Events
Upcoming Events
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Previous Events
May 2012: Unstable at Maggs Bros
[click to download PDF 8MB]Advance word of a very exciting forthcoming show…
Strange Attractor and Maggs Bros are proud to present ‘Unstable’, an exhibition of new and old work from Battle Of The Eyes (Savage Pencil and Eyeball), Joel Biroco, Julian House and Cathy Ward. All artwork will be for sale, as will new books and other materials from Strange Attractor Press.
Unstable: 8 May – 8 June 2012
Maggs Counterculture and Gallery,
50 Hays Muse, W1J 5QJ, London, UK.
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London’s Lost Rivers exhibition
Update: We’re celebrating the exhibition by offering London’s Lost Rivers at the reduced price of £9.99
The fantastic and learned folks at Maggs Bros (counterculture division) are hosting an exhibition of unusual London photographs by SF Said – who took the amazing Polaroids for our London’s Lost Rivers: A Walkers Guide – and Jon Savage, author of England’s Dreaming, the essential critical history of punk in 1970s England.
The exhibition runs from 22 March until 19 April at
Maggs Counterculture, 50 Hays Mews, London W1J 5QJ.
Entry is free, Mon-Fri 11am-15pm.
Original photographs and prints will be on sale.
Download the PDF catalogue here
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Sounding Out the Territory
Sounding Out The Territory:
The Sensorial World Of Sound Maps
Find out more about the world of sound maps, at The Wire magazine’s salon:
Thursday 15 March at Cafe Oto, 18 – 22 Ashwin street, Dalston, London E8
8pm, £4 on the door.
In this edition of The Wire Salon, artist Kathy Hinde, Ian Rawes of the London Sound Survey, and Joseph Kohlmaier of London Metropolitan University’s Department of Architecture and Spatial Design will debate the philosophies and practices of sound mapping, exploring both its limits and potentiality. The discussion will be illustrated with audio and visual clips. Plus: a special audience-participation sound map quiz. Prizes will be awarded!
SAP will also be there with signed copies of London’s Lost Rivers for sale.
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14 March: The White Worm Rises
The Lair of The White Worm (1988, 96 mins) + Discussion
14 March 2012, doors 7pm
The Horse Hospital
Colonnade, Bloomsbury,
London WC1N 1JD
£6/£4
‘It has a lair, it has a worm, the worm is white.’ Roger Ebert
Electric Sheep and Strange Attractor are proud to present a rare outing for this unjustly neglected horror romp from the late Ken Russell as part of Russell Forever, a tribute to the director organised by the good people of Scala Forever to coincide with the release of The Devils on DVD in March.
Tenuously based on a 1911 novel by Bram Stoker – itself inspired by the ancient tale of the Lambton Wyrm, a staple for every book of true monster stories – this shamelessly camp horror comedy is generally considered to be Russell’s last great film.
Our Ken gleefully captures the spirits of Hammer and Carry On, doses them both with LSD and then dangles them over a bottomless pit containing an 80ft phallus while standing at the side pointing and laughing.
Featuring a soon-to-be-all-star cast including Hugh Grant, Peter Capaldi and Amanda Donahoe, gags and gore galore, not to mention sex, folk rock and slapstick, The Lair of the White Worm is a joyful outrage from beginning to end.
Plus talk with BFI archive curators and Flipside programmers Vic Pratt and Will Fowler about the film, Ken Russell and his legacy.
Advance tickets £5 from WeGotTickets.
For more information on other Russell Forever events, please see the Russell Forever Facebook event page, or follow Scala Forever on Facebook and Twitter.
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The Glasgow Working 15.02.12
Strange Attractor presents The Glasgow Working
15 February 2012,
at The Old Hairdressers, 27 Renfield Lane, Glasgow.
Doors: 7:00pm – 11:00pm
Price: £5.00
To celebrate the opening of Objections to an Empty Mind at The Hidden Noise gallery [see below], Strange Attractor presents a night of talk, music and film.
∞ Phil Baker, author of Austin Osman Spare: The Life and Legend of London’s Lost Artist, presents an illustrated talk about the artist and his work.
∞ Magick Concrète : a mediumistic improvisation for phonomantium and guitar, featuring Mark Pilkington (Strange Attractor) and Drew Mulholland (Mount Vernon Arts Lab).
∞ The London Nobody Knows (1969, 60 minutes): James Mason presents a wry view of unseen London, based on the books of Geoffrey Fletcher – a psychogeographer’s delight.
Tickets available online or at Monorail in Glasgow
Objections to an Empty Mind
Austin Osman Spare with Richard Brown
Hidden Noise, 1/1, 24 Hayburn Crescent, Glasgow, G11 5AY
17 February – 17 March 2012 – Free Admission
Opening times: Thursday – Saturday 12 to 5pm or by appointment
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Strange Attractor at Off the Page 2012

Frances Morgan and Mark Pilkington will be speaking at The Wire magazine’s Off The Page Festival on 24 February 2012, as part of a great lineup that includes Vicki Bennett, Gavin Bryars, Tony Herrington, Anne Hilde Neset, Evan Parker, Simon Reynolds, Aura Satz, Dave Tompkins, Jonny Trunk, Rob Young and many others.
‘Off The Page 2012 takes place 24–26 February 2012 at the Playhouse Theatre, Whitstable. £40 weekend pass/£12 Friday pass/£20 Saturday pass/£15 Sunday pass. Tickets available via Ticketweb.’
Mark Pilkington’s talk is:
From the Akashic Jukebox: Magic and Music in Britain, 1888-1978
Magic and music are as old as humanity, but organised witchcraft, a British cultural export whose influence has been felt all over the world, is younger than jazz. In this talk, illustrated with images, music and rare recordings, Mark Pilkington, writer and publisher of Strange Attractor Press, explores British occultism’s origins in the bohemian groves of late 19th century London, and charts its impact on popular music and some of its players, from the rock ‘n’ roll years through to the paradigm shift of punk. The emerging stories glow with transcendence, ripple with mystery, honk with absurdity and are all too often shadowed by tragedy.
While Frances Morgan is part of a panel discussing:
Critical Mass: Music Theory in the Information Age
The advent of the blogosphere, social networking and e-books have capsized the traditional dynamics of cultural criticism. Today, anyone who wants to disseminate information or express a judgment on music has free access to the technology that will allow them to share concepts and philosophies on a global scale. But has this new theory-babble expanded the discourse around contemporary sound and music or shut it down, democratised debate or created a climate defined by wooly thinking and subjective axe-grinding?
More details here
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‘Wyrd Tales 2′ Launch: 10 December
English Heretic present Wyrd Tales 2
Saturday 10th December
7.00 – 10.30pm
at Luminous Books,
3.5 Frederick Terrace
E8 4EW
Free entry!
Luminous Books is delighted to host the launch of Wyrd Tales 2. A salvaged miscegenation of occult pulp, speculative meta-fiction, neolithic fantasy and mythic sci-fi. Featuring contributions by a renowned and talented roster of guest artists and writers and an accompanying CD of aural lagan,Wyrd Tales 2, promises to provide the magical vehicle for an archetypal voyage to England’s deep.
Wyrd Tales 2 includes art and writing by Lisa Cradduck, Mark Fisher, English Heretic, Ken Hollings, Dean Kenning, Phil Legard, Mark Pilkington and Sarah Sparkes.
The evening will include Performances and annotated readings by Ken Hollings, author of Welcome to Mars: Fantasies of Science in the American Century, 1947-1959, with live electronics and theremin backing from Indigo Octagon; Mark Fisher, author of Capitalist Realism and writer of the blog K-punk, Andy Sharp of English Heretic and DJ set by Dean Brannagan.
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Steve Moore at Luminous Books

Steve Moore makes a rare appearance to read from his novel Somnium at Luminous Books. Steve will also be signing copies of the book.
The event takes place from 6 til 9pm at Luminous Books, 3.5 Frederick Terrace, London E8 4EW on Friday 25 November. Entrance is free.
Also reading will be James Attlee, author of Nocturne: a Journey in Search of Moonlight and science collective Super/Collider will be screening Moon films.
Meanwhile you can feast on Moon Cakes, sky lanterns and Luminous Books’ collection of space books.
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Electric Sheep presents: Sex Jack
Sex Jack (1970) + Man Eater Mountain (2008)
Plus discussion with Julian Ross, Jasper Sharp and Virginie Selavy
7pm (films at 7.30pm), Tuesday 15 November 2011
The Horse Hospital, 1 Colonnade, London WC1N 1JD
Tickets £6/£4 / WeGotTickets
Electric Sheep and Strange Attractor present a screening of Sex Jack (1970, 69 mins), directed by yakuza-turned-filmmaker Kôji Wakamatsu and written by his politically engaged acolyte Masao Adachi. Set against the background of the 60s Japanese student movement, it follows a group of young revolutionaries who take refuge in the flat of a stranger. Screened at the Quinzaine des Réalisateurs at the 1971 Cannes festival, it remains one of Wakamatsu’s most striking works.
Wakamatsu and Adachi chose to work in the pink film (soft porn) industry as a way of ensuring financial independence and artistic freedom, and Sex Jack offers a typically radical mix of sex and politics. Denouncing both government repression and the apathy of the revolutionary movement, the film paints a disillusioned picture of collective action, ultimately suggesting that liberation from all shackles can only come from individual action. With thanks to the French-based international label Dissidenz, which has recently released three Kôji Wakamatsu DVD box-sets.
Sex Jack will be preceded by the black and white animated tale Man-Eater Mountain (dir Naoyuki Niiya, 2008, 28 mins), which uses paper theatre to tell a gruesome folk tale. A couple of police inspectors and their guide take a serial killer to the mountains to find the bodies of his victims, but soon they face the demons that reside there. Both beautifully atmospheric and hellishly nightmarish, it has Bosch-like visions of blood-sucking trees, impaled animals, bodies torn apart or eaten by demons. Man-Eater Mountain is presented by Zipangu Fest, the first UK-wide festival devoted to Japanese film, which runs from 18 to 24 November.
The films will be followed by a talk with Jasper Sharp, author of Behind the Pink Curtain: The Complete History of Japanese Sex Cinema, director of Zipangu Fest and co-editor of the Japanese cinema website Midnight Eye, and Julian Ross, commissioning editor at Vertigo Magazine and programme coordinator for the Theatre Scorpio season at Close-Up Film Centre and the Art Theatre Guild season at the BFI Southbank in July-August 2011. The talk will be hosted by Electric Sheep editor Virginie Sélavy.
Doors at 7pm, film at 7:30pm, talk at 9:30pm.\
Full details on the Horse Hospital website.
Buy tickets from WeGotTickets.
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