the 1870s, and the first synthesizer, Thaddeus Cahill\'s ambitious Telharmonium, which he invented in the 1890s.\r\n\r\nWith the Dewanatrons, we use traditional synthesis techniques as well as new ones, but we\'re particularly drawn to the fluidity of unstandardized instruments and organic situations that intertwine control and indeterminacy. We admire the creativity of electronic artists like David Tudor or Louis and Bebe Barron because it thrived on setting up sprawling situations and seeing what would happen (quite antithetical to the pursuit of ever-more-precise control or standardization of equipment). I’d say that we fit in with the homegrown aspect of their approach, that made instrument-making a part of composing music.</em>\r\n\r\nFull interview at<a href=\"http://www.artocratic.com/interviews/dewan1.html\" target=\"_blank\"> Artocratic</a>, via <a href=\"http://www.techgnosis.com\" target=\"_blank\">Erik Davis</a>','Dewanatron interview','An extensive and insightful discussion with builders of beautiful and strange electronic instruments Leon and Brian Dewan, aka Dewanatron.','publish','open','open','','dewanatron-interview','','','2011-02-01 09:50:07','2011-02-01 09:50:07','',0,'http://strangeattractor.co.uk/?p=2997',0,'post','',0),(2946,2,'2011-01-13 09:08:47','2011-01-13 09:08:47','<img class=\"alignright size-full wp-image-2239\" title=\"fg\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/fg.gif\" alt=\"\" width=\"350\" height=\"348\" />\r\n\r\n<strong>by Rob Irving &amp; John Lundberg</strong><strong>\r\n</strong><strong> PB, 288pp, 162 x 162mm, <span style=\"color: #ff0000;\">£</span><span style=\"color: #ff0000;\">6.99</span> UK</strong><strong>\r\n</strong><strong> ISBN: 978-0954805425</strong>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_cart\" /> <input name=\"business\" type=\"hidden\" value=\"strangeattractorpress@googlemail.com\" /> <input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"Field Guide\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"products\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /> <input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"add\" type=\"hidden\" value=\"1\" /> <input name=\"bn\" type=\"hidden\" value=\"PP-ShopCartBF:btn_cart_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £6.99</option> <option value=\"EU\">EU £7.99</option> <option value=\"ROW\">ROW £8.99</option> <option value=\"ROW AIR\">ROW AIR £11.99</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"option_select0\" type=\"hidden\" value=\"UK\" /> <input name=\"option_amount0\" type=\"hidden\" value=\"6.99\" /> <input name=\"option_select1\" type=\"hidden\" value=\"EU\" /> <input name=\"option_amount1\" type=\"hidden\" value=\"7.99\" /> <input name=\"option_select2\" type=\"hidden\" value=\"ROW\" /> <input name=\"option_amount2\" type=\"hidden\" value=\"8.99\" /> <input name=\"option_select3\" type=\"hidden\" value=\"ROW AIR\" /> <input name=\"option_amount3\" type=\"hidden\" value=\"11.99\" /> <input name=\"option_index\" type=\"hidden\" value=\"0\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n\r\n</form>\r\n<blockquote><span style=\"font-style: normal;\">A very beautifully laid out book and certainly the best crop circle book that I have read...The Field Guide will become a cult classic... I really think it deserves to win the Turner Prize on behalf of all the artists that have facilitated this extraordinary experience.</span></blockquote>\r\n<blockquote><span style=\"font-style: normal;\">Allan Brown, co-author of </span>How The World Is Made<span style=\"font-style: normal;\">.</span></blockquote>\r\nThree decades ago, two men in their fifties began flattening circles into the fields of Hampshire and Wiltshire. Little did they know that their Friday night antics would seed an international phenomenon that continues to change people\'s lives to this day.\r\n\r\nNow, in the first book of its kind - part history and part how-to guide - the secrets of the crop circle world are revealed, by the people behind the modern era\'s most astounding art practice.\r\n\r\nWhether you think crop circles represent a genuine mystery, a new kind of art, or an elaborate practical joke, The Field Guide is sure to leave a lasting impression. Join us in the fields for a unique exploration of this very English artform.\r\n<blockquote><span style=\"font-style: normal;\">A particularly cerebral blend of art theory, paranormal phenomena, hoaxes and speculations, ruggedly bound and designed to fit snugly inside your knapsack while out exploring the British countryside.</span>\r\n\r\n<span style=\"font-style: normal;\">Ken Hollings, in </span>The Wire</blockquote>\r\n<blockquote><span style=\"font-style: normal;\">Finally, the definitive telling of one of the strangest tales of our times: eye-witness testimony to its birth, razor-sharp critique of the baroque pseudoscience that it spawned, and by far the closest analysis yet of the artistic negotiation between the circlemaker and the believer. Designed and laid out to perfection, this is the book that the phenomenon needs and deserves.</span>\r\n\r\n<span style=\"font-style: normal;\">Mike Jay, early circlemaker, author of </span>The Air Loom Gang<span style=\"font-style: normal;\"> and </span>The Unfortunate Colonel Despard<span style=\"font-style: normal;\">.</span></blockquote>\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_cart\" /> <input name=\"business\" type=\"hidden\" value=\"strangeattractorpress@googlemail.com\" /> <input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"Field Guide\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"products\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /> <input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"add\" type=\"hidden\" value=\"1\" /> <input name=\"bn\" type=\"hidden\" value=\"PP-ShopCartBF:btn_cart_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £9.00</option> <option value=\"EU\">EU £10.00</option> <option value=\"ROW\">ROW £11.00</option> <option value=\"ROW AIR\">ROW AIR £14.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"option_select0\" type=\"hidden\" value=\"UK\" /> <input name=\"option_amount0\" type=\"hidden\" value=\"9.00\" /> <input name=\"option_select1\" type=\"hidden\" value=\"EU\" /> <input name=\"option_amount1\" type=\"hidden\" value=\"10.00\" /> <input name=\"option_select2\" type=\"hidden\" value=\"ROW\" /> <input name=\"option_amount2\" type=\"hidden\" value=\"11.00\" /> <input name=\"option_select3\" type=\"hidden\" value=\"ROW AIR\" /> <input name=\"option_amount3\" type=\"hidden\" value=\"14.00\" /> <input name=\"option_index\" type=\"hidden\" value=\"0\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n\r\n</form>','The Field Guide','by Rob Irving & John Lundberg\r\nPB, 288pp, illus, index, £6.99 (was £8.99) \r\nISBN: 978-0954805425','inherit','open','open','','2133-revision-v1','','','2011-01-13 09:08:47','2011-01-13 09:08:47','',2133,'http://strangeattractor.co.uk/further/2133-revision-39/',0,'revision','',0),(2948,2,'2011-01-25 11:13:48','2011-01-25 11:13:48','<img class=\"alignright size-full wp-image-2239\" title=\"fg\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/fg.gif\" alt=\"\" width=\"350\" height=\"348\" />\r\n\r\n<strong>by Rob Irving &amp; John Lundberg</strong><strong>\r\n</strong><strong> PB, 288pp, 162 x 162mm, <span style=\"color: #ff0000;\">£</span><span style=\"color: #ff0000;\">6.99</span> UK</strong><strong>\r\n</strong><strong> ISBN: 978-0954805425</strong>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_cart\" /> <input name=\"business\" type=\"hidden\" value=\"strangeattractorpress@googlemail.com\" /> <input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"Field Guide\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"products\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /> <input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"add\" type=\"hidden\" value=\"1\" /> <input name=\"bn\" type=\"hidden\" value=\"PP-ShopCartBF:btn_cart_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £6.99</option> <option value=\"EU\">EU £7.99</option> <option value=\"ROW\">ROW £8.99</option> <option value=\"ROW AIR\">ROW AIR £11.99</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"option_select0\" type=\"hidden\" value=\"UK\" /> <input name=\"option_amount0\" type=\"hidden\" value=\"6.99\" /> <input name=\"option_select1\" type=\"hidden\" value=\"EU\" /> <input name=\"option_amount1\" type=\"hidden\" value=\"7.99\" /> <input name=\"option_select2\" type=\"hidden\" value=\"ROW\" /> <input name=\"option_amount2\" type=\"hidden\" value=\"8.99\" /> <input name=\"option_select3\" type=\"hidden\" value=\"ROW AIR\" /> <input name=\"option_amount3\" type=\"hidden\" value=\"11.99\" /> <input name=\"option_index\" type=\"hidden\" value=\"0\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n\r\n</form>\r\n<blockquote><span style=\"font-style: normal;\">A very beautifully laid out book and certainly the best crop circle book that I have read...The Field Guide will become a cult classic... I really think it deserves to win the Turner Prize on behalf of all the artists that have facilitated this extraordinary experience.</span></blockquote>\r\n<blockquote><strong><span style=\"font-style: normal;\">Allan Brown, co-author of </span>How The World Is Made<span style=\"font-style: normal;\">.</span></strong></blockquote>\r\nThree decades ago, two men in their fifties began flattening circles into the fields of Hampshire and Wiltshire. Little did they know that their Friday night antics would seed an international phenomenon that continues to change people\'s lives to this day.\r\n\r\nNow, in the first book of its kind - part history and part how-to guide - the secrets of the crop circle world are revealed, by the people behind the modern era\'s most astounding art practice.\r\n\r\nWhether you think crop circles represent a genuine mystery, a new kind of art, or an elaborate practical joke, The Field Guide is sure to leave a lasting impression. Join us in the fields for a unique exploration of this very English artform.\r\n\r\n<span style=\"font-style: normal;\"><em>A particularly cerebral blend of art theory, paranormal phenomena, hoaxes and speculations, ruggedly bound and designed to fit snugly inside your knapsack while out exploring the British countryside.</em></span>\r\n<blockquote><strong><span style=\"font-style: normal;\">Ken Hollings, in </span>The Wire</strong></blockquote>\r\n<span style=\"font-style: normal;\"><em>Finally, the definitive telling of one of the strangest tales of our times: eye-witness testimony to its birth, razor-sharp critique of the baroque pseudoscience that it spawned, and by far the closest analysis yet of the artistic negotiation between the circlemaker and the believer. Designed and laid out to perfection, this is the book that the phenomenon needs and deserves.</em></span>\r\n<blockquote><strong><span style=\"font-style: normal;\">Mike Jay, early circlemaker, author of </span>The Air Loom Gang<span style=\"font-style: normal;\"> and </span>The Unfortunate Colonel Despard<span style=\"font-style: normal;\">.</span></strong></blockquote>\r\n<form style=\"text-align: left;\" action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> </form>','The Field Guide','by Rob Irving & John Lundberg\r\nPB, 288pp, illus, index, £6.99 (was £8.99) \r\nISBN: 978-0954805425','inherit','open','open','','2133-revision-v1','','','2011-01-25 11:13:48','2011-01-25 11:13:48','',2133,'http://strangeattractor.co.uk/further/2133-revision-41/',0,'revision','',0),(2949,2,'2011-01-25 11:14:11','2011-01-25 11:14:11','<img class=\"alignright size-full wp-image-2239\" title=\"fg\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/fg.gif\" alt=\"\" width=\"350\" height=\"348\" />\r\n\r\n<strong>by Rob Irving &amp; John Lundberg</strong><strong>\r\n</strong><strong> PB, 288pp, 162 x 162mm, <span style=\"color: #ff0000;\">£</span><span style=\"color: #ff0000;\">6.99</span> UK</strong><strong>\r\n</strong><strong> ISBN: 978-0954805425</strong>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_cart\" /> <input name=\"business\" type=\"hidden\" value=\"strangeattractorpress@googlemail.com\" /> <input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"Field Guide\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"products\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /> <input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"add\" type=\"hidden\" value=\"1\" /> <input name=\"bn\" type=\"hidden\" value=\"PP-ShopCartBF:btn_cart_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £6.99</option> <option value=\"EU\">EU £7.99</option> <option value=\"ROW\">ROW £8.99</option> <option value=\"ROW AIR\">ROW AIR £11.99</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"option_select0\" type=\"hidden\" value=\"UK\" /> <input name=\"option_amount0\" type=\"hidden\" value=\"6.99\" /> <input name=\"option_select1\" type=\"hidden\" value=\"EU\" /> <input name=\"option_amount1\" type=\"hidden\" value=\"7.99\" /> <input name=\"option_select2\" type=\"hidden\" value=\"ROW\" /> <input name=\"option_amount2\" type=\"hidden\" value=\"8.99\" /> <input name=\"option_select3\" type=\"hidden\" value=\"ROW AIR\" /> <input name=\"option_amount3\" type=\"hidden\" value=\"11.99\" /> <input name=\"option_index\" type=\"hidden\" value=\"0\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n\r\n</form><span style=\"font-style: normal;\"><em>A very beautifully laid out book and certainly the best crop circle book that I have read...The Field Guide will become a cult classic... I really think it deserves to win the Turner Prize on behalf of all the artists that have facilitated this extraordinary experience.</em></span>\r\n<blockquote><strong><span style=\"font-style: normal;\">Allan Brown, co-author of </span>How The World Is Made<span style=\"font-style: normal;\">.</span></strong></blockquote>\r\nThree decades ago, two men in their fifties began flattening circles into the fields of Hampshire and Wiltshire. Little did they know that their Friday night antics would seed an international phenomenon that continues to change people\'s lives to this day.\r\n\r\nNow, in the first book of its kind - part history and part how-to guide - the secrets of the crop circle world are revealed, by the people behind the modern era\'s most astounding art practice.\r\n\r\nWhether you think crop circles represent a genuine mystery, a new kind of art, or an elaborate practical joke, The Field Guide is sure to leave a lasting impression. Join us in the fields for a unique exploration of this very English artform.\r\n\r\n<span style=\"font-style: normal;\"><em>A particularly cerebral blend of art theory, paranormal phenomena, hoaxes and speculations, ruggedly bound and designed to fit snugly inside your knapsack while out exploring the British countryside.</em></span>\r\n<blockquote><strong><span style=\"font-style: normal;\">Ken Hollings, in </span>The Wire</strong></blockquote>\r\n<span style=\"font-style: normal;\"><em>Finally, the definitive telling of one of the strangest tales of our times: eye-witness testimony to its birth, razor-sharp critique of the baroque pseudoscience that it spawned, and by far the closest analysis yet of the artistic negotiation between the circlemaker and the believer. Designed and laid out to perfection, this is the book that the phenomenon needs and deserves.</em></span>\r\n<blockquote><strong><span style=\"font-style: normal;\">Mike Jay, early circlemaker, author of </span>The Air Loom Gang<span style=\"font-style: normal;\"> and </span>The Unfortunate Colonel Despard<span style=\"font-style: normal;\">.</span></strong></blockquote>\r\n<form style=\"text-align: left;\" action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> </form>','The Field Guide','by Rob Irving & John Lundberg\r\nPB, 288pp, illus, index, £6.99 (was £8.99) \r\nISBN: 978-0954805425','inherit','open','open','','2133-revision-v1','','','2011-01-25 11:14:11','2011-01-25 11:14:11','',2133,'http://strangeattractor.co.uk/further/2133-revision-42/',0,'revision','',0),(3636,2,'2011-06-06 11:16:56','2011-06-06 11:16:56','','SpareFramed','','inherit','open','open','','spareframed','','','2011-06-06 11:16:56','2011-06-06 11:16:56','',3376,'http://strangeattractor.co.uk/wp-content/uploads/2011/04/SpareFramed.jpg',0,'attachment','image/jpeg',0),(3951,2,'2011-10-24 17:11:16','2011-10-24 17:11:16','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/10/seizoku-629151l.jpg\"><img class=\"alignnone size-full wp-image-3946\" title=\"seizoku-629151l\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/10/seizoku-629151l.jpg\" alt=\"\" width=\"400\" height=\"570\" /></a>\r\n\r\n<strong><em>Sex Jack</em> (1970) + <em>Man Eater Mountain</em> (2008)</strong>\r\n<strong>Plus discussion with Julian Ross, Jasper Sharp and Virginie Selavy</strong>\r\n\r\n7pm (films at 7.30pm), Tuesday 15 November 2011\r\n<a href=\"http://www.thehorsehospital.com/now/electric-sheep-strange-attractor-sex-jack/\" target=\"_blank\">The Horse Hospital</a>, 1 Colonnade, London WC1N 1JD\r\nTickets £6/£4 / <em><a href=\"http://www.wegottickets.com/event/139969\" target=\"_blank\">WeGotTickets</a></em>\r\n\r\n<em>Electric Sheep</em> and Strange Attractor present a screening of <strong><em>Sex Jack</em></strong> (1970, 69 mins), directed by yakuza-turned-filmmaker Kôji Wakamatsu and written by his politically engaged acolyte Masao Adachi. Set against the background of the 60s Japanese student movement, it follows a group of young revolutionaries who take refuge in the flat of a stranger. Screened at the Quinzaine des Réalisateurs at the 1971 Cannes festival, it remains one of Wakamatsu’s most striking works.\r\n\r\nWakamatsu and Adachi chose to work in the pink film (soft porn) industry as a way of ensuring financial independence and artistic freedom, and <em>Sex Jack</em> offers a typically radical mix of sex and politics. Denouncing both government repression and the apathy of the revolutionary movement, the film paints a disillusioned picture of collective action, ultimately suggesting that liberation from all shackles can only come from individual action. <em>With thanks to the French-based international label Dissidenz, which has recently released three Kôji Wakamatsu DVD box-sets.</em>\r\n\r\n<em>Sex Jack</em> will be preceded by the black and white animated tale <strong><em>Man-Eater Mountain</em></strong> (dir Naoyuki Niiya, 2008, 28 mins), which uses paper theatre to tell a gruesome folk tale. A couple of police inspectors and their guide take a serial killer to the mountains to find the bodies of his victims, but soon they face the demons that reside there. Both beautifully atmospheric and hellishly nightmarish, it has Bosch-like visions of blood-sucking trees, impaled animals, bodies torn apart or eaten by demons. <em>Man-Eater Mountain is presented by Zipangu Fest, the first UK-wide festival devoted to Japanese film, which runs from 18 to 24 November.</em>\r\n\r\nThe films will be followed by a talk with <strong>Jasper Sharp</strong>, author of <em>Behind the Pink Curtain: The Complete History of Japanese Sex Cinema</em>, director of Zipangu Fest and co-editor of the Japanese cinema website Midnight Eye, and <strong>Julian Ross</strong>, commissioning editor at <em>Vertigo Magazine</em> and programme coordinator for the Theatre Scorpio season at Close-Up Film Centre and the Art Theatre Guild season at the BFI Southbank in July-August 2011. The talk will be hosted by <em>Electric Sheep</em> editor Virginie Sélavy.\r\n\r\n<strong><em>\r\nDoors at 7pm, film at 7:30pm, talk at 9:30pm.\\\r\n</em></strong><strong><em>Full details on the <a href=\"http://www.thehorsehospital.com/now/electric-sheep-strange-attractor-sex-jack/\" target=\"_blank\">Horse Hospital website</a>.\r\n</em></strong><strong><em>Buy tickets from <a href=\"http://www.wegottickets.com/event/139969\" target=\"_blank\">WeGotTickets</a>.</em></strong>','Electric Sheep presents: Sex Jack','Sex Jack (1970) + Man Eater Mountain (2008)\r\nPlus discussion with Julian Ross, Jasper Sharp and Virginie Selavy\r\nTuesday 15 November 2011 at The Horse Hospital, London','inherit','open','open','','3945-revision-3','','','2011-10-24 17:11:16','2011-10-24 17:11:16','',3945,'http://strangeattractor.co.uk/further/3945-revision-3/',0,'revision','',0),(3639,2,'2011-03-09 10:22:39','2011-03-09 10:22:39','<strong><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/02/xylitol3.jpg\"><img class=\"alignright size-full wp-image-3201\" title=\"xylitol3\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/02/xylitol3.jpg\" alt=\"\" width=\"299\" height=\"299\" /></a>£8, </strong><strong>2x mini-CD\r\n</strong><strong>Hand-made sleeve and disc art</strong>\r\n\r\n<strong>\r\n</strong>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<table>\r\n<tbody>\r\n<tr><input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" /> <input name=\"hosted_button_id\" type=\"hidden\" value=\"PKMTSNL4NCPVY\" /></tr>\r\n</tbody>\r\n</table>\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £8.00</option> <option value=\"EU\">EU £9.00</option> <option value=\"ROW\">ROW £10.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" />\r\n<img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n\r\n</form><img class=\"size-full wp-image-3203 alignright\" title=\"xylitol4\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/02/xylitol4.jpeg\" alt=\"\" width=\"284\" height=\"400\" />\r\n\r\nNew, exotic electronic musics sourced from the recordings of electro-kosmische artist <a href=\"http://xylitolmusic.blogspot.com/\" target=\"_blank\">Xylitol</a>:\r\n\r\n<strong>CD ONE</strong> features <a href=\"http://www.woebot.com/\">WOEBOT</a>, <a href=\"http://www.umbusiness.co.uk/\">UM</a>, <a href=\"http://www.ghostbox.co.uk/artist/artist_belburypoly.htm\">BELBURY </a><a href=\"http://jimjupp.blogspot.com/\">POLY</a>, <a href=\"http://strangeattractor.co.uk/\">THE ASTERISM</a>, <a href=\"http://kidshirt.blogspot.com/\">KEK-W</a> and the <a href=\"http://kidshirt.blogspot.com/\">ORCHESTRA INTANGIBLE 73</a> and <a href=\"http://www.tapebox.co.uk/Tapebox/Home.html\">SCULPTURE</a>\r\n\r\n<a href=\"http://www.tapebox.co.uk/Tapebox/Home.html\"></a><strong>CD TWO </strong>features <a href=\"http://www.myspace.com/ajholmesandthehackneyempire\">A.J. HOLMES AND THE HACKNEY EMPIRE</a>, <a href=\"http://www.myspace.com/ommm\">OMMM,</a> <a href=\"http://www.nochexxx.co.uk/\">NOCHEXXX</a>,<a href=\"http://www.myspace.com/missyhawaii\">MISSHAWAII</a>, <a href=\"http://www.earthlydelights.co.uk/\">NOCTURNAL EMISSIONS</a>, <a href=\"http://www.kosmische.org/radio9.html\">RADIO 9</a> and <a href=\"http://driftofsignifieds.org/\">DRIFT OF SIGNIFIEDS</a>\r\n\r\n<span style=\"line-height: 19px;\">Released, as with previous <em>Xylitol</em> releases, across a set of two 3\" mini cds, each painstakingly packaged in a unique custom multi-level sleeve with inserts, small bits of paper, photographs, etc to make for a very special, limited edition.</span>\r\n\r\n<span style=\"line-height: 19px;\">Featuring audacious sleevenotes from Martin C (<a href=\"http://www.woofahmag.com/\">Woofah</a> \'zine / <a href=\"http://seagullscreamingkillherkillher.blogspot.com/\">BTI.RIP blog</a>) and sinister / uncanny photographic inserts by <a href=\"http://infinitethought.cinestatic.com/\">Nina Power</a>.</span>\r\n\r\n<span style=\"line-height: 19px;\"><span style=\"line-height: 19px;\">For a taste of unadulterated Xylitol, check out 2009\'s \'Ghost Office\':</span></span>\r\n\r\n<object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"480\" height=\"390\" codebase=\"http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" /><param name=\"allowscriptaccess\" value=\"always\" /><param name=\"src\" value=\"http://www.youtube.com/v/9CHNS3nafFs?fs=1&amp;hl=en_GB\" /><param name=\"allowfullscreen\" value=\"true\" /><embed type=\"application/x-shockwave-flash\" width=\"480\" height=\"390\" src=\"http://www.youtube.com/v/9CHNS3nafFs?fs=1&amp;hl=en_GB\" allowscriptaccess=\"always\" allowfullscreen=\"true\"></embed></object>\r\n\r\n<span style=\"line-height: 19px;\">\r\n</span>\r\n\r\n<span style=\"line-height: 19px;\">\r\n</span>','Xylitol Music Played by Other People','£8, \r\n2x mini-CD\r\nHand-made sleeve','inherit','open','open','','3195-revision-v1','','','2011-03-09 10:22:39','2011-03-09 10:22:39','',3195,'http://strangeattractor.co.uk/further/3195-revision-8/',0,'revision','',0),(3637,2,'2011-04-12 11:35:53','2011-04-12 11:35:53','<!-- p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica} --><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/04/AOSprint1_web.jpg\"><img class=\"alignnone size-full wp-image-3377\" title=\"AOSprint1_web\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/04/AOSprint1_web.jpg\" alt=\"\" width=\"450\" height=\"391\" /></a>\r\n\r\n<strong>Austin Osman Spare,\r\n<em>Experiments in Relativity</em> (1933, pencil and watercolour)</strong>\r\n\r\nA limited edition art print\r\n\r\nTo celebrate the publication of <em><a href=\"http://strangeattractor.co.uk/books/austin-osman-spare/\" target=\"_blank\">Austin Osman Spare: The Life and Legend of London\'s Lost Artist</a></em> by Phil Baker, Strange Attractor Press have been working with musician and artist Ossian Brown on a fine art print of the book\'s cover image.\r\n\r\nSpare painted this beautiful sidereal watercolour in 1933 as part of his ‘Experiments in Relativity’ series.\r\n\r\nLimited to 111 copies, this Giclée print is on Hahnemühle Fine Art paper and produced to archival standards. Its dimensions match those of the original painting, 32 x 28cm. Each print is hand-numbered, blind-embossed with an \'AOS\' signature, and comes with a certificate of provenance. The picture is from Ossian Brown\'s collection and has been  photographed for this edition by Alex Brattell.\r\n\r\n<strong>The prints are priced £95 each plus postage.</strong>\r\n\r\nItems will be posted \'Next Day, Signed For\' delivery in the UK, and \'Signed For international Airmail packages, all guaranteed for the value of the print.\r\n\r\n<em>Please note that we won\'t be sending prints out until the week beginning 25 April 2011 to account for printing time. Buyers will be notified by email when their orders have been posted.</em>\r\n\r\n<em><em>Prices include postage.</em>Please select your postal region from the drop down menu - either UK, EU (European union countries) or ROW (Rest of World).</em>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"VL3PPMMLAJMVA\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal Rates\">Postal Rates</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK\">UK £102.00</option>\r\n	<option value=\"EU\">EU £108.00</option>\r\n	<option value=\"ROW\">ROW £110.00</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypalobjects.com/WEBSCR-640-20110401-1/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypalobjects.com/WEBSCR-640-20110401-1/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n\r\nWe can accept cheques in UK £ sterling only, payable to <strong>Strange Attractor Press Ltd</strong>. and sent to:\r\nBM SAP\r\nLondon\r\nWC1N 3XX\r\nUK','Austin Osman Spare print edition','Limited to 111 copies, this Giclée print is on Hahnemühle Fine Art paper and produced to archival standards. Its dimensions match the original painting, 32x28cm.','inherit','open','open','','3376-revision-16','','','2011-04-12 11:35:53','2011-04-12 11:35:53','',3376,'http://strangeattractor.co.uk/further/3376-revision-16/',0,'revision','',0),(2950,2,'2011-01-25 11:14:37','2011-01-25 11:14:37','<img class=\"alignright size-full wp-image-2239\" title=\"fg\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/fg.gif\" alt=\"\" width=\"350\" height=\"348\" />\r\n\r\n<strong>by Rob Irving &amp; John Lundberg</strong><strong>\r\n</strong><strong> PB, 288pp, 162 x 162mm, <span style=\"color: #ff0000;\">£</span><span style=\"color: #ff0000;\">6.99</span> UK</strong><strong>\r\n</strong><strong> ISBN: 978-0954805425</strong>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_cart\" /> <input name=\"business\" type=\"hidden\" value=\"strangeattractorpress@googlemail.com\" /> <input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"Field Guide\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"products\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /> <input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"add\" type=\"hidden\" value=\"1\" /> <input name=\"bn\" type=\"hidden\" value=\"PP-ShopCartBF:btn_cart_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £6.99</option> <option value=\"EU\">EU £7.99</option> <option value=\"ROW\">ROW £8.99</option> <option value=\"ROW AIR\">ROW AIR £11.99</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"option_select0\" type=\"hidden\" value=\"UK\" /> <input name=\"option_amount0\" type=\"hidden\" value=\"6.99\" /> <input name=\"option_select1\" type=\"hidden\" value=\"EU\" /> <input name=\"option_amount1\" type=\"hidden\" value=\"7.99\" /> <input name=\"option_select2\" type=\"hidden\" value=\"ROW\" /> <input name=\"option_amount2\" type=\"hidden\" value=\"8.99\" /> <input name=\"option_select3\" type=\"hidden\" value=\"ROW AIR\" /> <input name=\"option_amount3\" type=\"hidden\" value=\"11.99\" /> <input name=\"option_index\" type=\"hidden\" value=\"0\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n\r\n</form><span style=\"font-style: normal;\"><em>A very beautifully laid out book and certainly the best crop circle book that I have read... </em>The Field Guide<em> will become a cult classic... I really think it deserves to win the Turner Prize on behalf of all the artists that have facilitated this extraordinary experience.</em></span>\r\n<blockquote><strong><span style=\"font-style: normal;\">Allan Brown, co-author of </span>How The World Is Made<span style=\"font-style: normal;\">.</span></strong></blockquote>\r\nThree decades ago, two men in their fifties began flattening circles into the fields of Hampshire and Wiltshire. Little did they know that their Friday night antics would seed an international phenomenon that continues to change people\'s lives to this day.\r\n\r\nNow, in the first book of its kind - part history and part how-to guide - the secrets of the crop circle world are revealed, by the people behind the modern era\'s most astounding art practice.\r\n\r\nWhether you think crop circles represent a genuine mystery, a new kind of art, or an elaborate practical joke, The Field Guide is sure to leave a lasting impression. Join us in the fields for a unique exploration of this very English artform.\r\n\r\n<span style=\"font-style: normal;\"><em>A particularly cerebral blend of art theory, paranormal phenomena, hoaxes and speculations, ruggedly bound and designed to fit snugly inside your knapsack while out exploring the British countryside.</em></span>\r\n<blockquote><strong><span style=\"font-style: normal;\">Ken Hollings, in </span>The Wire</strong></blockquote>\r\n<span style=\"font-style: normal;\"><em>Finally, the definitive telling of one of the strangest tales of our times: eye-witness testimony to its birth, razor-sharp critique of the baroque pseudoscience that it spawned, and by far the closest analysis yet of the artistic negotiation between the circlemaker and the believer. Designed and laid out to perfection, this is the book that the phenomenon needs and deserves.</em></span>\r\n<blockquote><strong><span style=\"font-style: normal;\">Mike Jay, early circlemaker, author of </span>The Air Loom Gang<span style=\"font-style: normal;\"> and </span>The Unfortunate Colonel Despard<span style=\"font-style: normal;\">.</span></strong></blockquote>\r\n<form style=\"text-align: left;\" action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> </form>','The Field Guide','by Rob Irving & John Lundberg\r\nPB, 288pp, illus, index, £6.99 (was £8.99) \r\nISBN: 978-0954805425','inherit','open','open','','2133-revision-v1','','','2011-01-25 11:14:37','2011-01-25 11:14:37','',2133,'http://strangeattractor.co.uk/further/2133-revision-43/',0,'revision','',0),(3743,2,'2011-07-18 08:20:55','2011-07-18 08:20:55','<img class=\"alignright size-full wp-image-2239\" title=\"fg\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/fg.gif\" alt=\"\" width=\"350\" height=\"348\" />\r\n\r\n<strong>by Rob Irving &amp; John Lundberg</strong><strong>\r\n</strong><strong> PB, 288pp, 162 x 162mm, <span style=\"color: #ff0000;\">£</span><span style=\"color: #ff0000;\">6.99</span> UK</strong><strong>\r\n</strong><strong> ISBN: 978-0954805425</strong>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\" target=\"paypal\"><input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\" />\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"UL2U72NXP98CN\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input type=\"hidden\" name=\"on0\" value=\"Postal Options\" />Postal Options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £6.99</option></select>\r\n<select name=\"os0\"> <option value=\"EU\">EU £7.99</option></select>\r\n<select name=\"os0\"> <option value=\"ROW AIR\">ROW AIR £10.99</option></select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\" />\r\n<input type=\"image\" name=\"submit\" src=\"https://www.paypalobjects.com/en_GB/i/btn/btn_cart_LG.gif\" alt=\"PayPal - The safer, easier way to pay online.\" />\r\n<img src=\"https://www.paypalobjects.com/en_GB/i/scr/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" />\r\n\r\n</form><span style=\"font-style: normal;\"><em>A very beautifully laid out book and certainly the best crop circle book that I have read... </em>The Field Guide<em> will become a cult classic... I really think it deserves to win the Turner Prize on behalf of all the artists that have facilitated this extraordinary experience.</em></span>\r\n<blockquote><strong><span style=\"font-style: normal;\">Allan Brown, co-author of </span>How The World Is Made<span style=\"font-style: normal;\">.</span></strong></blockquote>\r\nThree decades ago, two men in their fifties began flattening circles into the fields of Hampshire and Wiltshire. Little did they know that their Friday night antics would seed an international phenomenon that continues to change people\'s lives to this day.\r\n\r\nNow, in the first book of its kind - part history and part how-to guide - the secrets of the crop circle world are revealed, by the people behind the modern era\'s most astounding art practice.\r\n\r\nWhether you think crop circles represent a genuine mystery, a new kind of art, or an elaborate practical joke, The Field Guide is sure to leave a lasting impression. Join us in the fields for a unique exploration of this very English artform.\r\n\r\n<span style=\"font-style: normal;\"><em>A particularly cerebral blend of art theory, paranormal phenomena, hoaxes and speculations, ruggedly bound and designed to fit snugly inside your knapsack while out exploring the British countryside.</em></span>\r\n<blockquote><strong><span style=\"font-style: normal;\">Ken Hollings, in </span>The Wire</strong></blockquote>\r\n<span style=\"font-style: normal;\"><em>Finally, the definitive telling of one of the strangest tales of our times: eye-witness testimony to its birth, razor-sharp critique of the baroque pseudoscience that it spawned, and by far the closest analysis yet of the artistic negotiation between the circlemaker and the believer. Designed and laid out to perfection, this is the book that the phenomenon needs and deserves.</em></span>\r\n<blockquote><strong><span style=\"font-style: normal;\">Mike Jay, early circlemaker, author of </span>The Air Loom Gang<span style=\"font-style: normal;\"> and </span>The Unfortunate Colonel Despard<span style=\"font-style: normal;\">.</span></strong></blockquote>\r\n<form style=\"text-align: left;\" action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"></form>','The Field Guide','by Rob Irving & John Lundberg\r\nPB, 288pp, illus, index, £6.99 (was £8.99) \r\nISBN: 978-0954805425','inherit','open','open','','2133-revision-v1','','','2011-07-18 08:20:55','2011-07-18 08:20:55','',2133,'http://strangeattractor.co.uk/further/2133-revision-45/',0,'revision','',0),(2951,2,'2011-01-20 18:35:13','2011-01-20 18:35:13','<strong>Edited by Mark Pilkington<img class=\"alignright size-full wp-image-2237\" title=\"saj3\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj3.gif\" alt=\"\" width=\"228\" height=\"314\" /></strong><strong>\r\n</strong>\r\n\r\n<strong>A5 PB, 286pp, £13.99 UK\r\n</strong><strong>ISBN 978-0954805432</strong>\r\n<blockquote>A third helping of high strangeness from the acclaimed Strange Attractor anthology series.</blockquote>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"9Q9LGHGGE8CX8\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal options\">Postal options</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK\">UK £13.99</option>\r\n	<option value=\"EU\">EU £14.99</option>\r\n	<option value=\"ROW Surface\">ROW Surface £15.99</option>\r\n	<option value=\"ROW Air\">ROW Air £16.99</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n\r\n\r\n<strong>Contents\r\n<strong>| <em>Contra Genesis</em> </strong>- <em>Catherine Eisner</em></strong>\r\n\r\n<strong>Unusual cases of extra-genital conception, extra-uterine gestation, and other anomalous exits</strong>\r\n\r\n<strong><strong>| <em>Burmese Daze</em></strong> - <em>Erik Davis</em>\r\nIn which the author submits to the pleasures of a transgender spirit possession festival</strong>\r\n\r\n<strong><strong><em>| Adventures in the Fourth Dimension</em></strong> - <em>Mike Jay</em>\r\nA Victorian time machine and history’s first theme park ride</strong>\r\n\r\n<strong><strong><em>| Ego in Exotica Sum</em></strong> - <em>Ken Hollings</em>\r\nIn memoriam Martin Denny, crown prince of the exotica sound</strong>\r\n\r\n<strong><strong><em>| A Psychoactive Bestiary</em></strong> - <em>Richard Rudgley</em>\r\nThe joy of zootoxins, from the ant to the giraffe</strong>\r\n\r\n<strong><strong><em>| Liberté, Légalité, Éternité</em></strong> - <em>David Luke</em>\r\nSome notes on psychonautic misadventures in time</strong>\r\n\r\n<strong><strong><em>| Kandinsky’s Thought Forms</em></strong> - <em>Gary Lachman</em>\r\nThe occult roots of modern art\r\n\r\n<strong><em>| Magic Words</em></strong> - <em>Steve Moore</em>\r\nVirgil the Necromancer in mediæval legend\r\n\r\n<strong><em>| Abu’l-Qasim al-Iraqi</em></strong> - <em>Robert Irwin</em>\r\n12th century Arab alchemists on the edge\r\nof knowledge\r\n\r\n<strong><em>| The Electrochemical Glass</em></strong> - <em>Richard Brown</em>\r\nA slow-evolving artwork from a living alchemist\r\n\r\n<strong><em>| The Man Behind the Screen</em></strong> - <em>David Rothenberg</em>\r\nHans Christian Andersen’s greatest and least-known work\r\n\r\n<strong><em>| The Mole of Edge Hill</em></strong> - <em>John Reppion</em>\r\nJoseph Williamson, Liverpool’s tunnelling philanthropist\r\n\r\n<strong><em>| La Maison de Poupées</em></strong> - <em>Robert Ansell</em>\r\nA photographic study of a magnificent compulsion\r\n\r\n<strong><em>| The Dirty Thirties</em></strong> -<em> Alexis Lykiard</em>\r\nFrom Arthur Koestler’s Encyclopædia of Sexual Knowledge\r\n\r\n<strong><em>| Paint it Black</em></strong> - <em>Stewart Home</em>\r\nAutohagiography of an artist\r\n\r\n<strong><em>| Redonda and Her Kings</em></strong> - <em>Roger Dobson</em>\r\nThe island life of early science fiction author MP Shiel\r\n\r\n<strong><em>| Magic in Paris</em></strong> - <em>Phil Baker</em>\r\nDemons of the opium den in Thirties Paris\r\n\r\n<strong><em>| The Dark Man’s Dreams</em></strong> -<em> Doug Skinner</em>\r\nAn introduction to Xavier Forneret, Surrealism’s lost poet\r\n\r\n<strong><em>| Ghosts: A short Story</em></strong>\r\n<em>by Lady Vervaine</em>\r\n\r\n<strong><em>Plus original artworks by Alison Gill, Josephine Harvatt, Betsy Heistand, Katie Owens, Arik Roper.</em></strong>\r\n\r\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj3.gif\">\r\n</a>\r\n\r\n<strong> </strong>\r\n\r\n</strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>','Journal Three','Edited by Mark Pilkington\r\nA5 PB, 286pp, £13.99 UK\r\nISBN 978-0954805432','inherit','open','open','','2150-revision-v1','','','2011-01-20 18:35:13','2011-01-20 18:35:13','',2150,'http://strangeattractor.co.uk/further/2150-revision-29/',0,'revision','',0),(2952,2,'2011-01-18 12:30:05','2011-01-18 12:30:05','<strong>Edited by Mark Pilkington\r\nA5, PB, 405pp, £13.99 UK\r\nISBN 978-0954805418</strong>\r\n<blockquote>A second helping of high strangeness from the acclaimed Strange Attractor anthology series.</blockquote>\r\n<span style=\"font-style: normal;\"><strong>Contents</strong></span>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_cart\" /> <input name=\"business\" type=\"hidden\" value=\"strangeattractorpress@googlemail.com\" /> <input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"SAJ2\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"products\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /> <input name=\"add\" type=\"hidden\" value=\"1\" /> <input name=\"bn\" type=\"hidden\" value=\"PP-ShopCartBF:btn_cart_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £14.00</option> <option value=\"EU\">EU £15.00</option> <option value=\"ROW\">ROW £16.00</option> <option value=\"ROW AIR\">ROW AIR £18.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"option_select0\" type=\"hidden\" value=\"UK\" /> <input name=\"option_amount0\" type=\"hidden\" value=\"14.00\" /> <input name=\"option_select1\" type=\"hidden\" value=\"EU\" /> <input name=\"option_amount1\" type=\"hidden\" value=\"15.00\" /> <input name=\"option_select2\" type=\"hidden\" value=\"ROW\" /> <input name=\"option_amount2\" type=\"hidden\" value=\"16.00\" /> <input name=\"option_select3\" type=\"hidden\" value=\"ROW AIR\" /> <input name=\"option_amount3\" type=\"hidden\" value=\"18.00\" /> <input name=\"option_index\" type=\"hidden\" value=\"0\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n</form><strong>My Travels with Münchausen </strong><em>Richard Burdett\r\n</em>In which the author deceives his friends on an adventure of the mind\r\n\r\n<strong>Enter the Jaguar</strong> <em>Mike Jay\r\n</em>Digging up the ancient psychedelic temple cults of Peru’s Chavínde Huantar\r\n\r\n<strong>School for Shamans </strong> <em>JasonLouv\r\n</em>Our intrepid young author braves Maoist rebels and astral collapse to learn the secrets of Nepalese sorcery\r\n\r\n<strong>The Temple at the End of Time</strong> <em>John Rowe\r\n</em>Jerusalem’s Temple Mount and its role in all our ends\r\n\r\n<strong>Haunts of the Halifax Slasher </strong> <em>Tim Chapman\r\n</em>A gentlemanly tour of the city’s dark past\r\n\r\n<strong>Admiral Byrd, Atlantis &amp;the Hollow Earth </strong><em>Theo Paijmans\r\n</em>A letter, a legend and a flight beyond the poles\r\n\r\n<strong>Under Petticoat Rule\r\n</strong>An anonymous manuscript reveals one boy’s restrictive upbringing.\r\nIntroduction <em>by Peter Farrer &amp;Cathy Ward</em>\r\n\r\n<strong>An Animist Manifesto </strong><em>Graham Harvey\r\n</em>A call to arms. And antennae, branches, tentacles etc\r\n\r\n<strong>Dr Price’s Final Transmutation</strong> <em>Guy Ogilvy\r\n</em>How the Royal Society found, then lost, the secrets of alchemy\r\n\r\n<strong>Life from Earth: The Golem and Homunculi </strong><em>Gary Lachman\r\n</em>The mystical origins of artificial life. Photography by <em>Maud Larsson</em>\r\n\r\n<strong>Robot Power, Robot Pride </strong><em>Ken Hollings\r\n</em>How the robot found its self\r\n\r\n<strong>Should they Live:on the Use of Dead Babies </strong><em>Don Mader\r\n</em>The hidden meaning of a sinister 19th century religious print\r\n\r\n<strong>Mould Art</strong> Discovered by <em>Doug Harvey\r\n</em>Beauty grows in unexpected places\r\n\r\n<strong>The Court of Lust </strong><em>John Branston\r\n</em>Waldo Sabine: parapsychologist, poet, feminist, martyr\r\n\r\n<strong>Sandoz in the Rain: The Life and Art of Wilfried Sätty\r\n</strong><em>John Coulthart </em>on a lost visionary hero of the psychedelic revolution\r\n\r\n<strong>Boris Vian for Anglophones</strong> <em>Doug Skinnner\r\n</em>The scandalous oeuvre of the man who shocked his world\r\n\r\n<strong>Richard Jefferies and the Agitated Pool of Life\r\n</strong><em>Neil Mortimer </em>introduces this early, apocalyptic ecologist\r\n\r\n<strong>Anagrams for Maya Deren </strong><em>Kevin Jackson\r\n</em>Artist, film maker, voodoo priestess\r\n\r\n<strong>Change in a Parallel World: CFRussell, Louis </strong><strong>Culling and the Book of Changes </strong>\r\n<em>Steve Moore presents </em>an eccentric history and a new <em>I Ching</em>\r\n\r\n<strong>Spirits of Place:Strange Encounters of an Anglican </strong><strong>Kind </strong><em>Alan Walker\r\n</em>How the Church of England answered <em>The Exorcist</em>\r\n\r\n<strong>One More Nightmare calling... the Heathen</strong> <em>Robert J Wallis\r\n</em>Loki the ‘pervert god’, <em>Seidr</em>sorcery and the Left Hand Path.\r\nIllustrations by <em>Arik Roper </em>and <em>Carina Thorén</em>\r\n\r\n<strong>Terror by Night: the Sleeping Partner </strong><em>Roger Dobson\r\n</em>Memoirs of a hag-ridden man\r\n\r\n<strong>Folklore of Underground London </strong><em>Antony Clayton\r\n</em>What rumours lie beneath the city’s streets?\r\n\r\n<strong>Cesare Thodol</strong> <em>Mark Samuels\r\n</em>On brain fungus and other horrors. Illustrated by <em>Betsy Heistand</em>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_cart\" /> <input name=\"business\" type=\"hidden\" value=\"strangeattractorpress@googlemail.com\" /> <input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"SAJ2\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"products\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /> <input name=\"add\" type=\"hidden\" value=\"1\" /> <input name=\"bn\" type=\"hidden\" value=\"PP-ShopCartBF:btn_cart_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £14.00</option> <option value=\"EU\">EU £15.00</option> <option value=\"ROW\">ROW £16.00</option> <option value=\"ROW AIR\">ROW AIR £18.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"option_select0\" type=\"hidden\" value=\"UK\" /> <input name=\"option_amount0\" type=\"hidden\" value=\"14.00\" /> <input name=\"option_select1\" type=\"hidden\" value=\"EU\" /> <input name=\"option_amount1\" type=\"hidden\" value=\"15.00\" /> <input name=\"option_select2\" type=\"hidden\" value=\"ROW\" /> <input name=\"option_amount2\" type=\"hidden\" value=\"16.00\" /> <input name=\"option_select3\" type=\"hidden\" value=\"ROW AIR\" /> <input name=\"option_amount3\" type=\"hidden\" value=\"18.00\" /> <input name=\"option_index\" type=\"hidden\" value=\"0\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n</form>','Journal Two','Edited by Mark Pilkington\r\nA5, PB, 405pp, £13.99 UK \r\nISBN 978-0954805418','inherit','open','open','','2147-revision-v1','','','2011-01-18 12:30:05','2011-01-18 12:30:05','',2147,'http://strangeattractor.co.uk/further/2147-revision-25/',0,'revision','',0),(2954,2,'2011-01-26 12:32:10','2011-01-26 12:32:10','<strong>Edited by Mark Pilkington<img class=\"alignright size-full wp-image-2237\" title=\"saj3\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj3.gif\" alt=\"\" width=\"228\" height=\"314\" /></strong><strong>\r\n</strong>\r\n\r\n<strong>A5 PB, 286pp, £13.99 UK\r\n</strong><strong>ISBN 978-0954805432</strong>\r\n<blockquote>A third helping of high strangeness from the acclaimed Strange Attractor anthology series.</blockquote>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"GVZXB3D3JMEBN\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal options\">Postal options</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK\">UK £13.99</option>\r\n	<option value=\"EU AIr\">EU AIr £14.99</option>\r\n	<option value=\"ROW Surface\">ROW Surface £15.99</option>\r\n	<option value=\"ROW AIR\">ROW AIR £16.99</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n\r\n\r\n\r\n<strong>Contents\r\n<strong>| <em>Contra Genesis</em> </strong>- <em>Catherine Eisner</em></strong>\r\n\r\n<strong>Unusual cases of extra-genital conception, extra-uterine gestation, and other anomalous exits</strong>\r\n\r\n<strong><strong>| <em>Burmese Daze</em></strong> - <em>Erik Davis</em>\r\nIn which the author submits to the pleasures of a transgender spirit possession festival</strong>\r\n\r\n<strong><strong><em>| Adventures in the Fourth Dimension</em></strong> - <em>Mike Jay</em>\r\nA Victorian time machine and history’s first theme park ride</strong>\r\n\r\n<strong><strong><em>| Ego in Exotica Sum</em></strong> - <em>Ken Hollings</em>\r\nIn memoriam Martin Denny, crown prince of the exotica sound</strong>\r\n\r\n<strong><strong><em>| A Psychoactive Bestiary</em></strong> - <em>Richard Rudgley</em>\r\nThe joy of zootoxins, from the ant to the giraffe</strong>\r\n\r\n<strong><strong><em>| Liberté, Légalité, Éternité</em></strong> - <em>David Luke</em>\r\nSome notes on psychonautic misadventures in time</strong>\r\n\r\n<strong><strong><em>| Kandinsky’s Thought Forms</em></strong> - <em>Gary Lachman</em>\r\nThe occult roots of modern art\r\n\r\n<strong><em>| Magic Words</em></strong> - <em>Steve Moore</em>\r\nVirgil the Necromancer in mediæval legend\r\n\r\n<strong><em>| Abu’l-Qasim al-Iraqi</em></strong> - <em>Robert Irwin</em>\r\n12th century Arab alchemists on the edge\r\nof knowledge\r\n\r\n<strong><em>| The Electrochemical Glass</em></strong> - <em>Richard Brown</em>\r\nA slow-evolving artwork from a living alchemist\r\n\r\n<strong><em>| The Man Behind the Screen</em></strong> - <em>David Rothenberg</em>\r\nHans Christian Andersen’s greatest and least-known work\r\n\r\n<strong><em>| The Mole of Edge Hill</em></strong> - <em>John Reppion</em>\r\nJoseph Williamson, Liverpool’s tunnelling philanthropist\r\n\r\n<strong><em>| La Maison de Poupées</em></strong> - <em>Robert Ansell</em>\r\nA photographic study of a magnificent compulsion\r\n\r\n<strong><em>| The Dirty Thirties</em></strong> -<em> Alexis Lykiard</em>\r\nFrom Arthur Koestler’s Encyclopædia of Sexual Knowledge\r\n\r\n<strong><em>| Paint it Black</em></strong> - <em>Stewart Home</em>\r\nAutohagiography of an artist\r\n\r\n<strong><em>| Redonda and Her Kings</em></strong> - <em>Roger Dobson</em>\r\nThe island life of early science fiction author MP Shiel\r\n\r\n<strong><em>| Magic in Paris</em></strong> - <em>Phil Baker</em>\r\nDemons of the opium den in Thirties Paris\r\n\r\n<strong><em>| The Dark Man’s Dreams</em></strong> -<em> Doug Skinner</em>\r\nAn introduction to Xavier Forneret, Surrealism’s lost poet\r\n\r\n<strong><em>| Ghosts: A short Story</em></strong>\r\n<em>by Lady Vervaine</em>\r\n\r\n<strong><em>Plus original artworks by Alison Gill, Josephine Harvatt, Betsy Heistand, Katie Owens, Arik Roper.</em></strong>\r\n\r\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj3.gif\">\r\n</a>\r\n\r\n<strong> </strong>\r\n\r\n</strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>','Journal Three','Edited by Mark Pilkington\r\nA5 PB, 286pp, £13.99 UK\r\nISBN 978-0954805432','inherit','open','open','','2150-revision-v1','','','2011-01-26 12:32:10','2011-01-26 12:32:10','',2150,'http://strangeattractor.co.uk/further/2150-revision-30/',0,'revision','',0),(2955,2,'2011-01-13 09:09:28','2011-01-13 09:09:28','<strong><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/equinox3.jpg\"><img class=\"alignright size-full wp-image-2551\" title=\"equinox3\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/equinox3.jpg\" alt=\"\" width=\"225\" height=\"313\" /></a>Edited by Raymond Salvatore Harmon</strong><strong>\r\n</strong><strong> 208 pages, A5, PB, <span style=\"color: #ff0000;\">£9.99</span></strong><strong>\r\n</strong><strong> ISBN: 978-1907222009</strong>\r\n\r\n<strong><em>A book companion to the three-day festival of scientific illuminism held at London\'s Conway Hall on 12-14 June 2009.</em></strong>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_cart\" /> <input name=\"business\" type=\"hidden\" value=\"strangeattractorpress@googlemail.com\" /> <input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"Equinox\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"products\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /> <input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"add\" type=\"hidden\" value=\"1\" /> <input name=\"bn\" type=\"hidden\" value=\"PP-ShopCartBF:btn_cart_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £9.99</option> <option value=\"EU\">EU £10.99</option> <option value=\"ROW\">ROW £11.99</option> <option value=\"ROW AIR\">ROW AIR £13.99</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"option_select0\" type=\"hidden\" value=\"UK\" /> <input name=\"option_amount0\" type=\"hidden\" value=\"9.99\" /> <input name=\"option_select1\" type=\"hidden\" value=\"EU\" /> <input name=\"option_amount1\" type=\"hidden\" value=\"10.99\" /> <input name=\"option_select2\" type=\"hidden\" value=\"ROW\" /> <input name=\"option_amount2\" type=\"hidden\" value=\"11.99\" /> <input name=\"option_select3\" type=\"hidden\" value=\"ROW AIR\" /> <input name=\"option_amount3\" type=\"hidden\" value=\"13.99\" /> <input name=\"option_index\" type=\"hidden\" value=\"0\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n\r\n</form>\r\n<blockquote><span style=\"font-style: normal;\">\r\n</span></blockquote>\r\n<h4>Featuring full length essays and artworks from:</h4>\r\nCarl Abrahamsonn, Aethenor, David Beth, Peter Christopherson, Comus, Erik Davis, Orryelle Defenestrate-Bascule, Paul Devereux, Phil Farber, Stephen Grasso, Andrew Hartwell, Barry Hale, Raymond Salvatore Harmon, Paola Igliori, Alan Moore, Ralph Metzner, Mark Pilkington, Jack Sargeant, Robert Wallis, Matthew Wiley, Z’EV, John Zorn.\r\n<h4>Limited to a run of 777 copies.</h4>\r\n<blockquote><em>\'a substantial 200-plus page book of essays by the speakers, beautiful artwork, pieces about the intent of the Festival from the organizers, background and interviews on the artists at the Festival, and more. This book is a wonderful take-away which supports what happened and will allow it to take root much more effectively for those who were there. I\'ve read the essays of several presenters and the interview with the re-united band Comus after their performance and it really helped deepen my experience. ... It stands well on its own as something of a snapshot/ad hoc manifesto of the current “occult revival” (if, in fact, such a thing is happening).</em></blockquote>\r\n<em> </em>Gareth Branwyn, <a href=\"http://www.boingboing.net/\">Boing Boing</a>','Equinox Festival','Edited by Raymond Salvatore Harmon \r\nPB, 208 pp, illus, £9.99 (was £11.99)\r\nISBN: 978-1907222009 \r\n','inherit','open','open','','2164-revision-v1','','','2011-01-13 09:09:28','2011-01-13 09:09:28','',2164,'http://strangeattractor.co.uk/further/2164-revision-30/',0,'revision','',0),(3413,2,'2011-04-18 15:14:15','2011-04-18 15:14:15','Just to let everyone who is waiting for their copies of the special edition of <em><a href=\"http://strangeattractor.co.uk/books/austin-osman-spare-3/\">Austin Osman Spare</a></em> know that we will be posting copies out on Tuesday and Wednesday of this week, 18 April 2011. We appreciate your patience and feel confident that your wait will have been worthwhile.\r\n\r\nWe\'ve also had our first review for the book, from author Phil Hine:\r\n\r\n‘I cannot recommend <em>Austin Osman Spare</em> too highly. Phil Baker has done a wonderful job of bringing the complexities and contradictions of Spare’s life to the fore, and in making the London of Spare’s time come to life vividly and richly. Hopefully this book will encourage a reassessment of Spare which is long overdue’\r\n\r\nYou can read the full review on Phil\'s site, <a href=\"http://enfolding.org/library/phil-baker/austin-osman-spare-the-life-and-legend-of-londons-lost-artist/\">here</a>','Austin Spare special editions now shipping','Copies of the special edition of Austin Osman Spare know that we will be posting copies out on Tuesday and Wednesday of this week.','publish','open','open','','austin-spare-special-editions-shipping-this-week','','\nhttp://strangeattractor.co.uk/books/austin-osman-spare-3/','2011-04-18 16:00:46','2011-04-18 16:00:46','',0,'http://strangeattractor.co.uk/?p=3413',0,'post','',0),(3372,2,'2011-04-06 12:04:50','2011-04-06 12:04:50','<a href=\"http://www.ica.org.uk/28654/Live-Art/Strange-Attractor-Weirding-Modules.html\" target=\"_blank\"><img class=\"alignleft size-full wp-image-3358\" title=\"rgk\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/04/rgk.jpeg\" alt=\"\" width=\"450\" height=\"299\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\nFriday 15 April 2011, from 7.30pm\r\nTickets £5 book <a href=\"http://www.ica.org.uk/28654/Live-Art/Strange-Attractor-Weirding-Modules.html\" target=\"_blank\">here</a>\r\n\r\nInstitute of Contemporary Arts\r\nThe Mall,  London,  SW1Y 5AH [<a href=\"http://www.ica.org.uk/9954/Visit/Getting-here.html\" target=\"_blank\">map</a>]\r\n\r\nThe first of three music events in association with artist <a href=\"http://www.ica.org.uk/27600/Visual-Art/Nathaniel-Mellors-Ourhouse.html\" target=\"_blank\">Nathaniel Mellors</a> that reflect his musical influences and personal interest in live performance. <em>Weirding Modules</em> features live transmissions from the Strange Attractor universe including:\r\n\r\n<strong>Alexander Tucker Decomposed Orchestra\r\n</strong>Transcendent, blissed-out otherness from the celebrated Thrill Jockey / ATP guitarist and friends.\r\n\r\nAlexander Tucker  - cello, guitar and fx\r\nPaul May - drums\r\nKarl Brummer - sax and horns\r\nFrances Morgan - violin\r\n\r\n<strong>Amal Gamal Ensemble\r\n</strong>Heavy kosmische sounds from this veteran improvising supergroup comprising members of Alabama 3, Coil, Cyclobe, Guapo, Shockheaded Peters and others\r\n\r\nKarl Blake - bass\r\nDavid Knight - guitar\r\nGavin Mitchell - tapes\r\nOrlando - keyboards\r\nDavid J Smith - drums\r\nStephen Thrower - synthesiser\r\n\r\n<strong>Raagnagrok Allstars\r\n</strong>An expanded lineup of the improvising, psychedelic deep space drone duo, <em>pictured above</em>\r\n\r\nZali Krishna - electric sitar, guitar, percussion, oboe\r\nAndy Letcher - Breton pipes\r\nPaul May - drums\r\nNathaniel Mellors - bass\r\nMark Pilkington - synthesisers, chimes\r\nPlus the Master Musicians of Raagnagrok\r\nand live circuit-bent video mixing from Raymond Salvatore Harmon\r\n\r\n<strong>DJs</strong> Frances Morgan (Time, Morgen &amp; Nite, Plan B, Strange Attractor) &amp; Woebot\r\n\r\nTickets £5 book <a href=\"http://www.ica.org.uk/28654/Live-Art/Strange-Attractor-Weirding-Modules.html\" target=\"_blank\">here</a>\r\n\r\n&nbsp;',' Weirding Modules : 15 April, ICA','Strange Attractor presents the first of three music events at the ICA, in association with exhibiting artist Nathaniel Mellors.\r\n','inherit','open','open','','3357-revision-7','','','2011-04-06 12:04:50','2011-04-06 12:04:50','',3357,'http://strangeattractor.co.uk/further/3357-revision-7/',0,'revision','',0),(3909,2,'2011-10-03 12:50:16','2011-10-03 12:50:16','&nbsp;\n\n<strong> <a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/08/LondonsLostRivers_cover_small.jpg\"><img class=\"alignright size-full wp-image-3829\" title=\"LondonsLostRivers_cover_small\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/08/LondonsLostRivers_cover_small.jpg\" alt=\"\" width=\"284\" height=\"400\" /></a>A Walker\'s Guide</strong>\n\n<strong>By Tom Bolton</strong>\n<strong>Photography by SF Said</strong>\n<strong>Foreword by Chris Fowler\n</strong><strong>PB, 272pp ,illustrated,  £14.99\n</strong><strong>ISBN 978 1907222030</strong>\n<blockquote> \'a cracking read even if you have no intention of pounding the pavements\' <em><a href=\"http://londonist.com/2011/09/book-review-londons-lost-rivers-a-walkers-guide.php\" target=\"_blank\">The Londonist</a> </em></blockquote>\n<em>All copies sold via SAP are signed by the author</em>\n\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\" /> <input type=\"hidden\" name=\"hosted_button_id\" value=\"8ECFV2DWRZ8Y2\" />\n<table>\n<tbody>\n<tr>\n<td><input type=\"hidden\" name=\"on0\" value=\"Postal Options\" />Postal Options</td>\n</tr>\n<tr>\n<td><select name=\"os0\"> <option value=\"UK\">UK £14.99</option> <option value=\"EU\">EU £15.99</option> <option value=\"ROW\">ROW £16.99</option> </select></td>\n</tr>\n</tbody>\n</table>\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\" /> <input type=\"image\" name=\"submit\" src=\"https://www.paypalobjects.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" alt=\"PayPal — The safer, easier way to pay online.\" /><img src=\"https://www.paypalobjects.com/en_GB/i/scr/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" />\n\n</form>When we think of London\'s river, the vast thoroughfare of the Thames immediately springs to mind. But this ancient city was built around other rivers too – and traces of these still remain, for those who know where to look.\n\n<em>London\'s Lost Rivers</em> takes the reader on a series of walks along the routes of eight lost rivers, combining directions for walkers with richly detailed anecdotes outlining the history of each river\'s route, origins and decline.\n\nTom Bolton reveals a secret network that spreads across the city, from picturesque Hampstead in the North to the hidden suburbs of South London, and runs beneath some of London\'s most iconic and historic sites.\n\nThese London pasts are brought to vivid life, populated by characters both famous and infamous, including politicians, forgers, actors, architects, athletes, monarchs and murderers.\n\nEvocative, witty and engaging, <em>London\'s Lost Rivers</em> invites both visitors to the city and lifelong Londoners to explore another side of London and its rich history, whether on foot or in the imagination.\n\n&nbsp;\n\n<strong>About the Author\n</strong>Tom Bolton is a researcher, walker and photographer who lives and works in London. He writes regularly about the city and reviews theatre and music.\n\n<script type=\"text/javascript\">// <![CDATA[\ntry{for(var lastpass_iter=0; lastpass_iter < document.forms.length; lastpass_iter++){ var lastpass_f = document.forms[lastpass_iter]; if(typeof(lastpass_f.lpsubmitorig2)==\"undefined\"){ lastpass_f.lpsubmitorig2 = lastpass_f.submit; lastpass_f.submit = function(){ var form=this; var customEvent = document.createEvent(\"Event\"); customEvent.initEvent(\"lpCustomEvent\", true, true); var d = document.getElementById(\"hiddenlpsubmitdiv\"); for(var i = 0; i < document.forms.length; i++){ if(document.forms[i]==form){ d.innerText=i; } } d.dispatchEvent(customEvent); form.lpsubmitorig2(); } } }}catch(e){}\n// ]]></script>\n\n<script type=\"text/javascript\">// <![CDATA[\ntry{for(var lastpass_iter=0; lastpass_iter < document.forms.length; lastpass_iter++){ var lastpass_f = document.forms[lastpass_iter]; if(typeof(lastpass_f.lpsubmitorig2)==\"undefined\"){ lastpass_f.lpsubmitorig2 = lastpass_f.submit; lastpass_f.submit = function(){ var form=this; var customEvent = document.createEvent(\"Event\"); customEvent.initEvent(\"lpCustomEvent\", true, true); var d = document.getElementById(\"hiddenlpsubmitdiv\"); for(var i = 0; i < document.forms.length; i++){ if(document.forms[i]==form){ d.innerText=i; } } d.dispatchEvent(customEvent); form.lpsubmitorig2(); } } }}catch(e){}\n// ]]></script>\n\n<script type=\"text/javascript\">// <![CDATA[\ntry{for(var lastpass_iter=0; lastpass_iter < document.forms.length; lastpass_iter++){ var lastpass_f = document.forms[lastpass_iter]; if(typeof(lastpass_f.lpsubmitorig2)==\"undefined\"){ lastpass_f.lpsubmitorig2 = lastpass_f.submit; lastpass_f.submit = function(){ var form=this; var customEvent = document.createEvent(\"Event\"); customEvent.initEvent(\"lpCustomEvent\", true, true); var d = document.getElementById(\"hiddenlpsubmitdiv\"); for(var i = 0; i < document.forms.length; i++){ if(document.forms[i]==form){ d.innerText=i; } } d.dispatchEvent(customEvent); form.lpsubmitorig2(); } } }}catch(e){}\n// ]]></script>\n\n<script type=\"text/javascript\">// <![CDATA[\ntry{for(var lastpass_iter=0; lastpass_iter < document.forms.length; lastpass_iter++){ var lastpass_f = document.forms[lastpass_iter]; if(typeof(lastpass_f.lpsubmitorig2)==\"undefined\"){ lastpass_f.lpsubmitorig2 = lastpass_f.submit; lastpass_f.submit = function(){ var form=this; var customEvent = document.createEvent(\"Event\"); customEvent.initEvent(\"lpCustomEvent\", true, true); var d = document.getElementById(\"hiddenlpsubmitdiv\"); for(var i = 0; i < document.forms.length; i++){ if(document.forms[i]==form){ d.innerText=i; } } d.dispatchEvent(customEvent); form.lpsubmitorig2(); } } }}catch(e){}\n// ]]></script>','London\'s Lost Rivers','By Tom Bolton \n272pp, PB, illustrated, £14.99\nISBN 978 1907222030','inherit','open','open','','3908-revision-v1','','','2011-10-03 12:50:16','2011-10-03 12:50:16','',3908,'http://strangeattractor.co.uk/further/3908-revision/',0,'revision','',0),(6045,2,'2017-12-12 15:24:09','2017-12-12 15:24:09','<a href=\"http://strangeattractor.co.uk/?attachment_id=6030\" rel=\"attachment wp-att-6030\"><img class=\"wp-image-6030 aligncenter\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2017/12/23SW-web.jpg\" alt=\"\" width=\"414\" height=\"433\" /></a><b><span style=\"color: #000000;\">Artworks by Ian Johnstone, with a</span> <span style=\"color: #000000;\">text by Geoff Cox and</span></b><strong> an afterword by artist Serena Korda.</strong><b>\r\n</b>\r\n\r\n<b><span style=\"color: #000000;\">Music Cassette by Daniel O\'Sullivan.</span>\r\n</b>\r\n\r\n<em>Archival quality, large format, collectors\' hardback</em>\r\n<em> 240mm x 240mm, 72pp.</em>\r\n<em> Full colour throughout.</em>\r\n<em>£40.00 + p&amp;P</em>\r\n\r\n<em>300 copies only.</em>\r\n\r\n<strong>Available by 15 March 2018, only from Strange Attractor Press.</strong>\r\n\r\nA series of 23 drawings by Ian Johnstone, in red ball point pen on melamine, originally exhibited at London\'s Horse Hospital in November 2010. The drawings celebrate individual blood consciousness, the in-between and the constant state of becoming .\r\n\r\n• Includes a 40 minute cassette of music composed for the original exhibition at the Horse Hospital by Daniel O\'Sullivan (Ulver, Mothlite, Grumbling Fur).\r\n\r\n\"This is a rare document of blood voiced signatures; weeping guilt details of all our conspiracies. Snatch it up. Let the words’ knifings and the split Biro capillaries own you. But never lend it out, or pocket it close to your heart, it’s too unforgiving.\"\r\n<strong>Brian Catling</strong>, author of <em>The Vorrh</em>\r\n\r\n<strong><a href=\"https://strangeattractor.greedbag.com/buy/of-kings-and-things/\">PRE-ORDER IT HERE</a></strong>\r\n\r\n&nbsp;\r\n\r\n<em>They appear on blocks of unguessable purpose : pin-veined rough-cut blocks of whitewood. Displayed in the clutch of the screw’s harsh thrift. The cloth is pulled away.</em><em>The 23 wounds.</em>\r\n<em>Sphagia.</em>\r\n<em>Extispicy.</em><em>Blood spidered and baked on fissured rocks. Lassos and bones and a tracework of bones. Flesh bared and pared and spindled open through a million pin pricks. Tiny and vertiginous, their lines cluster and tear themselves into liquid fold and tiny blots. The eye swoops like a raptor, bedazzled. Swims unfocused by infinitesimal mysteries. Tricked, beguiled, left rotting.</em><em>Impossible amulets</em><em>23  broken hawk beaks</em>\r\n<em>23 rotted talons with their fringe of ant trail</em>\r\n<em>23 fragments of a skull</em>\r\n<em>23 curses hung round the neck of a scavenger wolf</em>\r\n<em>23 bell shards tolled for the ghost of a headless ram</em>\r\n<em>23 mourning scarves of ink-clotted lace</em>\r\n<em>23 eggshells sticky with seed</em>\r\n\r\n<em>Interred in the shadow of the tower of silence, beneath bird wing storm and acid hail, the fruiting body hardens.</em>\r\n\r\n<em>Takes shape.</em>\r\n\r\n<a href=\"http://strangeattractor.co.uk/?attachment_id=6040\" rel=\"attachment wp-att-6040\"><img class=\"wp-image-6040 aligncenter\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2017/12/Webwound2.jpg\" alt=\"\" width=\"410\" height=\"280\" /></a> Plus\r\n<strong>Musick For Ark Todd</strong>\r\nBy Daniel O\'Sullivan\r\n\r\nA: <em>The Levitating Moon Piece\r\n</em>B: <em>Black Egg / Orpheus</em>\r\n\r\n\"I wrote several pieces of music for Ian’s ‘Ark Todd’ static levitation performance over the years. Each setting provoked a different approach. The collaboration with Ulver at the Norwegian Opera house in Oslo was well documented but this particular version, composed for the exhibition of his Stab Wounds at the Horse Hospital gallery in Bloomsbury, has been resting dormant until now.\r\n\r\nThe second piece was a commission for The Place theatre, also in Bloomsbury. An unfinished piece of choreography with dancer and vocalist Francois Testory. Like all of Ian’s work, this was a singular vision probing the human condition and meticulously scratching for truth under every surface.\"\r\n\r\n<strong>About Ian Johnstone</strong>\r\n<div>\r\n\r\nIan was a long time friend of Strange Attractor and we were working with him on this book when he died unexpectedly in 2015.\r\n\r\n\'Ian was artist of unimaginable talent and vision, articulated in his singular and exquisite aesthetic which was manifest in all he touched... he was charismatically irreverent, compelling to watch and to listen to and bottomlessly soulful.\'\r\n<strong>The Horse Hospital</strong>\r\n\r\nAs well as his own incredible work in sculpture, drawing, painting and performance, Ian collaborated on designs, costumes and performances with  musicians including Coil, Daniel O\'Sullivan, James B Hollands, Mothlite Francois Testory and Ulver.\r\n\r\n</div>\r\n<strong><a href=\"https://strangeattractor.greedbag.com/buy/of-kings-and-things/\">PRE-ORDER HERE</a></strong>','The 23 Stab Wounds of Julius Caesar','','inherit','closed','closed','','6029-revision-v1','','','2017-12-12 15:24:09','2017-12-12 15:24:09','',6029,'http://strangeattractor.co.uk/news/6029-revision-v1/',0,'revision','',0),(6044,2,'2017-12-12 15:23:00','2017-12-12 15:23:00','<a href=\"http://strangeattractor.co.uk/?attachment_id=6030\" rel=\"attachment wp-att-6030\"><img class=\"wp-image-6030 aligncenter\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2017/12/23SW-web.jpg\" alt=\"\" width=\"414\" height=\"433\" /></a><b><span style=\"color: #000000;\">Artworks by Ian Johnstone, with a</span> <span style=\"color: #000000;\">text by Geoff Cox and</span></b><strong> an afterword by artist Serena Korda.</strong><b>\r\n</b>\r\n\r\n<b><span style=\"color: #000000;\">Music Cassette by Daniel O\'Sullivan.</span>\r\n</b>\r\n\r\n<em>Archival quality, large format, collectors\' hardback</em>\r\n<em> 240mm x 240mm, 72pp.</em>\r\n<em> Full colour throughout.</em>\r\n<em>£40.00 + p&amp;P</em>\r\n\r\n<em>300 copies only.</em>\r\n\r\n<strong>Available by 15 March 2018, only from Strange Attractor Press.</strong>\r\n\r\nA series of 23 drawings by Ian Johnstone, in red ball point pen on melamine, originally exhibited at London\'s Horse Hospital in November 2010. The drawings celebrate individual blood consciousness, the in-between and the constant state of becoming .\r\n\r\n• Includes a 40 minute cassette of music composed for the original exhibition at the Horse Hospital by Daniel O\'Sullivan (Ulver, Mothlite, Grumbling Fur).\r\n\r\n\"This is a rare document of blood voiced signatures; weeping guilt details of all our conspiracies. Snatch it up. Let the words’ knifings and the split Biro capillaries own you. But never lend it out, or pocket it close to your heart, it’s too unforgiving.\"\r\n<strong>Brian Catling</strong>, author of <em>The Vorrh</em>\r\n\r\n<strong><a href=\"https://strangeattractor.greedbag.com/buy/of-kings-and-things/\">PRE-ORDER IT HERE</a></strong>\r\n\r\n&nbsp;\r\n<ul>\r\n 	<li style=\"list-style-type: none;\"><em>They appear on blocks of unguessable purpose : pin-veined rough-cut blocks of whitewood. Displayed in the clutch of the screw’s harsh thrift. The cloth is pulled away.</em><em>The 23 wounds.</em>\r\n<em>Sphagia.</em>\r\n<em>Extispicy.</em><em>Blood spidered and baked on fissured rocks. Lassos and bones and a tracework of bones. Flesh bared and pared and spindled open through a million pin pricks. Tiny and vertiginous, their lines cluster and tear themselves into liquid fold and tiny blots. The eye swoops like a raptor, bedazzled. Swims unfocused by infinitesimal mysteries. Tricked, beguiled, left rotting.</em><em>Impossible amulets</em><em>23  broken hawk beaks</em>\r\n<em>23 rotted talons with their fringe of ant trail</em>\r\n<em>23 fragments of a skull</em>\r\n<em>23 curses hung round the neck of a scavenger wolf</em>\r\n<em>23 bell shards tolled for the ghost of a headless ram</em>\r\n<em>23 mourning scarves of ink-clotted lace</em>\r\n<em>23 eggshells sticky with seed</em><em>Interred in the shadow of the tower of silence, beneath bird wing storm and acid hail, the fruiting body hardens.</em>\r\n\r\n<em>Takes shape.</em>\r\n\r\n<a href=\"http://strangeattractor.co.uk/?attachment_id=6040\" rel=\"attachment wp-att-6040\"><img class=\"wp-image-6040 aligncenter\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2017/12/Webwound2.jpg\" alt=\"\" width=\"410\" height=\"280\" /></a>\r\n<div>Plus\r\n<strong>Musick For Ark Todd</strong>\r\nBy Daniel O\'Sullivan</div>\r\n<div></div>\r\n<div>A: <em>The Levitating Moon Piece</em></div>\r\n<div>B: <em>Black Egg / Orpheus</em></div>\r\n<div></div>\r\n\"I wrote several pieces of music for Ian’s ‘Ark Todd’ static levitation performance over the years. Each setting provoked a different approach. The collaboration with Ulver at the Norwegian Opera house in Oslo was well documented but this particular version, composed for the exhibition of his Stab Wounds at the Horse Hospital gallery in Bloomsbury, has been resting dormant until now.</li>\r\n 	<li style=\"list-style-type: none;\">The second piece was a commission for The Place theatre, also in Bloomsbury. An unfinished piece of choreography with dancer and vocalist Francois Testory. Like all of Ian’s work, this was a singular vision probing the human condition and meticulously scratching for truth under every surface.\"</li>\r\n</ul>\r\n<strong>About Ian Johnstone</strong>\r\n<ul>\r\n 	<li style=\"list-style-type: none;\">\r\n<div>\r\n\r\nIan was a long time friend of Strange Attractor and we were working with him on this book when he died unexpectedly in 2015.\r\n\r\n\'Ian was artist of unimaginable talent and vision, articulated in his singular and exquisite aesthetic which was manifest in all he touched... he was charismatically irreverent, compelling to watch and to listen to and bottomlessly soulful.\'\r\n<strong>The Horse Hospital</strong>\r\n\r\nAs well as his own incredible work in sculpture, drawing, painting and performance, Ian collaborated on designs, costumes and performances with  musicians including Coil, Daniel O\'Sullivan, James B Hollands, Mothlite Francois Testory and Ulver.\r\n\r\n</div></li>\r\n</ul>\r\n<ul>\r\n 	<li style=\"list-style-type: none;\"><strong><a href=\"https://strangeattractor.greedbag.com/buy/of-kings-and-things/\">PRE-ORDER HERE</a></strong></li>\r\n</ul>','The 23 Stab Wounds of Julius Caesar','','inherit','closed','closed','','6029-revision-v1','','','2017-12-12 15:23:00','2017-12-12 15:23:00','',6029,'http://strangeattractor.co.uk/news/6029-revision-v1/',0,'revision','',0),(3584,2,'2011-05-17 17:01:29','2011-05-17 17:01:29','<div>\r\n<h1><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/outofthisworld.jpg\"><img class=\"size-full wp-image-3585 alignnone\" style=\"margin: 8px;\" title=\"outofthisworld\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/outofthisworld.jpg\" alt=\"\" width=\"295\" height=\"400\" /></a></h1>\r\n<em><strong>Why science fiction speaks to us all</strong></em>\r\n\r\nFri 20 May 2011, 18.30 - 20.00\r\n£7.50 / £5 concessions\r\nConference Centre, British Library\r\n\r\nThroughout history, people have asked ‘what if?’. We have always allowed our imaginations to create other worlds as expressions of our wildest dreams, hopes and fears, and so better to understand our own. ‘Science Fiction’ expresses this human need in potent ways, but so does the work of Jonathan Swift, Lewis Carroll and George Orwell.\r\n\r\nThe story and present state of our speculations are explored by Erik Davis, China Miéville, Adam Roberts, Tricia Sullivan and special guests.\r\n\r\nChair: Sam Leith\r\n\r\n<a href=\"http://purchase.tickets.com/buy/TicketPurchase?agency=AGENCY_NAME&amp;organ_val=org_id&amp;pid=6991250\">Book now</a>\r\n\r\n</div>\r\n<div id=\"pagecontent\">\r\n\r\n<a href=\"http://purchase.tickets.com/buy/TicketPurchase?agency=AGENCY_NAME&amp;organ_val=org_id&amp;pid=6991250\"></a>The British Library\'s SF season continues throughout the summer with guests including SA pals Ken Hollings, Bruce Woolley, Mike Jay, David Clarke and our own Mark Pilkington.\r\n\r\n</div>','20 May: Out of this World, with Erik Davis and China Miéville','An exploration of why science fiction retains its power, with Erik Davis, China Miéville, Adam Roberts, Tricia Sullivan and special guests.','publish','open','open','','20-may-out-of-this-world-with-erik-davis-and-china-mieville','','','2011-05-17 17:36:28','2011-05-17 17:36:28','',0,'http://strangeattractor.co.uk/?p=3584',0,'post','',0),(3585,2,'2011-05-17 17:00:42','2011-05-17 17:00:42','','outofthisworld','','inherit','open','open','','outofthisworld','','','2011-05-17 17:00:42','2011-05-17 17:00:42','',3584,'http://strangeattractor.co.uk/wp-content/uploads/2011/05/outofthisworld.jpg',0,'attachment','image/jpeg',0),(3586,2,'2011-05-17 16:59:39','2011-05-17 16:59:39','<div>\n<h1>Why science fiction speaks to us all</h1>\n<div><span style=\"font-size: 16px; line-height: 20px;\">Fri 20 May 2011, 18.30 - 20.00\n</span><span style=\"font-size: 16px; line-height: 20px;\">Price: £7.50 / £5 concessions\nConference Centre, British Library<em>Throughout history, people have asked ‘what if?’. We have always allowed our imaginations to create other worlds as expressions of our wildest dreams, hopes and fears, and so better to understand our own. ‘Science Fiction’ expresses this human need in potent ways, but so does the work of Jonathan Swift, Lewis Carroll and George Orwell.</em>\n\n</span></div>\n</div>\n<div id=\"pagecontent\">\n\nThe story and present state of our speculations are explored by <strong>Erik Davis</strong>, <strong>China Miéville</strong>, <strong>Adam Roberts</strong>, <strong>Tricia Sullivan</strong> and special guests.\nChair: <strong>Sam Leith</strong>\n\n<a href=\"http://purchase.tickets.com/buy/TicketPurchase?agency=AGENCY_NAME&amp;organ_val=org_id&amp;pid=6991250\">Book now</a>\n\n<a href=\"http://purchase.tickets.com/buy/TicketPurchase?agency=AGENCY_NAME&amp;organ_val=org_id&amp;pid=6991250\"></a>The British Library\'s SF season continues throughout the summer with guests including SA pals Ken Hollings, Bruce Woolley, Mike Jay, David Clarke and our own Mark Pilkington.\n\n<strong>\n</strong>\n\n</div>','Out of this World with Erik Davis and China Miéville','An exploration of why science fiction retains its power, with Erik Davis, China Miéville, Adam Roberts, Tricia Sullivan and special guests.','inherit','open','open','','3584-revision','','','2011-05-17 16:59:39','2011-05-17 16:59:39','',3584,'http://strangeattractor.co.uk/further/3584-revision/',0,'revision','',0),(3587,2,'2011-05-17 17:01:29','2011-05-17 17:01:29','<div>\r\n<h1><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/outofthisworld.jpg\"><img class=\"alignnone size-full wp-image-3585\" title=\"outofthisworld\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/outofthisworld.jpg\" alt=\"\" width=\"295\" height=\"400\" /></a></h1>\r\n<h1>Why science fiction speaks to us all</h1>\r\n<div><span style=\"font-size: 16px; line-height: 20px;\">Fri 20 May 2011, 18.30 - 20.00\r\n</span><span style=\"font-size: 16px; line-height: 20px;\">Price: £7.50 / £5 concessions\r\nConference Centre, British Library<em>Throughout history, people have asked ‘what if?’. We have always allowed our imaginations to create other worlds as expressions of our wildest dreams, hopes and fears, and so better to understand our own. ‘Science Fiction’ expresses this human need in potent ways, but so does the work of Jonathan Swift, Lewis Carroll and George Orwell.</em>\r\n\r\n</span></div>\r\n</div>\r\n<div id=\"pagecontent\">\r\n\r\nThe story and present state of our speculations are explored by <strong>Erik Davis</strong>, <strong>China Miéville</strong>, <strong>Adam Roberts</strong>, <strong>Tricia Sullivan</strong> and special guests.\r\nChair: <strong>Sam Leith</strong><strong> </strong>\r\n\r\n<a href=\"http://purchase.tickets.com/buy/TicketPurchase?agency=AGENCY_NAME&amp;organ_val=org_id&amp;pid=6991250\">Book now</a>\r\n\r\n<a href=\"http://purchase.tickets.com/buy/TicketPurchase?agency=AGENCY_NAME&amp;organ_val=org_id&amp;pid=6991250\"></a><em>The British Library\'s SF season continues throughout the summer with guests including SA pals Ken Hollings, Bruce Woolley, Mike Jay, David Clarke and our own Mark Pilkington. </em>\r\n\r\n</div>','20 May: Out of this World, with Erik Davis and China Miéville','An exploration of why science fiction retains its power, with Erik Davis, China Miéville, Adam Roberts, Tricia Sullivan and special guests.','inherit','open','open','','3584-revision-2','','','2011-05-17 17:01:29','2011-05-17 17:01:29','',3584,'http://strangeattractor.co.uk/further/3584-revision-2/',0,'revision','',0),(3387,2,'2011-04-07 09:58:38','2011-04-07 09:58:38','<!-- p.p1 {margin: 0.0px 0.0px 12.0px 0.0px; font: 12.0px Helvetica} -->\r\n<div id=\"_mcePaste\">\r\n\r\n<span style=\"font-size: med;\"><span style=\"line-height: 24px;\"><strong><span style=\"color: #444444; font-weight: normal; font-size: 14px; font-family: Georgia, \'Times New Roman\', \'Bitstream Charter\', Times, serif; line-height: 19px;\"> </span></strong></span></span><strong><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/AOS_webdummy2.jpg\"><img class=\"size-full wp-image-3091 alignright\" title=\"AOS_webdummy2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/AOS_webdummy2.jpg\" alt=\"\" width=\"209\" height=\"291\" /></a>By Phil Baker\r\n</strong><strong>336pp, HB, 50 b/w illus, 8pp colour, £25 /£30\r\n</strong><strong>ISBN: 978-1-907222-01-6</strong>\r\n\r\n</div>\r\n<blockquote>\r\n<p style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5; font-size: 16px; margin-bottom: 24px;\">\"What Phil Baker has accomplished here is little short of marvellous... a human study that neither confirms nor conclusively denies the extra-human properties attributed to its astounding and ambiguous subject... To my mind Phil Baker has established himself as among the very best contemporary biographers.\"\r\n<span style=\"font-style: normal;\">From the Foreword by Alan Moore</span></p>\r\n</blockquote>\r\n<p style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5; font-size: 16px; margin-bottom: 24px;\"><strong>We will be offering 200 copies of a special collectors\' edition of <em>Austin Osman Spare</em>, priced £30,<em> </em>that will be stamped, numbered, signed by the author, and include a frontispiece plate.\r\n<span style=\"color: #444444; font-weight: normal;\"><em> </em></span></strong></p>\r\n<p style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5; font-size: 16px; margin-bottom: 24px;\"><strong><span style=\"color: #444444; font-weight: normal;\"><em>Please select either \'Reg\' for the standard edition, or  \'Special\' for the collectors\' edition, from the drop down menu below.</em></span></strong></p>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_xclick\" /> <input name=\"business\" type=\"hidden\" value=\"paypal@strangeattractor.co.uk\" /> <input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"AOS\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"services\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /> <input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"bn\" type=\"hidden\" value=\"PP-BuyNowBF:btn_buynowCC_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Please select your region (price includes P&amp;P)</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK Reg\">UK Reg £25.00</option> <option value=\"UK Special\">UK Special £30.00</option> <option value=\"EU Reg\">EU Reg £30.00</option> <option value=\"EU Special\">EU Special £35.00</option> <option value=\"ROW Reg\">ROW Reg £35.00</option> <option value=\"ROW Special\">ROW Special £40.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"option_select0\" type=\"hidden\" value=\"UK Reg\" /> <input name=\"option_amount0\" type=\"hidden\" value=\"25.00\" /> <input name=\"option_select1\" type=\"hidden\" value=\"UK Special\" /> <input name=\"option_amount1\" type=\"hidden\" value=\"30.00\" /> <input name=\"option_select2\" type=\"hidden\" value=\"EU Reg\" /> <input name=\"option_amount2\" type=\"hidden\" value=\"30.00\" /> <input name=\"option_select3\" type=\"hidden\" value=\"EU Special\" /> <input name=\"option_amount3\" type=\"hidden\" value=\"35.00\" /> <input name=\"option_select4\" type=\"hidden\" value=\"ROW Reg\" /> <input name=\"option_amount4\" type=\"hidden\" value=\"35.00\" /> <input name=\"option_select5\" type=\"hidden\" value=\"ROW Special\" /> <input name=\"option_amount5\" type=\"hidden\" value=\"40.00\" /> <input name=\"option_index\" type=\"hidden\" value=\"0\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />&nbsp;\r\n\r\n</form> <form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"></form><em>Or pay by cheque, £UK only, payable to </em>Strange Attractor Press Ltd<em> and sent to </em>BM SAP, London, WC1N 3XX, UK<em>.</em>\r\n\r\n<strong>About the book</strong>\r\n\r\nLondon has harboured many curious characters, but few more curious than the artist and visionary Austin Osman Spare (1886-1956).\r\n\r\nA controversial <em>enfant terrible</em> of the Edwardian art world, the young Spare was hailed as a genius and a new Aubrey Beardsley, while George Bernard Shaw reportedly said “Spare’s medicine is too strong for the average man.”\r\n\r\nBut Spare was never made for worldly success and he went underground, falling out of the gallery system to live in poverty and obscurity south of the river. Absorbed in occultism and sorcery, voyaging into inner dimensions and surrounding himself with cats and familiar spirits, he continued to produce extraordinary art while developing a magical philosophy of pleasure, obsession, and the subjective nature of reality.\r\n\r\nToday Spare is both forgotten and famous, a cult figure whose modest life has been much mythologised since his death. This groundbreaking biographical study offers wide-ranging insights into Spare’s art, mind and world, reconnecting him with the art history that ignored him and exploring his parallel London; a bygone place of pub pianists, wealthy alchemists and monstrous owls.\r\n\r\nThis richly readable and illuminating biography takes us deep into the strange inner world that this most enigmatic of artists inhabited, shedding new light while allowing just a few shadowy corners to flourish unspoiled.\r\n\r\n<strong>About the author</strong>\r\n\r\nPhil Baker’s other books include <em>The Dedalus Book of Absinthe</em>, a biography of Dennis Wheatley, <em>The Devil is a Gentleman</em>, and critical works on Samuel Beckett and William Burroughs. He lives in London.','Austin Osman Spare','By Phil Baker\r\n336pp, HB, b/w illus, colour plates, £25/£30\r\nISBN: 978-1907222016  ','inherit','open','open','','3351-revision-v1','','','2011-04-07 09:58:38','2011-04-07 09:58:38','',3351,'http://strangeattractor.co.uk/further/3351-revision-5/',0,'revision','',0),(6033,2,'2017-12-12 15:01:10','2017-12-12 15:01:10','<a href=\"http://strangeattractor.co.uk/?attachment_id=6030\" rel=\"attachment wp-att-6030\">\r\n<img class=\"size-medium wp-image-6030 aligncenter\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2017/12/23SW-web-300x297.jpg\" alt=\"\" width=\"300\" height=\"297\" /></a>\r\n<b><span style=\"color: #000000;\">Artworks by Ian Johnstone, with a</span> <span style=\"color: #000000;\">text by Geoff Cox and</span></b><strong> an afterword by Serena Korda.</strong><b>\r\n</b>\r\n\r\n<b><span style=\"color: #000000;\">Music Cassette by Daniel O\'Sullivan.</span>\r\n</b>\r\n\r\n<em>Archival quality, large format, collectors\' hardback</em>\r\n<em> 240mm x 240mm, 72pp.</em>\r\n<em> Full colour throughout.</em>\r\n<em>£40.00 + p&amp;P\\</em>\r\n\r\n<em>300 copies only.</em>\r\n\r\n• Includes a 40 minute cassette of music composed for the original exhibition at the Horse Hospital by Daniel O\'Sullivan (Ulver, Mothlite, Grumbling Fur).\r\n\r\n\"This is a rare document of blood voiced signatures; weeping guilt details of all our conspiracies. Snatch it up. Let the words’ knifings and the split Biro capillaries own you. But never lend it out, or pocket it close to your heart, it’s too unforgiving.\"\r\n<strong>Brian Catling</strong>, author of <em>The Vorrh</em>\r\n\r\n<strong>Available by 15 March 2018.\r\nOnly from Strange Attractor Press</strong>\r\n\r\n<strong><a href=\"https://strangeattractor.greedbag.com/buy/of-kings-and-things/\">PRE-ORDER IT HERE</a></strong>\r\n\r\nA series of 23 drawings by Ian Johnstone, in red ball point pen on melamine, originally exhibited at London\'s Horse Hospital in November 2010. The drawings celebrate individual blood consciousness, the in-between and the constant state of becoming .\r\n<ul>\r\n 	<li style=\"list-style-type: none;\"><em>They appear on blocks of unguessable purpose : pin-veined rough-cut blocks of whitewood. Displayed in the clutch of the screw’s harsh thrift. The cloth is pulled away.</em><em>The 23 wounds.</em>\r\n<em>Sphagia.</em>\r\n<em>Extispicy.</em><em>Blood spidered and baked on fissured rocks. Lassos and bones and a tracework of bones. Flesh bared and pared and spindled open through a million pin pricks. Tiny and vertiginous, their lines cluster and tear themselves into liquid fold and tiny blots. The eye swoops like a raptor, bedazzled. Swims unfocused by infinitesimal mysteries. Tricked, beguiled, left rotting.</em><em>Impossible amulets</em>\r\n\r\n<em>23  broken hawk beaks</em>\r\n<em>23 rotted talons with their fringe of ant trail</em>\r\n<em>23 fragments of a skull</em>\r\n<em>23 curses hung round the neck of a scavenger wolf</em>\r\n<em>23 bell shards tolled for the ghost of a headless ram</em>\r\n<em>23 mourning scarves of ink-clotted lace</em>\r\n<em>23 eggshells sticky with seed</em>\r\n\r\n<em>Interred in the shadow of the tower of silence, beneath bird wing’ storm and acid hail, the fruiting body hardens.</em>\r\n\r\n<em>Takes shape.</em>\r\n<div>Plus\r\n<strong>Musick For Ark Todd</strong>\r\nBy Daniel O\'Sullivan</div>\r\n<div></div>\r\n<div>A <em>The Levitating Moon Piece</em></div>\r\n<div>B <em>Black Egg / Orpheus</em></div>\r\n<div></div>\r\n\"I wrote several pieces of music for Ian’s ‘Ark Todd’ static levitation performance over the years. Each setting provoked a different approach. The collaboration with Ulver at the Norwegian Opera house in Oslo was well documented but this particular version, composed for the exhibition of his Stab Wounds at the Horse Hospital gallery in Bloomsbury, has been resting dormant until now.</li>\r\n 	<li style=\"list-style-type: none;\">The second piece was a commission for The Place theatre, also in Bloomsbury. An unfinished piece of choreography with dancer and vocalist Francois Testory. Like all of Ian’s work, this was a singular vision probing the human condition and meticulously scratching for truth under every surface.\"</li>\r\n 	<li><strong>About Ian Johnstone</strong></li>\r\n 	<li style=\"list-style-type: none;\">\r\n<div>\r\n\r\nIan was a long time friend of Strange Attractor and we were working with him on this book when he died unexpectedly in 2015.\r\n\r\n\'Ian was artist of unimaginable talent and vision, articulated in his singular and exquisite aesthetic which was manifest in all he touched... he was charismatically irreverent, compelling to watch and to listen to and bottomlessly soulful.\' (The Horse Hospital).\r\n\r\nAs well as his own incredible work in sculpture, drawing, painting and performance, Ian collaborated on designs, costumes and performances with  musicians including Coil, Daniel O\'Sullivan, James B Hollands, Mothlite Francois Testory and Ulver.\r\n\r\n</div></li>\r\n</ul>\r\n<ul>\r\n 	<li style=\"list-style-type: none;\"><strong><a href=\"https://strangeattractor.greedbag.com/buy/of-kings-and-things/\">PRE-ORDER HERE</a></strong></li>\r\n</ul>','The 23 Stab Wounds of Julius Caesar','','inherit','closed','closed','','6029-revision-v1','','','2017-12-12 15:01:10','2017-12-12 15:01:10','',6029,'http://strangeattractor.co.uk/news/6029-revision-v1/',0,'revision','',0),(6032,2,'2017-12-12 15:00:59','2017-12-12 15:00:59','<a href=\"http://strangeattractor.co.uk/?attachment_id=6030\" rel=\"attachment wp-att-6030\">\r\n<img class=\"size-medium wp-image-6030 aligncenter\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2017/12/23SW-web-300x297.jpg\" alt=\"\" width=\"300\" height=\"297\" /></a>\r\n<b><span style=\"color: #000000;\">Artworks by Ian Johnstone, with a</span> <span style=\"color: #000000;\">text by Geoff Cox and</span></b><strong> an afterword by Serena Korda.</strong><b>\r\n</b>\r\n\r\n<b><span style=\"color: #000000;\">Music Cassette by Daniel O\'Sullivan.</span>\r\n</b>\r\n\r\n<em>Archival quality, large format, collectors\' hardback</em>\r\n<em> 240mm x 240mm, 72pp.</em>\r\n<em> Full colour throughout.</em>\r\n<em>£40.00 + p&amp;P\\</em>\r\n\r\n<em>300 copies only.</em>\r\n\r\n• Includes a 40 minute cassette of music composed for the original exhibition at the Horse Hospital by Daniel O\'Sullivan (Ulver, Mothlite, Grumbling Fur).\r\n\r\n\"This is a rare document of blood voiced signatures; weeping guilt details of all our conspiracies. Snatch it up. Let the words’ knifings and the split Biro capillaries own you. But never lend it out, or pocket it close to your heart, it’s too unforgiving.\"\r\n<strong>Brian Catling</strong>, author of <em>The Vorrh</em>\r\n\r\n<strong>Available by 15 March 2018.\r\nOnly from Strange Attractor Press</strong>\r\n\r\n<strong><a href=\"https://strangeattractor.greedbag.com/buy/of-kings-and-things/\">PRE-ORDER IT HERE</a></strong>\r\n\r\nA series of 23 drawings by Ian Johnstone, in red ball point pen on melamine, originally exhibited at London\'s Horse Hospital in November 2010. The drawings celebrate individual blood consciousness, the in-between and the constant state of becoming .\r\n<ul>\r\n 	<li style=\"list-style-type: none;\"><em>They appear on blocks of unguessable purpose : pin-veined rough-cut blocks of whitewood. Displayed in the clutch of the screw’s harsh thrift. The cloth is pulled away.</em><em>The 23 wounds.</em>\r\n<em>Sphagia.</em>\r\n<em>Extispicy.</em><em>Blood spidered and baked on fissured rocks. Lassos and bones and a tracework of bones. Flesh bared and pared and spindled open through a million pin pricks. Tiny and vertiginous, their lines cluster and tear themselves into liquid fold and tiny blots. The eye swoops like a raptor, bedazzled. Swims unfocused by infinitesimal mysteries. Tricked, beguiled, left rotting.</em>\r\n\r\n<em>Impossible amulets</em>\r\n\r\n<em>23  broken hawk beaks</em>\r\n<em>23 rotted talons with their fringe of ant trail</em>\r\n<em>23 fragments of a skull</em>\r\n<em>23 curses hung round the neck of a scavenger wolf</em>\r\n<em>23 bell shards tolled for the ghost of a headless ram</em>\r\n<em>23 mourning scarves of ink-clotted lace</em>\r\n<em>23 eggshells sticky with seed</em>\r\n\r\n<em>Interred in the shadow of the tower of silence, beneath bird wing’ storm and acid hail, the fruiting body hardens.</em>\r\n\r\n<em>Takes shape.</em>\r\n<div>Plus\r\n<strong>Musick For Ark Todd</strong>\r\nBy Daniel O\'Sullivan</div>\r\n<div></div>\r\n<div>A <em>The Levitating Moon Piece</em></div>\r\n<div>B <em>Black Egg / Orpheus</em></div>\r\n<div></div>\r\n\"I wrote several pieces of music for Ian’s ‘Ark Todd’ static levitation performance over the years. Each setting provoked a different approach. The collaboration with Ulver at the Norwegian Opera house in Oslo was well documented but this particular version, composed for the exhibition of his Stab Wounds at the Horse Hospital gallery in Bloomsbury, has been resting dormant until now.</li>\r\n 	<li style=\"list-style-type: none;\">The second piece was a commission for The Place theatre, also in Bloomsbury. An unfinished piece of choreography with dancer and vocalist Francois Testory. Like all of Ian’s work, this was a singular vision probing the human condition and meticulously scratching for truth under every surface.\"</li>\r\n 	<li><strong>About Ian Johnstone</strong></li>\r\n 	<li style=\"list-style-type: none;\">\r\n<div>\r\n\r\nIan was a long time friend of Strange Attractor and we were working with him on this book when he died unexpectedly in 2015.\r\n\r\n\'Ian was artist of unimaginable talent and vision, articulated in his singular and exquisite aesthetic which was manifest in all he touched... he was charismatically irreverent, compelling to watch and to listen to and bottomlessly soulful.\' (The Horse Hospital).\r\n\r\nAs well as his own incredible work in sculpture, drawing, painting and performance, Ian collaborated on designs, costumes and performances with  musicians including Coil, Daniel O\'Sullivan, James B Hollands, Mothlite Francois Testory and Ulver.\r\n\r\n</div></li>\r\n</ul>\r\n<ul>\r\n 	<li style=\"list-style-type: none;\"><strong><a href=\"https://strangeattractor.greedbag.com/buy/of-kings-and-things/\">PRE-ORDER HERE</a></strong></li>\r\n</ul>','The 23 Stab Wounds of Julius Caesar','','inherit','closed','closed','','6029-revision-v1','','','2017-12-12 15:00:59','2017-12-12 15:00:59','',6029,'http://strangeattractor.co.uk/news/6029-revision-v1/',0,'revision','',0),(2959,2,'2011-01-20 18:27:24','2011-01-20 18:27:24','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\"><img class=\"alignright size-full wp-image-2537\" title=\"ES_web_small\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\" alt=\"\" width=\"225\" height=\"313\" /></a>\r\n\r\n<strong>Edited by Virginie Selavy\r\n</strong><strong>260pp, PB, illustrated, £13.99\r\n</strong><strong>ISBN 978-1907222023</strong>\r\n\r\n<em>The End is The Beginning</em>\r\n<blockquote>‘Electric Sheep writes about film for people who like film: a classic approach.\'\r\nNorman Lebrecht, <strong>The New Statesman</strong>\r\n\r\n\'Refreshing and original, Electric Sheep explores the world of film from myriad angles with wit and imagination.’\r\nJennifer Higgie,<strong> Frieze</strong></blockquote>\r\n<div><strong>The first 200 copies of the book bought directly from Strange Attractor will include a set of artists\' postcards.</strong></div>\r\n<div><strong>\r\n</strong></div>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"Y2CKU7XQWW7RY\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal options\">Postal options</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK\">UK £13.99</option>\r\n	<option value=\"EU\">EU £14.99</option>\r\n	<option value=\"ROW Surface\">ROW Surface £15.99</option>\r\n	<option value=\"ROW AIR\">ROW AIR £16.99</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n\r\n<strong>About the book</strong>\r\nAcclaimed film magazine <a href=\"http://www.electricsheepmagazine.co.uk\">Electric Sheep</a> presents a bold new anthology of writing from cinema\'s sharpest edge.\r\n\r\nFrom the gutter to the avant garde, <em>The End</em> brings together a mind-bendingly eclectic programme of films, authors, artists and directors to create a unique new vision of cinema past, present and future.\r\n\r\nFollow us into the darkness and you\'ll find Bill Morrision\'s chemical ghosts, the Bad Girls of \'50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu\'s Japanese nihilists, David Lynch\'s sonic cinema, Clouzot\'s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman\'s final thoughts and more.\r\n\r\nContributors include:\r\nJim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>)\r\nGreg Klymkiw (producer of Guy Maddin’s <em>Careful</em>)\r\nFrances Morgan (former editor of <em>Plan B Magazine</em>)\r\nJames Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>)\r\nJack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n\r\n</div>\r\n<blockquote>‘Electric Sheep is idiosyncratic, \'intelligent, informed and it really  knows and cares about cinema.  Long may it prosper.’ <strong>The Wire</strong></blockquote>','The End: Electric Sheep','Edited by Virginie Selavy (March 2011)\r\n260pp, PB, illustrated, £13.99 \r\nISBN 978-1907222023\r\n','inherit','open','open','','2536-revision-v1','','','2011-01-20 18:27:24','2011-01-20 18:27:24','',2536,'http://strangeattractor.co.uk/further/2536-revision-23/',0,'revision','',0),(2960,2,'2011-01-26 12:33:40','2011-01-26 12:33:40','<strong>Edited by Mark Pilkington<img class=\"alignright size-full wp-image-2237\" title=\"saj3\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj3.gif\" alt=\"\" width=\"228\" height=\"314\" /></strong><strong>\r\n</strong>\r\n\r\n<strong>A5 PB, 286pp, £13.99 UK\r\n</strong><strong>ISBN 978-0954805432</strong>\r\n<blockquote>A third helping of high strangeness from the acclaimed Strange Attractor anthology series.</blockquote>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"GVZXB3D3JMEBN\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal options\">Postal options</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK\">UK £13.99</option>\r\n	<option value=\"EU AIr\">EU Air £14.99</option>\r\n	<option value=\"ROW Surface\">ROW Surface £15.99</option>\r\n	<option value=\"ROW AIR\">ROW AIR £16.99</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n\r\n\r\n\r\n<strong>Contents\r\n<strong>| <em>Contra Genesis</em> </strong>- <em>Catherine Eisner</em></strong>\r\n\r\n<strong>Unusual cases of extra-genital conception, extra-uterine gestation, and other anomalous exits</strong>\r\n\r\n<strong><strong>| <em>Burmese Daze</em></strong> - <em>Erik Davis</em>\r\nIn which the author submits to the pleasures of a transgender spirit possession festival</strong>\r\n\r\n<strong><strong><em>| Adventures in the Fourth Dimension</em></strong> - <em>Mike Jay</em>\r\nA Victorian time machine and history’s first theme park ride</strong>\r\n\r\n<strong><strong><em>| Ego in Exotica Sum</em></strong> - <em>Ken Hollings</em>\r\nIn memoriam Martin Denny, crown prince of the exotica sound</strong>\r\n\r\n<strong><strong><em>| A Psychoactive Bestiary</em></strong> - <em>Richard Rudgley</em>\r\nThe joy of zootoxins, from the ant to the giraffe</strong>\r\n\r\n<strong><strong><em>| Liberté, Légalité, Éternité</em></strong> - <em>David Luke</em>\r\nSome notes on psychonautic misadventures in time</strong>\r\n\r\n<strong><strong><em>| Kandinsky’s Thought Forms</em></strong> - <em>Gary Lachman</em>\r\nThe occult roots of modern art\r\n\r\n<strong><em>| Magic Words</em></strong> - <em>Steve Moore</em>\r\nVirgil the Necromancer in mediæval legend\r\n\r\n<strong><em>| Abu’l-Qasim al-Iraqi</em></strong> - <em>Robert Irwin</em>\r\n12th century Arab alchemists on the edge\r\nof knowledge\r\n\r\n<strong><em>| The Electrochemical Glass</em></strong> - <em>Richard Brown</em>\r\nA slow-evolving artwork from a living alchemist\r\n\r\n<strong><em>| The Man Behind the Screen</em></strong> - <em>David Rothenberg</em>\r\nHans Christian Andersen’s greatest and least-known work\r\n\r\n<strong><em>| The Mole of Edge Hill</em></strong> - <em>John Reppion</em>\r\nJoseph Williamson, Liverpool’s tunnelling philanthropist\r\n\r\n<strong><em>| La Maison de Poupées</em></strong> - <em>Robert Ansell</em>\r\nA photographic study of a magnificent compulsion\r\n\r\n<strong><em>| The Dirty Thirties</em></strong> -<em> Alexis Lykiard</em>\r\nFrom Arthur Koestler’s Encyclopædia of Sexual Knowledge\r\n\r\n<strong><em>| Paint it Black</em></strong> - <em>Stewart Home</em>\r\nAutohagiography of an artist\r\n\r\n<strong><em>| Redonda and Her Kings</em></strong> - <em>Roger Dobson</em>\r\nThe island life of early science fiction author MP Shiel\r\n\r\n<strong><em>| Magic in Paris</em></strong> - <em>Phil Baker</em>\r\nDemons of the opium den in Thirties Paris\r\n\r\n<strong><em>| The Dark Man’s Dreams</em></strong> -<em> Doug Skinner</em>\r\nAn introduction to Xavier Forneret, Surrealism’s lost poet\r\n\r\n<strong><em>| Ghosts: A short Story</em></strong>\r\n<em>by Lady Vervaine</em>\r\n\r\n<strong><em>Plus original artworks by Alison Gill, Josephine Harvatt, Betsy Heistand, Katie Owens, Arik Roper.</em></strong>\r\n\r\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2010/10/saj3.gif\">\r\n</a>\r\n\r\n<strong> </strong>\r\n\r\n</strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>','Journal Three','Edited by Mark Pilkington\r\nA5 PB, 286pp, £13.99 UK\r\nISBN 978-0954805432','inherit','open','open','','2150-revision-v1','','','2011-01-26 12:33:40','2011-01-26 12:33:40','',2150,'http://strangeattractor.co.uk/further/2150-revision-31/',0,'revision','',0),(2962,2,'2011-01-26 12:33:35','2011-01-26 12:33:35','<strong>Edited by Mark Pilkington\r\nA5, PB, 405pp, £13.99 UK\r\nISBN 978-0954805418</strong>\r\n<blockquote>A second helping of high strangeness from the acclaimed Strange Attractor anthology series.</blockquote>\r\n<span style=\"font-style: normal;\"><strong>Contents</strong></span>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"J8ATLURA9LEXG\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal options\">Postal options</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK\">UK £13.99</option>\r\n	<option value=\"EU AIr\">EU Air £14.99</option>\r\n	<option value=\"ROW Surface\">ROW Surface £15.99</option>\r\n	<option value=\"ROW AIR\">ROW AIR £16.99</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal - The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n<strong>My Travels with Münchausen </strong><em>Richard Burdett\r\n</em>In which the author deceives his friends on an adventure of the mind\r\n\r\n<strong>Enter the Jaguar</strong> <em>Mike Jay\r\n</em>Digging up the ancient psychedelic temple cults of Peru’s Chavínde Huantar\r\n\r\n<strong>School for Shamans </strong> <em>JasonLouv\r\n</em>Our intrepid young author braves Maoist rebels and astral collapse to learn the secrets of Nepalese sorcery\r\n\r\n<strong>The Temple at the End of Time</strong> <em>John Rowe\r\n</em>Jerusalem’s Temple Mount and its role in all our ends\r\n\r\n<strong>Haunts of the Halifax Slasher </strong> <em>Tim Chapman\r\n</em>A gentlemanly tour of the city’s dark past\r\n\r\n<strong>Admiral Byrd, Atlantis &amp;the Hollow Earth </strong><em>Theo Paijmans\r\n</em>A letter, a legend and a flight beyond the poles\r\n\r\n<strong>Under Petticoat Rule\r\n</strong>An anonymous manuscript reveals one boy’s restrictive upbringing.\r\nIntroduction <em>by Peter Farrer &amp;Cathy Ward</em>\r\n\r\n<strong>An Animist Manifesto </strong><em>Graham Harvey\r\n</em>A call to arms. And antennae, branches, tentacles etc\r\n\r\n<strong>Dr Price’s Final Transmutation</strong> <em>Guy Ogilvy\r\n</em>How the Royal Society found, then lost, the secrets of alchemy\r\n\r\n<strong>Life from Earth: The Golem and Homunculi </strong><em>Gary Lachman\r\n</em>The mystical origins of artificial life. Photography by <em>Maud Larsson</em>\r\n\r\n<strong>Robot Power, Robot Pride </strong><em>Ken Hollings\r\n</em>How the robot found its self\r\n\r\n<strong>Should they Live:on the Use of Dead Babies </strong><em>Don Mader\r\n</em>The hidden meaning of a sinister 19th century religious print\r\n\r\n<strong>Mould Art</strong> Discovered by <em>Doug Harvey\r\n</em>Beauty grows in unexpected places\r\n\r\n<strong>The Court of Lust </strong><em>John Branston\r\n</em>Waldo Sabine: parapsychologist, poet, feminist, martyr\r\n\r\n<strong>Sandoz in the Rain: The Life and Art of Wilfried Sätty\r\n</strong><em>John Coulthart </em>on a lost visionary hero of the psychedelic revolution\r\n\r\n<strong>Boris Vian for Anglophones</strong> <em>Doug Skinnner\r\n</em>The scandalous oeuvre of the man who shocked his world\r\n\r\n<strong>Richard Jefferies and the Agitated Pool of Life\r\n</strong><em>Neil Mortimer </em>introduces this early, apocalyptic ecologist\r\n\r\n<strong>Anagrams for Maya Deren </strong><em>Kevin Jackson\r\n</em>Artist, film maker, voodoo priestess\r\n\r\n<strong>Change in a Parallel World: CFRussell, Louis </strong><strong>Culling and the Book of Changes </strong>\r\n<em>Steve Moore presents </em>an eccentric history and a new <em>I Ching</em>\r\n\r\n<strong>Spirits of Place:Strange Encounters of an Anglican </strong><strong>Kind </strong><em>Alan Walker\r\n</em>How the Church of England answered <em>The Exorcist</em>\r\n\r\n<strong>One More Nightmare calling... the Heathen</strong> <em>Robert J Wallis\r\n</em>Loki the ‘pervert god’, <em>Seidr</em>sorcery and the Left Hand Path.\r\nIllustrations by <em>Arik Roper </em>and <em>Carina Thorén</em>\r\n\r\n<strong>Terror by Night: the Sleeping Partner </strong><em>Roger Dobson\r\n</em>Memoirs of a hag-ridden man\r\n\r\n<strong>Folklore of Underground London </strong><em>Antony Clayton\r\n</em>What rumours lie beneath the city’s streets?\r\n\r\n<strong>Cesare Thodol</strong> <em>Mark Samuels\r\n</em>On brain fungus and other horrors. Illustrated by <em>Betsy Heistand</em>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_cart\" /> <input name=\"business\" type=\"hidden\" value=\"strangeattractorpress@googlemail.com\" /> <input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"SAJ2\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"products\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /> <input name=\"add\" type=\"hidden\" value=\"1\" /> <input name=\"bn\" type=\"hidden\" value=\"PP-ShopCartBF:btn_cart_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £14.00</option> <option value=\"EU\">EU £15.00</option> <option value=\"ROW\">ROW £16.00</option> <option value=\"ROW AIR\">ROW AIR £18.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"option_select0\" type=\"hidden\" value=\"UK\" /> <input name=\"option_amount0\" type=\"hidden\" value=\"14.00\" /> <input name=\"option_select1\" type=\"hidden\" value=\"EU\" /> <input name=\"option_amount1\" type=\"hidden\" value=\"15.00\" /> <input name=\"option_select2\" type=\"hidden\" value=\"ROW\" /> <input name=\"option_amount2\" type=\"hidden\" value=\"16.00\" /> <input name=\"option_select3\" type=\"hidden\" value=\"ROW AIR\" /> <input name=\"option_amount3\" type=\"hidden\" value=\"18.00\" /> <input name=\"option_index\" type=\"hidden\" value=\"0\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n</form>','Journal Two','Edited by Mark Pilkington\r\nA5, PB, 405pp, £13.99 UK \r\nISBN 978-0954805418','inherit','open','open','','2147-revision-v1','','','2011-01-26 12:33:35','2011-01-26 12:33:35','',2147,'http://strangeattractor.co.uk/further/2147-revision-27/',0,'revision','',0),(3750,2,'2011-07-18 09:01:46','2011-07-18 09:01:46','<strong>Edited by Mark Pilkington\r\nA5, PB, 405pp, £13.99 UK\r\nISBN 978-0954805418</strong>\r\n<blockquote>A second helping of high strangeness from the acclaimed Strange Attractor anthology series.</blockquote>\r\n<span style=\"font-style: normal;\"><strong>Contents</strong></span>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" /> <input name=\"hosted_button_id\" type=\"hidden\" value=\"J8ATLURA9LEXG\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £13.99</option> <option value=\"EU AIr\">EU Air £14.99</option> <option value=\"ROW AIR\">ROW AIR £16.99</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" /></form><form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n</form><em>Or pay by cheque, £UK only, payable to </em>Strange Attractor Press Ltd<em> and sent to </em>BM SAP, London, WC1N 3XX, UK<em>.</em>\r\n\r\n<strong>About the Book</strong>\r\n\r\n<strong>My Travels with Münchausen </strong><em>Richard Burdett\r\n</em>In which the author deceives his friends on an adventure of the mind\r\n\r\n<strong>Enter the Jaguar</strong> <em>Mike Jay\r\n</em>Digging up the ancient psychedelic temple cults of Peru’s Chavínde Huantar\r\n\r\n<strong>School for Shamans </strong> <em>JasonLouv\r\n</em>Our intrepid young author braves Maoist rebels and astral collapse to learn the secrets of Nepalese sorcery\r\n\r\n<strong>The Temple at the End of Time</strong> <em>John Rowe\r\n</em>Jerusalem’s Temple Mount and its role in all our ends\r\n\r\n<strong>Haunts of the Halifax Slasher </strong> <em>Tim Chapman\r\n</em>A gentlemanly tour of the city’s dark past\r\n\r\n<strong>Admiral Byrd, Atlantis &amp;the Hollow Earth </strong><em>Theo Paijmans\r\n</em>A letter, a legend and a flight beyond the poles\r\n\r\n<strong>Under Petticoat Rule\r\n</strong>An anonymous manuscript reveals one boy’s restrictive upbringing.\r\nIntroduction <em>by Peter Farrer &amp;Cathy Ward</em>\r\n\r\n<strong>An Animist Manifesto </strong><em>Graham Harvey\r\n</em>A call to arms. And antennae, branches, tentacles etc\r\n\r\n<strong>Dr Price’s Final Transmutation</strong> <em>Guy Ogilvy\r\n</em>How the Royal Society found, then lost, the secrets of alchemy\r\n\r\n<strong>Life from Earth: The Golem and Homunculi </strong><em>Gary Lachman\r\n</em>The mystical origins of artificial life. Photography by <em>Maud Larsson</em>\r\n\r\n<strong>Robot Power, Robot Pride </strong><em>Ken Hollings\r\n</em>How the robot found its self\r\n\r\n<strong>Should they Live:on the Use of Dead Babies </strong><em>Don Mader\r\n</em>The hidden meaning of a sinister 19th century religious print\r\n\r\n<strong>Mould Art</strong> Discovered by <em>Doug Harvey\r\n</em>Beauty grows in unexpected places\r\n\r\n<strong>The Court of Lust </strong><em>John Branston\r\n</em>Waldo Sabine: parapsychologist, poet, feminist, martyr\r\n\r\n<strong>Sandoz in the Rain: The Life and Art of Wilfried Sätty\r\n</strong><em>John Coulthart </em>on a lost visionary hero of the psychedelic revolution\r\n\r\n<strong>Boris Vian for Anglophones</strong> <em>Doug Skinnner\r\n</em>The scandalous oeuvre of the man who shocked his world\r\n\r\n<strong>Richard Jefferies and the Agitated Pool of Life\r\n</strong><em>Neil Mortimer </em>introduces this early, apocalyptic ecologist\r\n\r\n<strong>Anagrams for Maya Deren </strong><em>Kevin Jackson\r\n</em>Artist, film maker, voodoo priestess\r\n\r\n<strong>Change in a Parallel World: CFRussell, Louis </strong><strong>Culling and the Book of Changes </strong>\r\n<em>Steve Moore presents </em>an eccentric history and a new <em>I Ching</em>\r\n\r\n<strong>Spirits of Place:Strange Encounters of an Anglican </strong><strong>Kind </strong><em>Alan Walker\r\n</em>How the Church of England answered <em>The Exorcist</em>\r\n\r\n<strong>One More Nightmare calling... the Heathen</strong> <em>Robert J Wallis\r\n</em>Loki the ‘pervert god’, <em>Seidr</em>sorcery and the Left Hand Path.\r\nIllustrations by <em>Arik Roper </em>and <em>Carina Thorén</em>\r\n\r\n<strong>Terror by Night: the Sleeping Partner </strong><em>Roger Dobson\r\n</em>Memoirs of a hag-ridden man\r\n\r\n<strong>Folklore of Underground London </strong><em>Antony Clayton\r\n</em>What rumours lie beneath the city’s streets?\r\n\r\n<strong>Cesare Thodol</strong> <em>Mark Samuels\r\n</em>On brain fungus and other horrors. Illustrated by <em>Betsy Heistand</em>\r\n\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_cart\" /> <input name=\"business\" type=\"hidden\" value=\"strangeattractorpress@googlemail.com\" /> <input name=\"lc\" type=\"hidden\" value=\"GB\" /> <input name=\"item_name\" type=\"hidden\" value=\"SAJ2\" /> <input name=\"button_subtype\" type=\"hidden\" value=\"products\" /> <input name=\"no_note\" type=\"hidden\" value=\"0\" /> <input name=\"add\" type=\"hidden\" value=\"1\" /> <input name=\"bn\" type=\"hidden\" value=\"PP-ShopCartBF:btn_cart_LG.gif:NonHostedGuest\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £14.00</option> <option value=\"EU\">EU £15.00</option> <option value=\"ROW\">ROW £16.00</option> <option value=\"ROW AIR\">ROW AIR £18.00</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input name=\"option_select0\" type=\"hidden\" value=\"UK\" /> <input name=\"option_amount0\" type=\"hidden\" value=\"14.00\" /> <input name=\"option_select1\" type=\"hidden\" value=\"EU\" /> <input name=\"option_amount1\" type=\"hidden\" value=\"15.00\" /> <input name=\"option_select2\" type=\"hidden\" value=\"ROW\" /> <input name=\"option_amount2\" type=\"hidden\" value=\"16.00\" /> <input name=\"option_select3\" type=\"hidden\" value=\"ROW AIR\" /> <input name=\"option_amount3\" type=\"hidden\" value=\"18.00\" /> <input name=\"option_index\" type=\"hidden\" value=\"0\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n</form>','Journal Two','Edited by Mark Pilkington\r\nA5, PB, 405pp, £13.99 UK \r\nISBN 978-0954805418','inherit','open','open','','2147-revision-v1','','','2011-07-18 09:01:46','2011-07-18 09:01:46','',2147,'http://strangeattractor.co.uk/further/2147-revision-29/',0,'revision','',0),(2963,2,'2011-01-27 17:16:26','2011-01-27 17:16:26','<span style=\"color: #000000; font-size: 18px; line-height: 27px;\"><a href=\"https://strangeattractor.greedbag.com/buy/strange-attractor-journal/\"><img class=\"alignright\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4.jpg\" alt=\"\" width=\"225\" height=\"313\" /></a><strong>Edited by Mark Pilkington</strong>\r\n</span><strong><span style=\"color: #000000; font-size: 18px; line-height: 27px;\">320pp, A5 PB, £14.99\r\n</span><span style=\"color: #000000; font-size: 18px; line-height: 27px;\">ISBN 9780954805463</span></strong>\r\n\r\n<a href=\"https://strangeattractor.greedbag.com/buy/strange-attractor-journal/\"><span style=\"color: #ff0000;\"><strong>BUY HERE</strong></span></a>\r\n<blockquote>The eagerly awaited fourth edition of the acclaimed anthology series.</blockquote>\r\n<em>Please use the drop down menu to select the correct postage for your location:</em>\r\n\r\nOr pay by cheque, £UK only, payable to Strange Attractor Press Ltd<em style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5; font-style: italic; border: initial none initial;\"> and sent to </em>BM SAP, London, WC1N 3XX, UK<em style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5; font-style: italic; border: initial none initial;\">.</em>\r\n\r\nClick here to see a PDF of the<a style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #0066cc; line-height: 1.5;\" href=\"http://www.strangeattractor.co.uk/pdf/SAJ4_contents.pdf\"> full contents</a>.\r\n\r\n<strong><span style=\"font-size: 16px; line-height: 24px;\">About the Book</span></strong>\r\n\r\n<span style=\"font-size: medium;\">From Haiti and Hong Kong to the fourth dimension and beyond: discover the secrets of <a href=\"http://www.strangeattractor.co.uk/pdf/SAJ4_madbeasts.pdf\">madness in animals</a>; <a href=\"http://www.strangeattractor.co.uk/pdf/SAJ4_hauntedsounds.pdf\">voodoo soul and dub music</a>; ancient peacock deities; <a href=\"http://www.strangeattractor.co.uk/pdf/SAJ4_ku.pdf\">Chinese poisoning cults</a>; the history of <a href=\"http://www.strangeattractor.co.uk/pdf/SAJ4_spiders.pdf\">spider silk weaving</a>; heathen mugwort magic; sentient lightning; Jesuit conspiracy theories; junkie explorers; Dali\'s Atlantis; the resurgence of Pan (in London\'s Crouch End); anarchist pirates on Madagascar; an ancient Greek Rip Van Winkle; French anatomical waxworks; Arthur Machen\'s forgotten tales </span>and the full text of Alan Moore\'s unfinished John Dee opera.\r\n\r\n<strong><span style=\"font-size: medium;\">Featuring written and visual contributions from</span></strong>\r\n\r\n<span style=\"font-size: medium;\">Richard Barnett, Mark Blacklock, John Cussans, Erik Davis, Paul Devereux, Roger Dobson, Joanna Ebenstein, Stephen Grasso, Gyrus, Ken Hollings, Mike Jay, Phil Legard, David Luke, Eleanor Morgan, Alan Moore, Steve Moore, Michael Neve, Andy Sharp, Robert Wallis, Sean Walsh.</span>\r\n\r\n<span style=\"font-size: medium;\"><em>Artwork by Joel Biroco, Julian House, Phil Legard, Eleanor Morgan, Arik Roper &amp; Nathalie Tayton</em></span>\r\n\r\nClick here to see a PDF of the<a style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #0066cc; line-height: 1.5;\" href=\"http://www.strangeattractor.co.uk/pdf/SAJ4_contents.pdf\"> full contents.</a>','Strange Attractor Journal Four','Edited by Mark Pilkington\r\n320pp, A5 PB, £14.99\r\nISBN 9780954805463','publish','closed','closed','','sa-journal-four','','','2022-01-11 14:46:40','2022-01-11 14:46:40','',0,'http://strangeattractor.co.uk/?p=2963',0,'post','',0),(5638,2,'2016-05-23 11:39:07','2016-05-23 11:39:07','<span style=\"color: #000000; font-size: 18px; line-height: 27px;\"><img class=\"alignright\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4.jpg\" alt=\"\" width=\"225\" height=\"313\" /></a><strong>Edited by Mark Pilkington</strong>\r\n</span><strong><span style=\"color: #000000; font-size: 18px; line-height: 27px;\">320pp, A5 PB, £14.99\r\n</span><span style=\"color: #000000; font-size: 18px; line-height: 27px;\">ISBN 9780954805463</span></strong>\r\n\r\n<span style=\"color: #ff0000;\"><strong>BUY HERE</strong></span>\r\n<blockquote>The eagerly awaited fourth edition of the acclaimed anthology series.</blockquote>\r\n<em>Please use the drop down menu to select the correct postage for your location:</em>\r\n\r\nOr pay by cheque, £UK only, payable to Strange Attractor Press Ltd<em style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5; font-style: italic; border: initial none initial;\"> and sent to </em>BM SAP, London, WC1N 3XX, UK<em style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5; font-style: italic; border: initial none initial;\">.</em>\r\n\r\nClick here to see a PDF of the<a style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #0066cc; line-height: 1.5;\" href=\"http://www.strangeattractor.co.uk/pdf/SAJ4_contents.pdf\"> full contents</a>.\r\n\r\n<strong><span style=\"font-size: 16px; line-height: 24px;\">About the Book</span></strong>\r\n\r\n<span style=\"font-size: medium;\">From Haiti and Hong Kong to the fourth dimension and beyond: discover the secrets of <a href=\"http://www.strangeattractor.co.uk/pdf/SAJ4_madbeasts.pdf\">madness in animals</a>; <a href=\"http://www.strangeattractor.co.uk/pdf/SAJ4_hauntedsounds.pdf\">voodoo soul and dub music</a>; ancient peacock deities; <a href=\"http://www.strangeattractor.co.uk/pdf/SAJ4_ku.pdf\">Chinese poisoning cults</a>; the history of <a href=\"http://www.strangeattractor.co.uk/pdf/SAJ4_spiders.pdf\">spider silk weaving</a>; heathen mugwort magic; sentient lightning; Jesuit conspiracy theories; junkie explorers; Dali\'s Atlantis; the resurgence of Pan (in London\'s Crouch End); anarchist pirates on Madagascar; an ancient Greek Rip Van Winkle; French anatomical waxworks; Arthur Machen\'s forgotten tales </span>and the full text of Alan Moore\'s unfinished John Dee opera.\r\n\r\n<strong><span style=\"font-size: medium;\">Featuring written and visual contributions from</span></strong>\r\n\r\n<span style=\"font-size: medium;\">Richard Barnett, Mark Blacklock, John Cussans, Erik Davis, Paul Devereux, Roger Dobson, Joanna Ebenstein, Stephen Grasso, Gyrus, Ken Hollings, Mike Jay, Phil Legard, David Luke, Eleanor Morgan, Alan Moore, Steve Moore, Michael Neve, Andy Sharp, Robert Wallis, Sean Walsh.</span>\r\n\r\n<span style=\"font-size: medium;\"><em>Artwork by Joel Biroco, Julian House, Phil Legard, Eleanor Morgan, Arik Roper &amp; Nathalie Tayton</em></span>\r\n\r\nClick here to see a PDF of the<a style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #0066cc; line-height: 1.5;\" href=\"http://www.strangeattractor.co.uk/pdf/SAJ4_contents.pdf\"> full contents.','Strange Attractor Journal Four','Edited by Mark Pilkington\r\n320pp, A5 PB, £14.99\r\nISBN 9780954805463','inherit','closed','closed','','2963-revision-v1','','','2016-05-23 11:39:07','2016-05-23 11:39:07','',2963,'http://strangeattractor.co.uk/news/2963-revision-v1/',0,'revision','',0),(2966,2,'2011-01-27 17:15:21','2011-01-27 17:15:21','<blockquote><span style=\"font-style: normal; font-size: 13px; line-height: 19px;\"><strong> </strong></span></blockquote>\n<div id=\"_mcePaste\" style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5;\"><strong>Edited by Mark Pilkington</strong></div>\n<div id=\"_mcePaste\" style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5;\"><strong>320pp, A5 PB, £14.99\n</strong><span style=\"font-size: 13px; line-height: 19px;\"><strong>ISBN 9780954805463</strong></span></div>\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4.jpg\"><img class=\"alignright\" title=\"SAJ4\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4.jpg\" alt=\"\" width=\"225\" height=\"313\" /></a>\n<blockquote>\n<blockquote>The eagerly awaited fourth edition of the acclaimed anthology series.</blockquote>\n</blockquote>\nThe first 200 copies ordered direct from Strange Attractor will receive a set of Strange Attractor post cards.\n<table>\n<tbody>\n<tr>\n<td>Postal options</td>\n</tr>\n<tr>\n<td><select name=\"os0\"> <option value=\"UK\">UK £14.99</option> <option value=\"EU AIR\">EU AIR £15.99</option> <option value=\"ROW Surface\">ROW Surface £16.99</option> <option value=\"ROW AIR\">ROW AIR £17.99</option> </select></td>\n</tr>\n</tbody>\n</table>\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" /></form><form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"></form><form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><em>Or pay by cheque, £UK only, payable to </em>Strange Attractor Press Ltd<em> and sent to </em>BM SAP, London, WC1N 3XX, UK<em>.</em></form><form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><strong>About the Book</strong></form>From Haiti and Hong Kong to the fourth dimension and beyond: discover the secrets of madness in animals; voodoo soul and dub music; ancient peacock deities; Chinese poisoning cults; the history of spider silk weaving; heathen mugwort magic; sentient lightning; Jesuit conspiracy theories; junkie explorers; Dali\'s Atlantis; the resurgence of Pan (in London\'s Crouch End); anarchist pirates on Madagascar; an ancient Greek Rip Van Winkle; French anatomical waxworks; Arthur Machen\'s forgotten tales and Alan Moore\'s unpublished John Dee opera.\n\n<strong>Featuring written contributions from:</strong>\n\nRichard Barnett, Mark Blacklock, John Cussans, Erik Davis, Paul Devereux, Roger Dobson, Joanna Ebenstein, Stephen Grasso, Gyrus, Ken Hollings, Mike Jay, Phil Legard, David Luke, Eleanor Morgan, Alan Moore, Steve Moore, Michael Neve, Andy Sharp, Robert Wallis, Sean Walsh.\n\n<em>Artwork by Joel Biroco, Julian House, Phil Legard, Eleanor Morgan, Arik Roper &amp; Nathalie Tayton</em>','SA Journal Four','Edited by Mark Pilkington\n320pp, A5 PB, £14.99\nISBN 9780954805463','inherit','open','open','','2963-revision-v1','','','2011-01-27 17:15:21','2011-01-27 17:15:21','',2963,'http://strangeattractor.co.uk/further/2963-revision/',0,'revision','',0),(2967,2,'2011-03-27 17:32:48','2011-03-27 17:32:48','<img class=\"size-full wp-image-3595 alignright\" title=\"EScover\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/EScover.jpg\" alt=\"\" width=\"293\" height=\"420\" />\r\n\r\n<strong>Edited by Virginie Selavy\r\n</strong><strong>260pp, PB, illustrated, £9.99\r\n</strong><strong>ISBN 978-1907222023</strong>\r\n\r\n<em>The End is The Beginning</em>\r\n<blockquote>It is superb - a masterly accomplishment.   Beautifully produced - and its \'content\' - and vision - could not be more accurate and timely. <strong>Peter Whitehead</strong>\r\n\r\n‘Electric Sheep writes about film for people who like film: a classic approach.\'\r\nNorman Lebrecht, <strong>The New Statesman</strong>\r\n\r\n\'Refreshing and original, Electric Sheep explores the world of film from myriad angles with wit and imagination.’\r\nJennifer Higgie,<strong> Frieze</strong></blockquote>\r\n<div><strong><em>SPECIAL ANNIVERSARY OFFER PRICE OF £9.99!</em>\r\n</strong></div>\r\n<div><strong> </strong></div>\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\" target=\"paypal\"><input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" />\r\n<input name=\"hosted_button_id\" type=\"hidden\" value=\"YBQ8XSQ8VAYKC\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal Region\" />Postal Region</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\">\r\n<option value=\"UK\">UK £9.99 GBP</option>\r\n<option value=\"EU AIR\">EU AIR £11.99 GBP</option>\r\n<option value=\"ROW Air\">ROW Air £13.99 GBP</option>\r\n</select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" />\r\n<input alt=\"PayPal — The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypalobjects.com/en_GB/i/btn/btn_cart_LG.gif\" type=\"image\" />\r\n<img src=\"https://www.paypalobjects.com/en_GB/i/scr/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" />\r\n\r\n</form><span style=\"line-height: 24px; font-size: 16px;\"><em>\r\nOr pay by cheque, £UK only, payable to </em>Strange Attractor Press Ltd<em> and sent to </em>BM SAP, London, WC1N 3XX, UK<em>.</em></span>\r\n\r\n<strong>About the book\r\n</strong> Acclaimed film magazine <a href=\"http://www.electricsheepmagazine.co.uk\">Electric Sheep</a> presents a bold new anthology of writing from cinema\'s sharpest edge.\r\n\r\nFrom the gutter to the avant garde, <em>The End</em> brings together a mind-bendingly eclectic programme of films, authors, artists and directors to create a unique new vision of cinema past, present and future.\r\n\r\nFollow us into the darkness and you\'ll find Bill Morrision\'s chemical ghosts, the Bad Girls of \'50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu\'s Japanese nihilists, David Lynch\'s sonic cinema, Clouzot\'s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman\'s final thoughts and more.\r\n\r\nContributors include:\r\nJim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>)\r\nGreg Klymkiw (producer of Guy Maddin’s <em>Careful</em>)\r\nFrances Morgan (former editor of <em>Plan B Magazine</em>)\r\nJames Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>)\r\nJack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n<blockquote>‘Electric Sheep is idiosyncratic, \'intelligent, informed and it really  knows and cares about cinema.  Long may it prosper.’ <strong>The Wire</strong></blockquote>\r\n<strong><strong>Catch a glimpse of <em>The End </em>with these PDF samples:</strong></strong>\r\n\r\n<em>* <a href=\"http://www.strangeattractor.co.uk/pdf/TheEnd_ESAnthology_Contents.pdf\">Contents</a></em>\r\n\r\n<em>* </em>Frances Morgan – <em><a href=\"http://www.strangeattractor.co.uk/pdf/TheEnd_ESAnthology_Lynch.pdf\">Darkness Audible</a>: </em>Sub-bass, tape decay and Lynchian noise\r\n\r\n* Alex Fitch &amp; Tom Humberstone<em> – <a href=\"http://www.strangeattactor.co.uk/public_html/pdf/TheEnd_ESAnthology_Legacy.pdf\">Legacy of the Dead</a></em>\r\n\r\n<em>* </em>Ian Francis – <em> <a href=\"http://www.strangeattractor.co.uk/pdf/TheEnd_ESAnthology_Skeletons.pdf\">A Feast of Skeletons</a> at cinema\'s end</em>\r\n\r\n&nbsp;','Electric Sheep: The End','Edited by Virginie Selavy\r\n260pp, PB, illustrated, £9.99\r\nISBN 978-1907222023','publish','closed','closed','','electric-sheep-the-end','','','2022-01-11 14:47:56','2022-01-11 14:47:56','',0,'http://strangeattractor.co.uk/?p=2967',0,'post','',0),(4566,2,'2013-02-06 10:12:35','2013-02-06 10:12:35','<strong>\r\n</strong>\r\n\r\n<img class=\"size-full wp-image-3595 alignright\" title=\"EScover\" alt=\"\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/EScover.jpg\" width=\"293\" height=\"420\" />\r\n\r\n<strong>Edited by Virginie Selavy\r\n</strong><strong>260pp, PB, illustrated, £13.99\r\n</strong><strong>ISBN 978-1907222023</strong>\r\n<blockquote><em>The End is The Beginning</em>\r\n\r\nIt is superb - a masterly accomplishment.   Beautifully produced - and its \'content\' - and vision - could not be more accurate and timely. <strong>Peter Whitehead</strong>\r\n\r\n‘Electric Sheep writes about film for people who like film: a classic approach.\'\r\nNorman Lebrecht, <strong>The New Statesman</strong>\r\n\r\n\'Refreshing and original, Electric Sheep explores the world of film from myriad angles with wit and imagination.’\r\nJennifer Higgie,<strong> Frieze</strong></blockquote>\r\n<div><strong>The first 200 copies of the book bought directly from Strange Attractor will include a set of artists\' postcards.</strong></div>\r\n<div><strong>\r\n</strong></div>\r\n<form target=\"paypal\" action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"YBQ8XSQ8VAYKC\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal Region\">Postal Region</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK\">UK £9.99 GBP</option>\r\n	<option value=\"EU AIR\">EU AIR £11.99 GBP</option>\r\n	<option value=\"ROW Air\">ROW Air £13.99 GBP</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypalobjects.com/en_GB/i/btn/btn_cart_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal — The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypalobjects.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n\r\n\r\n<span style=\"line-height: 24px; font-size: 16px;\"><em>\r\nOr pay by cheque, £UK only, payable to </em>Strange Attractor Press Ltd<em> and sent to </em>BM SAP, London, WC1N 3XX, UK<em>.</em></span></form><strong>About the book\r\n</strong> Acclaimed film magazine <a href=\"http://www.electricsheepmagazine.co.uk\">Electric Sheep</a> presents a bold new anthology of writing from cinema\'s sharpest edge.\r\n\r\nFrom the gutter to the avant garde, <em>The End</em> brings together a mind-bendingly eclectic programme of films, authors, artists and directors to create a unique new vision of cinema past, present and future.\r\n\r\nFollow us into the darkness and you\'ll find Bill Morrision\'s chemical ghosts, the Bad Girls of \'50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu\'s Japanese nihilists, David Lynch\'s sonic cinema, Clouzot\'s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman\'s final thoughts and more.\r\n\r\nContributors include:\r\nJim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>)\r\nGreg Klymkiw (producer of Guy Maddin’s <em>Careful</em>)\r\nFrances Morgan (former editor of <em>Plan B Magazine</em>)\r\nJames Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>)\r\nJack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n<blockquote>‘Electric Sheep is idiosyncratic, \'intelligent, informed and it really  knows and cares about cinema.  Long may it prosper.’ <strong>The Wire</strong></blockquote>\r\n<strong><strong>Catch a glimpse of <em>The End </em>with these PDF samples:</strong></strong>\r\n\r\n<em>* <a href=\"http://www.strangeattractor.co.uk/pdf/TheEnd_ESAnthology_Contents.pdf\">Contents</a></em>\r\n\r\n<em>* </em>Frances Morgan – <em><a href=\"http://www.strangeattractor.co.uk/pdf/TheEnd_ESAnthology_Lynch.pdf\">Darkness Audible</a>: </em>Sub-bass, tape decay and Lynchian noise\r\n\r\n* Alex Fitch &amp; Tom Humberstone<em> – <a href=\"http://www.strangeattactor.co.uk/public_html/pdf/TheEnd_ESAnthology_Legacy.pdf\">Legacy of the Dead</a></em>\r\n\r\n<em>* </em>Ian Francis – <em> <a href=\"http://www.strangeattractor.co.uk/pdf/TheEnd_ESAnthology_Skeletons.pdf\">A Feast of Skeletons</a> at cinema\'s end</em>\r\n\r\n&nbsp;','The End: Electric Sheep','Edited by Virginie Selavy\r\n260pp, PB, illustrated, £13.99 \r\nISBN 978-1907222023\r\n','inherit','open','open','','2536-revision-v1','','','2013-02-06 10:12:35','2013-02-06 10:12:35','',2536,'http://strangeattractor.co.uk/further/2536-revision-37/',0,'revision','',0),(4565,2,'2013-02-06 10:13:12','2013-02-06 10:13:12','<strong>\r\n</strong>\r\n\r\n<img class=\"size-full wp-image-3595 alignright\" title=\"EScover\" alt=\"\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/EScover.jpg\" width=\"293\" height=\"420\" />\r\n\r\n<strong>Edited by Virginie Selavy\r\n</strong><strong>260pp, PB, illustrated, £13.99\r\n</strong><strong>ISBN 978-1907222023</strong>\r\n\r\n<em>The End is The Beginning</em>\r\n<blockquote>It is superb - a masterly accomplishment.   Beautifully produced - and its \'content\' - and vision - could not be more accurate and timely. <strong>Peter Whitehead</strong>\r\n\r\n‘Electric Sheep writes about film for people who like film: a classic approach.\'\r\nNorman Lebrecht, <strong>The New Statesman</strong>\r\n\r\n\'Refreshing and original, Electric Sheep explores the world of film from myriad angles with wit and imagination.’\r\nJennifer Higgie,<strong> Frieze</strong></blockquote>\r\n<div><strong>The first 200 copies of the book bought directly from Strange Attractor will include a set of artists\' postcards.</strong></div>\r\n<div><strong>\r\n</strong></div>\r\n<form target=\"paypal\" action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\">\r\n<input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\">\r\n<input type=\"hidden\" name=\"hosted_button_id\" value=\"YBQ8XSQ8VAYKC\">\r\n<table>\r\n<tr><td><input type=\"hidden\" name=\"on0\" value=\"Postal Region\">Postal Region</td></tr><tr><td><select name=\"os0\">\r\n	<option value=\"UK\">UK £9.99 GBP</option>\r\n	<option value=\"EU AIR\">EU AIR £11.99 GBP</option>\r\n	<option value=\"ROW Air\">ROW Air £13.99 GBP</option>\r\n</select> </td></tr>\r\n</table>\r\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\">\r\n<input type=\"image\" src=\"https://www.paypalobjects.com/en_GB/i/btn/btn_cart_LG.gif\" border=\"0\" name=\"submit\" alt=\"PayPal — The safer, easier way to pay online.\">\r\n<img alt=\"\" border=\"0\" src=\"https://www.paypalobjects.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\">\r\n</form>\r\n<span style=\"line-height: 24px; font-size: 16px;\"><em>\r\nOr pay by cheque, £UK only, payable to </em>Strange Attractor Press Ltd<em> and sent to </em>BM SAP, London, WC1N 3XX, UK<em>.</em></span></form><strong>About the book\r\n</strong> Acclaimed film magazine <a href=\"http://www.electricsheepmagazine.co.uk\">Electric Sheep</a> presents a bold new anthology of writing from cinema\'s sharpest edge.\r\n\r\nFrom the gutter to the avant garde, <em>The End</em> brings together a mind-bendingly eclectic programme of films, authors, artists and directors to create a unique new vision of cinema past, present and future.\r\n\r\nFollow us into the darkness and you\'ll find Bill Morrision\'s chemical ghosts, the Bad Girls of \'50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu\'s Japanese nihilists, David Lynch\'s sonic cinema, Clouzot\'s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman\'s final thoughts and more.\r\n\r\nContributors include:\r\nJim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>)\r\nGreg Klymkiw (producer of Guy Maddin’s <em>Careful</em>)\r\nFrances Morgan (former editor of <em>Plan B Magazine</em>)\r\nJames Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>)\r\nJack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n<blockquote>‘Electric Sheep is idiosyncratic, \'intelligent, informed and it really  knows and cares about cinema.  Long may it prosper.’ <strong>The Wire</strong></blockquote>\r\n<strong><strong>Catch a glimpse of <em>The End </em>with these PDF samples:</strong></strong>\r\n\r\n<em>* <a href=\"http://www.strangeattractor.co.uk/pdf/TheEnd_ESAnthology_Contents.pdf\">Contents</a></em>\r\n\r\n<em>* </em>Frances Morgan – <em><a href=\"http://www.strangeattractor.co.uk/pdf/TheEnd_ESAnthology_Lynch.pdf\">Darkness Audible</a>: </em>Sub-bass, tape decay and Lynchian noise\r\n\r\n* Alex Fitch &amp; Tom Humberstone<em> – <a href=\"http://www.strangeattactor.co.uk/public_html/pdf/TheEnd_ESAnthology_Legacy.pdf\">Legacy of the Dead</a></em>\r\n\r\n<em>* </em>Ian Francis – <em> <a href=\"http://www.strangeattractor.co.uk/pdf/TheEnd_ESAnthology_Skeletons.pdf\">A Feast of Skeletons</a> at cinema\'s end</em>\r\n\r\n&nbsp;','Electric Sheep: The End','Edited by Virginie Selavy\r\n260pp, PB, illustrated, £13.99\r\nISBN 978-1907222023','inherit','open','open','','2967-revision-v1','','','2013-02-06 10:13:12','2013-02-06 10:13:12','',2967,'http://strangeattractor.co.uk/further/2967-revision-14/',0,'revision','',0),(2968,2,'2011-01-27 17:08:26','2011-01-27 17:08:26','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\"><img class=\"alignright size-full wp-image-2537\" title=\"ES_web_small\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\" alt=\"\" width=\"225\" height=\"313\" /></a>\r\n\r\n<strong>Edited by Virginie Selavy\r\n</strong><strong>260pp, PB, illustrated, £13.99\r\n</strong><strong>ISBN 978-1907222023</strong>\r\n\r\n<em>The End is The Beginning</em>\r\n<blockquote>‘Electric Sheep writes about film for people who like film: a classic approach.\'\r\nNorman Lebrecht, <strong>The New Statesman</strong>\r\n\r\n\'Refreshing and original, Electric Sheep explores the world of film from myriad angles with wit and imagination.’\r\nJennifer Higgie,<strong> Frieze</strong></blockquote>\r\n<div><strong>The first 200 copies of the book bought directly from Strange Attractor will include a set of artists\' postcards.</strong></div>\r\n<div><strong>\r\n</strong></div>\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"> <input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" /> <input name=\"hosted_button_id\" type=\"hidden\" value=\"Y2CKU7XQWW7RY\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £13.99</option> <option value=\"EU\">EU £14.99</option> <option value=\"ROW Surface\">ROW Surface £15.99</option> <option value=\"ROW AIR\">ROW AIR £16.99</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" /></form><form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><span style=\"line-height: 24px; font-size: 16px;\"><em>\r\nOr pay by cheque, £UK only, payable to </em>Strange Attractor Press Ltd<em> and sent to </em>BM SAP, London, WC1N 3XX, UK<em>.</em></span></form><strong>About the book\r\n</strong> Acclaimed film magazine <a href=\"http://www.electricsheepmagazine.co.uk\">Electric Sheep</a> presents a bold new anthology of writing from cinema\'s sharpest edge.\r\n\r\nFrom the gutter to the avant garde, <em>The End</em> brings together a mind-bendingly eclectic programme of films, authors, artists and directors to create a unique new vision of cinema past, present and future.\r\n\r\nFollow us into the darkness and you\'ll find Bill Morrision\'s chemical ghosts, the Bad Girls of \'50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu\'s Japanese nihilists, David Lynch\'s sonic cinema, Clouzot\'s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman\'s final thoughts and more.\r\n\r\nContributors include:\r\nJim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>)\r\nGreg Klymkiw (producer of Guy Maddin’s <em>Careful</em>)\r\nFrances Morgan (former editor of <em>Plan B Magazine</em>)\r\nJames Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>)\r\nJack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n<blockquote>‘Electric Sheep is idiosyncratic, \'intelligent, informed and it really  knows and cares about cinema.  Long may it prosper.’ <strong>The Wire</strong></blockquote>','The End: Electric Sheep','Edited by Virginie Selavy (March 2011)\r\n260pp, PB, illustrated, £13.99 \r\nISBN 978-1907222023\r\n','inherit','open','open','','2536-revision-v1','','','2011-01-27 17:08:26','2011-01-27 17:08:26','',2536,'http://strangeattractor.co.uk/further/2536-revision-24/',0,'revision','',0),(2969,2,'2011-01-27 17:32:15','2011-01-27 17:32:15','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\"><img class=\"alignright size-full wp-image-2537\" title=\"ES_web_small\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\" alt=\"\" width=\"225\" height=\"313\" /></a>\n\n<strong>Edited by Virginie Selavy\n</strong><strong>260pp, PB, illustrated, £13.99\n</strong><strong>ISBN 978-1907222023</strong>\n\n<em>The End is The Beginning</em>\n<blockquote>‘Electric Sheep writes about film for people who like film: a classic approach.\'\nNorman Lebrecht, <strong>The New Statesman</strong>\n\n\'Refreshing and original, Electric Sheep explores the world of film from myriad angles with wit and imagination.’\nJennifer Higgie,<strong> Frieze</strong></blockquote>\n<div><strong>The first 200 copies of the book bought directly from Strange Attractor will include a set of artists\' postcards.</strong></div>\n<div><strong>\n</strong></div>\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" /> <input name=\"hosted_button_id\" type=\"hidden\" value=\"Y2CKU7XQWW7RY\" />\n<table>\n<tbody>\n<tr>\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\n</tr>\n<tr>\n<td><select name=\"os0\"> <option value=\"UK\">UK £13.99</option> <option value=\"EU\">EU £14.99</option> <option value=\"ROW Surface\">ROW Surface £15.99</option> <option value=\"ROW AIR\">ROW AIR £16.99</option> </select></td>\n</tr>\n</tbody>\n</table>\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\n\n</form> <form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><span style=\"line-height: 24px; font-size: 16px;\"><em>\nOr pay by cheque, £UK only, payable to </em>Strange Attractor Press Ltd<em> and sent to </em>BM SAP, London, WC1N 3XX, UK<em>.</em></span></form><strong>About the book\n</strong> Acclaimed film magazine <a href=\"http://www.electricsheepmagazine.co.uk\">Electric Sheep</a> presents a bold new anthology of writing from cinema\'s sharpest edge.\n\nFrom the gutter to the avant garde, <em>The End</em> brings together a mind-bendingly eclectic programme of films, authors, artists and directors to create a unique new vision of cinema past, present and future.\n\nFollow us into the darkness and you\'ll find Bill Morrision\'s chemical ghosts, the Bad Girls of \'50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu\'s Japanese nihilists, David Lynch\'s sonic cinema, Clouzot\'s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman\'s final thoughts and more.\n\nContributors include:\nJim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>)\nGreg Klymkiw (producer of Guy Maddin’s <em>Careful</em>)\nFrances Morgan (former editor of <em>Plan B Magazine</em>)\nJames Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>)\nJack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\n<blockquote>‘Electric Sheep is idiosyncratic, \'intelligent, informed and it really  knows and cares about cinema.  Long may it prosper.’ <strong>The Wire</strong></blockquote>','Electric Sheep: The End','Edited by Virginie Selavy\n260pp, PB, illustrated, £13.99\nISBN 978-1907222023','inherit','open','open','','2967-revision-v1','','','2011-01-27 17:32:15','2011-01-27 17:32:15','',2967,'http://strangeattractor.co.uk/further/2967-revision/',0,'revision','',0),(2970,2,'2011-01-27 17:32:48','2011-01-27 17:32:48','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\"><img class=\"alignright size-full wp-image-2537\" title=\"ES_web_small\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/ES_web_small.jpg\" alt=\"\" width=\"225\" height=\"313\" /></a>\r\n\r\n<strong>Edited by Virginie Selavy\r\n</strong><strong>260pp, PB, illustrated, £13.99\r\n</strong><strong>ISBN 978-1907222023</strong>\r\n\r\n<em>The End is The Beginning</em>\r\n<blockquote>‘Electric Sheep writes about film for people who like film: a classic approach.\'\r\nNorman Lebrecht, <strong>The New Statesman</strong>\r\n\r\n\'Refreshing and original, Electric Sheep explores the world of film from myriad angles with wit and imagination.’\r\nJennifer Higgie,<strong> Frieze</strong></blockquote>\r\n<div><strong>The first 200 copies of the book bought directly from Strange Attractor will include a set of artists\' postcards.</strong></div>\r\n<div><strong>\r\n</strong></div>\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" /> <input name=\"hosted_button_id\" type=\"hidden\" value=\"Y2CKU7XQWW7RY\" />\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><input name=\"on0\" type=\"hidden\" value=\"Postal options\" />Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £13.99</option> <option value=\"EU\">EU £14.99</option> <option value=\"ROW Surface\">ROW Surface £15.99</option> <option value=\"ROW AIR\">ROW AIR £16.99</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" /> <input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" />\r\n\r\n</form> <form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><span style=\"line-height: 24px; font-size: 16px;\"><em>\r\nOr pay by cheque, £UK only, payable to </em>Strange Attractor Press Ltd<em> and sent to </em>BM SAP, London, WC1N 3XX, UK<em>.</em></span></form><strong>About the book\r\n</strong> Acclaimed film magazine <a href=\"http://www.electricsheepmagazine.co.uk\">Electric Sheep</a> presents a bold new anthology of writing from cinema\'s sharpest edge.\r\n\r\nFrom the gutter to the avant garde, <em>The End</em> brings together a mind-bendingly eclectic programme of films, authors, artists and directors to create a unique new vision of cinema past, present and future.\r\n\r\nFollow us into the darkness and you\'ll find Bill Morrision\'s chemical ghosts, the Bad Girls of \'50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu\'s Japanese nihilists, David Lynch\'s sonic cinema, Clouzot\'s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman\'s final thoughts and more.\r\n\r\nContributors include:\r\nJim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>)\r\nGreg Klymkiw (producer of Guy Maddin’s <em>Careful</em>)\r\nFrances Morgan (former editor of <em>Plan B Magazine</em>)\r\nJames Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>)\r\nJack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\r\n<blockquote>‘Electric Sheep is idiosyncratic, \'intelligent, informed and it really  knows and cares about cinema.  Long may it prosper.’ <strong>The Wire</strong></blockquote>','Electric Sheep: The End','Edited by Virginie Selavy\r\n260pp, PB, illustrated, £13.99\r\nISBN 978-1907222023','inherit','open','open','','2967-revision-v1','','','2011-01-27 17:32:48','2011-01-27 17:32:48','',2967,'http://strangeattractor.co.uk/further/2967-revision-2/',0,'revision','',0),(3027,2,'2013-02-06 10:10:16','2013-02-06 10:10:16','<strong>\n</strong>\n\n<img class=\"size-full wp-image-3595 alignright\" title=\"EScover\" alt=\"\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/EScover.jpg\" width=\"293\" height=\"420\" />\n\n<strong>Edited by Virginie Selavy\n</strong><strong>260pp, PB, illustrated, £13.99\n</strong><strong>ISBN 978-1907222023</strong>\n\n<em>The End is The Beginning</em>\n<blockquote>It is superb - a masterly accomplishment.   Beautifully produced - and its \'content\' - and vision - could not be more accurate and timely. <strong>Peter Whitehead</strong>\n\n‘Electric Sheep writes about film for people who like film: a classic approach.\'\nNorman Lebrecht, <strong>The New Statesman</strong>\n\n\'Refreshing and original, Electric Sheep explores the world of film from myriad angles with wit and imagination.’\nJennifer Higgie,<strong> Frieze</strong></blockquote>\n<div><strong>The first 200 copies of the book bought directly from Strange Attractor will include a set of artists\' postcards.</strong></div>\n<div><strong>\n</strong></div>\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><input type=\"hidden\" name=\"cmd\" value=\"_s-xclick\" /> <input type=\"hidden\" name=\"hosted_button_id\" value=\"Y2CKU7XQWW7RY\" />\n<table>\n<tbody>\n<tr>\n<td><input type=\"hidden\" name=\"on0\" value=\"Postal options\" />Postal options</td>\n</tr>\n<tr>\n<td><select name=\"os0\"><option value=\"UK\">UK £13.99</option><option value=\"EU\">EU £14.99</option><option value=\"ROW Surface\">ROW Surface £15.99</option><option value=\"ROW AIR\">ROW AIR £16.99</option></select></td>\n</tr>\n</tbody>\n</table>\n<input type=\"hidden\" name=\"currency_code\" value=\"GBP\" /> <input type=\"image\" alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" /> <img alt=\"\" src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" width=\"1\" height=\"1\" border=\"0\" />\n\n</form><form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><span style=\"line-height: 24px; font-size: 16px;\"><em>\nOr pay by cheque, £UK only, payable to </em>Strange Attractor Press Ltd<em> and sent to </em>BM SAP, London, WC1N 3XX, UK<em>.</em></span></form><strong>About the book\n</strong> Acclaimed film magazine <a href=\"http://www.electricsheepmagazine.co.uk\">Electric Sheep</a> presents a bold new anthology of writing from cinema\'s sharpest edge.\n\nFrom the gutter to the avant garde, <em>The End</em> brings together a mind-bendingly eclectic programme of films, authors, artists and directors to create a unique new vision of cinema past, present and future.\n\nFollow us into the darkness and you\'ll find Bill Morrision\'s chemical ghosts, the Bad Girls of \'50s exploitation films, apocalyptic Nigerian evangelists, shuffling zombies, the human centipede, Kôji Wakamatsu\'s Japanese nihilists, David Lynch\'s sonic cinema, Clouzot\'s lost Inferno, the Brothers Quay, Vincenzo Natali, Ingmar Bergman\'s final thoughts and more.\n\nContributors include:\nJim Harper (<em>Flowers from Hell: The Modern Japanese Horror Film</em>)\nGreg Klymkiw (producer of Guy Maddin’s <em>Careful</em>)\nFrances Morgan (former editor of <em>Plan B Magazine</em>)\nJames Rose (<em>Beyond Hammer: Contemporary British Horror Cinema</em>)\nJack Sargeant (<em>Deathtrippping: The Extreme Underground</em>)\n<blockquote>‘Electric Sheep is idiosyncratic, \'intelligent, informed and it really  knows and cares about cinema.  Long may it prosper.’ <strong>The Wire</strong></blockquote>\n<strong><strong>Catch a glimpse of <em>The End </em>with these PDF samples:</strong></strong>\n\n<em>* <a href=\"http://www.strangeattractor.co.uk/pdf/TheEnd_ESAnthology_Contents.pdf\">Contents</a></em>\n\n<em>* </em>Frances Morgan – <em><a href=\"http://www.strangeattractor.co.uk/pdf/TheEnd_ESAnthology_Lynch.pdf\">Darkness Audible</a>: </em>Sub-bass, tape decay and Lynchian noise\n\n* Alex Fitch &amp; Tom Humberstone<em> – <a href=\"http://www.strangeattactor.co.uk/public_html/pdf/TheEnd_ESAnthology_Legacy.pdf\">Legacy of the Dead</a></em>\n\n<em>* </em>Ian Francis – <em> <a href=\"http://www.strangeattractor.co.uk/pdf/TheEnd_ESAnthology_Skeletons.pdf\">A Feast of Skeletons</a> at cinema\'s end</em>\n\n&nbsp;','Electric Sheep: The End','Edited by Virginie Selavy\n260pp, PB, illustrated, £13.99\nISBN 978-1907222023','inherit','open','open','','2967-autosave-v1','','','2013-02-06 10:10:16','2013-02-06 10:10:16','',2967,'http://strangeattractor.co.uk/further/2967-autosave/',0,'revision','',0),(2971,2,'2011-01-27 17:16:26','2011-01-27 17:16:26','<blockquote><span style=\"font-style: normal; font-size: 13px; line-height: 19px;\"><strong> </strong></span></blockquote>\r\n<div id=\"_mcePaste\" style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5;\"><strong>Edited by Mark Pilkington</strong></div>\r\n<div id=\"_mcePaste\" style=\"font-family: Georgia, \'Bitstream Charter\', serif; color: #444444; line-height: 1.5;\"><strong>320pp, A5 PB, £14.99\r\n</strong><span style=\"font-size: 13px; line-height: 19px;\"><strong>ISBN 9780954805463</strong></span></div>\r\n<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4.jpg\"><img class=\"alignright\" title=\"SAJ4\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/SAJ4.jpg\" alt=\"\" width=\"225\" height=\"313\" /></a>\r\n<blockquote>\r\n<blockquote>The eagerly awaited fourth edition of the acclaimed anthology series.</blockquote>\r\n</blockquote>\r\nThe first 200 copies ordered direct from Strange Attractor will receive a set of Strange Attractor post cards.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td>Postal options</td>\r\n</tr>\r\n<tr>\r\n<td><select name=\"os0\"> <option value=\"UK\">UK £14.99</option> <option value=\"EU AIR\">EU AIR £15.99</option> <option value=\"ROW Surface\">ROW Surface £16.99</option> <option value=\"ROW AIR\">ROW AIR £17.99</option> </select></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><input alt=\"PayPal - The safer, easier way to pay online.\" name=\"submit\" src=\"https://www.paypal.com/en_US/GB/i/btn/btn_buynowCC_LG.gif\" type=\"image\" /> <img src=\"https://www.paypal.com/en_GB/i/scr/pixel.gif\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" /></form><form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"></form><form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><em>Or pay by cheque, £UK only, payable to </em>Strange Attractor Press Ltd<em> and sent to </em>BM SAP, London, WC1N 3XX, UK<em>.</em></form><form action=\"https://www.paypal.com/cgi-bin/webscr\" method=\"post\"><strong>About the Book</strong></form>From Haiti and Hong Kong to the fourth dimension and beyond: discover the secrets of madness in animals; voodoo soul and dub music; ancient peacock deities; Chinese poisoning cults; the history of spider silk weaving; heathen mugwort magic; sentient lightning; Jesuit conspiracy theories; junkie explorers; Dali\'s Atlantis; the resurgence of Pan (in London\'s Crouch End); anarchist pirates on Madagascar; an ancient Greek Rip Van Winkle; French anatomical waxworks; Arthur Machen\'s forgotten tales and Alan Moore\'s unpublished John Dee opera.\r\n\r\n<strong>Featuring written contributions from:</strong>\r\n\r\nRichard Barnett, Mark Blacklock, John Cussans, Erik Davis, Paul Devereux, Roger Dobson, Joanna Ebenstein, Stephen Grasso, Gyrus, Ken Hollings, Mike Jay, Phil Legard, David Luke, Eleanor Morgan, Alan Moore, Steve Moore, Michael Neve, Andy Sharp, Robert Wallis, Sean Walsh.\r\n\r\n<em>Artwork by Joel Biroco, Julian House, Phil Legard, Eleanor Morgan, Arik Roper &amp; Nathalie Tayton</em>','SA Journal Four','Edited by Mark Pilkington\r\n320pp, A5 PB, £14.99\r\nISBN 9780954805463','inherit','open','open','','2963-revision-v1','','','2011-01-27 17:16:26','2011-01-27 17:16:26','',2963,'http://strangeattractor.co.uk/further/2963-revision-2/',0,'revision','',0),(2972,2,'2011-01-13 08:57:44','2011-01-13 08:57:44','<span style=\"font-size: 13px; line-height: 19px;\"><span style=\"line-height: 24px; font-size: 16px;\"><strong>JOURNAL ONE | CONTENTS</strong></span></span>\r\n\r\n<img class=\"alignright size-full wp-image-2709\" title=\"saj1\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/saj1.jpg\" alt=\"\" width=\"225\" height=\"313\" />\r\n<div><!-- p.p1 {margin: 0.0px 0.0px 12.0px 0.0px; font: 10.0px Arial} -->\r\n<blockquote>\"One of the most weirdly beautiful, beautifully weird magazines of the past hundred-odd years. It smacks far more of the late nineteenth century than the early twenty-first, and for anyone who has so much as the mildest penchant for the odd, it is a rare delight.\"<strong>\r\nKevin Jackson, <span style=\"font-style: normal;\">I</span><em>ndependent on Sunday</em></strong>.</blockquote>\r\n</div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\">|<strong>Pilgrimage to Truth Mountain</strong>: Life Reform 1900-1920 by <em>Alex Martin</em></span><span style=\"line-height: 24px; font-size: 16px;\">\r\n</span><span style=\"line-height: 24px; font-size: 16px;\">|<strong>The Last Cargo Cult</strong> by <em>Mike Jay</em></span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\">| <strong>Sadhus, Sannyasis, Ascetic Mendicants &amp; Renouncers</strong> by <em>Tom Vater</em></span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\">| <strong>Herworld</strong> artworks by <em>Cathy Ward</em></span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\">| <strong>Strange Cults and Secret Societies of Modern London</strong> by <em>Father Alan Walke</em>r</span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\">| <strong>Welcome to Disturbia</strong> by <em>Ken Hollings</em></span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\">| <strong>Magick Cyrkles</strong>: Glasgow Walks &amp; Photographs by <em>Drew Mulholland</em></span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\">| <strong>Derek Raymond &amp; Patrick Hamilton</strong>: Drinking in London Through their Eyes by <em>Cathi Unsworth</em></span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\">| <strong>Lost Wax</strong>: Blackpool\'s Passed Attraction by <em>Cathy Ward</em></span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\">| <strong>The Craft of Ladies\' Hairdressing Rediscovered</strong> by <em>Xtina Lamb</em></span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\">| <strong>Rorschach Audio</strong>: Art &amp; Illusion for Sound by<em> Joe Banks</em></span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\">| <strong>Mind the Zap</strong>: Mind Control at Greenham Common? Helen John interviewed by <em>John Lundberg</em></span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\">|<strong>The Return of the Old Ones</strong>: HP Lovecraft &amp; the crisis of Modernity by <em>Justin Woodman</em></span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\">|<strong>In Search of Terror\'s Degree Zero</strong> by <em>Tom McCarthy</em></span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\">| <strong>Montague Summers, the Marquis de Sade and the Curious World of the British Society for the Study of Sex Psychology</strong> by <em>Timothy d\'Arch Smith</em></span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\">| <strong>David Lindsay</strong>: Arcturus &amp; Beyond by <em>Mark Valentine</em></span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\">| <strong>The Myth of Punch</strong> by Eric, Count Stenbock. Introduced by <em>David Tibet</em></span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\">| <strong>The Book of Fortunatus</strong> by<em> Doug Skinner</em></span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\"><em>SAJ1 is currently unavailable. </em></span></div>\r\n<div><span style=\"line-height: 24px; font-size: 16px;\"><em>For archival purposes our first press release is available as a PDF (<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/saj1pr.pdf\">saj1pr</a>).</em></span></div>','Strange Attractor Journal One','Edited by Mark Pilkington\r\n276pp, A5 PB, Unavailable\r\nISBN: 978-0954805401','inherit','open','open','','2708-revision-v1','','','2011-01-13 08:57:44','2011-01-13 08:57:44','',2708,'http://strangeattractor.co.uk/further/2708-revision-9/',0,'revision','',0),(2973,2,'2011-01-27 14:34:24','2011-01-27 14:34:24','<div id=\"_mcePaste\"><strong><a href=\"https://strangeattractor.greedbag.com/buy/hoffmans-elixir/\"><img class=\"alignright wp-image-2974 size-full\" title=\"Hofmann_web\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/Hofmann_web.jpg\" alt=\"\" width=\"224\" height=\"330\" /></a>Edited by Amanda Feilding</strong></div>\r\n<div id=\"_mcePaste\"><strong>PB, 176pp, £14.99</strong></div>\r\n<div id=\"_mcePaste\"><strong>ISBN 780-954 805494</strong></div>\r\n<blockquote>\'Any scientist who is no mystic is no scientist.\' Albert Hofmann\r\n\r\n<strong><a href=\"https://strangeattractor.greedbag.com/buy/hoffmans-elixir/\">Buy it now</a></strong></blockquote>\r\nStill lecturing until his death at 102, Dr Albert Hofmann would have been a remarkable man even if he hadn\'t discovered the chemical compound that changed the course of the 20th century – LSD.  Voted the greatest living genius in a 2007 poll, the self-described \'little Swiss chemist\' is as much loved and respected for his personal nobility and modesty as he is for his chemical creations, which besides LSD, include chemicals used every day in maternity and geriatric wards the world over.\r\n\r\nThis unique book collects, for the first time, a number of his more recent essays and lectures. Between them they present a comprehensive overview of Hofmann\'s relationship to his controversial creation, and reveal his profound mystical outlook, informed both by his own LSD experiences, and by a life lived through one of the most turbulent centuries in human history.\r\n\r\nThe second section of the book contains essays and memoirs from some of the leading psychedelic thinkers of the 20th and 21st centuries, including Huston Smith, Myron Stolaroff, Ralph Metzner, Jonathan Ott, Stanislav Grof and Amanda Feilding.\r\n\r\n<em>The book is illustrated throughout with many rare photographs from the Hofmann archives.</em>\r\n\r\n<em>Hofmann\'s Elixir</em> is at once an important cultural and historical document, and a rare glimpse inside a visionary mind.\r\n\r\n<strong><a href=\"https://strangeattractor.greedbag.com/buy/hoffmans-elixir/\">Buy it now</a></strong>','Hofmann\'s Elixir','Edited by Amanda Feilding\r\nPB, 176pp, £14.99 \r\nISBN 780-954 805494','private','closed','closed','','hofmanns-elixir','','','2022-01-13 14:01:57','2022-01-13 14:01:57','',0,'http://strangeattractor.co.uk/?p=2973',0,'post','',0),(5654,2,'2016-05-31 15:12:31','2016-05-31 15:12:31','<div id=\"_mcePaste\"><strong><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/Hofmann_web.jpg\"><img class=\"size-full wp-image-2974 alignright\" title=\"Hofmann_web\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/Hofmann_web.jpg\" alt=\"\" width=\"224\" height=\"330\" /></a>Edited by Amanda Feilding</strong></div>\r\n<div id=\"_mcePaste\"><strong>PB, 176pp, £14.99</strong></div>\r\n<div id=\"_mcePaste\"><strong>ISBN 780-954 805494</strong></div>\r\n<blockquote>\'Any scientist who is no mystic is no scientist.\' Albert Hofmann</blockquote>\r\nStill lecturing until his death at 102, Dr Albert Hofmann would have been a remarkable man even if he hadn\'t discovered the chemical compound that changed the course of the 20th century – LSD.  Voted the greatest living genius in a 2007 poll, the self-described \'little Swiss chemist\' is as much loved and respected for his personal nobility and modesty as he is for his chemical creations, which besides LSD, include chemicals used every day in maternity and geriatric wards the world over.\r\n\r\nThis unique book collects, for the first time, a number of his more recent essays and lectures. Between them they present a comprehensive overview of Hofmann\'s relationship to his controversial creation, and reveal his profound mystical outlook, informed both by his own LSD experiences, and by a life lived through one of the most turbulent centuries in human history.\r\n\r\nThe second section of the book contains essays and memoirs from some of the leading psychedelic thinkers of the 20th and 21st centuries, including Huston Smith, Myron Stolaroff, Ralph Metzner, Jonathan Ott, Stanislav Grof and Amanda Feilding.\r\n\r\n<em>The book is illustrated throughout with many rare photographs from the Hofmann archives.</em>\r\n\r\n<em>Hofmann\'s Elixir</em> is at once an important cultural and historical document, and a rare glimpse inside a visionary mind.\r\n\r\n<strong>Buy it from <a href=\"http://beckleyfoundation.org/resource/hofmanns-elixir/\" target=\"_blank\">The Beckley Foundation</a></strong>','Hofmann\'s Elixir','Edited by Amanda Feilding\r\nPB, 176pp, £14.99 \r\nISBN 780-954 805494','inherit','closed','closed','','2973-revision-v1','','','2016-05-31 15:12:31','2016-05-31 15:12:31','',2973,'http://strangeattractor.co.uk/news/2973-revision-v1/',0,'revision','',0),(2974,2,'2011-01-27 17:40:11','2011-01-27 17:40:11','','Hofmann_web','','inherit','open','open','','hofmann_web-2','','','2011-01-27 17:40:11','2011-01-27 17:40:11','',2973,'http://strangeattractor.co.uk/wp-content/uploads/2011/01/Hofmann_web.jpg',0,'attachment','image/jpeg',0),(2975,2,'2011-01-27 17:41:26','2011-01-27 17:41:26','<blockquote></blockquote>\n<div id=\"_mcePaste\"><strong><a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/Hofmann_web.jpg\"><img class=\"size-full wp-image-2974 alignright\" title=\"Hofmann_web\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/01/Hofmann_web.jpg\" alt=\"\" width=\"224\" height=\"330\" /></a>Edited by Amanda Feilding</strong></div>\n<div id=\"_mcePaste\"><strong>PB, 176pp, £14.99</strong></div>\n<div id=\"_mcePaste\"><strong>ISBN 780-954 805494</strong></div>\n<blockquote>\n\n\'Any scientist who is no mystic is no scientist.\' Albert Hofmann</blockquote>\nStill lecturing until his death at 102, Dr Albert Hofmann would have been a remarkable man even if he hadn\'t discovered the chemical compound that changed the course of the 20th century – LSD.  Voted the greatest living genius in a 2007 poll, the self-described \'little Swiss chemist\' is as much loved and respected for his personal nobility and modesty as he is for his chemical creations, which besides LSD, include chemicals used every day in maternity and geriatric wards the world over.\n\n<strong> </strong>\n\nThis unique book collects, for the first time, a number of his more recent essays and lectures. Between them they present a comprehensive overview of Hofmann\'s relationship to his controversial creation, and reveal his profound mystical outlook, informed both by his own LSD experiences, and by a life lived through one of the most turbulent centuries in human history.\n\n<strong> </strong>\n\nThe second section of the book contains essays and memoirs from some of the leading psychedelic thinkers of the 20th and 21st centuries, including Huston Smith, Myron Stolaroff, Ralph Metzner, Jonathan Ott, Stanislav Grof and Amanda Feilding.\n\n<em>The book is illustrated throughout with many rare photographs from the Hofmann archives.</em>\n\n<em>Hofmann\'s Elixir</em> is at once an important cultural and historical document, and a rare glimpse inside a visionary mind.\n\nBuy it from <a href=\"http://www.beckleyfoundation.org/hoffmanns-elixir-lsd-and-the-new-eleusis/\" target=\"_blank\">The Beckley Foundation</a>','Hofmann\'s Elixir','Edited by Amanda Feilding\nPB, 176pp, £14.99 \nISBN 780-954 805494','inherit','open','open','','2973-revision-v1','','','2011-01-27 17:41:26','2011-01-27 17:41:26','',2973,'http://strangeattractor.co.uk/further/2973-revision/',0,'revision','',0),(3881,2,'2011-09-12 09:22:20','2011-09-12 09:22:20','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/09/tessaprints2.jpg\"><img class=\"alignnone size-full wp-image-3868\" title=\"tessaprints2\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/09/tessaprints2.jpg\" alt=\"\" width=\"800\" height=\"571\" /></a>\r\n\r\nSculptor and SA pal <a href=\"http://tessafarmer.com/\" target=\"_blank\">Tessa Farmer</a> has a new exhibition opening this weekend at <a href=\"http://viktorwyndfineart.co.uk/tessafarmer.html\" target=\"_blank\">Viktor Wynd Fine Art</a>, 11 Mare St, Hackney, London E8. It runs until 30 October.\r\n\r\nAs part of the exhibition Strange Attractor have collaborated with Tessa and Viktor Wynd to put together a one day symposium on faery lore and Tessa\'s artwork.\r\n\r\nTickets are £25, though early bird tickets, and those bought from the gallery are only £15. You can book tickets <a href=\"http://www.ticketweb.co.uk/user?query=search&amp;category=misc&amp;search=last+tuesday+society&amp;region=xxx&amp;beginmonth=02&amp;beginday=23&amp;beginyear=2010&amp;interface=thelasttuesdaysociety\" target=\"_blank\">here</a>.\r\n\r\nThe line up for the event is as follows:\r\n\r\n<strong>Good Neighbours: Faeries, Folklore and the Art of Tessa Farmer</strong>\r\n\r\nSaturday 1 October 2011, 11am til 7pm\r\n\r\nViktor Wynd Fine Art, 11 Mare St, London E8\r\n\r\nA day of presentations, readings, films and discussion:\r\n<ul>\r\n	<li><strong>Tessa Farmer</strong> introduces her work</li>\r\n	<li><strong>Gwilym Games</strong> (The Friends of Arthur Machen) looks at faeries in the work of Arthur Machen, great-grandfather of Tessa Farmer</li>\r\n	<li><strong>Jeremy Harte</strong> (The Folklore Society, author of <em>Explore Fairy Traditions</em>) considers faeries and otherness</li>\r\n	<li><strong>Petra Lange Berdt</strong> (author of <em>Animal Art</em>) on insects and art</li>\r\n	<li><strong>Carol Mavor</strong> (author of <em>Reading Boyishly</em>) reads a dark faery tale</li>\r\n	<li><strong>Catriona Mcara</strong> (editor of <em>Anti-Tales: The Uses of Disenchantment</em>) examines the films of Tessa Farmer</li>\r\n	<li><strong>Diane Perkiss</strong> (author of <em>At The Bottom of the Garden</em>) surveys the changing face of the little people</li>\r\n	<li><strong>Viktor Wynd</strong> (The Last Tuesday Society) reads classic short faery tales</li>\r\n</ul>\r\n<em>Tickets are £25, though early bird tickets, and those bought from the gallery are only £15. You can book tickets <a href=\"http://www.ticketweb.co.uk/user?query=search&amp;category=misc&amp;search=last+tuesday+society&amp;region=xxx&amp;beginmonth=02&amp;beginday=23&amp;beginyear=2010&amp;interface=thelasttuesdaysociety\" target=\"_blank\">here</a></em>','Tessa Farmer, The Fairies are Coming!','Sculptor and SA pal Tessa Farmer has a new exhibition opening on 3 September at Viktor Wynd Fine Art, and we\'ve organised a one-day symposium on faery lore to accompany it.','inherit','open','open','','3867-revision-6','','','2011-09-12 09:22:20','2011-09-12 09:22:20','',3867,'http://strangeattractor.co.uk/further/3867-revision-6/',0,'revision','',0),(3577,2,'2011-05-17 08:24:06','2011-05-17 08:24:06','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/tessa_main_1305554712_crop_550x370.jpg\"><img src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/tessa_main_1305554712_crop_550x370-300x201.jpg\" alt=\"\" title=\"tessa_main_1305554712_crop_550x370\" width=\"300\" height=\"201\" class=\"alignleft size-medium wp-image-3571\" /></a>Music web magazine The Quietus have just published a <a href=\"http://thequietus.com/articles/06256-amon-tobin-and-tessa-farmer-control-over-nature\">long feature</a> on SA friend Tessa Farmer\'s <em>Control Over Nature</em> installation, which responds to Amon Tobin\'s new field recording-based ISAM album.\r\n\r\nQuietus editor John Doran interviews Tessa and Amon Tobin about their work, and you can stream <em>ISAM</em> (out on 23 May on Ninja Tune records) below.\r\n<object height=\"81\" width=\"100%\"><param name=\"movie\" value=\"http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F14287113&\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed allowscriptaccess=\"always\" height=\"81\" src=\"http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F14287113&\" type=\"application/x-shockwave-flash\" width=\"100%\"></embed></object><span><a href=\"http://soundcloud.com/amon-tobin/amon-tobin-isam\">\'ISAM\' - Full album with track-by-track commentary from Amon Tobin</a> by <a href=\"http://soundcloud.com/amon-tobin\">Amon Tobin</a></span>\r\n\r\nThe installation opens on 26 May at <a href=\"http://www.cryptgallery.org.uk/current_exhibitions.htm\">The Crypt Gallery</a>, St Pancras Church, London.','Tessa Farmer in The Quietus','','inherit','open','open','','3570-revision-5','','','2011-05-17 08:24:06','2011-05-17 08:24:06','',3570,'http://strangeattractor.co.uk/further/3570-revision-5/',0,'revision','',0),(3578,2,'2011-05-17 08:24:13','2011-05-17 08:24:13','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/tessa_main_1305554712_crop_550x370.jpg\"><img src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/tessa_main_1305554712_crop_550x370-300x201.jpg\" alt=\"\" title=\"tessa_main_1305554712_crop_550x370\" width=\"300\" height=\"201\" class=\"alignleft size-medium wp-image-3571\" /></a>Music web magazine The Quietus have just published a <a href=\"http://thequietus.com/articles/06256-amon-tobin-and-tessa-farmer-control-over-nature\">long feature</a> on SA friend Tessa Farmer\'s <em>Control Over Nature</em> installation, which responds to Amon Tobin\'s new field recording-based ISAM album.\r\n\r\nQuietus editor John Doran interviews Tessa and Amon Tobin about their work, and you can stream <em>ISAM</em> (out on 23 May on Ninja Tune records) below.\r\n<object height=\"81\" width=\"100%\"><param name=\"movie\" value=\"http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F14287113&\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed allowscriptaccess=\"always\" height=\"81\" src=\"http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F14287113&\" type=\"application/x-shockwave-flash\" width=\"100%\"></embed></object><span><a href=\"http://soundcloud.com/amon-tobin/amon-tobin-isam\">\'ISAM\' - Full album with track-by-track commentary from Amon Tobin</a> by <a href=\"http://soundcloud.com/amon-tobin\">Amon Tobin</a></span>\r\n\r\nThe installation opens on 26 May at <a href=\"http://www.cryptgallery.org.uk/current_exhibitions.htm\">The Crypt Gallery</a>, St Pancras Church, London.','Tessa Farmer in The Quietus','','inherit','open','open','','3570-revision-6','','','2011-05-17 08:24:13','2011-05-17 08:24:13','',3570,'http://strangeattractor.co.uk/further/3570-revision-6/',0,'revision','',0),(3579,2,'2011-05-17 08:43:19','2011-05-17 08:43:19','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/tessa_main_1305554712_crop_550x370.jpg\"><img class=\"alignleft size-medium wp-image-3571\" title=\"tessa_main_1305554712_crop_550x370\" src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/tessa_main_1305554712_crop_550x370-300x201.jpg\" alt=\"\" width=\"300\" height=\"201\" /></a>Music web magazine The Quietus have just published a <a href=\"http://thequietus.com/articles/06256-amon-tobin-and-tessa-farmer-control-over-nature\">long feature</a> on SA pal Tessa Farmer\'s <em>Control Over Nature</em> installation, which responds to Amon Tobin\'s new field recording-based ISAM album.\r\n\r\nQuietus editor John Doran interviews Tessa and Amon Tobin about their work, and you can stream <em>ISAM</em> (out on 23 May on Ninja Tune records) below.\r\n<object width=\"100%\" height=\"81\"><param name=\"movie\" value=\"http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F14287113&amp;\" /><param name=\"allowscriptaccess\" value=\"always\" /><embed type=\"application/x-shockwave-flash\" width=\"100%\" height=\"81\" src=\"http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F14287113&amp;\" allowscriptaccess=\"always\"></embed></object><span><a href=\"http://soundcloud.com/amon-tobin/amon-tobin-isam\">\'ISAM\' - Full album with track-by-track commentary from Amon Tobin</a> by <a href=\"http://soundcloud.com/amon-tobin\">Amon Tobin</a></span>\r\n\r\nThe installation opens on 26 May at <a href=\"http://www.cryptgallery.org.uk/current_exhibitions.htm\">The Crypt Gallery</a>, St Pancras Church, London.','Tessa Farmer in The Quietus','The Quietus on SA pal Tessa Farmer\'s Control Over Nature installation, which responds to Amon Tobin\'s new field recording-based  album, ISAM.','inherit','open','open','','3570-revision-7','','','2011-05-17 08:43:19','2011-05-17 08:43:19','',3570,'http://strangeattractor.co.uk/further/3570-revision-7/',0,'revision','',0),(3573,2,'2011-05-17 08:17:31','2011-05-17 08:17:31','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/tessa_main_1305554712_crop_550x370.jpg\"><img src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/tessa_main_1305554712_crop_550x370-300x201.jpg\" alt=\"\" title=\"tessa_main_1305554712_crop_550x370\" width=\"300\" height=\"201\" class=\"alignleft size-medium wp-image-3571\" /></a>Music web magazine The Quietus have just published a <a href=\"http://thequietus.com/articles/06256-amon-tobin-and-tessa-farmer-control-over-nature\">long feature</a> on SA friend Tessa Farmer\'s <em>Control Over Nature</em> installation, which responds to the Tobin\'s new field recording-based ISAM album.\n\nQuietus editor John Doran interviews Tessa and Amon Tobin about their work, and you can stream <em>ISAM</em> with a commentary by Tobin.\n<object height=\"81\" width=\"100%\"><param name=\"movie\" value=\"http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F14287113&\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed allowscriptaccess=\"always\" height=\"81\" src=\"http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F14287113&\" type=\"application/x-shockwave-flash\" width=\"100%\"></embed></object><span><a href=\"http://soundcloud.com/amon-tobin/amon-tobin-isam\">\'ISAM\' - Full album with track-by-track commentary from Amon Tobin</a> by <a href=\"http://soundcloud.com/amon-tobin\">Amon Tobin</a></span>\n\nThe installation opens on 26 May at <a href=\"http://www.cryptgallery.org.uk/current_exhibitions.htm\">The Crypt Gallery</a>, St Pancras Church, London.','Tessa Farmer in The Quietus','','inherit','open','open','','3570-revision-2','','','2011-05-17 08:17:31','2011-05-17 08:17:31','',3570,'http://strangeattractor.co.uk/further/3570-revision-2/',0,'revision','',0),(6061,2,'2018-01-04 08:14:17','2018-01-04 08:14:17','<em>We welcome proposals and manuscript submissions but please read these guidelines before contacting us:</em>\r\n\r\n<strong>What you should know about us:</strong>\r\n\r\n- Before sending us your proposal or manuscript, if you are not familiar with our existing titles, please take a few minutes to <a href=\"http://strangeattractor.co.uk/shoppe/\">browse our existing list</a> and consider how your work might, or might not, sit alongside our already published books.\r\n\r\n- We don’t deal with agents. If you are an author, please contact us directly. Publishing your book will be a collaborative process - we want to work with you, and not an intermediary.\r\n\r\n- We are predominantly a non-fiction publisher, our key interests being previously neglected or rejected areas of research and investigation. Ideally your research will be breaking new ground, or presenting new perspectives on a story that has been told previously. We look for books that present their author’s depth of research through engaging and accessible writing. We are not an academic publishing house, though we are <a href=\"https://mitpress.mit.edu/books/catalogs\">distributed via MIT Press</a>, but we do expect your research to be credible, backed up by evidence and fully referenced.\r\n\r\n- While we are not really a fiction publisher, we have published a handful of novels and short fiction anthologies and shall continue to do so. Broadly speaking we are interested in fiction that sits uneasily alongside other strange tales of science fiction, fantasy or the supernatural.\r\n\r\n- Please do not send us your poetry. We are not a poetry press, though we have published poetry as part of archival collections.\r\n\r\n<strong>What to send us</strong>\r\n\r\n- First of all, please send us a brief summary, about 800 words long, of what you have written, or intend to write. A separate breakdown of chapters is useful if you have one. We can then decide whether we want to see your completed manuscript, or discuss a commission with you. Finished manuscripts will be read by us and our readers for assessment.\r\n\r\n<strong>What else you should know before approaching us</strong>\r\n\r\n- Please do not expect an advance. We do, however, offer authors a very generous share of profits. We will also produce your book to the highest standards possible, and it will be distributed worldwide via <a href=\"https://mitpress.mit.edu/books/catalogs\">MIT Press</a>. We are a small independent press and unfortunately are unable to pay authors in advance, except in very rare instances, for example if we know for certain that we can presell a specific number of copies of a title.\r\n\r\n- We usually publish in paperback, though we sometimes also produce short hardback runs, either independently or as part of the edition.\r\n\r\n- Once your book is written and all other materials - such as illustrations - are in place, it will take six months to a year for a book to be published, though the process can sometimes be shorter, or longer, determined by our own production schedule and distributor\'s catalogue schedule.\r\n\r\n<em>While the above may sound daunting, please don’t be put off - we want to hear from you. </em>\r\n\r\n<em>Join us!</em>\r\n\r\n&nbsp;','Submission Guidelines','','publish','closed','closed','','submission-guidelines','','','2018-01-04 08:14:17','2018-01-04 08:14:17','',0,'http://strangeattractor.co.uk/?p=6061',0,'post','',0),(3574,2,'2011-05-17 08:19:46','2011-05-17 08:19:46','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/tessa_main_1305554712_crop_550x370.jpg\"><img src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/tessa_main_1305554712_crop_550x370-300x201.jpg\" alt=\"\" title=\"tessa_main_1305554712_crop_550x370\" width=\"300\" height=\"201\" class=\"alignleft size-medium wp-image-3571\" /></a>Music web magazine The Quietus have just published a <a href=\"http://thequietus.com/articles/06256-amon-tobin-and-tessa-farmer-control-over-nature\">long feature</a> on SA friend Tessa Farmer\'s <em>Control Over Nature</em> installation, which responds to Amon Tobin\'s new field recording-based ISAM album.\r\n\r\nQuietus editor John Doran interviews Tessa and Amon Tobin about their work, and you can stream <em>ISAM</em> (soon to be released on Ninja Tune records) with a commentary by Tobin.\r\n<object height=\"81\" width=\"100%\"><param name=\"movie\" value=\"http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F14287113&\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed allowscriptaccess=\"always\" height=\"81\" src=\"http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F14287113&\" type=\"application/x-shockwave-flash\" width=\"100%\"></embed></object><span><a href=\"http://soundcloud.com/amon-tobin/amon-tobin-isam\">\'ISAM\' - Full album with track-by-track commentary from Amon Tobin</a> by <a href=\"http://soundcloud.com/amon-tobin\">Amon Tobin</a></span>\r\n\r\nThe installation opens on 26 May at <a href=\"http://www.cryptgallery.org.uk/current_exhibitions.htm\">The Crypt Gallery</a>, St Pancras Church, London.','Tessa Farmer in The Quietus','','inherit','open','open','','3570-revision-3','','','2011-05-17 08:19:46','2011-05-17 08:19:46','',3570,'http://strangeattractor.co.uk/further/3570-revision-3/',0,'revision','',0),(3575,2,'2011-05-17 08:22:59','2011-05-17 08:22:59','<a href=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/tessa_main_1305554712_crop_550x370.jpg\"><img src=\"http://strangeattractor.co.uk/wp-content/uploads/2011/05/tessa_main_1305554712_crop_550x370-300x201.jpg\" alt=\"\" title=\"tessa_main_1305554712_crop_550x370\" width=\"300\" height=\"201\" class=\"alignleft size-medium wp-image-3571\" /></a>Music web magazine The Quietus have just published a <a href=\"http://thequietus.com/articles/06256-amon-tobin-and-tessa-farmer-control-over-nature\">long feature</a> on SA friend Tessa Farmer\'s <em>Control Over Nature</em> installation, which responds to Amon Tobin\'s new field recording-based ISAM album.\r\n\r\nQuietus editor John Doran interviews Tessa and Amon Tobin about their work, and you can stream <em>ISAM</em> (out on 23 May on Ninja Tune records) below.\r\n<object height=\"81\" width=\"100%\"><param name=\"movie\" value=\"http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F14287113&\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed allowscriptaccess=\"always\" height=\"81\" src=\"http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F14287113&\" type=\"application/x-shockwave-flash\" width=\"100%\"></embed></object><span><a href=\"http://soundcloud.com/amon-tobin/amon-tobin-isam\">\'ISAM\' - Full album with track-by-track commentary from Amon Tobin</a> by <a href=\"http://soundcloud.com/amon-tobin\">Amon Tobin</a></span>\r\n\r\nThe installation opens on 26 May at <a href=\"http://www.cryptgallery.org.uk/current_exhibitions.htm\">The Crypt Gallery</a>, St Pancras Church, London.','Tessa Farmer in The Quietus','','inherit','open','open','','3570-revision-4','','','2011-05-17 08:22:59','2011-05-17 08:22:59','',3570,'http://strangeattractor.co.uk/further/3570-revision-4/',0,'revision','',0),