MELINDA GEBBIE: WHAT IS THE FEMALE GAZE?
11 APR – 9 MAY 2015:
HORSE HOSPITAL, Colonnade, Bloomsbury, London WC1N 1JD
PRIVATE VIEW (all welcome):
FRIDAY 10TH APR 7PM
SAT 11TH APR – SAT 9TH MAY, MON – SAT, 12 – 6PM
FRIDAY 17TH APR:
MELINDA GEBBIE IN CONVERSATION WITH MARK PILKINGTON AND TAI SHANI
An invasive exotic species in her own right, Melinda Gebbie was recently approached by a neighbourhood artist seeking fifty women contributors to a project based around her own fiftieth birthday. The Californian Underground Comix luminary and psychedelic visionary ventured enthusiastically that such a project could be an interesting way of promoting the female gaze. To which the artist replied, “Well, I try to include them whenever I can”, an earnest liberal response. True story.
In her first, crucial exhibition at Bloomsbury’s Horse Hospital the former Haight-Ashbury runaway, West Coast punk affiliate and anti-nuclear animator reveals forty years of incendiary culture viewed through a unique and finely-ground female lens. The riotous pink frontline of a generation’s sexual expression and sexual politics is charted here in eighty drawings and seven revelatory paintings, ranging from ferocious engagements with her predominantly male Underground contemporaries, through the account of her very English obscenity trial and book-burning in ‘Public Enemy’, to a three-dimensional extension of her legendary pornographic masterpiece Lost Girls, with writer Alan Moore, in the form of three exquisite bronze casts of the iconic protagonists.
In crackling documentary black and white, in a neurological rapture of colour, here is the female gaze in all its awesome and gorgeous lucidity. Here, at last, is Underground Heaven.
2 November The Horse Hospital, 1 Colonnade, LONDON WC1N 1JD 6PM £7 ON THE DOOR/ £5 ADVANCE CLICK HERE
Join us for the launch of Luminous Screen, Abraxas Journal’s second special issue dedicated to the occult in films. Following the theme of I:MAGE, tonight’s event will be focused on spirit possession and cinema.
The programme includes the screening of Kelly Hayes’ evocative documentary on Afro-Brazilian religions Slaves of the Saints, a talk by anthropologist and film maker Chiara Ambrosio on southern Italian possession phenomena and a discussion panel on possession in popular cinema hosted by Mark Pilkington.
This event is brought to you by Strange Attractor and Fulgur Press.
Morbid Anatomy & Strange Attractor present
Robert Williams: Dis Manibus
A taxonomy of ghosts and ghostly phenomena.
The name Dis Manibus is drawn from the Latin, abbreviated to “DM” on Roman tombstones, which dedicate the occupants to ‘The Spirits of the Underworld’. Dis Manibus emerged as a consequence of a series of seminars at the noted Mildred’s Lane Project in Pennsylvania. Here, over an intensive three-week period, a group of graduate students and artists referred to as Mildred’s Lane Fellows considered the different contexts and behaviours of ghosts and ghost-seeing from a range of popular cultural forms.
Professor Robert Williams is an artist and academic based at the University of Cumbria. He has collaborated closely with artists Mark Dion and Bryan McGovern Wilson; conceptual writers Dr. Simon Morris and Nick Thurston; archaeologists Dr. Aaron Watson and Dr. David Barrowclough; German cultural sociologist Dr. Hilmar Schäfer, and with his son, Jack Aylward-Williams.
Roger Luckhurst – Voids, Corridors, Wires
Haunting has recalibrated to the spaces and networks of the modern world, its architecture and environments. These are spaces that do not seep history as much as horrify through their absences and psychic deficits. This talk will start to build a taxonomy of contemporary haunted spaces, featuring appearances from Kipling and Ballard, Kubrick and Lynch.
Roger Luckhurst is professor of modern and contemporary literature at Birkbeck College, University of London. His most recent book is The Mummy’s Curse: The True History of a Dark Fantasy.
London’s Lost Rivers author Tom Bolton will be leading a new series of walking tours in July and August, details below. We strongly advise advance booking as they are sure to be popular.
Meanwhile you can still buy copies of his book from us, and we’ll have news of his follow up, The Vanished City, soon.
London’s Lost Rivers – walks with Tom Bolton
Sat 19 July – Tyburn river walk
Sat 19 July – Fleet river walk
Sun 3 August – Neckinger river walk
Sun 3 August – Walbrook river walk
Walk the lost Tyburn river
Baker Street station to Vauxhall Bridge, 3.5 miles, 2.5 hours
10.30am, Saturday 19th July
The Tyburn is one of London’s lost rivers, infamous for the gallows named after it. It traces a route through Marylebone and Mayfair, cutting behind formal streets, hidden in London’s busy West End and under London’s most famous building. Follow the lower Tyburn with Tom Bolton, author of London’s Lost Rivers, and see the underside of the London tourists know.
Meet by the Sherlock Holmes statue outside Baker Street tube station at 10am on Sunday 3rd August. Bring an umbrella if it looks like rain – we’ll go ahead, whatever the weather. End point: Vauxhall Bridge. The walk costs £10. Pay on arrival (cash only). Emailteabolton@hotmail.com to book.
Walk the lost Fleet river
King’s Cross to Blackfriars, 3.5 miles, 2.5 hours
2pm, Saturday 19th July
Under the London pavements are the city’s lost rivers, hidden in tunnels and sewers. The most famous, the Fleet, runs just below the surface of central London. Follow the lower Fleet from St. Pancras to Blackfriars with Tom Bolton, author of London’s Lost Rivers, and hear how the river ran with blood, cured the sick, shaped the city and became London myth. End point: the Thames at Blackfriars Bridge
Meet outside the Pancras Road exit from St. Pancras Station – the one opposite the German Gymnasium and King’s Boulevard – at 2pm on Saturday 19th July. Bring an umbrella if it looks like rain – we’ll go ahead, whatever the weather. End point: the Thames at Blackfriars Bridge. The walk costs £10 – pay on arrival (cash only). Email email@example.com to book.
Walk the lost Neckinger river
South Bank to the Design Museum, 3.5 miles, 2.5 hours
10.30am, Sunday 3rd August
Cutting through the South Bank and Bermondsey, this walk along the buried route of the River Neckinger reveals South London’s visionaries, dissidents, madmen and women and a selection of well-known household brands.
Meet by the Thames at Bernie Spain Gardens, the open space between Coin Street and the Oxo Tower Wharf, at 10.30am on Sunday 3rd August. Bring an umbrella if it looks like rain – we’ll go ahead, whatever the weather. End point: St. Saviour’s Dock, near the Design Museum. The walk costs £10 – pay on arrival (cash only). Email firstname.lastname@example.org to book.
Walk the lost Walbrook river
Shoreditch High Street to Cannon Street, 1.75 miles, 2 hours
2pm, Sunday 3rd August
The Walbrook is buried deep under the City of London, providing not only the most direct route into the vaults of the Bank of England, but guarding London’s Roman heart. Follow the route of the Walbrook with Tom Bolton, author of London’s Lost Rivers, and uncover the ancient secrets lurking under alleys and back streets.
Meet outside the exit from Shoreditch High Street Overground station at 2pm on Sunday 3rd August. Bring an umbrella if it looks like rain – we’ll go ahead, whatever the weather. End point: the Thames beside Cannon Street Station. The walk costs £10 – pay on arrival (cash only). Email email@example.com to book.
HOW THE US GOVERNMENT CREATED A MYTH THAT TOOK OVER THE WORLD.
25 & 26 April at The Horse Hospital, 1 Colonnade, London WC1N
DOORS: 7:30PM, TICKETS £6 ADVANCE £7.50 ON THE DOOR
FRIDAY 25TH TICKETS CLICK HERE // SATURDAY 26TH TICKETS CLICK HERE
A film by John Lundberg, Mark Pilkington, Roland Denning, Kypros Kyprianou
Music by Cyclobe & Urthona
UFOs: weapons of mass deception…
For over 60 years teams within the US Air Force and Intelligence services exploited and manipulated beliefs about UFOs and ET visitations as part of their counterintelligence programmes. In doing so they spawned a mythology so powerful that it captivated and warped many brilliant minds, including several of their own. Now, for the first time, some of those behind these operations, and their victims, speak out, revealing a true story that is part Manchurian Candidate and part Close Encounters of the Third Kind.
Q&A with the film makers.
“A brilliant piece of work” Adam Curtis
“An incredible story” Jon Ronson
“A Wonderfully weird and provocative documentary” Boing Boing
“Tanatlising… juicy subject matter and high end production values” Hollywood Reporter
“A real head trip… I was glued to my seat for the entirety” Ain’t It Cool News
Mirage Men has shown at Sheffield Docfest, Fantastic Fest Austin, Canberra International Film Festival, Stockholm International Film Festival
An Evening with Gef the Talking Mongoose
Weds 19th March, 7:30pm
£5 advance/£6.50 on the door [tix]
The Horse Hospital
Colonnade, Bloomsbury, London WC1 1JD
Featuring Brian Catling, Tony Grisoni and Christopher Josiffe.
What haunted a remote Isle of Man farmhouse in the early 1930s? Was it a spirit? A miniature man-weasel, or a projection from a disturbed family’s collective psyche?
The tale of Gef the talking mongoose is one of the strangest in all the annals of paranormal research, and remains unsolved to this day.
Tonight, we feature a presentation by Christopher Josiffe, the world’s foremost authority on the story, alongside a screening of Vanished! A Video Seance (1999), a unsettling impressionistic account of the events. The film will be followed by a Q&A with writer-directors Brian Catling and Toni Grisioni.
Book tickets here
Several Strange Attractor Press titles can be found amongst the psychedelic delights at the brilliant Luminous Books temporary shop, installed at:
The Lethaby Gallery, Central Saint Martins College of Arts & Design, 1 Granary Square
Luminous Books are installed at the gallery for Afterall’s exhibition of Rodney Graham’s LSD-inspired film and music piece Phonokinetoscope (2001).
More info, including news of talks and events, can be found at Afterall.
18 SEPT 2013 at The Horse Hospital, London
Electric Sheep and Strange Attractor present:
Phase IV (Dir. Saul Bass, USA 1974, 84 mins)
with special guests Louis Savy (SciFi London)
and Petra Lange-Berndt (author of Animal Art)
Famed as a graphic designer of posters and title sequences, Saul Bass only got one shot at directing a feature, and the resulting film is a period masterpiece that is both a microcosm of contemporary progressive issues and a beautiful, intelligent science fiction film.
After an unusual planetary alignment in our solar system exposes planet Earth to anomalous electromagnetic fields, ants start preying on larger animals, including humans, marching across America and destroying whole towns. In an attempt to try to stop them, English entomologist Dr Ernest Hubbs (a frothingly good Nigel Davenport) and American mathematician James Lesko (Michael Murphy) set out to observe a colony of the super-intelligent ants from the apparent safety of a geodesic biosphere in the Arizona desert. What follows is a long, tense stand-off between ants and humans.
Although its interiors were shot at Pinewood, Phase IV‘s arid, ant-ravaged locations convey a convincing sense of a dying America and, as you’d expect from a first-class designer, the film looks exquisite. A brooding score, featuring eerie synthesiser sounds from White Noise’s David Vorhaus, further accentuates the mood of alienation and impending ant-nihilation.
Nobody can have expected this enigmatic, philosophical and ultimately rather downbeat film to be a commercial success, but Paramount still tried to exert control over the final cut, leading to a quarrel over its ending.
We are very excited to present Bass’s intended ending after the film. We’re also thrilled to have art historian Petra Lange-Berndt, author of Animal Art, and Louis Savy, director of SCI-FI-LONDON, in attendance, who will be talking to Mark Pilkington and Virginie Sélavy after the screening.
TICKETS £7 ON THE DOOR / £5 ADVANCE
Book now from The Horse Hospital
First, join Art Macabre for a drawing workshop in which you will have the opportunity to draw a real life Anatomical Venus. Drawing materials provided thanks to Cass Art (pencils, charcoal and drawing boards). Bring along a sketchbook/paper.
Following, enjoy two illustrated talks on the human body as spectacular object with;
Anna Maerker, Senior Lecturer, History of Medicine, King’s College London
John Troyer, Deputy Director, Centre for Death and Society, University of Bath, who will give a talk entitled ’Spectacular Human Corpses: Looking at Death, Seeing Dead Bodies’.
Nineteenth century preservation technologies radically changed and mechanically altered the human corpse, producing new kinds of postmortem conditions for all dead bodies. These technologies of preservation effectively invented the modern corpse; transforming the dead body into something new: a photographic image, a train passenger, a dead body that looked alive. These technological innovations were also used by early twentieth century postmortem technologists to turn the preserved human corpse into a dead body that was atemporal. Once the human corpse could exist outside the normal biological time that controlled the body’s decomposition, it became a well-suited subject for unfettered public display. These technologies augmented how an individual could see the dead body and in ways that we living humans still use today (albeit without noticing) when looking at death.