Exemplary Essays from The Proceedings of ESTAR(SER), 2001–2021
Edited by D. Graham Burnett, Catherine L. Hansen and Justin E.H. Smith
155mm x 235mm
45 b/w Illustrations
16pp colour plates
(limited to 200 copies, exclusive to SAP)
Please note that HB copies may take a few weeks to be shipped as we are awaiting stock.
A very strange book
It’s…. strange! The prose style suggests that at the time of writing the authors were possessed by ghosts from circa 1900. It totally reads like an act of inverse ventriloquism. Strangely compelling… I can hear it as a very odd performance score and everyone off their tits on laudanum.
A great deal of uncertainty—and even some genuine confusion—surrounds the origin, evolution, and activities of the so-called Avis Tertia or Order of the Third Bird. Sensational accounts of this “attentional cult” emphasise histrionic rituals, tragic trance-addictions, and the covert dissemination of obscurantist ontologies of the art object. Hieratic, ecstatic, and endlessly evasive, the Order attracts sensual misfits and cabalistic aesthetes—both to its ranks, and to its scholarship.
In recent years, however, the revisionist work of the research collective ESTAR(SER) has done much to clear the air, bringing archival precision to the history of this covey of attention-artists who call themselves The Birds. Gathering the best articles of the last twenty years of The Proceedings of ESTAR(SER), this volume represents a landmark in the history of aesthetic practices, and will be a point of departure for future work wading the muddy marshes at the limits of historicism.
“So what, exactly, ARE these nearly 800 heavily footnoted pages? That is very much the question. I’ll have a go at answering it here below…”
Download a PDF of peer reviews for this unique collection here: